Peace & Love '60: 1966-1

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Non in vendita Allegato a "Peace & Love" n. 2

Annotation last modified on 2019-02-28 18:28 UTC.

Tracklist

1▼CD
#TitleArtistRatingLength
1Can't Help Thinking About Me
producer:
Tony Hatch
12 string guitar [12-string acoustic guitar] and guitar:
Denis Taylor (guitarist) (in 1965-12)
bass:
Graham Rivens (bassist) (in 1965-12)
drums (drum set):
Phil Lancaster (drummer) (in 1965-12)
piano:
Tony Hatch (in 1965-12)
background vocals:
Phil Lancaster (drummer) (in 1965-12), Graham Rivens (bassist) (in 1965-12) and Denis Taylor (guitarist) (in 1965-12)
lead vocals:
David Bowie (English singer‐songwriter) (in 1965-12)
performer:
The Lower Third (David Bowie) (in 1965-12)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1966)
recorded at:
Pye Studios in London (Greater London), England, United Kingdom (in 1965-12)
recording of:
Can’t Help Thinking About Me (in 1965-12)
lyricist and composer:
David Bowie (English singer‐songwriter)
publisher:
Embassy Music Corporation and Sparta Florida Music Group Ltd.
David Bowie32:45
2Mellow Yellow
recording of:
Mellow Yellow
lyricist and composer:
Donovan Leitch (Scottish singer, songwriter and guitarist)
publisher:
Donovan (Music) Ltd.
Donovan3:41
3Tomorrow
vocals:
Sandie Shaw (in 1966)
recording of:
Tomorrow (in 1966)
lyricist and composer:
Chris Andrews (UK singer-songwriter)
Sandie Shaw2:54
4Wild Thing
producer:
Colin Frechter (British pianist, arranger, music director, producer, vocalist)
drums (drum set):
Ronnie Bond (The Troggs) (in 1966)
electric guitar:
Chris Britton (The Troggs) (in 1966)
ocarina and lead vocals:
Reg Presley (in 1966)
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1966)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 257)
cover recording of:
Wild Thing (in 1966)
lyricist and composer:
Chip Taylor (US singer/songwriter)
publisher:
EMI Blackwood Music Inc., EMI Songs, EMI Songs Australia Pty. Ltd., EMI Songs Musikverlag GmbH and April Music (in 1981)
The Troggs4.42:36
5Over, Under, Sideway, Down
producer:
Simon Napier-Bell and Paul Samwell-Smith
recorded at:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, United Kingdom
recording of:
Over Under Sideways Down
writer:
Jeff Beck (English rock guitarist), Chris Dreja, Jim McCarty (UK drummer, Yardbirds member), Keith Relf and Paul Samwell-Smith
publisher:
Glenwood Music Corp. and Henrees Music co.
The Yardbirds42:22
6Summer in the City
recording of:
Summer in the City
writer:
Steve Boone, John Sebastian and Mark Sebastian
publisher:
Alley Music Corp., Beechwood Music Corp., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Bug Music (music publishing), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Gallo Music Publishing, Mark Sebastian Music, Robbins Music Corp., Robbins Music Corp. Ltd., The Hudson Bay Music Co. (publisher), Trio Music (publisher) and Trio Music Co., Inc.
The Lovin’ Spoonful2:39
77 and 7 Is
Love2:15
8Eight Miles High
recording of:
Eight Miles High
writer:
Gene Clark (US singer-songwriter; founder of The Byrds), David Crosby and Roger McGuinn
publisher:
Gene Clark Music, Reservoir One America, Tickson Music Co. and TRO Essex Music Ltd.
The Byrds3:36
9I Had Too Much to Dream (Last Night)
The Electric Prunes2:59
10Out of Time
cover recording of:
Out of Time
writer:
Mick Jagger (The Rolling Stones) and Keith Richards (Rolling Stones guitarist)
publisher:
ABKCO Music, ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Cromwell Music, Cromwell Music Australia and EMI Music Publishing (do not use as a release label!)
Chris Farlowe33:34
11Satisfaction
Otis Redding2:45
12Black Is Black
recording of:
Black Is Black (in 1966)
writer:
Michelle Grainger (UK songwriter, co-wrote “Black is Black”), Tony Hayes (UK songwriter, co-wrote “Black is Black”) and Steve Wadey (UK songwriter, co-wrote “Black is Black”)
publisher:
EMI Music Publishing (do not use as a release label!), Mellin Music, Musica (Musica Schallplatten-Vertrieb Gesellschaft m.b.H.), Robert Mellin Music Publishing Corp. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Los Bravos42:58
13Hold On I'm Comin'
recording of:
Hold On, I’m Comin’
writer:
Isaac Hayes, Hayes, Porter and David Porter (US soul musician, producer & songwriter)
publisher:
Cotillion Music Inc. (BMI), East/Memphis Music, Irving Music, Inc., Pronto Music, Inc. (publisher) and Warner Bros. Music (publisher; do NOT use as release label)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Sam & Dave2:41
14Mustang Sally
recorded in:
Muscle Shoals, Alabama, United States (on 1966-10-13)
engineer:
Tom Dowd and Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”) and Jerry Wexler
drums (drum set):
Roger Hawkins (drummer and producer) (from 1966-10-13 until 1966-10-14)
electric bass guitar [electric bass]:
Tommy Cogbill (from 1966-10-13 until 1966-10-14)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1966-10-13 until 1966-10-14)
guitar [lead guitar]:
Lincoln "Chips" Moman (from 1966-10-13 until 1966-10-14)
keyboard [piano, organ]:
Dewey "Spooner" Oldham (from 1966-10-13 until 1966-10-14)
tenor saxophone:
Gilbert Caples (from 1966-10-13 until 1966-10-14), Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1966-10-13 until 1966-10-14) and Eddie Logan (from 1966-10-13 until 1966-10-14)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1966-10-13 until 1966-10-14)
vocals:
Wilson Pickett (from 1966-10-13 until 1966-10-14)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1966-10-13 until 1966-10-14)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 434)
cover recording of:
Mustang Sally (from 1966-10-13 until 1966-10-14)
lyricist and composer:
Sir Mack Rice
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia Pty. Ltd., Fourteenth Hour Music, Inc., Springtime Music, Inc. and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Wilson Pickett43:06
15When a Man Loves a Woman
recording of:
When a Man Loves a Woman
writer:
Calvin Lewis, Percy Sledge and Andrew Wright (US keyboardist)
publisher:
Mijac Music, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (from 1966 to present), Quinvy Music Publishing Company, Inc. (from 1966 to present), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (from 1966 to present), Pronto (BMI‐affiliated publishing company) (in 1972) and Quinvy (record company and publisher) (in 1972)
Percy Sledge2:50