Big Fish: Music From the Motion Picture

~ Veröffentlichung von Danny Elfman (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Anmerkung

Track 8-22:
Music Editor: Ellen Segal, M.P.S.E.
Assistant Music Editor: Shie Rozow, M.P.S.E.
Additional Orchestrations: Jeff Atmajian, David Slonaker,Edgardo Simone
Synth Prep & Recording: Marc Mann
Conducted by Nick Ingman
Score recorded at Air Studios, Lyndhurst Hall, London, England
Score Mixed at Signet Sound

Anmerkung zuletzt geändert am 2010-05-08 07:58 UTC.

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Man of the Hour
Techniker(in):
Sam Hofstedt
Produzent(in):
Adam Kasper
aufgenommen bei:
Studio X in Seattle, Washington, Vereinigte Staaten
recording of:
Man of the Hour
Texter und Komponist(in):
Eddie Vedder
Pearl Jam3.53:46
2Dinah
recording of:
Dinah
Texter:
Sam M. Lewis (1930s lyricist) und Joe Young (US lyricist)
Komponist(in):
Harry Akst
publisher:
B & G Akst Publishing Co., EMI Mills Music Inc. (ASCAP-affiliated) und Morley Music Corp.
Teil von:
The Girl’s Suite
Bing Crosby2:18
3Everyday
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1957-05-29)
Celesta:
Vi Petty (am 1957-05-29)
Gitarre:
Niki Sullivan und Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-05-29)
Perkussion [cardboard box percussion]:
Jerry Allison (am 1957-05-29)
Schlagzeug:
Jerry Allison
Hintergrundgesang:
Jerry Allison (am 1957-05-29), Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-05-29) und Niki Sullivan (am 1957-05-29)
Sologesang:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-05-29)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-05-29)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1957) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1957-05-29)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 236)
recording of:
Everyday (am 1957-05-27)
Verfasser(in):
Charles Hardin (Charles Hardin Holley), Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
Peer International Corporation (BMI) und Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
Buddy Holly4.852:09
4All Shook Up
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (von 1957-01-12 bis 1957-01-13)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (von 1957-01-12 bis 1957-01-13) und Elvis Presley (“The King of Rock and Roll”) (von 1957-01-12 bis 1957-01-13)
Klavier:
Gordon Stoker (US pianist, tenor vocalist and music publisher) (von 1957-01-12 bis 1957-01-13)
Schlagzeug:
D.J. Fontana (von 1957-01-12 bis 1957-01-13)
Sologesang:
Elvis Presley (“The King of Rock and Roll”)
vocals:
Elvis Presley (“The King of Rock and Roll”) und The Jordanaires (southern gospel group) (von 1957-01-12 bis 1957-01-13)
remixer:
Dennis Ferrante
zusätzliche(r) Interpret(in):
The Jordanaires (southern gospel group)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1957), BMG Music (in 1957) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (von 1957-01-12 bis 1957-01-13) und Bloch Arena in Honolulu, Hawaii, Vereinigte Staaten (am 1961-03-25)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 18) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 353)
cover recording of:
All Shook Up (am 1957-01-12)
Verfasser(in):
Otis Blackwell (American pianist, singer and songwriter) und Elvis Presley (“The King of Rock and Roll”)
publisher:
Carlin Music Corporation, Elvis Presley Music Inc., Global (publisher) und Shalimar Music Corp.
Elvis Presley3.651:59
5Five O’Clock World
recording of:
Five O’Clock World
Texter und Komponist(in):
Allen Reynolds
The Vogues2:10
6Ramblin’ Man
recording of:
Ramblin’ Man
Texter und Komponist(in):
Dickey Betts
publisher:
F.R. Betts Music Co., No Exit Music Co., Inc., Unichappell Music, Inc., Warner Chappell Music, Inc. und Warner/Chappell Music Australia Pty. Ltd.
The Allman Brothers Band4:58
7Let’s Work Together
Techniker(in):
David Weichman
Produzent(in):
Canned Heat und Skip Taylor
phonographisches Urheberrecht (℗) von:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1970) und Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2005)
aufgenommen bei:
International Sound Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1969-12-03)
engineered at:
Annex Studios (aka Music Annex or Annex Digital) in San Mateo, California (Kalifornien), Vereinigte Staaten
cover recording of:
Let’s Work Together (am 1969-12-03)
Texter:
Wilbert Harrison (singer, pianist, guitarist and harmonica player)
publisher:
EMI Catalogue Partnership, EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI United Partnership Ltd., Mozella Music Inc., SBK United Partnership Ltd., United Artists Music Co., Inc. und United Artists Musik GmbH
Canned Heat2.653:14
8Pictures
recording engineer und Mix:
Dennis Sands (American sound engineer)
assistierende(r) Techniker(in):
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) und Jake Jackson (recording engineer)
Produzent(in):
Danny Elfman (American singer and score composer)
assistierende(r) Mix:
Tom Hardisty (film score engineer) und Noah Snyder
assistierendes Editing:
Shie Rozow
Editing:
Ellen Segal
conductor:
Nick Ingman
Orchestrator(in):
Steve Bartek
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
mixed at:
Signet Sound Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Pictures (Big Fish)
Orchestrator(in):
Steve Bartek
Komponist(in):
Danny Elfman (American singer and score composer)
Danny Elfman0:45
9Big Fish (Titles)
recording engineer und Mix:
Dennis Sands (American sound engineer)
assistierende(r) Techniker(in):
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) und Jake Jackson (recording engineer)
Produzent(in):
Danny Elfman (American singer and score composer)
assistierende(r) Mix:
Tom Hardisty (film score engineer) und Noah Snyder
assistierendes Editing:
Shie Rozow
Editing:
Ellen Segal
conductor:
Nick Ingman
Orchestrator(in):
Steve Bartek
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
mixed at:
Signet Sound Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Big Fish (Titles)
Orchestrator(in):
Steve Bartek
Komponist(in):
Danny Elfman (American singer and score composer)
Teil von:
Big Fish (2003)
Danny Elfman4:33
10Shoe Stealing
recording engineer und Mix:
Dennis Sands (American sound engineer)
assistierende(r) Techniker(in):
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) und Jake Jackson (recording engineer)
Produzent(in):
Danny Elfman (American singer and score composer)
assistierende(r) Mix:
Tom Hardisty (film score engineer) und Noah Snyder
assistierendes Editing:
Shie Rozow
Editing:
Ellen Segal
conductor:
Nick Ingman
Orchestrator(in):
Steve Bartek
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
mixed at:
Signet Sound Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Shoe Stealing (Big Fish)
Orchestrator(in):
Steve Bartek
Komponist(in):
Danny Elfman (American singer and score composer)
Teil von:
Big Fish (2003)
Danny Elfman0:54
11Underwater
recording engineer und Mix:
Dennis Sands (American sound engineer)
assistierende(r) Techniker(in):
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) und Jake Jackson (recording engineer)
Produzent(in):
Danny Elfman (American singer and score composer)
assistierende(r) Mix:
Tom Hardisty (film score engineer) und Noah Snyder
assistierendes Editing:
Shie Rozow
Editing:
Ellen Segal
conductor:
Nick Ingman
Orchestrator(in):
Steve Bartek
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
mixed at:
Signet Sound Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Underwater (Big Fish)
Orchestrator(in):
Steve Bartek
Komponist(in):
Danny Elfman (American singer and score composer)
Teil von:
Big Fish (2003)
Danny Elfman1:53
12Sandra’s Theme
recording engineer und Mix:
Dennis Sands (American sound engineer)
assistierende(r) Techniker(in):
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) und Jake Jackson (recording engineer)
Produzent(in):
Danny Elfman (American singer and score composer)
assistierende(r) Mix:
Tom Hardisty (film score engineer) und Noah Snyder
assistierendes Editing:
Shie Rozow
Editing:
Ellen Segal
conductor:
Nick Ingman
Orchestrator(in):
Steve Bartek
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
mixed at:
Signet Sound Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Sandra's Theme (Big Fish)
Orchestrator(in):
Steve Bartek
Komponist(in):
Danny Elfman (American singer and score composer)
Teil von:
Big Fish (2003)
Danny Elfman2:23
13The Growing Montage
recording engineer und Mix:
Dennis Sands (American sound engineer)
assistierende(r) Techniker(in):
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) und Jake Jackson (recording engineer)
Produzent(in):
Danny Elfman (American singer and score composer)
assistierende(r) Mix:
Tom Hardisty (film score engineer) und Noah Snyder
assistierendes Editing:
Shie Rozow
Editing:
Ellen Segal
conductor:
Nick Ingman
Orchestrator(in):
Steve Bartek
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
mixed at:
Signet Sound Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
The Growing Montage (Big Fish)
Orchestrator(in):
Steve Bartek
Komponist(in):
Danny Elfman (American singer and score composer)
Teil von:
Big Fish (2003)
Danny Elfman2:41
14Leaving Spectre
recording engineer und Mix:
Dennis Sands (American sound engineer)
assistierende(r) Techniker(in):
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) und Jake Jackson (recording engineer)
Produzent(in):
Danny Elfman (American singer and score composer)
assistierende(r) Mix:
Tom Hardisty (film score engineer) und Noah Snyder
assistierendes Editing:
Shie Rozow
Editing:
Ellen Segal
conductor:
Nick Ingman
Orchestrator(in):
Steve Bartek
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
mixed at:
Signet Sound Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Leaving Spectre (Big Fish)
Orchestrator(in):
Steve Bartek
Komponist(in):
Danny Elfman (American singer and score composer)
Teil von:
Big Fish (2003)
Danny Elfman2:00
15Return to Spectre
recording engineer und Mix:
Dennis Sands (American sound engineer)
assistierende(r) Techniker(in):
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) und Jake Jackson (recording engineer)
Produzent(in):
Danny Elfman (American singer and score composer)
assistierende(r) Mix:
Tom Hardisty (film score engineer) und Noah Snyder
assistierendes Editing:
Shie Rozow
Editing:
Ellen Segal
conductor:
Nick Ingman
Orchestrator(in):
Steve Bartek
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
mixed at:
Signet Sound Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Return to Spectre (Big Fish)
Orchestrator(in):
Steve Bartek
Komponist(in):
Danny Elfman (American singer and score composer)
Teil von:
Big Fish (2003)
Danny Elfman2:12
16Rebuilding
recording engineer und Mix:
Dennis Sands (American sound engineer)
assistierende(r) Techniker(in):
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) und Jake Jackson (recording engineer)
Produzent(in):
Danny Elfman (American singer and score composer)
assistierende(r) Mix:
Tom Hardisty (film score engineer) und Noah Snyder
assistierendes Editing:
Shie Rozow
Editing:
Ellen Segal
conductor:
Nick Ingman
Orchestrator(in):
Steve Bartek
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
mixed at:
Signet Sound Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Rebuilding (Big Fish)
Orchestrator(in):
Steve Bartek
Komponist(in):
Danny Elfman (American singer and score composer)
Teil von:
Big Fish (2003)
Danny Elfman1:19
17The Journey Home
recording engineer und Mix:
Dennis Sands (American sound engineer)
assistierende(r) Techniker(in):
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) und Jake Jackson (recording engineer)
Produzent(in):
Danny Elfman (American singer and score composer)
assistierende(r) Mix:
Tom Hardisty (film score engineer) und Noah Snyder
assistierendes Editing:
Shie Rozow
Editing:
Ellen Segal
conductor:
Nick Ingman
Orchestrator(in):
Steve Bartek
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
mixed at:
Signet Sound Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
The Journey Home (Big Fish)
Orchestrator(in):
Steve Bartek
Komponist(in):
Danny Elfman (American singer and score composer)
Teil von:
Big Fish (2003)
Danny Elfman2:10
18In the Tub
recording engineer und Mix:
Dennis Sands (American sound engineer)
assistierende(r) Techniker(in):
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) und Jake Jackson (recording engineer)
Produzent(in):
Danny Elfman (American singer and score composer)
assistierende(r) Mix:
Tom Hardisty (film score engineer) und Noah Snyder
assistierendes Editing:
Shie Rozow
Editing:
Ellen Segal
conductor:
Nick Ingman
Orchestrator(in):
Steve Bartek
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
mixed at:
Signet Sound Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
In the Tub (Big Fish)
Orchestrator(in):
Steve Bartek
Komponist(in):
Danny Elfman (American singer and score composer)
Danny Elfman1:18
19Sandra’s Farewell
recording engineer und Mix:
Dennis Sands (American sound engineer)
assistierende(r) Techniker(in):
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) und Jake Jackson (recording engineer)
Produzent(in):
Danny Elfman (American singer and score composer)
assistierende(r) Mix:
Tom Hardisty (film score engineer) und Noah Snyder
assistierendes Editing:
Shie Rozow
Editing:
Ellen Segal
conductor:
Nick Ingman
Orchestrator(in):
Steve Bartek
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
mixed at:
Signet Sound Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Sandra's Farewell (Big Fish)
Orchestrator(in):
Steve Bartek
Komponist(in):
Danny Elfman (American singer and score composer)
Teil von:
Big Fish (2003)
Danny Elfman1:17
20Finale
recording engineer und Mix:
Dennis Sands (American sound engineer)
assistierende(r) Techniker(in):
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) und Jake Jackson (recording engineer)
Produzent(in):
Danny Elfman (American singer and score composer)
assistierende(r) Mix:
Tom Hardisty (film score engineer) und Noah Snyder
assistierendes Editing:
Shie Rozow
Editing:
Ellen Segal
conductor:
Nick Ingman
Orchestrator(in):
Steve Bartek
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
mixed at:
Signet Sound Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Finale (Big Fish)
Orchestrator(in):
Steve Bartek
Komponist(in):
Danny Elfman (American singer and score composer)
Teil von:
Big Fish (2003)
Danny Elfman11:11
21End Titles
recording engineer und Mix:
Dennis Sands (American sound engineer)
assistierende(r) Techniker(in):
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) und Jake Jackson (recording engineer)
Produzent(in):
Danny Elfman (American singer and score composer)
assistierende(r) Mix:
Tom Hardisty (film score engineer) und Noah Snyder
assistierendes Editing:
Shie Rozow
Editing:
Ellen Segal
conductor:
Nick Ingman
Orchestrator(in):
Steve Bartek
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
mixed at:
Signet Sound Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
End Titles (Big Fish)
Orchestrator(in):
Steve Bartek
Komponist(in):
Danny Elfman (American singer and score composer)
Teil von:
Big Fish (2003)
Danny Elfman2:41
22Jenny’s Theme
recording engineer und Mix:
Dennis Sands (American sound engineer)
assistierende(r) Techniker(in):
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) und Jake Jackson (recording engineer)
Produzent(in):
Danny Elfman (American singer and score composer)
assistierende(r) Mix:
Tom Hardisty (film score engineer) und Noah Snyder
assistierendes Editing:
Shie Rozow
Editing:
Ellen Segal
conductor:
Nick Ingman
Orchestrator(in):
Steve Bartek
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
mixed at:
Signet Sound Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Jenny's Theme (Big Fish)
Orchestrator(in):
Steve Bartek
Komponist(in):
Danny Elfman (American singer and score composer)
Teil von:
Big Fish (2003)
Danny Elfman1:45
23Twice the Love (Siamese Twins’ Song)
Produzent(in):
Danny Elfman (American singer and score composer)
recording of:
Twice the Love (Siamese Twins' Song) (Big Fish)
Texter:
John August (screenwriter and film director)
Komponist(in):
Danny Elfman (American singer and score composer)
Teil von:
Big Fish (2003)
Bobbi Page and Candice Rumph1:49

Nennungen

Veröffentlichung

Design/Illustrationen:David Coleman (art director)
leitende(r) Produzent(in):Glen Brunman
Tim Burton (film director)
Lia Vollack
mastering:Bob Ludwig (mastering engineer)
mastered at:Gateway Mastering Studios in Portland, Maine, Vereinigte Staaten
Discogs:https://www.discogs.com/release/1725288 [Info]
ASIN:US: B0000YTPFC [Info]
andere Datenbanken:https://rateyourmusic.com/release/album/danny_elfman/big_fish/ [Info]