Reader’s Digest: The Super 60’s

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1It’s Now or Never
registrazione cover di:
It’s Now or Never
paroliere:
Wally Gold e Aaron Schroeder (1950s~1960s US songwriter)
compositore:
Eduardo Di Capua
editore:
A. Schroeder, Carlin Music Corporation, Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music Inc., Rachel’s Own Music e Williamson Music Company
versione di:
’O sole mio
Elvis Presley3:18
2Stairway to Heaven
registrazione di:
Stairway to Heaven
paroliere:
Howard Greenfield
compositore:
Neil Sedaka
editore:
Screen Gems–EMI Music Ltd.
Neil Sedaka2:43
3Puppy Love
registrazione di:
Puppy Love
paroliere e compositore:
Paul Anka (Canadian singer, songwriter and actor)
editore:
Epa Publishing
Paul Anka2:39
4Wonderful World
tecnico:
Dino Lapis (engineer)
produttore:
Lou Adler e Sam Cooke (American singer and songwriter, “King of Soul”)
basso :
Adolphus Alsbrook (bass) (il 1959-03-02)
batteria :
Ronald Selico (il 1959-03-02)
chitarra :
Clifton White (il 1959-03-02)
voce principale:
Sam Cooke (American singer and songwriter, “King of Soul”) (il 1959-03-02)
direttore d'orchestra:
René Hall (il 1959-03-02)
registrata presso:
Rex Productions Studio in Hollywood, Los Angeles, California, Stati Uniti (il 1959-03-02)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1960 (numero: 21) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 182)
registrazione di:
Wonderful World (il 1959-03-02)
autore:
Lou Adler, Herb Alpert e Sam Cooke (American singer and songwriter, “King of Soul”)
editore:
ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Ardmore and Beechwood Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Ltd. e 日本アブコ音楽出版 (ABKCO Japan Publishing)
Sam Cooke3.72:09
5Where or When
registrazione cover di:
Where or When (from “Babes in Arms”)
paroliere:
Lorenz Hart (nel 1937)
compositore:
Richard Rodgers (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.), Williamson Music Company e Chappell & Co. (nel 1937)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Babes in Arms (full musical)
Dion & The Belmonts2:40
6Poetry in Motion
registrazione cover di:
Poetry in Motion
autore:
Mike Anthony (US songwriter) e Paul Kaufman (songwriter)
Johnny Tillotson42:33
7Will You Love Me Tomorrow
batteria [drums] :
Gary Chester (studio drummer and educator) (nel 1960)
pianoforte :
Paul Griffin (American pianist, session musician) (nel 1960)
timpano :
Carole King (nel 1960)
voce:
Doris Coley (nel 1960), Addie Harris (nel 1960) e Beverly Lee (singer for The Shirelles) (nel 1960)
voce principale:
Shirley Owens (nel 1960)
diritti fonografici (℗) detenuti da:
HHO Licensing Ltd.
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1960 (numero: 4), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 33), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 125), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 151)
registrazione di:
Will You Love Me Tomorrow (Carole King song) (nel 1960)
paroliere:
Gerry Goffin
compositore:
Carole King
editore:
Lushmole Music, Pathe Publications (Far East) Limited, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Warner/Chappell Music Ltd. (1996–2019), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
The Shirelles3.82:38
8A Hundred Pounds of Clay
registrazione di:
Hundred Pounds of Clay
autore:
Luther Dixon, Bob Elgin e Kay Rogers
editore:
Pincus Gil Music Pty Ltd
versione tradotta di:
Cien Kilos de Barro
Gene McDaniels2:21
9Why
registrazione di:
Why (1959 song)
paroliere:
Robert P. Marcucci
compositore:
Peter de Angelis
editore:
Debmar Publishing Co., Inc.
Frankie Avalon2:37
10Step by Step
The Crests2:28
11There’s a Moon Out Tonight
registrazione di:
There’s a Moon Out Tonight
autore:
Alfonso Gentile, Joe Luccisano e Al Striano
editore:
Embassy Music Corporation
The Capris2:15
12Handy Man
registrazione di:
Handy Man
autore:
Otis Blackwell (American pianist, singer and songwriter) e Jimmy Jones (writer of “Good Timin’” and “Handy Man”)
editore:
Bess Music Company, EMI Unart Catalog Inc., Metric Music Company (publisher), Shalimar Music Corp., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Jimmy Jones2:01
13Next Door to an Angel
registrazione di:
Next Door to an Angel
autore:
Howard Greenfield e Neil Sedaka
editore:
Screen Gems–EMI Music Ltd.
Neil Sedaka2:27
14Raindrops
Dee Clark2:49
15The Wanderer
registrazione cover di:
The Wanderer
paroliere e compositore:
Ernie Maresca
editore:
Mijac Music, Schwartz Music Ltd., Warner Chappell, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America Ltd., Warner/Chappell Music, Inc. e Warner/Chappell North America
Dion4.652:44
16Venus in Blue Jeans
registrazione di:
Venus in Blue Jeans
paroliere:
Howard Greenfield
compositore:
Jack Keller
Jimmy Clanton2:17
17Beechwood 4–5789
registrazione di:
Beechwood 4‒5789
autore:
Marvin Gaye, George Gordy e William Stevenson (Motown songwriter)
editore:
FCG Music, Jobete Music Co., Inc., MG III Music, NMG Music e Stone Agate Music
The Marvelettes2:13
18I Love How You Love Me
tecnico:
Stan Ross (recording engineer, mixer & producer)
produttore:
Phil Spector
voce di accompagnamento:
Albeth Paris, Sherrell Paris e Phil Spector
voce parlata [spoken voice on 2nd lead over the instrumental break]:
Albeth Paris
voce principale [singing voice on 1st lead]:
Priscilla Paris
arrangiatore:
Hank Levine e Phil Spector
registrata presso:
Gold Star Studios in Hollywood, Los Angeles, California, Stati Uniti (dal 1961-07 al 1961-08)
registrazione cover di:
I Love How You Love Me (dal 1961-07 al 1961-08)
autore:
Larry Kolber e Barry Mann
editore:
Robert Mellin Ltd. e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Paris Sisters42:07
19Shop Around
registrazione di:
Shop Around
autore:
Berry Gordy e Smokey Robinson
The Miracles2:47
20Daddy’s Home
registrazione di:
Daddy’s Home
autore:
Charles Baskerville, Clarence Bassett, James Sheppard (American Doo-Wop/R&B singer) e William Henry Miller (US songwriter, A&R executive, label owner)
editore:
EMI Longitude Music, Longitude Music, Sixty Four East Music Co., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
si basa su:
A Thousand Miles Away
Shep & the Limelites3:01
21Speedy Gonzales
registrazione di:
Speedy Gonzales
autore:
David Hess (actor/songwriter), David Hill (US songwriter), Buddy Kaye e Ethel Lee (songwriter)
editore:
Budd Music Ltd. (publisher) (dal 1977 a oggi)
Pat Boone52:33
22She Cried
registrazione cover di:
She Cried
autore:
Ted Daryll (US songwriter & record producer) e Greg Richards
Jay & the Americans2:40
23Norman
registrazione di:
Norman
compositore:
John D. Loudermilk
Sue Thompson2:20
24I Like It Like That
registrazione di:
I Like It Like That
autore:
Chris Kenner e Allen Toussaint
editore:
Tune-Kel Pub. Co. Inc.
Chris Kenner1:56
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#TitoloArtistaValutazioneDurata
1Dancing in the Street
registrazione di:
Dancing in the Street
autore:
I. Hunter, M. Gaye e W. Stevenson (Motown songwriter)
editore:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), FCG Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., MG III Music, NMG Music, Stone Agate Music, Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Martha and the Vandellas2:42
2The Night Has a Thousand Eyes
registrazione di:
The Night Has a Thousand Eyes
autore:
Marilyn Garrett, Dottie Wayne e Ben Weisman
editore:
Blen Music, Mabs Music Co. (ASCAP-affiliated), Music Publishing Company of America e Shelby Music
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bobby Vee2:36
3Rhythm of the Rain
diritti fonografici (℗) detenuti da:
Warner Music H.K. Ltd. (nel 1997)
registrazione di:
Rhythm of the Rain (nel 1962)
paroliere e compositore:
John Gummoe
editore:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Cascades32:31
4Mickey’s Monkey
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
batteria :
Benny Benjamin (US drummer)
chitarra :
Marv Tarplin
strumenti:
The Funk Brothers
voce di accompagnamento:
"Jockey Jack" Gibson (DJ), Rosalind Ashford, Annette Beard, The Marvelettes, Warren “Pete” Moore, Martha Reeves, Claudette Robinson, Bobby Rogers, Ronnie White (soul singer, founding member of The Miracles), The Temptations (Motown soul vocal group) e Mary Wilson
voce principale:
Smokey Robinson
registrata presso e mixata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (dal 1963-07-09 al 1963-07-10)
registrazione di:
Mickey’s Monkey
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
The Miracles2:50
5Easier Said Than Done
The Essex2:09
6Goin’ Out of My Head
tecnico:
Kevin Reeves (engineer)
produttore:
Teddy Randazzo
tecnico di missaggio:
Ron Furmanek e Kevin Reeves (engineer)
arrangiatore:
Teddy Randazzo
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 12)
registrazione di:
Goin’ Out of My Head
paroliere:
Bobby Weinstein (US songwriter)
compositore:
Teddy Randazzo
editore:
E. H. Morris & Co. Ltd., EMI Catalogue Partnership Australia Pty Ltd, EMI Partnership Musikverlag GmbH, Universal–Songs of PolyGram International, Inc., Vogue Music e Songs of PolyGram International, Inc. (nel 1964)
Little Anthony & the Imperials52:29
7Baby, I Need You Loving
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
diritti fonografici (℗) detenuti da:
Motown Records (not for label use; use “Motown” instead) (nel 1964)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 32) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 390)
registrazione di:
Baby I Need Your Loving
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
EMI Songs Australia, Jobete Music Co., Inc., Stone Agate Music, Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Four Tops4.52:47
8Remember Then
The Earls2:07
9Such a Night
tecnico di registrazione:
Bill Porter (engineer) (il 1960-04-03)
produttore:
Chet Atkins e Steve Sholes
basso :
Bob Moore (U.S. bassist and bandleader) (il 1960-04-03)
batteria :
D.J. Fontana (il 1960-04-03) e Buddy Harman (Session drummer and songwriter) (il 1960-04-03)
chitarra :
Hank Garland (il 1960-04-03), Scotty Moore (American guitarist and recording engineer) (il 1960-04-03) e Elvis Presley (“The King of Rock and Roll”) (il 1960-04-03)
pianoforte :
Floyd Cramer (il 1960-04-03)
sassofono :
Boots Randolph (il 1960-04-03)
voce:
The Jordanaires (southern gospel group) (il 1960-04-03)
diritti fonografici (℗) detenuti da:
BMG Music e BMG Entertainment (nel 1960)
registrata presso:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Stati Uniti (il 1960-04-03) e RCA Victor Studios (Nashville) in Nashville, Tennessee, Stati Uniti (il 1960-04-03)
mixata presso:
RCA Victor Studios (Nashville) in Nashville, Tennessee, Stati Uniti
registrazione cover di:
Such a Night (il 1960-04-03)
paroliere e compositore:
Lincoln Chase (songwriter)
editore:
Chappell Music Ltd., Elvis Presley Music, Embassy Music Corporation e Raleigh Music, Inc.
Elvis Presley33:02
10Bread & Butter
registrazione di:
Bread and Butter (nel 1964)
autore:
Larry Parks e Jay Turnbow
The Newbeats4.351:59
11I’m Leaving It (All) Up to You
registrazione cover di:
I’m Leaving It All Up to You
autore:
Don “Sugarcane” Harris (fino al 1957-07-19) e Dewey Terry (rock & roll, blues, US) (fino al 1957-07-19)
editore:
Sony/ATV Songs LLC
Dale & Grace2:12
12No Particular Place to Go
registrazione di:
No Particular Place to Go
paroliere e compositore:
Chuck Berry
editore:
Arc Music Corp. (U.S. rock & blues publisher) e Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Chuck Berry2:44
13Back in My Arms Again
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
voce principale:
Diana Ross
registrazione di:
Back in My Arms Again
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
The Supremes32:52
14Baby I’m Yours
registrazione di:
Baby, I’m Yours
paroliere e compositore:
Van McCoy
editore:
EMI Blackwood Music Inc. e Van McCoy Music
Barbara Lewis2:30
15It’s the Same Old Song
tecnico di registrazione:
Lawrence T. Horn
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
tecnico di missaggio:
Robert L. Gordy (music publishing executive)
archi :
Detroit Symphony Orchestra
basso [1962 Fender Precision Bass] :
James Jamerson
batteria :
Benny Benjamin (US drummer)
chitarra [1964 Gibson Firebird III] :
Eddie Willis
chitarra [Fender Telecaster with Jazzmaster Neck] :
Joe Messina
chitarra [Gibson L-5] :
Robert White (US funk/soul guitarist)
pianoforte :
Earl Van Dyke
sassofono baritono :
Mike Terry (60s US soul arranger/conductor)
tamburello :
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger)
vibrafono :
Jack Brokensha
voce di accompagnamento:
Marlene Barrow, Renaldo Benson, Louvain Demps, Abdul “Duke” Fakir, Jackie Hicks e Lawrence Payton
voce principale:
Levi Stubbs
registrata presso e mixata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti
registrazione di:
It’s the Same Old Song (il 1965-07-07)
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
EMI Songs Australia
Four Tops42:49
16Unchained Melody
tecnico:
Larry Levine
produttore:
Phil Spector
voce principale solista:
Bobby Hatfield (nel 1965-03)
arrangiatore:
Jack Nitzsche (American musician and score composer)
diritti fonografici (℗) detenuti da:
Spectrum Music (Universal Music Group budget label), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1965, nel 1968) e Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (nel 1966)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (nel 1965-03)
parte di:
The Co-Op: Top 10 British Funeral Songs (numero: 8), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 269) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 366)
registrazione cover di:
Unchained Melody (nel 1965-03)
editore:
Hy Zaret
paroliere:
Hy Zaret
compositore:
Alex North (US composer)
editore:
Frank Music Corp. (conclusa), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH (do not use as a release label! this is a music publisher), North Melody Publishing e Unchained Melody Publishing, LLC
sub-editore:
日音 Synch事業部 (NICHION, INC. Synch Division)
parte di:
The 28th Academy Award for Best Original Song (numero: 2)
The Righteous Brothers33:39
17The “In” Crowd
registrazione cover di:
The “In” Crowd
orchestratore:
Gene Page (conductor, composer, arranger and record producer)
paroliere e compositore:
Billy Page (US soul/pop songwriter & producer)
editore:
Cross Music Ltd., American Music, Inc. (nel 1964), Elvis Presley Music Inc. (nel 1964) e Unichappell Music, Inc. (nel 1964)
The Ramsey Lewis Trio3:15
18Ain’t That Peculiar
produttore:
Smokey Robinson
registrazione cover di:
Ain’t That Peculiar
autore:
Marv Tarplin, Robert Rogers, Warren Moore e William Robinson
editore:
Jobete Music (UK) Ltd., Jobete Music Co., Inc., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
parte di:
American Splendor
Marvin Gaye3.253:01
19Do You Wanna Dance?
registrazione cover di:
Do You Want to Dance
paroliere e compositore:
Bobby Freeman
editore:
Bobby Freeman Music, Clockus Music Co., Clockus Music, Inc., Robert Mellin Music Publishing Corp. e Sherwin Music (publisher)
sub-editore:
ミュージカル・ライツ・東京株式会社 (Musical Lights Tokyo), フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31) e フジパシフィックミュージック (Fujipacific Music, Inc.) (dal 2015-01-01 a oggi)
The Beach Boys2:20
20You Were on My Mind
registrata a:
San Francisco, California, Stati Uniti (nel 1965-04)
produttore:
Frank Werber
basso :
Peter Fullerton (nel 1965-04)
batteria :
Jerry Granelli (nel 1965-04)
chitarra :
Jerry Burgan (nel 1965-04), Bob Jones (singer, drummer and arranger & US guitarist for We Five) (nel 1965-04) e Michael Stewart (US producer/guitarist from California, 1945–2002) (nel 1965-04)
voce di accompagnamento:
Jerry Burgan (nel 1965-04), Peter Fullerton (nel 1965-04), Bob Jones (singer, drummer and arranger & US guitarist for We Five) (nel 1965-04) e Michael Stewart (US producer/guitarist from California, 1945–2002) (nel 1965-04)
voce principale:
Beverly Bivens (nel 1965-04)
registrazione cover di:
You Were on My Mind (nel 1965-04)
paroliere e compositore:
Sylvia Tyson
registrazione di:
You Were on My Mind
paroliere e compositore:
Sylvia Tyson
We Five22:39
21The Boy From New York City
parte di:
The Downloader’s Music Source Book (numero: 137)
registrazione di:
The Boy From New York City
autore:
George Davis (US songwriter - singer, doo-wop era) e John Taylor (songwriter & saxophone player John Isaac Taylor)
editore:
Trio Music Company e フジパシフィックミュージック (Fujipacific Music, Inc.)
The Ad Libs2:58
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#TitoloArtistaValutazioneDurata
1It Ain’t Me Babe
registrazione cover di:
It Ain’t Me, Babe
paroliere e compositore:
Bob Dylan (nel 1964-05)
editore:
Sony Music Publishing (worldwide except Japan, ended 1995), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner/Chappell (Warner/Chappell Music, Inc.) (dal 1964 al 1992) e Special Rider Music (dal 1992 a oggi)
adattamenti:
En minä joku toinen
The Turtles32:10
2The Birds and the Bees
diritti fonografici (℗) detenuti da:
Era (55-90 US indie) (nel 1965)
registrazione di:
The Birds and the Bees
paroliere e compositore:
Barry Stuart
editore:
Pattern Music Inc. (not to be confused with Pattern Music, Ltd.) e Universal Music Corporation (USA, affiliated with ASCAP)
Jewel Akens42:11
3Crying in the Chapel
produttore:
Steve Sholes
basso :
Bob Moore (U.S. bassist and bandleader) (il 1960-10-30)
batteria :
D.J. Fontana (il 1960-10-30) e Buddy Harman (Session drummer and songwriter) (il 1960-10-30)
chitarra :
Hank Garland (il 1960-10-30) e Scotty Moore (American guitarist and recording engineer) (il 1960-10-30)
contrabbasso :
Bob Moore (U.S. bassist and bandleader)
pianoforte :
Floyd Cramer (il 1960-10-30)
sassofono :
Boots Randolph (il 1960-10-30)
strumenti:
Elvis Presley (“The King of Rock and Roll”) (il 1960-10-30)
voce:
Charlie Hodge (il 1960-10-30), The Jordanaires (southern gospel group) (il 1960-10-30) e Millie Kirkham (il 1960-10-30)
voce di accompagnamento:
The Jordanaires (southern gospel group)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1960-10-31)
esecutore aggiunto:
The Jordanaires (southern gospel group) (il 1960-10-31)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1965), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (nel 1965) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Stati Uniti (il 1960-10-30)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 26)
registrazione cover di:
Crying in the Chapel (dal 1960-10-30 al 1960-10-31)
paroliere e compositore:
Artie Glenn (nel 1953)
editore:
Chappell & Co., Inc. (USA), Chappell Morris Ltd., Hill & Range Songs, Inc. (publisher) e Mijac Music
Elvis Presley2.82:27
4Words of Love
registrazione di:
Words of Love (The Mamas & The Papas song)
paroliere e compositore:
John Phillips (The Mamas & The Papas)
editore:
Trousdale Music, Inc
The Mamas & the Papas2:15
5Barbara Ann
produttore:
Brian Wilson (Beach Boys co‐founder)
voce principale:
Dean Torrence e Brian Wilson (Beach Boys co‐founder)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1966)
registrazione cover di:
Barbara‐Ann
paroliere e compositore:
Fred Fassert
editore:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint), Cousins Music, EMI Longitude Music, EMI Music Publishing Australia Pty Ltd (not for release label use!), Longitude Music Co., Planetary Nom (London) Ltd., Shoe-String Music Corp. e Windswept Pacific Music Ltd.
sub-editore:
ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works)
adattamenti:
Bomb Iran (Vince Vance & the Valiants parody)
adattamenti:
Bomb Iran (Paul Shanklin parody)
adattamenti:
Bomb Iraq
The Beach Boys42:07
6Sweet Talkin’ Guy
registrazione di:
Sweet Talking Guy
autore:
Baer, Greenberg, Morris (record executive) e Schwartz (songwriter for and co-founder of Laurie Records)
The Chiffons2:27
7Hanky Panky
registrazione di:
Hanky Panky
autore:
Jeff Barry e Ellie Greenwich
editore:
Alley Music Corp., T. M. Music (publisher) e Trio Music Co., Inc.
Tommy James & the Shondells2:54
8Summer in the City
registrazione di:
Summer in the City
autore:
Steve Boone, John Sebastian e Mark Sebastian
editore:
Alley Music Corp., Beechwood Music Corp., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Bug Music (music publishing), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Gallo Music Publishing, Mark Sebastian Music, Robbins Music Corp., Robbins Music Corp. Ltd., The Hudson Bay Music Co. (publisher), Trio Music (publisher) e Trio Music Co., Inc.
The Lovin’ Spoonful2:39
9Devil With the Blue Dress / Good Golly Miss Molly
Mitch Ryder & The Detroit Wheels3:05
10My World Is Empty Without You
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
registrazione di:
My World Is Empty Without You
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
Jobete Music Co., Inc. e Stone Agate Music Division
The Supremes52:35
11Love Letters
registrazione cover di:
Love Letters
paroliere:
Edward Heyman
compositore:
Victor Young (American composer, arranger, violinist & conductor)
editore:
BMG Music Publishing Ltd., Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony e Warner/Chappell Music Ltd. (1996–2019)
parte di:
The 18th Academy Award for Best Original Song (numero: 2)
Elvis Presley2:52
12A Sign of the Times
voce:
Petula Clark (English singer & actress)
registrazione di:
A Sign of the Times
paroliere e compositore:
Tony Hatch
Petula Clark2:57
13I Fought the Law
diritti fonografici (℗) detenuti da:
Chess (US label) (nel 1957)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 175)
registrazione cover di:
I Fought the Law
paroliere e compositore:
Sonny Curtis
editore:
Acuff-Rose Publications, Inc. (BMI), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
The Bobby Fuller Four4.352:20
14The More I See You
registrazione di:
The More I See You
paroliere:
Mack Gordon
compositore:
Harry Warren (US composer and lyricist)
editore:
Bregman, Vocco & Conn, Inc., Four Jays Music Co., Peermusic (UK) Limited, Warner Bros., Inc. (not for release label use!) e Warner/Chappell Music International Ltd.
versione tradotta di:
The More I See You (Valli’s version with french lyrics)
Chris Montez2:41
15Guantanamera
registrazione di:
Guantanamera
paroliere:
José Martí (cuban poet)
paroliere aggiunto e compositore aggiunto:
Julián Orbón (Cuban composer)
compositore:
Joseíto Fernández (Cuban singer and songwriter)
arrangiatore:
Héctor Angulo (Cuban composer) e Pete Seeger
parte di:
Roud Folk Song Index (numero: 36102)
versione di:
Guajira guantanamera
The Sandpipers23:12
16Standing in the Shadows of Love
registrazione di:
Standing in the Shadows of Love
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
Jobete Music Ltd
Four Tops2:37
17I Second That Emotion
registrazione di:
I Second That Emotion
autore:
Al Cleveland (songwriter 1930-1996) e Smokey Robinson
editore:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobete Music Ltd e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
The Miracles2:47
18The Happening
tecnico di registrazione:
Russ Terrana
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
basso :
James Jamerson (il 1967-03-02)
strumenti:
The Funk Brothers (il 1967-03-02)
voce di accompagnamento:
Florence Ballard (il 1967-03-02) e Mary Wilson (il 1967-03-02)
voce principale:
Diana Ross (il 1967-03-02)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (il 1967-03-02)
registrazione di:
The Happening (il 1967-03-08)
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Frank De Vol, Lamont Dozier e Brian Holland (Motown producer & songwriter)
The Supremes52:48
19Ain’t No Mountain High Enough
voce:
Marvin Gaye e Tammi Terrell
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 37)
registrazione di:
Ain’t No Mountain High Enough
autore:
Nickolas Ashford e Valerie Simpson
editore:
EMI Music Publishing (do not use as a release label!), EMI Songs, Jobete Music (appears also as: Jobete Msc.) e Jobete Music Co., Inc.
sub-editore:
EMI Songs Australia Pty. Ltd. e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Marvin Gaye & Tammi Terrell4.72:28
20Lazy Day
registrazione di:
Lazy Day
autore:
George Fischoff e Tony Powers
Spanky & Our Gang3:07
21Expressway to Your Heart
produttore:
Gamble-Huff
arrangiatore:
Gamble-Huff
registrata presso:
Cameo-Parkway Studios in Philadelphia, Pennsylvania, Stati Uniti (nel 1966)
registrazione di:
Expressway to Your Heart (nel 1966)
autore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
EMI Blackwood Music Inc., Mijac Double Diamond Music, Mijac Music, One Song Publishing, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Soul Survivors2:18
4▼CD
#TitoloArtistaValutazioneDurata
1A Little Bit Me, a Little Bit You
produttore:
Jeff Barry
basso :
Louis Mauro (il 1967-01-21) e James Tyrrell (il 1967-01-21)
batteria :
Herb Lovelle (il 1967-01-21)
chitarra :
Al Gorgoni (guitarist, composer, arranger, and producer) (il 1967-01-21), Hugh McCracken (il 1967-01-21) e Don Thomas (US guitarist, singer songwriter) (il 1967-01-21)
organo :
Artie Butler (il 1967-01-21)
pianoforte :
Stan Free (il 1967-01-21)
tamburello :
Thomas Cerone (il 1967-01-21)
voce principale:
Davy Jones (The Monkees member) (il 1967-01-21)
arrangiatore:
Jeff Barry
registrazione di:
A Little Bit Me, a Little Bit You (il 1967-01-21)
paroliere e compositore:
Neil Diamond
The Monkees4.52:51
2Bernadette
registrazione di:
Bernadette
autore:
Lamont Dozier, Brian Holland (Motown producer & songwriter) e Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Four Tops3:02
3The Rain, the Park & Other Things
registrazione di:
The Rain, the Park & Other Things
autore:
Steve Duboff e Artie Kornfeld
editore:
Akbestal Music Inc. e MPCA Lehsem Songs
The Cowsills3:00
4Go Where You Wanna Go
registrazione di:
Go Where You Wanna Go
paroliere e compositore:
John Phillips (The Mamas & The Papas)
editore:
Trousdale Music
The 5th Dimension2:15
5I Wonder What She’s Doing Tonight
registrazione di:
I Wonder What She’s Doing Tonite
compositore:
Tommy Boyce (US songwriter of Boyce and Hart) e Bobby Hart
Tommy Boyce & Bobby Hart2:45
6You Know What I Mean
The Turtles32:00
7This Magic Moment
registrazione di:
This Magic Moment
paroliere e compositore:
Doc Pomus e Mort Shuman (US singer, pianist & songwriter)
editore:
Unichappell Music, Inc.
Jay & the Americans2:41
8Someday We’ll Be Together
produttore:
Johnny Bristol
chitarra :
Robert White (US funk/soul guitarist)
voce di accompagnamento:
Merry Clayton, Julia Waters e Maxine Waters
voce ospite:
Johnny Bristol
voce principale:
Diana Ross
arrangiatore:
Wade Marcus
registrazione cover di:
Someday We’ll Be Together
paroliere:
Harvey Fuqua
compositore:
Jackey Beavers (rhythm and blues and gospel singer and songwriter) e Johnny Bristol
editore:
Fuqua Pub., Jobete Music Co., Inc., Quazical Music e Stone Agate Music
Diana Ross & The Supremes53:29
9The Look of Love
arrangiatore:
Dave Grusin (American pianist and score composer)
registrazione cover di:
The Look of Love
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
Colgems Music Corp., Colgems-EMI Music Inc. e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-editore:
Screen Gems–EMI Music Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
parte di:
The 40th Academy Award for Best Original Song (numero: 2)
Sérgio Mendes2:41
10One
registrazione cover di:
One
paroliere e compositore:
Harry Nilsson (US singer-songwriter)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) e Warner/Chappell Music Australia Pty. Ltd.
Three Dog Night4.753:07
11Backfield in Motion
registrazione di:
Backfield in Motion
paroliere e compositore:
Eddy Grant
Mel & Tim2:35
12Oh, What a Night
registrazione di:
Oh, What a Night
autore:
Johnny Funches e Marvin Junior
editore:
Conrad Music (publisher; do NOT use as release label)
The Dells4:05
13In the Ghetto
tecnico:
Al Pachucki
produttore:
Felton Jams e Chips Moman
armonica (a bocca) :
Ed Kollis (il 1969-01-21)
basso :
Tommy Cogbill (il 1969-01-21) e Mike Leech (Nashville session musician and arranger) (il 1969-01-21)
batteria :
Gene Chrisman (il 1969-01-21)
chitarra :
Elvis Presley (“The King of Rock and Roll”) (il 1969-01-21) e Reggie Young (guitarist and songwriter) (il 1969-01-21)
chitarra steel :
John Hughey (il 1969-01-21)
corno francese :
Tony Cason (il 1969-01-21) e Joe D'Gerolamo (il 1969-01-21)
organo :
Bobby Emmons (il 1969-01-21)
pianoforte :
Bobby Wood (American pianist, keyboard player and songwriter) (il 1969-01-21)
sassofono :
J.P. Luper (saxophonist) (il 1969-01-21) e Glen Spreen (Arranger, keyboardist, producer, conductor, and songwriter) (il 1969-01-21)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (il 1969-01-21), Dick Steff (il 1969-01-21) e R.F. Taylor (il 1969-01-21)
trombone :
Jack Hale (trombone) (il 1969-01-21), Ed Logan (il 1969-01-21) e Gerald Richardson (il 1969-01-21)
voce:
Joe Babcock (il 1969-01-21), Donna Thatcher (il 1969-01-21), Dolores Edgin (il 1969-01-21), Ginger Holladay (American singer-songwriter) (il 1969-01-21), Mary Holladay (il 1969-01-21), Millie Kirkham (il 1969-01-21), Mary (Jeannie) Green (il 1969-01-21), June Page (il 1969-01-21), Susan Pilkington (il 1969-01-21), Sandy Posey (il 1969-01-21) e Hurshel Wiginton (il 1969-01-21)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1969), BMG Music (nel 1969) e RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (nel 1969)
registrata presso:
American Sound Studio ((Defunct) Memphis, TN - American North) in Memphis, Tennessee, Stati Uniti (il 1969-01-21)
parte di:
SWR1 Hitparade 2006 (Baden-Württemberg) (numero: 10)
registrazione di:
In the Ghetto (il 1969-01-21)
paroliere e compositore:
Mac Davis (US country singer, songwriter & actor)
editore:
ABG Elvis Songs, B-n-B Music Inc., Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Songs, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Elvis Presley Music, Elvis Presley Music Inc., Gladys Music Inc., R&H Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Sony/ATV Songs LLC
Elvis Presley4.352:48
14What Kind of Fool Do You Think I Am
registrazione cover di:
What Kind of Fool (Do You Think I Am)
paroliere e compositore:
Ray Whitley (60s/70s songwriter)
Bill Deal & the Rhondels2:12
15These Eyes
tecnico audio:
David Greene (engineer recording, mixing) e Elliot Scheiner
produttore:
Jack Richardson
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1968)
registrata presso:
A & R Studios (Second studio, 799 7th Avenue) in Manhattan, New York, New York, Stati Uniti
registrazione di:
These Eyes
autore:
Burton Cummings e Randall Bachman (Canadian guitarist, singer & songwriter)
editore:
Bug Music, Inc.
The Guess Who3.43:43
16Come Saturday Morning
The Sandpipers3:04
17Worst That Could Happen
registrazione di:
The Worst That Could Happen
paroliere e compositore:
Jim Webb (US songwriter, composer, producer, pianist & singer)
editore:
Johnny Rivers Music
The Brooklyn Bridge3:07
18Crimson & Clover
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1968)
registrazione di:
Crimson and Clover
autore:
Tommy James (American musician, singer, songwriter and record producer) e Pete Lucia Jr.
editore:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), Planetary Nom (publisher) e Big Seven Music Corp. (nel 1987)
Tommy James & the Shondells3:24

Accreditamenti