Ave, rosa sine spinis

~ Release by Tallis; The Cardinall’s Musick, Andrew Carwood (see all versions of this release, 2 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1O salutaris hostia
assistant recording engineer:
Iestyn Rees (engineer)
recording engineer:
Martin Haskell (sound engineer)
producer:
Jonathan Freeman-Attwood
vocals:
The Cardinall’s Musick (from 2013-11-11 until 2013-11-13)
conductor:
Andrew Carwood (from 2013-11-11 until 2013-11-13)
recorded at:
Fitzalan Chapel in Arundel, West Sussex, England, United Kingdom (from 2013-11-11 until 2013-11-13)
recording of:
O salutaris hostia (from 2013-11-11 until 2013-11-13)
composer:
Thomas Tallis (composer)
Thomas Tallis3:11
2Wipe Away My Sins
assistant recording engineer:
Iestyn Rees (engineer)
recording engineer:
Martin Haskell (sound engineer)
producer:
Jonathan Freeman-Attwood
vocals:
The Cardinall’s Musick (from 2013-11-11 until 2013-11-13)
conductor:
Andrew Carwood (from 2013-11-11 until 2013-11-13)
recorded at:
Fitzalan Chapel in Arundel, West Sussex, England, United Kingdom (from 2013-11-11 until 2013-11-13)
recording of:
Wipe Away My Sins (from 2013-11-11 until 2013-11-13)
composer:
Thomas Tallis (composer)
Thomas Tallis5:48
3Why Fum’th in Fight (No. 3 of 9 Psalm Tunes)
assistant recording engineer:
Iestyn Rees (engineer)
recording engineer:
Martin Haskell (sound engineer)
producer:
Jonathan Freeman-Attwood
vocals:
The Cardinall’s Musick (from 2013-11-11 until 2013-11-13)
conductor:
Andrew Carwood (from 2013-11-11 until 2013-11-13)
recorded at:
Fitzalan Chapel in Arundel, West Sussex, England, United Kingdom (from 2013-11-11 until 2013-11-13)
recording of:
Nine Psalm Tunes for Archbishop Parker’s Psalter: No. 3 “Why Fum’th in Fight” (Psalm 2) (from 2013-11-11 until 2013-11-13)
composer:
Thomas Tallis (composer)
part of:
Nine Psalm Tunes for Archbishop Parker’s Psalter
Thomas Tallis3:54
4Ave, rosa sine spinis
assistant recording engineer:
Iestyn Rees (engineer)
recording engineer:
Martin Haskell (sound engineer)
producer:
Jonathan Freeman-Attwood
vocals:
The Cardinall’s Musick (from 2013-11-11 until 2013-11-13)
conductor:
Andrew Carwood (from 2013-11-11 until 2013-11-13)
recorded at:
Fitzalan Chapel in Arundel, West Sussex, England, United Kingdom (from 2013-11-11 until 2013-11-13)
recording of:
Ave rosa sine spinis (motet (votive antiphon) for 5 voices, P. 169) (from 2013-11-11 until 2013-11-13)
composer:
Thomas Tallis (composer)
Thomas Tallis10:49
5Blessed Be Thy Name
assistant recording engineer:
Iestyn Rees (engineer)
recording engineer:
Martin Haskell (sound engineer)
producer:
Jonathan Freeman-Attwood
vocals:
The Cardinall’s Musick (from 2013-11-11 until 2013-11-13)
conductor:
Andrew Carwood (from 2013-11-11 until 2013-11-13)
recorded at:
Fitzalan Chapel in Arundel, West Sussex, England, United Kingdom (from 2013-11-11 until 2013-11-13)
recording of:
Blessed Be Thy Name (from 2013-11-11 until 2013-11-13)
composer:
Thomas Tallis (composer)
Thomas Tallis2:30
6Te lucis ante terminum I
assistant recording engineer:
Iestyn Rees (engineer)
recording engineer:
Martin Haskell (sound engineer)
producer:
Jonathan Freeman-Attwood
vocals:
The Cardinall’s Musick (from 2013-11-11 until 2013-11-13)
conductor:
Andrew Carwood (from 2013-11-11 until 2013-11-13)
recorded at:
Fitzalan Chapel in Arundel, West Sussex, England, United Kingdom (from 2013-11-11 until 2013-11-13)
recording of:
Te lucis ante terminum (I), P. 214 ("ferial tone", à 5, Cantiones sacrae (1575)) (from 2013-11-11 until 2013-11-13)
composer:
Thomas Tallis (composer)
Thomas Tallis2:06
7In manus tuas, Domine
assistant recording engineer:
Iestyn Rees (engineer)
recording engineer:
Martin Haskell (sound engineer)
producer:
Jonathan Freeman-Attwood
vocals:
The Cardinall’s Musick (from 2013-11-11 until 2013-11-13)
conductor:
Andrew Carwood (from 2013-11-11 until 2013-11-13)
recorded at:
Fitzalan Chapel in Arundel, West Sussex, England, United Kingdom (from 2013-11-11 until 2013-11-13)
recording of:
In manus tuas, Domine, P. 202 (à 5, Cantiones sacrae (1575)) (from 2013-11-11 until 2013-11-13)
composer:
Thomas Tallis (composer)
part of:
Hamond Partbooks (British Library Add. MS 30480-30484, c. 1560-1590) (number: 55)
part of:
Cantiones quae ab argumento sacrae vocantur (1575)
Thomas Tallis2:14
8Te lucis ante terminum II
assistant recording engineer:
Iestyn Rees (engineer)
recording engineer:
Martin Haskell (sound engineer)
producer:
Jonathan Freeman-Attwood
vocals:
The Cardinall’s Musick (from 2013-11-11 until 2013-11-13)
conductor:
Andrew Carwood (from 2013-11-11 until 2013-11-13)
recorded at:
Fitzalan Chapel in Arundel, West Sussex, England, United Kingdom (from 2013-11-11 until 2013-11-13)
recording of:
Te lucis ante terminum (II), P. 215 ("festal tone", à 5, Cantiones sacrae (1575)) (from 2013-11-11 until 2013-11-13)
composer:
Thomas Tallis (composer)
part of:
Cantiones quae ab argumento sacrae vocantur (1575)
Thomas Tallis1:44
9Salvator mundi II
assistant recording engineer:
Iestyn Rees (engineer)
recording engineer:
Martin Haskell (sound engineer)
producer:
Jonathan Freeman-Attwood
vocals:
The Cardinall’s Musick (from 2013-11-11 until 2013-11-13)
conductor:
Andrew Carwood (from 2013-11-11 until 2013-11-13)
recorded at:
Fitzalan Chapel in Arundel, West Sussex, England, United Kingdom (from 2013-11-11 until 2013-11-13)
recording of:
Salvator mundi (II), P. 219 (à 5, Cantiones sacrae (1575)) (from 2013-11-11 until 2013-11-13)
composer:
Thomas Tallis (composer)
part of:
Dow Partbooks (1580) (number: 43)
version of:
When Jesus Went Into Simon the Pharisee's House
part of:
Cantiones quae ab argumento sacrae vocantur (1575)
Thomas Tallis2:55
10O Come in One to Praise the Lord (No. 4 of 9 Psalm Tunes)
assistant recording engineer:
Iestyn Rees (engineer)
recording engineer:
Martin Haskell (sound engineer)
producer:
Jonathan Freeman-Attwood
vocals:
The Cardinall’s Musick (from 2013-11-11 until 2013-11-13)
conductor:
Andrew Carwood (from 2013-11-11 until 2013-11-13)
recorded at:
Fitzalan Chapel in Arundel, West Sussex, England, United Kingdom (from 2013-11-11 until 2013-11-13)
recording of:
Nine Psalm Tunes for Archbishop Parker’s Psalter: No. 4 “O Come in One to Praise the Lord” (from 2013-11-11 until 2013-11-13)
composer:
Thomas Tallis (composer)
part of:
Nine Psalm Tunes for Archbishop Parker’s Psalter
Thomas Tallis4:15
11When Jesus Went Into Simon the Pharisee’s House
assistant recording engineer:
Iestyn Rees (engineer)
recording engineer:
Martin Haskell (sound engineer)
producer:
Jonathan Freeman-Attwood
vocals:
The Cardinall’s Musick (from 2013-11-11 until 2013-11-13)
conductor:
Andrew Carwood (from 2013-11-11 until 2013-11-13)
recorded at:
Fitzalan Chapel in Arundel, West Sussex, England, United Kingdom (from 2013-11-11 until 2013-11-13)
recording of:
When Jesus Went Into Simon the Pharisee's House (from 2013-11-11 until 2013-11-13)
composer:
Thomas Tallis (composer)
Thomas Tallis2:46
12Euge caeli porta
assistant recording engineer:
Iestyn Rees (engineer)
recording engineer:
Martin Haskell (sound engineer)
producer:
Jonathan Freeman-Attwood
vocals:
The Cardinall’s Musick (from 2013-11-11 until 2013-11-13)
conductor:
Andrew Carwood (from 2013-11-11 until 2013-11-13)
recorded at:
Fitzalan Chapel in Arundel, West Sussex, England, United Kingdom (from 2013-11-11 until 2013-11-13)
recording of:
Euge celi porta (motet for 4 voices, P. 179) (from 2013-11-11 until 2013-11-13)
composer:
Thomas Tallis (composer)
Thomas Tallis1:42
13Mass for Four Voices: Gloria
assistant recording engineer:
Iestyn Rees (engineer)
recording engineer:
Martin Haskell (sound engineer)
producer:
Jonathan Freeman-Attwood
vocals:
The Cardinall’s Musick (from 2013-11-11 until 2013-11-13)
conductor:
Andrew Carwood (from 2013-11-11 until 2013-11-13)
recorded at:
Fitzalan Chapel in Arundel, West Sussex, England, United Kingdom (from 2013-11-11 until 2013-11-13)
recording of:
Mass for Four Voices, P. 31: Gloria (from 2013-11-11 until 2013-11-13)
composer:
Thomas Tallis (composer)
part of:
Mass for Four Voices, P. 31
Thomas Tallis5:36
14Mass for Four Voices: Credo
assistant recording engineer:
Iestyn Rees (engineer)
recording engineer:
Martin Haskell (sound engineer)
producer:
Jonathan Freeman-Attwood
vocals:
The Cardinall’s Musick (from 2013-11-11 until 2013-11-13)
conductor:
Andrew Carwood (from 2013-11-11 until 2013-11-13)
recorded at:
Fitzalan Chapel in Arundel, West Sussex, England, United Kingdom (from 2013-11-11 until 2013-11-13)
recording of:
Mass for Four Voices, P. 31: Credo (from 2013-11-11 until 2013-11-13)
composer:
Thomas Tallis (composer)
part of:
Mass for Four Voices, P. 31
Thomas Tallis6:13
15Mass for Four Voices: Sanctus
assistant recording engineer:
Iestyn Rees (engineer)
recording engineer:
Martin Haskell (sound engineer)
producer:
Jonathan Freeman-Attwood
vocals:
The Cardinall’s Musick (from 2013-11-11 until 2013-11-13)
conductor:
Andrew Carwood (from 2013-11-11 until 2013-11-13)
recorded at:
Fitzalan Chapel in Arundel, West Sussex, England, United Kingdom (from 2013-11-11 until 2013-11-13)
recording of:
Mass for Four Voices, P. 31: Sanctus (from 2013-11-11 until 2013-11-13)
composer:
Thomas Tallis (composer)
part of:
Mass for Four Voices, P. 31
Thomas Tallis3:10
16Mass for Four Voices: Benedictus
assistant recording engineer:
Iestyn Rees (engineer)
recording engineer:
Martin Haskell (sound engineer)
producer:
Jonathan Freeman-Attwood
vocals:
The Cardinall’s Musick (from 2013-11-11 until 2013-11-13)
conductor:
Andrew Carwood (from 2013-11-11 until 2013-11-13)
recorded at:
Fitzalan Chapel in Arundel, West Sussex, England, United Kingdom (from 2013-11-11 until 2013-11-13)
recording of:
Mass for Four Voices, P. 31: Benedictus (from 2013-11-11 until 2013-11-13)
composer:
Thomas Tallis (composer)
part of:
Mass for Four Voices, P. 31
Thomas Tallis3:24
17Mass for Four Voices: Agnus Dei
assistant recording engineer:
Iestyn Rees (engineer)
recording engineer:
Martin Haskell (sound engineer)
producer:
Jonathan Freeman-Attwood
vocals:
The Cardinall’s Musick (from 2013-11-11 until 2013-11-13)
conductor:
Andrew Carwood (from 2013-11-11 until 2013-11-13)
recorded at:
Fitzalan Chapel in Arundel, West Sussex, England, United Kingdom (from 2013-11-11 until 2013-11-13)
recording of:
Mass for Four Voices, P. 31: Agnus Dei (from 2013-11-11 until 2013-11-13)
composer:
Thomas Tallis (composer)
part of:
Mass for Four Voices, P. 31
Thomas Tallis5:06
18Laudate Dominum
assistant recording engineer:
Iestyn Rees (engineer)
recording engineer:
Martin Haskell (sound engineer)
producer:
Jonathan Freeman-Attwood
vocals:
The Cardinall’s Musick (from 2013-11-11 until 2013-11-13)
conductor:
Andrew Carwood (from 2013-11-11 until 2013-11-13)
recorded at:
Fitzalan Chapel in Arundel, West Sussex, England, United Kingdom (from 2013-11-11 until 2013-11-13)
recording of:
Laudate Dominum (motet (psalm) for 5 voices, P. 266) (from 2013-11-11 until 2013-11-13)
composer:
Thomas Tallis (composer)
Thomas Tallis3:54
19Miserere nostri
assistant recording engineer:
Iestyn Rees (engineer)
recording engineer:
Martin Haskell (sound engineer)
producer:
Jonathan Freeman-Attwood
vocals:
The Cardinall’s Musick (from 2013-11-11 until 2013-11-13)
conductor:
Andrew Carwood (from 2013-11-11 until 2013-11-13)
recorded at:
Fitzalan Chapel in Arundel, West Sussex, England, United Kingdom (from 2013-11-11 until 2013-11-13)
recording of:
Miserere nostri, P. 207 (à 7, Cantiones sacrae (1575)) (from 2013-11-11 until 2013-11-13)
lyricist:
[anonymous] (special purpose artist)
composer:
Thomas Tallis (composer)
part of:
Cantiones quae ab argumento sacrae vocantur (1575)
Thomas Tallis2:24

Credits

Release

liner notes:Andrew Carwood
liner notes translator:Hyperion (for roles credited to the British label Hyperion)
Viola Scheffel (Übersetzung)
executive producer:Nick Flower
Simon Perry (Hyperion classical music producer)
purchase for download:https://music.apple.com/us/album/tallis-ave-rosa-sine-spinis-other-sacred-music/923946434 [info]
https://www.hyperion-records.co.uk/dc.asp?dc=D_CDA68076 [info]