Hits That Live Forever: 1950s

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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1▼CD
Nr.TitelKünstlerBewertungLänge
1When I Fall in Love
vocals:
Nat King Cole (am 1956-12-28)
conductor:
Gordon Jenkins (am 1956-12-28)
arranger:
Gordon Jenkins
cover recording of:
When I Fall in Love (am 1956-12-28)
Texter:
Edward Heyman
Komponist(in):
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Avenue Music Co. Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Intersong U.S.A. (publisher), Northern Music (song publisher), Victor Young Publishing, Inc. und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Nat King Cole1.53:11
2Blueberry Hill
Produzent(in):
Dave Bartholomew
phonographisches Urheberrecht (℗) von:
Everest Records (classical), Liberty (a division of UMG Recordings, Inc.) (in 1957) und EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1991)
aufgenommen bei:
Master Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Bearbeitung von:
Blueberry Hill (Imperial) von Fats Domino
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 17), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 81) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 147)
cover recording of:
Blueberry Hill (am 1956-06-27)
Texter:
Al Lewis (Tin Pan Alley era lyricist) und Larry Stock
Verfasser(in):
Al Lewis (Tin Pan Alley era lyricist), Vincent Rose (early-20th century violinist, pianist, composer & bandleader) und Larry Stock
Komponist(in):
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company und Victoria Music Publishing Co. Ltd.
Teil von:
12 Monkeys Soundtrack
Fats Domino4.652:22
3Seven Little Girls Sitting in the Back Seat
recording of:
Seven Little Girls Sitting in the Back Seat
Texter:
Bob Hilliard
Komponist(in):
Lee Pockriss
publisher:
Campbell Connelly & Co. Ltd. und EMI United Partnership Ltd.
The Avons2:15
4Why Do Fools Fall in Love
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 8) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 307)
recording of:
Why Do Fools Fall in Love (in 1955-11)
Verfasser(in):
Morris Levy und Frankie Lymon
zusätzliche(r) Verfasser(in):
George Goldner, Jimmy Merchant (US singer, member of The Teenagers) und Herman Santiago (singer for Frankie Lymon & The Teenagers)
publisher:
EMI Longitude Music, Patricia Music, Warner Chappell, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Frankie Lymon & The Teenagers4.52:18
5Sixteen Tons
Akustikgitarre:
Bobby Gibbons (am 1955-09-20)
Bassklarinette:
Darol Rice (am 1955-09-20)
Fingerschnippen und Sologesang:
Tennessee Ernie Ford (am 1955-09-20)
Klarinette:
Red Mandel (am 1955-09-20)
Kontrabass [bass]:
Rolly Bundock (am 1955-09-20)
Posaune:
George Bruns (am 1955-09-20)
Schlagzeug [drums]:
Roy Harte (drummer and Pacific Jazz founder) (am 1955-09-20)
Trompete:
Charlie Parlato (am 1955-09-20)
conductor:
Jack Fascinato (am 1955-09-20)
arranger:
Jack Fascinato
phonographisches Urheberrecht (℗) von:
Bacci Bros Records (in 2010) und Lucky Vintage (in 2014)
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-09-20)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1955 (Nummer: 12)
cover recording of:
Sixteen Tons (am 1955-09-20)
Texter und Komponist(in):
Merle Travis
arranger:
Paul Brody
publisher:
American Music, Inc. und Campbell Connelly & Co. Ltd.
Tennessee Ernie Ford4.652:38
6This Ole House
Billie Anthony2:20
7Oh mein Papa
Trompete:
Eddie Calvert
Orchester:
Norrie Paramor & His Orchestra
conductor:
Norrie Paramor
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1953)
instrumental cover recording of:
O mein Papa (… war eine wunderbare Clown) (in 1953-11)
Texter:
Georg Schmidt
Komponist(in):
Paul Burkhard (Swiss composer)
publisher:
Peter Maurice Music Co. Ltd.
Teil von:
Das Feuerwerk
recording of:
Oh! My Pa-Pa (English version of O mein Papa) (in 1953-11)
Komponist(in):
Paul Burkhard (Swiss composer)
Übersetzer:
Geoffrey Parsons (lyricist) und John Turner (lyricist)
publisher:
EMI Music Ltd. und Peter Maurice Music Co.
übersetzte Version von:
O mein Papa (… war eine wunderbare Clown)
Eddie Calvert2:46
8Dreamboat
vocals:
Alma Cogan
recording of:
Dreamboat (1955 song)
Texter und Komponist(in):
Jack Hoffman (U.S. songwriter/producer/label head)
Alma Cogan1:48
9C'mon Everybody
E-Bass:
Connie “Guybo” Smith (bass player) (am 1958-10-10)
Gitarre:
Eddie Cochran (US rock and roll musician active in 1950s) (am 1958-10-10)
Klavier:
Ray Johnson (Rhythm 'n' blues - jazz pianist - songwriter - band leader) (am 1958-10-10)
Schlagzeug:
Earl Palmer (am 1958-10-10)
Tamburin:
Jerry Capehart (am 1958-10-10)
vocals:
Eddie Cochran (US rock and roll musician active in 1950s) (am 1958-10-10)
aufgenommen bei:
Goldstar Studio in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1958-10-10)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 22) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 403)
recording of:
C’mon Everybody (am 1958-10-09)
Verfasser(in):
Jerry Capehart und Eddie Cochran (US rock and roll musician active in 1950s)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Unart Catalog Inc., Metric Music Co (publisher) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Eddie Cochran41:56
10Side Saddle
Russ Conway1:54
11Cry Me a River
Techniker(in):
John Kraus (1950s US engineer) (in 1955-08)
Produzent(in):
Bobby Troup
Gitarre:
Barney Kessel
Kontrabass [bass]:
Ray Leatherwood
vocals:
Julie London (in 1955-08)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1957)
aufgenommen bei und mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1955 (Nummer: 15)
recording of:
Cry Me a River (in 1955-08)
Texter und Komponist(in):
Arthur Hamilton
publisher:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (in 1982) und Song and Dance Music Co. (in 1982)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Julie London4.652:59
12No Other Love
cover recording of:
No Other Love
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1953)
Komponist(in):
Richard Rodgers (composer) (von 1952 bis 1953)
Version von:
Beneath the Southern Cross (Victory at Sea)
recording of:
No Other Love
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1953)
Komponist(in):
Richard Rodgers (composer) (von 1952 bis 1953)
Version von:
Beneath the Southern Cross (Victory at Sea)
Ronnie Hilton3:08
13True Love
vocals:
Bing Crosby und Grace Kelly (US film actress)
Orchester:
MGM Studio Orchestra
conductor:
Johnny Green (composer and conductor, often credited as John Green)
recording of:
True Love (High Society) (am 1956-02-02)
Texter und Komponist(in):
Cole Porter (composer) (in 1956)
publisher:
Buxton Hill Music Corp., Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music (UK), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
Warner Chappel Music Belgium NV
Teil von:
The 29th Academy Award for Best Original Song (Nummer: 2)
Teil von:
High Society (stage musical)
Teil von:
High Society (1956 film)
Bing Crosby & Grace Kelly3:08
14Comes A-Long A-Love
recording of:
Comes A‐Long A‐Love
Texter:
Al Sherman (Tin Pan Alley songwriter)
Komponist(in):
Al Sherman (Tin Pan Alley songwriter) (in 1952)
Kay Starr2:12
15That's Amore (That's Love)
Produzent(in):
Lee Gillette
vocals:
Dean Martin (American singer/actor) (am 1953-08-13)
Orchester:
Dick Stabile and His Orchestra (am 1953-08-13)
conductor:
Dick Stabile (am 1953-08-13)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1953)
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-08-13)
recording of:
That’s Amore (am 1953-08-13)
Texter:
Jack Brooks (English–American lyricist)
Komponist(in):
Harry Warren (US composer and lyricist)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Four Jays Music Co., Paramount Music Corp., Peermusic Pty. Ltd. (Australia) und Universal Songs (publisher)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!) und BMG Unisongs Music Publishers BV
Teil von:
The 26th Academy Award for Best Original Song (Nummer: 2)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Dean Martin4.353:08
16Lollipop
recording of:
Lollipop
Verfasser(in):
Julius Dixson und Beverly Ross (musician (piano) and songwriter)
publisher:
Anglo-Pic Music Co. Ltd. und Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
The Mudlarks1:59
17Softly Softly
recording of:
Softly Softly
Texter:
Pierre Dudan und Paddy Roberts (singer/songwriter)
Komponist(in):
Mark Paul (1950s song composer)
Ruby Murray2:27
18Stairway of Love
Michael Holliday2:19
19Kisses Sweeter Than Wine
Jimmie Rodgers2:22
20He's Got the Whole World in His Hands
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1957)
recording of:
He’s Got the Whole World in His Hands (in 1958)
Texter und Komponist(in):
[traditional] (special purpose artist)
publisher:
Thandewye Music (publisher; do NOT use as release label)
Laurie London2:22
21Witch Doctor
cover recording of:
Witch Doctor
Texter und Komponist(in):
Ross Bagdasarian (Sr.; creator of Alvin and the Chipmunks)
publisher:
Armen Bagdasarian und Bourne Music Ltd.
Don Lang2:28
22Be My Girl
cover recording of:
Be My Girl
Verfasser(in):
Artie Singer (US songwriter, producer and bandleader)
Jim Dale2:02
23Come Softly to Me
arranger:
Bonnie Guitar
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1959)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1959 (Nummer: 14)
recording of:
Come Softly to Me
Verfasser(in):
Gretchen Christopher, Barbara Ellis und Gary Troxel (The Fleetwoods’ lead singer and songwriter)
publisher:
Chappell Morris, EMI Unart Catalog Inc. und Unart Music Corp. (in 1958, in 1959)
The Fleetwoods32:24
24Great Pretender
Jimmy Parkinson2:24
25Indian Love Call
recording of:
Indian Love Call (from the 1924/1936 musicals “Rose Marie”)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) und Otto Harbach
Komponist(in):
Rudolf Friml und Herbert Stothart (composer)
publisher:
Bill-Bob Publ. Company, Chappell Music Ltd. und Harms, Inc. (am 1924-09-02)
Teil von:
Rose-Marie (1924 operetta-style musical)
Teil von:
Rose-Marie (1936 musical film)
Slim Whitman3:08
2▼CD
Nr.TitelKünstlerBewertungLänge
1Fever
Fingerschnippen:
Peggy Lee (jazz vocalist) (am 1958-05-19) und Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1958-05-19)
Kontrabass [bass]:
Joe Mondragon (am 1958-05-19)
Schlagzeug:
Shelly Manne (US jazz drummer) (am 1958-05-19)
vocals:
Peggy Lee (jazz vocalist) (am 1958-05-19)
conductor:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (am 1958-05-19)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1958)
cover recording of:
Fever (am 1958-05-19)
Verfasser(in):
Eddie Cooley und John Davenport (songwriter Otis Blackwell)
publisher:
Carlin Music Corp., Chrysalis Songs, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Jay & Cee Music, Lark Music Ltd., Trio Music (publisher), Trio Music Co., Inc. und Trio Music Company
Teil von:
The Adjustment Bureau
Peggy Lee4.23:21
2Only Sixteen
cover recording of:
Only Sixteen
Verfasser(in):
Barbara Campbell (collective songwriter pseudonym for Sam Cooke, Lou Adler and Herb Alpert)
publisher:
ABKCO Music und Ardmore and Beechwood Ltd.
Craig Douglas2:15
3The Story of My Life
cover recording of:
The Story of My Life
Texter:
Hal David
Komponist(in):
Burt Bacharach
Michael Holliday2:15
4Pickin' a Chicken
recording of:
Pickin’ a Chicken
Verfasser(in):
Derek Bernfield, Garfield De Mortimer und Paddy Roberts (singer/songwriter)
Eve Boswell2:13
5Unchained Melody
Les Baxter2:34
6Memories Are Made of This
Produzent(in):
Lee Gillette
Hintergrundgesang:
The Easy Riders (in 1955)
vocals:
Dean Martin (American singer/actor) (in 1955)
Orchester:
Dick Stabile and His Orchestra (in 1955)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1955)
cover recording of:
Memories Are Made of This (am 1955-10-28)
Verfasser(in):
Richard Dehr (in 1955), Terry Gilkyson (in 1955) und Frank Miller (American singer & songwriter) (in 1955)
publisher:
Montclare Music
Dean Martin52:16
7A White Sport Coat
cover recording of:
A White Sport Coat and a Pink Carnation
Texter und Komponist(in):
Marty Robbins
The King Brothers2:19
8Ain't That a Shame
recording of:
Ain’t That a Shame
Verfasser(in):
Antoine Domino (Fats Domino) und Dave Bartholomew
publisher:
Commodore Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Unart Catalog Inc., F. Day & Hunter Ltd., Travis Music, Inc., Unart Music Corp. (in 1955, in 1983) und United Artists Music Ltd. (vom 1977 bis heute)
Fats Domino2:27
9Dragnet
Ray Anthony2:45
10Zambezi
Lou Busch2:38
11Ma (He's Making Eyes at Me)
The Johnny Otis Show2:27
12Ragtime Cowboy Joe
Sprecher:
David Seville (“Alvin & The Chipmunks” character)
vocals:
The Chipmunks
cover recording of:
Ragtime Cowboy Joe
publisher:
F.A. Mills (in 1912)
Texter:
Grant Clarke
Komponist(in):
Maurice Abrahams und Lewis F. Muir
publisher:
Francis, Day & Hunter Ltd. und Redwood Music Ltd. (Carlin)
The Chipmunks2:08
13Here in My Heart
vocals:
Al Martino (singer & actor)
conductor:
Monty Kelly
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1952)
recording of:
Here in My Heart
Verfasser(in):
Bill Borrelli (writer “Here in My Heart”), Pat Genaro (Songwriter) und Lou Levinson (writer “Here in My Heart”)
publisher:
Algonquin Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated) und Mellin Music
Al Martino33:04
14Tom Dooley
recording of:
Tom Dooley
Texter und Komponist(in):
[traditional] (special purpose artist)
Teil von:
Roud Folk Song Index (Nummer: 4192)
The Kingston Trio43:03
15Be Bop a Lula
Gitarre [lead guitar]:
Cliff Gallup (lead guitarist for The Blue Caps) (am 1956-05-04)
Gitarre [rhythm guitar]:
Willie Williams (50s rock guitarist) (am 1956-05-04)
Kontrabass [upright bass]:
Jack Neal (am 1956-05-04)
Schlagzeug [drums]:
Dickie Harrell (am 1956-05-04)
vocals:
Gene Vincent (am 1956-05-04)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (vom 1956 bis heute)
aufgenommen bei:
Owen Bradley Studio (aka the "Quonset Hut") in Nashville, Tennessee, Vereinigte Staaten (am 1956-05-04)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 9) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 102)
recording of:
Be‐Bop‐a‐Lula (am 1956-05-04)
Verfasser(in):
Bill “Tex” Davis und Gene Vincent
publisher:
Lowery Music Co. Inc.
Gene Vincent4.352:36
16St. Therese of the Roses
Malcolm Vaughan2:52
17The Ballad of Davy Crocket
cover recording of:
The Ballad of Davy Crockett
Texter:
Tom Blackburn
Komponist(in):
George Bruns
publisher:
Walt Disney Music Company (music publisher, do not use as release label)
Tennessee Ernie Ford2:55
18Don't Laugh at Me
recording of:
Don’t Laugh At Me (Cause I’m A Fool)
Verfasser(in):
June Tremayne und Norman Wisdom (actor, comedian, musician, singer)
Norman Wisdom3:35
19Mad Passionate Love
Bernard Bresslaw2:52
20Rose Marie
recording of:
Rose-Marie (title song of the 1924 operetta)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) und Otto Harbach
Komponist(in):
Rudolf Friml
publisher:
Chappell & Co.
Teil von:
Rose-Marie (1924 operetta-style musical)
Slim Whitman2:21
21Pretend
Produzent(in):
Lee Gillette
Gitarre:
Irving Ashby (am 1952-12-30)
Klavier:
Nat King Cole (am 1952-12-30)
Kontrabass:
Joe Comfort (am 1952-12-30)
vocals:
Nat King Cole (am 1952-12-30)
Orchester:
Nelson Riddle and His Orchestra (am 1952-12-30)
conductor:
Ralph Carmichael und Nelson Riddle
recording of:
Pretend (1952 song popularized by Nat King Cole) (am 1952-12-30)
Texter:
Lew Douglas, Frank Lavere und Cliff Parman
Komponist(in):
Dan Belloc, Lew Douglas, Frank Lavere und Cliff Parman
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
Nat King Cole2:46
22Cherry Pink and Apple Blossom White
recording of:
Cherry Pink and Apple Blossom White (1951 song, version of “Cerisier rose et pommier blanc”)
Komponist(in):
Louiguy (French composer Louis Guglielmi)
Übersetzer:
Mack David (American lyricist and songwriter)
basiert auf:
Cerisier rose et pommier blanc (1950 song)
Eddie Calvert2:25
23Big Man
The Four Preps2:23
24A Teenager in Love
Craig Douglas2:18
25Bell Bottom Blues
vocals:
Alma Cogan
cover recording of:
Bell Bottom Blues
Texter:
Hal David
Komponist(in):
Leon Carr
Alma Cogan2:33