Masters of Classical Music

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1CD: Vol. 1: W. A. Mozart
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1Eine kleine Nachtmusik: Allegro
orchestra:
Salzburg Consort and Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
conductor:
Herbert Kraus (conductor, an Alfred Scholz pseudonym)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro (Serenade No. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart2.55:44
2Piano Concerto in A major, K. 488: Adagio
piano:
Kocsis Zoltán (pianist, conductor)
orchestra:
Liszt Ferenc Kamarazenekar (Franz Liszt Chamber Orchestra, Franz Liszt Chamber Orchestra)
conductor:
János Rolla (violinist and conductor)
recording of:
Concerto for Piano and Orchestra no. 23 in A major, K. 488: II. Andante (Adagio)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1786 until 1786-03-02)
part of:
Concerto for Piano and Orchestra no. 23 in A major, K. 488
Wolfgang Amadeus Mozart16:16
3Flute Concerto in D major, K. 314: Allegro
flute:
Béla Drahos (flutist and conductor)
orchestra:
Liszt Ferenc Kamarazenekar (Franz Liszt Chamber Orchestra, Franz Liszt Chamber Orchestra)
conductor:
János Rolla (violinist and conductor)
recording of:
Concerto for Flute no. 2 in D major, K. 285d/314: III. Rondo. Allegretto
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1777 until 1778)
part of:
Concerto for Flute no. 2 in D major, K. 285d/314
revision of:
Oboe Concerto in C major, K. 314 / 271k: III. Rondo. Allegretto
Wolfgang Amadeus Mozart5:42
4Symphony no. 40 in G minor: Molto allegro
orchestra:
Salzburg Mozarteum Orchestra
conductor:
Hans Graf (conductor) and János Sándor
phonographic copyright (℗) by:
Delta Music GmbH (not for release label use! 1970–2007, succeeded in 2008 by Delta Music & Entertainment GmbH & Co. KG) (in 1988)
recording of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
revised by:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 550), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 550) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 550)
revision of:
Symphony no. 40 for Orchestra without clarinets in G minor, K. 550 “Great” (first version)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart37:39
5Clarinet Concerto, K. 622: Adagio
clarinet:
Béla Kovács (clarinetist)
orchestra:
Franz Liszt Kammerorchester (Franz Liszt Chamber Orchestra, Franz Liszt Chamber Orchestra)
conductor:
Janos Rolla (violinist and conductor)
partial recording of:
Concerto for Clarinet in A major, K. 622
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
dedicated to:
Anton Paul Stadler
part of:
ABC Classic 100 (2001) (number: 1), Classic 100: The Music You Can't Live Without (2021) (number: 9), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 622) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 622)
recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio (Concerto for Clarinet and Orchestra in A major, K. 622: II. Adagio)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
Wolfgang Amadeus Mozart37:01
6Serenade, K. 375: Menuetto
wind instruments:
Budapester Bläserensemble (Budapest Wind Ensemble)
recording of:
Serenade no. 11 for Winds in E-flat major, K. 375: IV. Minuetto & Trio (catch-all for unknown versions)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1781-10)
part of:
Serenade no. 11 for Winds in E-flat major, K. 375 (catch-all for unknown versions)
Wolfgang Amadeus Mozart53:02
7Turkish MarchWolfgang Amadeus Mozart43:41
8Violin Concer, K. 216: AllegroWolfgang Amadeus Mozart39:33
9Divertimento, K. 334: Menuetto
orchestra:
Camerata Salzburg (Austrian chamber orchestra)
conductor:
Sándor Végh (violinist/conductor/teacher)
recording of:
Divertimento no. 17 for 2 Horns & Strings in D major, K. 320b/334: III. Minuetto
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Divertimento no. 17 in D major, K. 320b/334
Wolfgang Amadeus Mozart4:50
10Horn Concerto, K. 447: Allegro
French horn:
Bernd Heiser (horn player, an Alfred Scholz pseudonym)
orchestra:
Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
conductor:
Herbert Kraus (conductor, an Alfred Scholz pseudonym)
recording of:
Concerto for Horn no. 3 in E-flat major, K. 447: I. Allegro
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1784 until 1787)
part of:
Concerto for Horn no. 3 in E-flat major, K. 447
Wolfgang Amadeus Mozart1.58:00
11Cassation, K. 99: Allegro
orchestra:
Camerata Salzburg (Austrian chamber orchestra)
conductor:
Sándor Végh (violinist/conductor/teacher)
recording of:
Cassation for Orchestra in B-flat major, K. 63a/99: VII. Allegro
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Cassation for Orchestra in B-flat major, K. 63a/99
Wolfgang Amadeus Mozart5:12
2CD: Vol. 2: J. S. Bach
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1Overture no. 4: Réjouissance
bassoon:
Gerd Schulze (bassoonist) (from 1982 until 1984)
cello:
Burkhard Schmidt (cellist) (from 1982 until 1984)
double bass:
Rainer Hucke (double bass player) (from 1982 until 1984)
harpsichord:
Walter Heinz Bernstein (harpsichordist and organist) (from 1982 until 1984)
oboe:
Günter Heidrich (oboist) (from 1982 until 1984), Uwe Kleinsorge (oboist) (from 1982 until 1984) and Hans Ludwig Mörchen (oboist) (from 1982 until 1984)
timpani:
Werner Legutke (percussionist) (from 1982 until 1984)
trumpet:
Ludwig Güttler (trumpet player) (from 1982 until 1984), Roland Rudolph (trumpet player) (from 1982 until 1984) and Heinz Stiefel (from 1982 until 1984)
violin:
Eberhard Palm (violinist) (from 1982 until 1984)
orchestra:
New Bach Collegium Musicum (from 1982 until 1984)
conductor:
Max Pommer (conductor) (from 1982 until 1984)
phonographic copyright (℗) by:
Delta Music GmbH (not for release label use! 1970–2007, succeeded in 2008 by Delta Music & Entertainment GmbH & Co. KG) (in 1985)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (from 1982 until 1984)
recording of:
Orchestersuite Nr. 4 D-Dur, BWV 1069: V. Réjouissance (from 1982 until 1984)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 4 D-Dur, BWV 1069 (Orchestral suite no. 4 in D major, BWV 1069)
Johann Sebastian Bach2:24
2Overture no. 3: Air
bassoon:
Gerd Schulze (bassoonist) (from 1982 until 1984)
cello:
Burkhard Schmidt (cellist) (from 1982 until 1984)
double bass:
Rainer Hucke (double bass player) (from 1982 until 1984)
harpsichord:
Walter Heinz Bernstein (harpsichordist and organist) (from 1982 until 1984)
oboe:
Günter Heidrich (oboist) (from 1982 until 1984) and Uwe Kleinsorge (oboist) (from 1982 until 1984)
timpani:
Werner Legutke (percussionist) (from 1982 until 1984)
trumpet:
Ludwig Güttler (trumpet player) (from 1982 until 1984), Roland Rudolph (trumpet player) (from 1982 until 1984) and Heinz Stiefel (from 1982 until 1984)
violin:
Eberhard Palm (violinist) (from 1982 until 1984)
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum) (from 1982 until 1984)
conductor:
Max Pommer (conductor) (from 1982 until 1984)
phonographic copyright (℗) by:
Delta Music GmbH (not for release label use! 1970–2007, succeeded in 2008 by Delta Music & Entertainment GmbH & Co. KG) (in 1985)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (from 1982 until 1984)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (from 1982 until 1984)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach4:06
3Overture no. 2: Badinerie
bassoon:
Gerd Schulze (bassoonist)
cello:
Burkhard Schmidt (cellist)
double bass:
Rainer Hucke (double bass player)
flute:
Karl-Heinz Passin (flutist)
harpsichord:
Walter Heinz Bernstein (harpsichordist and organist)
orchestra:
Neues Bachisches Collegium Musicum Leipzig (New Bach Collegium Musicum)
conductor:
Max Pommer (conductor)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach1:27
4Oboe Concerto in D minor: AdagioJohann Sebastian Bach23:07
5Minuet in D minor, BWV Anh. 132
flute:
Karl-Heinz Passin (flutist)
harpsichord:
Walter Heinz Bernstein (harpsichordist and organist)
recording of:
Menuett in d-Moll, BWV Anh. 132 (catch all for arrangements)
composer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
arrangement of:
Menuett in d-Moll, BWV Anh. 132
Johann Sebastian Bach1:13
6Minuet in G major, BWV Anh. 116
harpsichord and virginal:
Walter Heinz Bernstein (harpsichordist and organist)
recording of:
Minuet in G major, BWV Anh. 116
composer:
[anonymous] (special purpose artist)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 7), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV Anh. II 116) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV Anh. 116)
Johann Sebastian Bach2:11
7Overture no. 1: Passepied
bassoon:
Gerd Schulze (bassoonist) (from 1982 until 1984)
cello:
Burkhard Schmidt (cellist)
double bass:
Rainer Hucke (double bass player)
harpsichord:
Walter Heinz Bernstein (harpsichordist and organist)
oboe:
Günter Heidrich (oboist) (from 1982 until 1984) and Uwe Kleinsorge (oboist) (from 1982 until 1984)
orchestra:
New Bach Collegium Musicum
conductor:
Max Pommer (conductor)
phonographic copyright (℗) by:
Delta Music GmbH (not for release label use! 1970–2007, succeeded in 2008 by Delta Music & Entertainment GmbH & Co. KG) (in 1985)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (from 1982 until 1984)
recording of:
Orchestersuite Nr. 1 C-Dur, BWV 1066: VII. Passepied I / Passepied II (from 1982 until 1984)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 1 C-Dur, BWV 1066 (Orchestral suite no. 1 in C major, BWV 1066)
Johann Sebastian Bach3:10
8Toccata and Fugue in D minor, BWV 565
producer:
Horst Kunze (balance engineer)
organ:
Hannes Kästner (German organist and cembalist) (in 1981)
recorded at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (in 1981)
recording of:
Toccata und Fuge d-Moll, BWV 565 (Toccata and Fugue in D minor, BWV 565) (in 1981)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 565) and Bach Compendium (number: BC J 37)
Johann Sebastian Bach9:24
9“Ich liebe den Höchsten von ganzem Gemüte”, Cantata, BWV 174: Sinfonia
cello:
Siegfried Hunger (cellist) (in 1984), Burkhard Schmidt (cellist) (in 1984) and Matthias Schreiber (cellist) (in 1984)
trumpet:
Kurt Sandau (trumpet player) (in 1984)
viola:
Eberhard Freiberger (violist) (in 1984), Wolfgang Gränitz (violist) (in 1984) and Olaf Hallmann (violist) (in 1984)
violin:
Gunar Kaltofen (in 1984), Roald Reinecke (violinist) (in 1984) and Karl Suske (violinist) (in 1984)
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum) (in 1984)
conductor:
Max Pommer (conductor) (in 1984)
performer:
Ludwig Güttler (trumpet player) (in 1984)
phonographic copyright (℗) by:
Delta Music GmbH (not for release label use! 1970–2007, succeeded in 2008 by Delta Music & Entertainment GmbH & Co. KG) (in 1985)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (in 1984)
recording of:
Kantate, BWV 174 „Ich liebe den Höchsten von ganzem Gemüte“: I. Sinfonia (in 1984)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1729-06-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
is based on:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro
part of:
Kantate, BWV 174 "Ich liebe den Höchsten von ganzem Gemüte"
Johann Sebastian Bach6:12
10Brandenburg Concerto no. 2 in F major, BWV 1047: Andante
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum)
conductor:
Max Pommer (conductor)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: II. Andante (Brandenburg Concerto No. 2 in F major, BWV 1047: II. Andante)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach3:36
11Easter Oratorio, BWV 249: Sinfonia
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum)
conductor:
Max Pommer (conductor)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (in 1984)
recording of:
Oster-Oratorium, BWV 249: I. Sinfonia (in 1984)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kantate, BWV 249a "Enfliehet, entschwindet, entweicht, ihr Sorgen": Sinfonia
part of:
Concerto for 3 trumpets, timpani, 3 oboes, bassoon, strings & continuo in D major (after BWV 249), BWV deest
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach3:58
12Violin Concerto in E major, BWV 1042: Adagio
violin:
Szenthelyi Miklós (Miklós Szenthelyi, violinist)
orchestra:
Hungarian Chamber Orchestra
conductor:
Győriványi Ráth György
recording of:
Konzert für Violine und Orchester E-Dur, BWV 1042: II. Adagio (Violin Concerto in E major, BWV 1042: II. Adagio)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Konzert für Violine und Orchester E-Dur, BWV 1042 (Violin Concerto in E major, BWV 1042)
Johann Sebastian Bach6:10
13“Wachet auf, ruft uns die Stimme”, Chorale, BWV 645
producer:
Horst Kunze (balance engineer)
organ:
Hannes Kästner (German organist and cembalist) (in 1981)
recorded at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (in 1981)
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wachet auf, ruft uns die Stimme, BWV 645 (in 1981)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 645)
is based on:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral (Tenor) “Zion hört die Wächter singen”
part of:
Sechs Choräle von verschiedener Art
Johann Sebastian Bach5:01
14Brandenburg Concerto no. 1 in F major, BWV 1046: Adagio
oboe:
Günter Heidrich (oboist) (from 1982 until 1984)
violino piccolo:
Eberhard Palm (violinist) (from 1982 until 1984)
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum) (from 1982 until 1984)
conductor:
Max Pommer (conductor) (from 1982 until 1984)
phonographic copyright (℗) by:
Delta Music GmbH (not for release label use! 1970–2007, succeeded in 2008 by Delta Music & Entertainment GmbH & Co. KG) (in 1985)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (from 1982 until 1984)
recording of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: II. Adagio (from 1982 until 1984)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046 (Brandenburg Concerto no. 1 in F major, BWV 1046)
Johann Sebastian Bach4:06
15“Kommst du nun, Jesu, vom Himmel herunter”, Chorale, BWV 650
co-recording engineer:
Hugo Gneipelt
recording engineer:
Bernd Runge
organ:
Friedrich Kircheis (organist) (in 1981-08)
trumpet:
Ludwig Güttler (trumpet player) (in 1981-08)
recorded at:
Predigerkirche Erfurt in Erfurt, Thüringen (Thuringia), Germany (in 1981-08)
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Kommst du nun, Jesus vom Himmel herunter, BWV 650 (catch-all for arrangements) (in 1981-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Kommst du nun, Jesus vom Himmel herunter, BWV 650
Johann Sebastian Bach3:46
3CD: Vol. 3: L. v. Beethoven
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1Symphony no. 5: Allegro con brio
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Herbert Kegel (conductor)
recording of:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven47:18
2Für Elise
piano:
Evelyne Dubourg (pianist), Misha Goldstein (pianist) and Leonard Hokanson (pianist)
recording of:
Bagatelle for Piano in A minor, WoO 59 “Für Elise”: Poco moto (Bagatelle for Piano in A minor “Für Elise”, WoO 59)
composer:
Ludwig van Beethoven (German composer) (from 1808 until 1810)
part of:
Classic 100: Piano (2004) (number: 15), Classic 100: Piano (2025) (number: 17) and Kinsky catalogue (Beethoven WoO works) (number: WoO 59)
Ludwig van Beethoven32:53
3Violin Romance no. 2
violin:
Miklos Szenthelyi (Miklós Szenthelyi, violinist)
orchestra:
Hungarian State Orchestra (Hungarian National Philharmonic) and Hungarian State Orchestra (probably fictitious, or Alfred Scholz related)
conductor:
G. Gyorivanyi-Rath
recording of:
Romance for Violin and Orchestra no. 2 in F major, op. 50 (Romance for Violin and Orchestra no. 2 in F major, op. 50: Adagio cantabile)
composer:
Ludwig van Beethoven (German composer) (in 1798)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 50)
Ludwig van Beethoven9:30
4“Moonlight” Sonata: Adagio sustenutoLudwig van Beethoven25:28
5Minuet
recording of:
Minuet in G major, WoO 10 no. 2 (for strings)
composer:
Ludwig van Beethoven (German composer)
arrangement of:
6 Minuets for Piano, WoO 10: No. 2 in G major
Ludwig van Beethoven32:34
6Symphony no. 8 in F major: Allegretto scherzando
orchestra:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Herbert Kegel (conductor)
recording of:
Symphony no. 8 in F major, op. 93: II. Allegretto scherzando
composer:
Ludwig van Beethoven (German composer) (in 1812)
part of:
Symphony no. 8 in F major, op. 93
Ludwig van Beethoven34:09
7“Coriolan” Overture
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990) and Dresdner Philharmonie (Dresden Philharmonic Orchestra)
conductor:
Herbert Kegel (conductor) and Peter Wohlert (conductor, Alfred Scholz related)
recording of:
Ouvertüre Coriolan, op. 62 (Coriolan Overture, Op. 62)
composer:
Ludwig van Beethoven (German composer) (in 1807)
dedicated to:
Heinrich Joseph von Collin
premiered at:
Palais Lobkowitz in Innere Stadt, Wien (Vienna), Austria (in 1807-03)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 62)
Ludwig van Beethoven8:47
8Piano Concerto no. 2: AdagioLudwig van Beethoven39:48
9Symphony no. 5 in C minor: Allegro
recording of:
Symphony no. 5 in C minor, op. 67: IV. Allegro
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven8:37
10“Egmont” Overture
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990), London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), London Philharmonic Orchestra (Alfred Scholz pseudonym), London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO) and Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Anton Nanut (conductor), Alfred Scholz and Peter Wohlert (conductor, Alfred Scholz related)
recording of:
Egmont, op. 84: Ouvertüre. Sostenuto, ma non troppo – Allegro
premiered in:
Wien (Vienna), Austria (on 1810-06-15)
composer:
Ludwig van Beethoven (German composer) (from 1809-10 until 1810-06)
part of:
Egmont, op. 84
Ludwig van Beethoven8:20
4CD: Vol. 4: Johann Strauss
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1Die Fledermaus (excerpts): Introduction / Brüderlein und Schwesterlein / Mein Herr, was dächten Sie von mir / Im Feuerstrom der Reben / Mein Herr Marquis / Trinke, Liebchen / Finale
orchestra:
RTL-Sinfonieorchester (The Luxembourg Philharmonic Orchestra, Luxembourg Philharmonic Orchestra)
conductor:
Kurt Redel (German flautist and conductor)
Johann Strauss18:49
2Wine, Woman and Song
orchestra:
Vienna Strauss Orchestra (Alfred Scholz pseudonym; also Vienna Strauss Orchestra)
conductor:
Joseph Francek
recording of:
Wein, Weib und Gesang, op. 333 (Wine, Woman and Song)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 333)
Johann Strauss6:16
3Tritsch Tratsch Polka
orchestra:
People's Opera Orchestra, Vienna and Strauss-Orchester Wien (Alfred Scholz pseudonym; also Vienna Strauss Orchestra)
conductor:
Joseph Francek (conductor, pseudonym for Alfred Scholz) and Alfred Scholz
performer:
Orchester der Wiener Volksoper
recording of:
Tritsch–Tratsch Polka, op. 214
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (until 1858)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 214)
Johann Strauss22:42
4The Blue Danube
orchestra:
Strauss-Orchestra Wien (Alfred Scholz pseudonym; also Vienna Strauss Orchestra)
conductor:
Joseph Francek (conductor, pseudonym for Alfred Scholz)
recording of:
An der schönen blauen Donau, op. 314 (On the Beautiful Blue Danube, op. 314)
premiered in:
Wien (Vienna), Austria (on 1867-02-15)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1866)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 314)
Johann Strauss310:58
5The Gypsy Baron: Introduction
orchestra:
RTL Symphony Orchestra (The Luxembourg Philharmonic Orchestra, Luxembourg Philharmonic Orchestra) and RTL Symphony Orchestra
conductor:
Kurt Redel (German flautist and conductor)
recording of:
Der Zigeunerbaron: Ouvertüre
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Der Zigeunerbaron
Johann Strauss6:27
6Annen Polka
orchestra:
Orchester der Wiener Volksoper and The Vienna Strauss Orchestra (Alfred Scholz pseudonym; also Vienna Strauss Orchestra)
conductor:
Frank Meyer (conductor, pseudonym for Alfred Scholz) and Alfred Scholz
recording of:
Annen‐Polka, op. 117
premiered in:
Wien (Vienna), Austria (on 1852-07-24)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1852)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 117)
Johann Strauss13:08
7Vienna Blood
orchestra:
Vienna Strauss Orchestra (Alfred Scholz pseudonym; also Vienna Strauss Orchestra)
conductor:
Joseph Francek (conductor, pseudonym for Alfred Scholz)
recording of:
Wiener Blut, op. 354 (Vienna Blood, waltz)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (until 1873)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 354)
Johann Strauss19:29
8The Gypsy Baron: Einzugsmarsch
orchestra:
Orchester der Wiener Volksoper, Philharmonia Hungarica and Vienna Opera Orchestra (Alfred Scholz pseudonym; also Vienna Strauss Orchestra)
conductor:
Alfred Scholz
recording of:
Der Zigeunerbaron: Akt III. Einzugsmarsch
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Der Zigeunerbaron: Akt III
Johann Strauss2:51
5CD: Vol. 5: Richard Wagner
#TitleArtistRatingLength
1Tannhäuser: Overture
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym), London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO), National Symphony Orchestra Olsztyn (probably a fake artist by Alfred Scholz), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Philharmonia Orchestra London (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia), Royal Danish Symphony Orchestra (Royal Danish Orchestra) and Sofia Philharmonic Orchestra (Sofia Philharmonic)
conductor:
Igor Gogol (conductor, probably a pseudonym for Alfred Scholz), Vassil Kazandjiev, George Richter (conductor, probably fictitious, or Alfred Scholz pseudonym) and Alfred Scholz
recording of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Ouvertüre
composer:
Richard Wagner (composer) (from 1843 until 1845-04-13)
part of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70
part of:
Tannhäuser: Ouverture and Venusberg Music (ouverture and venusberg music (Act 1, scene 1) from Tannhäuser by Wagner)
Richard Wagner14:47
2Die Meistersinger von Nürnberg: Dance of the Prentices
orchestra:
Sofia Philharmonic Orchestra (Sofia Philharmonic)
conductor:
Vassil Kazandjiev
partial recording of:
Die Meistersinger von Nürnberg, WWV 96: Akt III
composer:
Richard Wagner (composer) (from 1863 until 1867)
librettist:
Richard Wagner (composer) (in 1862)
part of:
Die Meistersinger von Nürnberg, WWV 96
Richard Wagner2:18
3Die Meistersinger von Nürnberg: Prelude Act 3
orchestra:
Sofia Philharmonic Orchestra (Sofia Philharmonic)
conductor:
Vassil Kazandjiev
recording of:
Die Meistersinger von Nürnberg, WWV 96: Akt III, Vorspiel (The Master-singers of Nuremburg, Act 3. Prelude)
composer:
Richard Wagner (composer) (from 1863 until 1867)
librettist:
Richard Wagner (composer) (in 1862)
part of:
Die Meistersinger von Nürnberg, WWV 96: Akt III
Richard Wagner5:56
4Die Meistersinger von Nürnberg: Aufzug der Meistersinger
orchestra:
Symphony Orchestra Sofia
conductor:
Vassil Kazandjiev
partial recording of:
Die Meistersinger von Nürnberg, WWV 96
composer:
Richard Wagner (composer) (from 1863 until 1867)
librettist:
Richard Wagner (composer)
premiered at:
Königliches Hof- und Nationaltheater in München (Munich), Bayern (Bavaria), Germany (on 1868-06-21)
part of:
Wagner-Werk-Verzeichnis (number: 96)
partial recording of:
Die Meistersinger von Nürnberg, WWV 96: Akt III, Scene V. "Sankt Krispin, lobet ihn!"
composer:
Richard Wagner (composer) (from 1863 until 1867)
librettist:
Richard Wagner (composer) (in 1862)
part of:
Die Meistersinger von Nürnberg, WWV 96: Akt III
Richard Wagner3:34
5Der Fliegende Holländer: Overture
orchestra:
Budapest Symphony Orchestra
conductor:
György Lehel (conductor)
recording of:
Der fliegende Holländer, WWV 63: Ouvertüre (The Flying Dutchman: Overture)
composer:
Richard Wagner (composer) (from 1840 until 1841)
part of:
Der fliegende Holländer, WWV 63 (The Flying Dutchman)
Richard Wagner19:56
6Lohengrin: Prelude
orchestra:
Budapest Philharmonic Orchestra, Budapest Symphony Orchestra and Budapest Symphony Orchestra (unspecified orchestra, probably Alfred Scholz related)
conductor:
György Lehel (conductor)
performer:
Budapest Symphony Orchestra (unspecified orchestra, probably Alfred Scholz related)
recording of:
Lohengrin, WWV 75: Vorspiel (prelude to Act I)
composer:
Richard Wagner (composer) (from 1846 until 1848)
part of:
Lohengrin, WWV 75
Richard Wagner7:00
7Tristan und Isolde: Prelude and Liebestod
orchestra:
Budapest Symphony Orchestra (unspecified orchestra, probably Alfred Scholz related)
conductor:
György Lehel (conductor)
recording of:
Tristan und Isolde: Prelude and Liebestod (concert piece)
composer:
Richard Wagner (composer)
arrangement of:
Excerpt from Tristan und Isolde, WWV 90: Akt III, Szene III. Liebestod. “Mild und leise wie er lächelt”
arrangement of:
Tristan und Isolde, WWV 90: Akt I, Vorspiel
Richard Wagner115:58
8Tannhäuser: Arrival of the Guests at Wartburg
orchestra:
Budapest Symphony Orchestra (unspecified orchestra, probably Alfred Scholz related)
conductor:
György Lehel (conductor)
partial recording of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug II, Scene IV. "Freudig begrüssen wir die edle Halle" (Einzug der Gäste)
composer:
Richard Wagner (composer) (from 1843 until 1845-04-13)
librettist:
Richard Wagner (composer) (from 1842-06 until 1843-04)
part of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug II
Richard Wagner6:32
6CD: Vol. 6: Peter Tchaikovsky
#TitleArtistRatingLength
1Piano Concerto no. 1: Allegro non troppo
piano:
Jenő Jandó (pianist)
orchestra:
Budapest Philharmonic Orchestra
conductor:
András Ligeti (violinist and conductor)
partial recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1888 version, most often performed)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1874-11 until 1875-02)
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (1888 version, most often performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso (1879 version, rarely performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Andante non troppo e molto maestoso (original 1874/75 version, rarely performed)
Pyotr Tchaikovsky2.59:01
2String Serenade: Waltz
orchestra:
Berliner Kammerorchester (Berlin Chamber Orchestra)
conductor:
Peter Wohlert (conductor, Alfred Scholz related)
recording of:
Serenade for Strings in C major, op. 48: II. Waltz. Moderato - Tempo di valse
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1880)
part of:
Serenade for Strings in C major, op. 48
Pyotr Tchaikovsky3:48
3Violin Concerto: Andante
violin:
Emmy Verhey (violinist)
orchestra:
Budapest Symphony Orchestra (unspecified orchestra, probably Alfred Scholz related) and Magyar Rádió Szimfonikus Zenekara (Budapest Symphony Orchestra)
conductor:
Árpád Joó (conductor and pianist)
recording of:
Concerto for Violin and Orchestra in D major, op. 35: II. Canzonetta. Andante
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1878)
part of:
Concerto for Violin and Orchestra in D major, op. 35
Pyotr Tchaikovsky7:02
4The Sleeping Beauty Ballet Suite: Introduction
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Hans Vonk (conductor)
Pyotr Tchaikovsky2:46
5The Sleeping Beauty Ballet Suite: Pas d’action ‐ Adagio
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Hans Vonk (conductor)
Pyotr Tchaikovsky5:48
6The Sleeping Beauty Ballet Suite: Waltz
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Hans Vonk (conductor)
Pyotr Tchaikovsky4:17
7Capriccio Italien, op. 45
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra)
conductor:
Юрий Аранович (Yuri Ahronovitch, conductor)
recording of:
Capriccio italien, op. 45
premiered in:
Moscow, Russia (on 1880-12-18)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1880-01 until 1880-05)
dedicated to:
Карл Юльевич Давыдов (Karl Davydov)
part of:
The Tchaikovsky Handbook (number: TH 47), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 44) and Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 45)
Pyotr Tchaikovsky15:11
8Swan Lake Ballet Suite: Scene no. 10
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Hans Vonk (conductor)
Pyotr Tchaikovsky2:47
9Swan Lake Ballet Suite: Waltz
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Hans Vonk (conductor)
recording of:
Swan Lake, op. 20: Act I, no. 2: Valse, Tempo di valse
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer)
part of:
Swan Lake, op. 20: Act I
part of:
Swan Lake, op. 20: Act I (ed. Drigo)
recording of:
The Swan Lake (suite from the ballet), op. 20a: II. Valse
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Pyotr Tchaikovsky6:54
10Eugene Onegin: Polonaise
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Hans Vonk (conductor)
recording of:
Евгений Онегин, op. 24: Действие III, картина 1, no. 19. Полонез (Polonaise)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Eugen Onegin: Akt III
part of:
Евгений Онегин, op. 24: Действие третье (Eugene Onegin, op. 24: Act III)
Pyotr Tchaikovsky24:44
7CD: Vol. 7: Antonio Vivaldi
#TitleArtistRatingLength
1Concerto no. 1 in E major “Spring”
violin:
Béla Bánfalvi (violinist, concert master of Budapest strings)
orchestra:
Budapest Strings (Budapest String Orchestra; Budapest Strings)
conductor:
Károly Botvay (cellist and conductor)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Catalogo numerico-tematico delle opere strumentali (Fanna Catalogue, Antonio Vivaldi) (number: F. I/22) and Ryom-Verzeichnis (number: RV 269)
part of:
Il cimento dell’armonia e dell’inventione, op. 8 (The Contest Between Harmony and Invention, op. 8)
part of:
Le quattro stagioni (The Four Seasons, “The Four Seasons”)
Antonio Vivaldi10:29
2Siciliano
violin:
János Rolla (violinist and conductor)
orchestra:
Franz Liszt Kammerorchester (Franz Liszt Chamber Orchestra, Franz Liszt Chamber Orchestra)
conductor:
János Rolla (violinist and conductor)
recording of:
Concerto in D minor for Two Violins, Cello and Strings, op. 3 no. 11, RV 565: II. Largo e spiccato
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1711)
part of:
Concerto in D minor for Two Violins, Cello and Strings, op. 3 no. 11, RV 565
Antonio Vivaldi3:00
3Concerto for 2 Corni da caccia in F major, RV 539: Allegro
sound engineer:
Horst‐Dieter Kaeppler (engineer)
producer:
Bernd Runge
editor:
Thomas Albrecht (editor) and Martina Schön (editor)
brass [Corno da caccia I]:
Ludwig Güttler (trumpet player)
brass [Corno da caccia II]:
Kurt Sandau (trumpet player)
orchestra:
Virtuosi Saxoniae
conductor:
Ludwig Güttler (trumpet player)
balance engineer:
Horst Kunze (balance engineer)
recording of:
Concerto for Two Horns in F major, RV 539: III. Allegro
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Two Horns in F major, RV 539
Antonio Vivaldi2:07
4Concerto no. 2 in G minor “Summer”
violin:
Béla Bánfalvi (violinist, concert master of Budapest strings)
orchestra:
Budapest Strings (Budapest String Orchestra; Budapest Strings)
conductor:
Károly Botvay (cellist and conductor)
recording of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Catalogo numerico-tematico delle opere strumentali (Fanna Catalogue, Antonio Vivaldi) (number: F. I/23) and Ryom-Verzeichnis (number: RV 315)
part of:
Il cimento dell’armonia e dell’inventione, op. 8 (The Contest Between Harmony and Invention, op. 8)
part of:
Le quattro stagioni (The Four Seasons, “The Four Seasons”)
Antonio Vivaldi10:24
5Oboe Sonata in B flat major, RV 34 (Adagio – Allegro – Largo – Allegro)
bass viol [bass viola da gamba]:
Siegfried Pank (cellist and viol da gamba player)
harpsichord:
Christine Schornsheim (keyboard instrumentalist)
oboe:
Burkhard Glaetzner (oboist)
recording of:
Sonata in B-flat major, RV 34
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Ryom-Verzeichnis (number: RV 34) and Catalogo numerico-tematico delle opere strumentali (Fanna Catalogue, Antonio Vivaldi) (number: F. XIII/16)
Antonio Vivaldi7:28
6Concerto no. 3 in F major “Autumn”
violin:
Béla Bánfalvi (violinist, concert master of Budapest strings)
orchestra:
Budapest Strings (Budapest String Orchestra; Budapest Strings)
conductor:
Károly Botvay (cellist and conductor)
recording of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Catalogo numerico-tematico delle opere strumentali (Fanna Catalogue, Antonio Vivaldi) (number: F. I/24) and Ryom-Verzeichnis (number: RV 293)
part of:
Il cimento dell’armonia e dell’inventione, op. 8 (The Contest Between Harmony and Invention, op. 8)
part of:
Le quattro stagioni (The Four Seasons, “The Four Seasons”)
Antonio Vivaldi11:45
7Oboe Concerto (Allegro non tasto – Largo – Allegro non molto)
oboe:
Burkhard Glaetzner (oboist)
orchestra:
Leipzig New Bach Collegium Musicum (New Bach Collegium Musicum)
conductor:
Max Pommer (conductor)
recording of:
Oboe Concerto in G minor, op. 11 no. 6, RV 460
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Ryom-Verzeichnis (number: RV 460)
part of:
6 concerti, op. 11
Antonio Vivaldi11:05
8Concerto for 4 Violins in E minor, RV 550: Allegro assaiAntonio Vivaldi2:24
9Concerto no. 4 in F minor “Winter”
violin:
Béla Bánfalvi (violinist, concert master of Budapest strings)
orchestra:
Budapest Strings (Budapest String Orchestra; Budapest Strings)
conductor:
Károly Botvay (cellist and conductor)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Catalogo numerico-tematico delle opere strumentali (Fanna Catalogue, Antonio Vivaldi) (number: F. I/25) and Ryom-Verzeichnis (number: RV 297)
part of:
Il cimento dell’armonia e dell’inventione, op. 8 (The Contest Between Harmony and Invention, op. 8)
part of:
Le quattro stagioni (The Four Seasons, “The Four Seasons”)
Antonio Vivaldi9:06
8CD: Vol. 8: Frederic Chopin
#TitleArtistRatingLength
1Scherzo no. 1 in B minor, op. 20
piano:
Krzysztof Jablonski (pianist) (from 1985-10-01 until 1985-10-20)
recorded at:
XI International Chopin Piano Competition (1985-09-30 – 1985-10-20)
phonographic copyright (℗) by:
Capriccio Classic Productions (in 1988)
recorded at:
Warsaw Philharmonic Concert Hall in Warsaw, Mazowieckie (Masovian Voivodeship), Poland (from 1985-10-01 until 1985-10-20)
live recording of:
Scherzo no. 1 in B minor, op. 20 (from 1985-10-01 until 1985-10-20)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1831 until 1832)
dedicated to:
Thomas Albrecht (friend of Chopin)
part of:
Works of Fryderyk Chopin by opus number (number: op. 20), Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 65) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 197)
Frederic Chopin8:49
2Three Nocturnes, op. 9: No. 3 in B major
piano:
Krzysztof Jablonski (pianist) (from 1985-10-01 until 1985-10-20)
recorded at:
XI International Chopin Piano Competition (1985-09-30 – 1985-10-20)
phonographic copyright (℗) by:
Capriccio Classic Productions (in 1988)
recorded at:
Warsaw Philharmonic Concert Hall in Warsaw, Mazowieckie (Masovian Voivodeship), Poland (from 1985-10-01 until 1985-10-20)
live recording of:
Nocturne no. 3 in B major, op. 9 no. 3: Allegretto (from 1985-10-01 until 1985-10-20)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1830 until 1831)
part of:
Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 110)
part of:
Nocturnes, op. 9 (original for piano)
Frederic Chopin6:21
3Twelve Etudes, op. 10: No. 5 in G flat major
piano:
Krzysztof Jablonski (pianist) (from 1985-10-01 until 1985-10-20)
recorded at:
XI International Chopin Piano Competition (1985-09-30 – 1985-10-20)
phonographic copyright (℗) by:
Capriccio Classic Productions (in 1988)
recorded at:
Warsaw Philharmonic Concert Hall in Warsaw, Mazowieckie (Masovian Voivodeship), Poland (from 1985-10-01 until 1985-10-20)
live recording of:
Étude in G‐flat major, op. 10 no. 5 “Black Keys”: Vivace (from 1985-10-01 until 1985-10-20)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1830)
part of:
Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 18) and Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 57)
part of:
Études, op. 10
Frederic Chopin1:32
4Twelve Etudes, op. 25: No. 10 in B minor
piano:
Krzysztof Jablonski (pianist) (from 1985-10-01 until 1985-10-20)
recorded at:
XI International Chopin Piano Competition (1985-09-30 – 1985-10-20)
phonographic copyright (℗) by:
Capriccio Classic Productions (in 1988)
recorded at:
Warsaw Philharmonic Concert Hall in Warsaw, Mazowieckie (Masovian Voivodeship), Poland (from 1985-10-01 until 1985-10-20)
live recording of:
Étude in B minor, op. 25 no. 10 “Octaves”: Allegro con fuoco (from 1985-10-01 until 1985-10-20)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1835)
part of:
Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 35) and Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 78)
part of:
Études, op. 25
Frederic Chopin3:53
524 Préludes, op. 28: No. 13 in F sharp major
piano:
Stanislav Bunin (pianist)
phonographic copyright (℗) by:
Capriccio Classic Productions (in 1988)
recording of:
Prélude no. 13 in F‐sharp major, op. 28: Lento
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1836 until 1839)
part of:
Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 107) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 178)
part of:
24 Préludes pour le piano, op. 28
Frederic Chopin3:12
624 Préludes, op. 28: No. 14 in E flat minor
piano:
Stanislav Bunin (pianist)
phonographic copyright (℗) by:
Capriccio Classic Productions (in 1988)
recording of:
Prélude no. 14 in E‐flat minor, op. 28: Allegro
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1836 until 1839)
part of:
Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 107) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 179)
part of:
24 Préludes pour le piano, op. 28
Frederic Chopin0:24
724 Préludes, op. 28: No. 15 in D flat major “Raindrops”
piano:
Stanislav Bunin (pianist)
phonographic copyright (℗) by:
Capriccio Classic Productions (in 1988)
recording of:
Prélude no. 15 in D‐flat major, op. 28 “Raindrop”: Sostenuto
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1836 until 1839)
part of:
Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 107) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 180)
part of:
24 Préludes pour le piano, op. 28
Frederic Chopin5:37
824 Préludes, op. 28: No. 16 in B flat major
piano:
Stanislav Bunin (pianist) (in 1985)
phonographic copyright (℗) by:
Capriccio Classic Productions (in 1988)
recording of:
Prélude no. 16 in B‐flat minor, op. 28: Presto con fuoco (in 1985)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1836 until 1839)
part of:
Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 107) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 181)
part of:
24 Préludes pour le piano, op. 28
Frederic Chopin1:02
924 Préludes, op. 28: No. 17 in A flat major
piano:
Stanislav Bunin (pianist) (in 1985)
phonographic copyright (℗) by:
Capriccio Classic Productions (in 1988)
recording of:
Prélude no. 17 in A‐flat major, op. 28: Allegretto (in 1985)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1836 until 1839)
part of:
Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 100) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 182)
part of:
24 Préludes pour le piano, op. 28
Frederic Chopin2:59
1024 Préludes, op. 28: No. 18 in F minor
piano:
Stanislav Bunin (pianist) (in 1985)
phonographic copyright (℗) by:
Capriccio Classic Productions (in 1988)
recording of:
Prélude no. 18 in F minor, op. 28: Molto allegro (in 1985)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1836 until 1839)
part of:
Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 107) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 183)
part of:
24 Préludes pour le piano, op. 28
Frederic Chopin0:56
11Scherzo no. 2 in B flat minor, op. 31
piano:
Yuval Fichman (pianist) (from 1985-10-01 until 1985-10-20)
recorded at:
XI International Chopin Piano Competition (1985-09-30 – 1985-10-20)
phonographic copyright (℗) by:
Capriccio Classic Productions (in 1988)
recorded at:
Warsaw Philharmonic Concert Hall in Warsaw, Mazowieckie (Masovian Voivodeship), Poland (from 1985-10-01 until 1985-10-20)
live recording of:
Scherzo no. 2 in B‐flat minor, op. 31 (from 1985-10-01 until 1985-10-20)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1837)
dedicated to:
Adele Fürstensein
part of:
Works of Fryderyk Chopin by opus number (number: op. 31), Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 111) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 198)
Frederic Chopin9:25
12Waltz in E flat major, op. 18
piano:
Jean‐Marc Luisada (pianist) (from 1985-10-01 until 1985-10-20)
recorded at:
XI International Chopin Piano Competition (1985-09-30 – 1985-10-20)
phonographic copyright (℗) by:
Capriccio Classic Productions (in 1988)
recorded at:
Warsaw Philharmonic Concert Hall in Warsaw, Mazowieckie (Masovian Voivodeship), Poland (from 1985-10-01 until 1985-10-20)
live recording of:
Waltz no. 1 in E‐flat major, op. 18 “Grande Valse brillante” (from 1985-10-01 until 1985-10-20)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1833)
dedicated to:
Laura Harsford
part of:
Works of Fryderyk Chopin by opus number (number: op. 18), Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 62) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 207)
Frederic Chopin5:15
13Nocturne in C sharp minor, op. posth.
piano:
Evelyne Dubourg (pianist)
recording of:
Nocturne no. 20 in C‐sharp minor “Reminiscence”, op. posth. 1 no. 16, B. 49, KKIVa/16
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1830)
part of:
Chopin National Edition: WN Catalogue (number: WN 37), Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 49) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 127)
live recording of:
Nocturne no. 20 in C‐sharp minor “Reminiscence”, op. posth. 1 no. 16, B. 49, KKIVa/16
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1830)
part of:
Chopin National Edition: WN Catalogue (number: WN 37), Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 49) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 127)
Frederic Chopin4:03
14Four Mazurkas, op. 24: No. 3 in A flat major
piano:
Jean‐Marc Luisada (pianist) (from 1985-10-01 until 1985-10-20)
recorded at:
XI International Chopin Piano Competition (1985-09-30 – 1985-10-20)
phonographic copyright (℗) by:
Capriccio Classic Productions (in 1988)
recorded at:
Warsaw Philharmonic Concert Hall in Warsaw, Mazowieckie (Masovian Voivodeship), Poland (from 1985-10-01 until 1985-10-20)
live recording of:
Mazurka no. 16 in A‐flat major, op. 24 no. 3 (from 1985-10-01 until 1985-10-20)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1834 until 1835)
part of:
Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 66)
part of:
Mazurkas, op. 24
Frederic Chopin1:55
15Four Mazurkas, op. 24: No. 4 in B flat minor
piano:
Jean‐Marc Luisada (pianist) (from 1985-10-01 until 1985-10-20)
recorded at:
XI International Chopin Piano Competition (1985-09-30 – 1985-10-20)
phonographic copyright (℗) by:
Capriccio Classic Productions (in 1988)
recorded at:
Warsaw Philharmonic Concert Hall in Warsaw, Mazowieckie (Masovian Voivodeship), Poland (from 1985-10-01 until 1985-10-20)
live recording of:
Mazurka no. 17 in B‐flat minor, op. 24 no. 4 (from 1985-10-01 until 1985-10-20)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1834 until 1835)
part of:
Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 67)
part of:
Mazurkas, op. 24
Frederic Chopin4:24
9CD: Vol. 9: Franz Schubert
#TitleArtistRatingLength
1Ave Maria
solo cello:
Károly Botvay (cellist and conductor)
orchestra:
Budapest Strings (Budapest String Orchestra; Budapest Strings)
conductor and concertmaster:
Béla Bánfalvi (violinist, concert master of Budapest strings)
recording of:
Ave Maria (Schubert’s Ave Maria: Latin “Ave Maria” text sung to the tune of ‘Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria”’)
lyricist:
[anonymous] (special purpose artist)
composer:
Franz Schubert (composer)
version of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)
recording of:
Ave Maria, D. 839 (Schubert; catch-all for arrangements)
composer:
Franz Schubert (composer) (in 1825)
arrangement of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)
Franz Schubert3.654:51
2Impromptu in E flat major
engineer:
István Zakariás
producer:
Jenő Simon
piano:
Jenő Jandó (pianist) (from 1989-04-29 until 1989-04-30)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1989-04-29 until 1989-04-30)
recording of:
Impromptu in E‐flat major, op. 90, D. 899: No. 2. Allegro (from 1989-04-29 until 1989-04-30)
composer:
Franz Schubert (composer) (in 1827)
part of:
4 Impromptus, op. 90, D. 899
Franz Schubert4:30
3Ständchen
solo violin:
Béla Bánfalvi (violinist, concert master of Budapest strings)
orchestra:
Budapest Strings (Budapest String Orchestra; Budapest Strings)
recording of:
Schwanengesang, D. 957: IV. Ständchen (catch-all for arrangements)
composer:
Franz Schubert (composer)
arrangement of:
Schwanengesang, D. 957: IV. Ständchen (Leise flehen meine Lieder) (original for voice and piano)
is based on:
סרנדה
Franz Schubert23:21
4Trout Quintet: Tema con variazioniFranz Schubert7:29
5Entr’acte no. 1 from “Rosamunde”
orchestra:
Hungarian State Opera Orchestra (Hungarian State Opera Orchestra)
conductor:
Ádám Fischer (Hungarian conductor)
recording of:
Rosamunde, D. 797: IIIa. Entr’acte Nr. 2 D-Dur. Andante
composer:
Franz Schubert (composer) (in 1823)
parody version of:
Längtans blomma är störst på håll
part of:
Rosamunde, D. 797
Franz Schubert3:51
6Moment musical in A flat majorFranz Schubert9:00
7Entr’acte no. 2 from “Rosamunde”
orchestra:
Budapesti Filharmóniai Társaság Zenekara (Budapest Philharmonic Orchestra)
conductor:
János Kovács (conductor)
recording of:
Rosamunde, D. 797: V. Entr'acte Nr. 3 B-Dur. Andantino
composer:
Franz Schubert (composer) (in 1823)
part of:
Rosamunde, D. 797
Franz Schubert8:20
8Moment musical no. 3 in F minor
orchestra:
Budapest Strings (Budapest String Orchestra; Budapest Strings)
conductor:
Béla Bánfalvi (violinist, concert master of Budapest strings)
recording of:
Moment musical in F minor, D. 780 no. 3 (catch-all for arrangements)
composer:
Franz Schubert (composer)
arrangement of:
6 Moments musicaux for Piano, op. 94, D. 780: No. 3 in F minor. Allegro moderato
Franz Schubert1:46
9Ballet Music no. 2 aus/from “Rosamunde”
orchestra:
Budapesti Filharmóniai Társaság Zenekara (Budapest Philharmonic Orchestra)
conductor:
János Kovács (conductor)
recording of:
Rosamunde, D. 797: IX. Ballettmusik Nr. 2 G-Dur. Andantino
composer:
Franz Schubert (composer) (in 1823)
part of:
Rosamunde, D. 797
Franz Schubert6:35
10Symphony no. 8 in B minor “Unfinished”: Allegro moderatoFranz Schubert213:36
10CD: Vol. 10: Giuseppe Verdi

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ASIN:DE: B000001VU5 [info]