Music From Big Pink

~ Release by The Band (see all versions of this release, 25 available)

Tracklist

1▼SHM-CD
#TitleRatingLength
1Tears of Rage
engineer:
Don Hahn (engineer) and Tony May (engineer)
producer:
The Band (Canadian-American rock band) and John Simon (US producer, arranger, composer, songwriter and musician)
recording of:
Tears of Rage
lyricist:
Bob Dylan (in 1967)
composer:
Richard Manuel (in 1967)
publisher:
Sony/ATV Music Publishing (UK) Ltd. and Dwarf Music (from 1968 to present)
3.655:24
2To Kingdom Come
engineer:
Don Hahn (engineer) and Tony May (engineer)
producer:
John Simon (US producer, arranger, composer, songwriter and musician)
recording of:
To Kingdom Come
lyricist and composer:
Robbie Robertson
43:22
3In a Station
engineer:
Don Hahn (engineer) and Tony May (engineer)
producer:
John Simon (US producer, arranger, composer, songwriter and musician)
recording of:
In a Station
lyricist and composer:
Richard Manuel
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), E. H. Morris and Sony Music Publishing (PRS) (worldwide except Japan, ended 1995)
3.753:35
4Caledonia Mission
engineer:
Don Hahn (engineer) and Tony May (engineer)
producer:
John Simon (US producer, arranger, composer, songwriter and musician)
recording of:
Caledonia Mission
lyricist and composer:
Robbie Robertson
32:59
5The Weight
engineer:
Don Hahn (engineer) and Tony May (engineer)
producer:
The Band (Canadian-American rock band) and John Simon (US producer, arranger, composer, songwriter and musician)
acoustic guitar:
Robbie Robertson (on 1968-01-12)
bass guitar:
Rick Danko (on 1968-01-12)
drums (drum set):
Levon Helm (on 1968-01-12)
piano:
Garth Hudson (on 1968-01-12)
background vocals:
Rick Danko (on 1968-01-12), Levon Helm (on 1968-01-12) and Richard Manuel (on 1968-01-12)
lead vocals:
Rick Danko (on 1968-01-12) and Levon Helm (on 1968-01-12)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1968, in 2005)
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (on 1968-01-12)
part of:
Huffington Post: 100 Best Canadian Songs Ever (number: 6), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 41), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 58), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 80) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
The Weight (on 1968-01-12)
lyricist and composer:
Robbie Robertson
publisher:
Dwarf Music, Sony/ATV Music Publishing Australia Pty Ltd. and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
4.154:39
6We Can Talk
engineer:
Don Hahn (engineer) and Tony May (engineer)
producer:
John Simon (US producer, arranger, composer, songwriter and musician)
recording of:
We Can Talk
lyricist and composer:
Richard Manuel
43:07
7Long Black Veil
engineer:
Don Hahn (engineer) and Tony May (engineer)
producer:
John Simon (US producer, arranger, composer, songwriter and musician)
cover recording of:
The Long Black Veil
lyricist and composer:
Danny Dill and Marijohn Wilkin
publisher:
Cedarwood Music, Cedarwood Pub. Co., Inc. and PolyGram Music Publishing
3.253:06
8Chest Fever
engineer:
Don Hahn (engineer) and Tony May (engineer)
producer:
The Band (Canadian-American rock band) and John Simon (US producer, arranger, composer, songwriter and musician)
recording of:
Chest Fever
lyricist and composer:
Robbie Robertson
publisher:
Dwarf Music
3.655:19
9Lonesome Suzie
engineer:
Don Hahn (engineer) and Tony May (engineer)
producer:
John Simon (US producer, arranger, composer, songwriter and musician)
recording of:
Lonesome Suzie
lyricist and composer:
Richard Manuel
3.354:04
10This Wheel’s on Fire
engineer:
Don Hahn (engineer) and Tony May (engineer)
producer:
John Simon (US producer, arranger, composer, songwriter and musician)
recording of:
This Wheel’s on Fire
lyricist:
Bob Dylan (in 1967)
composer:
Rick Danko (in 1967)
publisher:
Dwarf Music (from 1967 to present)
3.53:14
11I Shall Be Released
engineer:
Don Hahn (engineer) and Tony May (engineer)
producer:
The Band (Canadian-American rock band) and John Simon (US producer, arranger, composer, songwriter and musician)
bass:
Rick Danko (in 1968-02)
drums (drum set):
Levon Helm (in 1968-02)
guitar:
Robbie Robertson (in 1968-02)
organ:
Garth Hudson (in 1968-02)
piano:
Richard Manuel (in 1968-02)
vocals:
Rick Danko (in 1968-02), Levon Helm (in 1968-02) and Richard Manuel (in 1968-02)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1968, in 2005)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (in 1968-02)
part of:
New York Post: 100 Greatest Covers (2007) (number: 67)
recording of:
I Shall Be Released (original lyrics) (in 1968-02)
lyricist and composer:
Bob Dylan (in 1967)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and Dwarf Music (from 1967 to present)
3.53:19
12Yazoo Street Scandal (outtake)
engineer:
Don Hahn (engineer) and Tony May (engineer)
producer:
John Simon (US producer, arranger, composer, songwriter and musician)
mixer:
Andrew Sandoval (Andrew Sandoval, power pop artist & reissue record producer) (in 2000-05)
mixed at:
Penguin Recording in Los Angeles, California, United States (in 2000-05)
recording of:
Yazoo Street Scandal
lyricist and composer:
Robbie Robertson
34:02
13Tears of Rage (alternate take)
engineer:
Don Hahn (engineer) and Tony May (engineer)
producer:
John Simon (US producer, arranger, composer, songwriter and musician)
mixer:
Andrew Sandoval (Andrew Sandoval, power pop artist & reissue record producer) (in 2000-05)
mixed at:
Penguin Recording in Los Angeles, California, United States (in 2000-05)
recording of:
Tears of Rage
lyricist:
Bob Dylan (in 1967)
composer:
Richard Manuel (in 1967)
publisher:
Sony/ATV Music Publishing (UK) Ltd. and Dwarf Music (from 1968 to present)
35:32
14Katie’s Been Gone (outtake)
engineer:
Don Hahn (engineer) and Tony May (engineer)
producer:
John Simon (US producer, arranger, composer, songwriter and musician)
mixer:
Andrew Sandoval (Andrew Sandoval, power pop artist & reissue record producer) (in 2000-05)
mixed at:
Penguin Recording in Los Angeles, California, United States (in 2000-05)
recording of:
Katie's Been Gone
writer:
Richard Manuel and Robbie Robertson
32:47
15If I Lose (outtake)
engineer:
Don Hahn (engineer) and Tony May (engineer)
producer:
John Simon (US producer, arranger, composer, songwriter and musician)
mixer:
Andrew Sandoval (Andrew Sandoval, power pop artist & reissue record producer) (in 2000-05)
mixed at:
Penguin Recording in Los Angeles, California, United States (in 2000-05)
cover recording of:
If I Lose, I Don't Care
writer:
Charlie Poole and Norman Woodlieff
22:30
16Long Distance Operator (outtake)
engineer:
Don Hahn (engineer) and Tony May (engineer)
producer:
John Simon (US producer, arranger, composer, songwriter and musician)
mixer:
Andrew Sandoval (Andrew Sandoval, power pop artist & reissue record producer) (in 2000-05)
mixed at:
Penguin Recording in Los Angeles, California, United States (in 2000-05)
recording of:
Long-Distance Operator (Song from the "Basement Tapes" (Bob Dylan & The Band, 1967))
lyricist and composer:
Bob Dylan (in 1965)
publisher:
Dwarf Music (from 1971 to present)
33:58
17Lonesome Suzie (alternate take)
engineer:
Don Hahn (engineer) and Tony May (engineer)
producer:
John Simon (US producer, arranger, composer, songwriter and musician)
mixer:
Andrew Sandoval (Andrew Sandoval, power pop artist & reissue record producer) (in 2000-05)
mixed at:
Penguin Recording in Los Angeles, California, United States (in 2000-05)
recording of:
Lonesome Suzie
lyricist and composer:
Richard Manuel
33:00
18Orange Juice Blues (Blues for Breakfast) (outtake – demo)
engineer:
Don Hahn (engineer) and Tony May (engineer)
producer:
John Simon (US producer, arranger, composer, songwriter and musician)
mixer:
Andrew Sandoval (Andrew Sandoval, power pop artist & reissue record producer) (in 2000-05)
mixed at:
Penguin Recording in Los Angeles, California, United States (in 2000-05)
recording of:
Orange Juice Blues (Blues for Breakfast)
lyricist and composer:
Richard Manuel
publisher:
Dwarf Music
33:40
19Key to the Highway (outtake)
engineer:
Don Hahn (engineer) and Tony May (engineer)
producer:
John Simon (US producer, arranger, composer, songwriter and musician)
mixer:
Andrew Sandoval (Andrew Sandoval, power pop artist & reissue record producer) (in 2000-05)
mixed at:
Penguin Recording in Los Angeles, California, United States (in 2000-05)
cover recording of:
Key to the Highway
writer:
Big Bill Broonzy and Charles Segar (blues pianist and occasional singer)
publisher:
Duchess Music Corporation (BMI-affiliated), MCA Duchess Music Corporation, Songs of Universal, Inc. (BMI), Universal Duchess Music Corp. and Wabash Music Co. (BMI-affiliated)
32:28
20Ferdinand the Imposter (outtake – demo)
engineer:
Don Hahn (engineer) and Tony May (engineer)
producer:
John Simon (US producer, arranger, composer, songwriter and musician)
mixer:
Andrew Sandoval (Andrew Sandoval, power pop artist & reissue record producer) (in 2000-05)
mixed at:
Penguin Recording in Los Angeles, California, United States (in 2000-05)
recording of:
Ferdinand the Imposter
lyricist and composer:
Robbie Robertson
34:00

Credits

Release

manufactured in:Japan
photography:Elliott Landy
liner notes:武内邦愛 (Translator)
Kazuhiro Uda (in 2004-02)
engineer:Don Hahn (engineer)
Tony May (engineer)
Rex Updegraft
Shelly Yakus
illustration:Bob Dylan
design:Milton Glaser
distributed by and marketed by:UNIVERSAL MUSIC LLC (Universal Music Japan; not normally a release label; read the annotation before using!)
copyrighted (©) by and phonographic copyright (℗) by:Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2000)