A Arte de

~ Veröffentlichung von Bee Gees (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

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1▼Vinyl: Disco I
Nr.TitelBewertungLänge
A1I Started a Joke
Techniker(in):
John Pantry
Produzent(in):
Bee Gees und Robert Stigwood
Bassgitarre, Klavier, mellotron und Orgel:
Maurice Gibb (in 1968-06)
Gitarre:
Barry Gibb (in 1968-06) und Vince Melouney (in 1968-06)
Schlagzeug:
Colin Petersen (in 1968-06)
Sologesang:
Robin Gibb (in 1968-06)
conductor:
Bill Shepherd (British orchestra leader, arranger and music director, most known for his arrangements for the Bee Gees)
arranger:
Bill Shepherd (British orchestra leader, arranger and music director, most known for his arrangements for the Bee Gees)
phonographisches Urheberrecht (℗) von:
Barry Gibb (in 1968), Maurice Gibb (in 1968) und Robin Gibb (in 1968)
phonographisches Urheberrecht (℗) von:
PolyGram International Ltd. (in 1968) und RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (in 1968)
aufgenommen bei:
IBC Studios in London (Greater London), England, Vereinigtes Königreich (in 1968-06)
recording of:
I Started a Joke (in 1968-06)
Verfasser(in):
Barry Gibb, Maurice Gibb und Robin Gibb
publisher:
BMG Music, Careers Music, Inc., Careers–BMG Music Publishing, Inc. und Gibb Brothers Music
2.753:08
A2To Love Somebody
Koproduzent(in):
Ossie Byrne
Produzent(in):
Barry Gibb, Maurice Gibb, Robin Gibb und Robert Stigwood
conductor:
Bill Shepherd (British orchestra leader, arranger and music director, most known for his arrangements for the Bee Gees)
arranger:
Bill Shepherd (British orchestra leader, arranger and music director, most known for his arrangements for the Bee Gees)
phonographisches Urheberrecht (℗) von:
Barry Gibb (in 1967), Maurice Gibb (in 1967) und Robin Gibb (in 1967)
phonographisches Urheberrecht (℗) von:
PolyGram International Ltd. (in 1967), PolyGram International Music B.V. (not for release label use!) (in 1967), Robert Stigwood Organisation Ltd. (in 1967), RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (in 1967) und RSO Records, Ltd. (in 1969)
aufgenommen bei:
IBC Studios in London (Greater London), England, Vereinigtes Königreich (in 1967-04)
recording of:
To Love Somebody (in 1967-04)
geschrieben in:
New York, New York, Vereinigte Staaten (in 1967)
Verfasser(in):
Barry Gibb (in 1967) und Robin Gibb (in 1967)
publisher:
Abigail Music, BMG Music, BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Nemperor, Songs of Universal, Inc. (BMI) und Universal Music Careers
Teil von:
50/50
3.93:00
A3Words
Produzent(in):
Bee Gees und Robert Stigwood
conductor:
Bill Shepherd (British orchestra leader, arranger and music director, most known for his arrangements for the Bee Gees)
arranger:
Bill Shepherd (British orchestra leader, arranger and music director, most known for his arrangements for the Bee Gees)
phonographisches Urheberrecht (℗) von:
Barry Gibb (in 1968), Maurice Gibb (in 1968) und Robin Gibb (in 1968)
phonographisches Urheberrecht (℗) von:
PolyGram International Ltd. (in 1968), PolyGram International Music B.V. (not for release label use!) (in 1968) und Robert Stigwood Organisation Ltd. (in 1968)
aufgenommen bei:
IBC Studios in London (Greater London), England, Vereinigtes Königreich (am 1967-10-03)
recording of:
Words (am 1967-10-03)
geschrieben in:
London (Greater London), England, Vereinigtes Königreich
Verfasser(in):
Barry Gibb, Maurice Gibb und Robin Gibb
publisher:
Abigail Music, BMG Publishing, Careers–BMG Music Publishing, Inc., Casserole Music, Inc., Chappell Music Ltd., Crompton Songs, Gibb Brothers Music, Nemperor, Songs of Universal, Inc. (BMI) und Universal Music Careers
live recording of:
Words
geschrieben in:
London (Greater London), England, Vereinigtes Königreich
Verfasser(in):
Barry Gibb, Maurice Gibb und Robin Gibb
publisher:
Abigail Music, BMG Publishing, Careers–BMG Music Publishing, Inc., Casserole Music, Inc., Chappell Music Ltd., Crompton Songs, Gibb Brothers Music, Nemperor, Songs of Universal, Inc. (BMI) und Universal Music Careers
3.23:16
A4Odessa
recording of:
Odessa (City on the Black Sea)
Verfasser(in):
Barry Gibb, Maurice Gibb und Robin Gibb
publisher:
Casserole Music, Inc. und Unichappell Music, Inc.
7:35
A5Lonely Days
Techniker(in):
Lewis Hahn und John Stewart (UK music producer/recording engineer)
Produzent(in):
Bee Gees, Barry Gibb, Maurice Gibb, Robin Gibb und Robert Stigwood
conductor:
Bill Shepherd (British orchestra leader, arranger and music director, most known for his arrangements for the Bee Gees)
arranger:
Bill Shepherd (British orchestra leader, arranger and music director, most known for his arrangements for the Bee Gees)
phonographisches Urheberrecht (℗) von:
Barry Gibb (in 1970), Maurice Gibb (in 1970) und Robin Gibb (in 1970)
phonographisches Urheberrecht (℗) von:
PolyGram International Ltd. (in 1970)
Musikvideos:
Lonely Days von Bee Gees
recording of:
Lonely Days (in 1970-10)
Verfasser(in):
Barry Gibb, Maurice Gibb und Robin Gibb
publisher:
Abigail Music, Abigail Music (London) Ltd. (publisher), BMG Music, Careers Music, Inc., Careers–BMG Music Publishing, Inc., Gibb Brothers Music, Robin Gibb Music, Robin Gibb Publishing Ltd., Songs of Universal, Inc. (BMI) und Universal Music Careers
3.53:45
B1How Can You Mend a Broken Heart
recording engineer:
Bryan Stott (British engineer) (in 1971-01)
Produzent(in):
Bee Gees und Robert Stigwood
conductor:
Bill Shepherd (British orchestra leader, arranger and music director, most known for his arrangements for the Bee Gees)
arranger:
Bill Shepherd (British orchestra leader, arranger and music director, most known for his arrangements for the Bee Gees)
phonographisches Urheberrecht (℗) von:
Barry Gibb (in 1971), Maurice Gibb (in 1971) und Robin Gibb (in 1971)
phonographisches Urheberrecht (℗) von:
PolyGram International Ltd. (in 1971)
aufgenommen bei:
IBC Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
How Can You Mend a Broken Heart (in 1971-01)
geschrieben in:
Kensington, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich
Verfasser(in):
Barry Gibb und Robin Gibb
publisher:
Abigail Music (London) Ltd. (publisher), BMG Music, Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Robin Gibb Publishing Ltd., Songs of Universal, Inc. (BMI), Universal Music Careers und Universal Music Publishing International MGB Ltd.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3.63:57
B2Israel
recording engineer:
Bryan Stott (British engineer)
Produzent(in):
Bee Gees und Robert Stigwood
aufgenommen bei:
IBC Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
Israel (Bee Gee’s song)
Texter und Komponist(in):
Barry Gibb
13:43
B3My World
recording of:
My World
geschrieben in:
Birmingham, West Midlands, England, Vereinigtes Königreich
Verfasser(in):
Barry Gibb und Robin Gibb
publisher:
Abigail Music (London) Ltd. (publisher), BMG Music, Careers Music, Inc., Gibb Brothers Music und Robin Gibb Publishing Ltd.
4:02
B4Method to My Madness
Techniker(in):
Chuck Leary und Mike D. Stone
Produzent(in):
Bee Gees
Bass, Hybrid-Piano und Orgel:
Maurice Gibb
Schlagzeug:
Jim Keltner
Sologesang:
Barry Gibb, Maurice Gibb und Robin Gibb
conductor:
Johnny Pate
arranger:
Johnny Pate
aufgenommen bei:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Method to My Madness
Verfasser(in):
Barry Gibb, Maurice Gibb und Robin Gibb
publisher:
Abigail Music und Robin Gibb Publishing
?:??
B5My Life Has Been a Song
Techniker(in):
Chuck Leary und Mike D. Stone
Produzent(in):
Bee Gees
Bass, Klavier und Orgel:
Maurice Gibb
Mundharmonika:
Tommy Morgan (Harmonica player)
Schlagzeug:
Jim Keltner
Sologesang:
Barry Gibb und Robin Gibb
conductor:
Johnny Pate
arranger:
Johnny Pate
aufgenommen bei:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
My Life Has Been a Song
Verfasser(in):
Barry Gibb, Maurice Gibb und Robin Gibb
publisher:
Abigail Music und Robin Gibb Publishing
?:??
B6Elisa
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1972-11)
Produzent(in):
Johnny Pate
conductor:
Jimmy Haskell
arranger:
Jimmy Haskell
phonographisches Urheberrecht (℗) von:
PolyGram International Ltd. (in 1973)
recording of:
Elisa (in 1972-11)
Verfasser(in):
Barry Gibb, Maurice Gibb und Robin Gibb
publisher:
Abigail Music, BMG Music, Careers Music, Inc., Gibb Brothers Music und Robin Gibb Publishing
2:47
2▼Vinyl: Disco II
Nr.TitelBewertungLänge
C1New York Mining Disaster
recording of:
New York Mining Disaster 1941
Verfasser(in):
Robin Gibb (in 1967) und Barry Gibb (in 1967-03)
publisher:
Abigail Music, BMG Music, BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs und Gibb Brothers Music
2:10
C2Massachussets
recording of:
Massachusetts
geschrieben in:
New York, New York, Vereinigte Staaten
Verfasser(in):
Barry Gibb, Maurice Gibb und Robin Gibb
publisher:
Abigail Music, BMG Music, BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs und Gibb Brothers Music
52:23
C3I’ve Got to Get a Message to You
Produzent(in):
Bee Gees und Robert Stigwood
conductor:
Bill Shepherd (British orchestra leader, arranger and music director, most known for his arrangements for the Bee Gees)
arranger:
Bill Shepherd (British orchestra leader, arranger and music director, most known for his arrangements for the Bee Gees)
phonographisches Urheberrecht (℗) von:
Barry Gibb (in 1968), Maurice Gibb (in 1968) und Robin Gibb (in 1968)
phonographisches Urheberrecht (℗) von:
PolyGram International Ltd. (in 1968), PolyGram International Music B.V. (not for release label use!) (in 1968) und Robert Stigwood Organisation Ltd. (in 1968)
recording of:
I’ve Gotta Get a Message to You (in 1968-07)
Verfasser(in):
Barry Gibb, Maurice Gibb und Robin Gibb
publisher:
Abigail Music, BMG Music, BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Songs of Universal, Inc. (BMI), Universal Music Careers und Universal Music Publishing International MGB Ltd.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
2.752:56
C4Tomorrow Tomorrow
recording of:
Tomorrow Tomorrow
Verfasser(in):
Barry Gibb und Maurice Gibb
publisher:
BMG Music, Careers Music, Inc. und Gibb Brothers Music
3:39
C5Don’t Forget to Remember
Produzent(in):
Bee Gees und Robert Stigwood
conductor:
Bill Shepherd (British orchestra leader, arranger and music director, most known for his arrangements for the Bee Gees)
phonographisches Urheberrecht (℗) von:
Barry Gibb (in 1969), Maurice Gibb (in 1969) und Robin Gibb (in 1969)
phonographisches Urheberrecht (℗) von:
PolyGram International Ltd. (in 1969), PolyGram International Music B.V. (not for release label use!) (in 1969) und RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (in 1971)
recording of:
Don’t Forget to Remember (in 1969-08)
Verfasser(in):
Barry Gibb und Maurice Gibb
publisher:
Abigail Music, Abigail Music (London) Ltd. (publisher), BMG Music, BMG Publishing Ltd., Careers Music, Inc. und Gibb Brothers Music
2.43:27
C6First of May
Produzent(in):
Bee Gees und Robert Stigwood
conductor:
Bill Shepherd (British orchestra leader, arranger and music director, most known for his arrangements for the Bee Gees)
arranger:
Bill Shepherd (British orchestra leader, arranger and music director, most known for his arrangements for the Bee Gees)
phonographisches Urheberrecht (℗) von:
Barry Gibb (in 1969), Maurice Gibb (in 1969) und Robin Gibb (in 1969)
phonographisches Urheberrecht (℗) von:
PolyGram International Ltd. (in 1969), PolyGram International Music B.V. (not for release label use!) (in 1969), Robert Stigwood Organisation Ltd. (in 1969) und RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (in 1969)
aufgenommen bei:
IBC Studios in London (Greater London), England, Vereinigtes Königreich (in 1968-08)
recording of:
First of May (in 1968-08)
Verfasser(in):
Barry Gibb, Maurice Gibb und Robin Gibb
publisher:
BMG Music, BMG Publishing Ltd., Careers Music, Inc., Casserole Music, Inc., Crompton Songs, Gibb Brothers Music, Unichappell Music, Inc. und Universal Music Publishing International MGB Ltd.
basiert auf:
迷惘
2.352:49
C7I.O.I.O.
recording of:
I.O.I.O.
Verfasser(in):
Barry Gibb und Maurice Gibb
publisher:
Abigail Music (London) Ltd. (publisher), BMG Music, Careers Music, Inc. und Gibb Brothers Music
2:45
D1Every Second, Every Minute
Techniker(in):
Lewis Hahn und John Stewart (UK music producer/recording engineer)
Produzent(in):
Barry Gibb, Maurice Gibb, Robin Gibb und Robert Stigwood
recording of:
Every Second, Every Minute
Texter und Komponist(in):
Barry Gibb
publisher:
Abigail Music und Gibb Brothers Music
3:00
D2Trafalgar
recording engineer:
Bryan Stott (British engineer)
Produzent(in):
Bee Gees und Robert Stigwood
phonographisches Urheberrecht (℗) von:
Barry Gibb (in 1971), Maurice Gibb (in 1971) und Robin Gibb (in 1971)
aufgenommen bei:
IBC Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
Trafalgar
Texter und Komponist(in):
Maurice Gibb
33:51
D3Run to Me
Produzent(in):
Bee Gees und Robert Stigwood
phonographisches Urheberrecht (℗) von:
PolyGram International Ltd. (in 1972) und PolyGram International Music B.V. (not for release label use!) (in 1972)
recording of:
Run to Me (in 1972-04)
Verfasser(in):
Barry Gibb, Maurice Gibb und Robin Gibb
publisher:
Abigail Music (London) Ltd. (publisher), BMG Music, BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Redbreast Publishing Ltd., Robin Gibb Publishing Ltd., RSO Publishing Inc., Songs of Universal, Inc. (BMI), Universal Music Careers, Universal Music Publishing International MGB Ltd. und WB Music Group
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
33:04
D4Saw a New Morning
Techniker(in):
Chuck Leary und Mike D. Stone
Produzent(in):
Bee Gees
Akustikgitarre:
Barry Gibb und Maurice Gibb
Bass und Hybrid-Piano:
Maurice Gibb
Gitarre:
Alan Kendall
Schlagzeug:
Jim Keltner
Sologesang:
Barry Gibb, Maurice Gibb und Robin Gibb
conductor:
Johnny Pate
arranger:
Johnny Pate
aufgenommen bei:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Saw a New Morning
Verfasser(in):
Barry Gibb, Maurice Gibb und Robin Gibb
publisher:
Abigail Music, BMG Music, Careers Music, Inc., Gibb Brothers Music und Robin Gibb Publishing
1?:??
D5Alive
?:??
D5Mr. Natural
recording engineer:
Alan Lucas (in 1974-01)
Produzent(in):
Arif Mardin
remixer:
Andy Knight (UK engineer), Arif Mardin und Gene Paul
arranger:
Arif Mardin
phonographisches Urheberrecht (℗) von:
PolyGram International Ltd. (in 1974)
aufgenommen bei:
Command Studios in London (Greater London), England, Vereinigtes Königreich (in 1974-01)
recording of:
Mr. Natural (in 1974-01)
Komponist(in):
Barry Gibb und Robin Gibb
publisher:
BMG Music, Careers Music, Inc. und Gibb Brothers Music
13:48