100 Popcorn Classics

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Other Catalog #
disk 1: 532.309-6
disk 2: 532.309-7
disk 3: 532.309-8
disk 4: 532.309-9
disk 5: 532.310-0

Anmerkung zuletzt geändert am 2015-05-18 00:11 UTC.

Titelliste

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Stop Her on the Sight (S.O.S.)
Edwin Starr2:18
2Everybody Let’s Dance
Gene Chandler2:18
3Jimmy Mack
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1966)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (am 1964-03-02) und Motown Studios - Hitsville West (recording and mastering studios in West Hollywood, CA) in West Hollywood, California (Kalifornien), Vereinigte Staaten (von 1964-03-02 bis 1967-01-17)
recording of:
Jimmy Mack (von 1964-03-02 bis 1967-01-17)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Jobete (now‐defunct US music publisher, affiliated with BMI) und Stone Agate Music Division
Martha and the Vandellas12:52
4Baby Love
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
baritone saxophone:
Mike Terry (60s US soul arranger/conductor) (am 1964-08-13)
Bass:
James Jamerson (am 1964-08-13)
foot stomps [footstomps]:
Michael Valvano (am 1964-08-13)
Gitarre:
Eddie Willis (am 1964-08-13)
Instrumente:
The Funk Brothers (am 1964-08-13)
Klavier:
Earl Van Dyke (am 1964-08-13)
Schlagzeug:
Richard "Pistol" Allen (am 1964-08-13)
Tenorsaxophon:
Henry Cosby (am 1964-08-13)
Vibraphon:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (am 1964-08-13)
Hintergrundgesang:
Florence Ballard (am 1964-08-13) und Mary Wilson (am 1964-08-13)
Sologesang:
Diana Ross (am 1964-08-13)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1964) und UMG Recordings (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1964)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (am 1964-08-13)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 4), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 324) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 499)
recording of:
Baby Love (am 1964-08-13)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Jobete Music (UK) Ltd. und Stone Agate Music Division
The Supremes4.352:35
5Angel
Cliff Richard2:17
6Everybody Loves the Cha Cha Cha
recording of:
Everybody Loves to Cha‐Cha‐Cha
Verfasser(in):
Barbara Campbell (collective songwriter pseudonym for Sam Cooke, Lou Adler and Herb Alpert)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) (in 1959, in 1987)
Sam Cooke2:41
7Dance on Little Girl
recording of:
Dance On Little Girl
Texter und Komponist(in):
Paul Anka (Canadian singer, songwriter and actor)
publisher:
Spanka Music
Paul Anka2:18
8Look Who It Is
Helen Shapiro2:13
9You Better Believe It Baby
Chubby Checker2:10
10Hundred Pounds of Clay
Gene McDaniels2:20
11Only Love Me
Steve Lawrence2:42
12Corazón de melón
Trini Lopez4:07
13The More I See You
Chris Montez2:39
14Keep in Touch
Georgia Gibbs2:05
15Crying in the Rain
Major Lance2:23
16You’re No Good
Betty Everett2:15
17Summertime Cha Cha
Dave “Baby” Cortez1:55
18Mr. DJ
Bobby Moore & the Rhythm Aces2:51
19Then Only Then
Walter Jackson2:22
20A Kookie Little Paradise
Jo Ann Campbell2:24
2▼CD
Nr.TitelKünstlerBewertungLänge
1I Will Follow Him
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1963) und ABKCO Music & Records, Inc. (not an imprint, please use “ABKCO” instead) (in 2009)
recording of:
I Will Follow Him (am 1963-01-07)
Texter:
Norman Gimbel und Jacques Plante
Komponist(in):
Paul Mauriat und Franck Pourcel
publisher:
Universal MCA Music Publishing (France) und Universal Music Corporation (USA, affiliated with ASCAP)
Version von:
Chariot
Peggy March4.22:25
2Please Don’t Go
recording of:
Please Don’t Go
Verfasser(in):
Steve Barri, Harvey Bruce und P.F. Sloan
Yvonne Carroll2:06
3Pain
Mitty Collier2:22
4Bla Bla Bla Cha Cha
Titus Turner2:15
5If He Makes You
Nolan Chance2:14
6My Boy Lollipop
cover recording of:
My Boy Lollipop
Verfasser(in):
Morris Levy, Johnny Roberts (US songwriter, "My Boy Lollipop") und Robert Spencer (English lutenist, guitarist & musicologist)
Millie2:03
7It’s My Party
Produzent(in):
Quincy Jones
arranger:
Claus Ogerman
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 353)
recording of:
It’s My Party (am 1963-03-30)
Verfasser(in):
John Gluck, Jr., Wally Gold, Seymour Gottlieb und Herb Weiner
publisher:
A. Schroeder Music Ltd. und Chappell & Co., Inc. (USA)
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Lesley Gore4.352:13
8Baby Lover
recording of:
Baby Lover
Texter und Komponist(in):
Wandra Merrell
Petula Clark2:26
9Question
Emile Ford & the Checkmates2:25
10The Very Thought of You
Ricky Nelson1:54
11Ali Baba
The Champs2:26
12Bella Dalena
The Marketts2:12
13Hungry for Love
San Remo Golden Strings2:56
14China Gate
Ramsey Lewis2:34
15Viva Tirado
El Chicano4:40
16My Loving Time
Jimmy Hughes1:49
17You Beat Me to the Punch
recording of:
You Beat Me to the Punch
Verfasser(in):
Smokey Robinson und Ronald White (soul singer, founding member of The Miracles)
publisher:
Jobete Music Co., Inc.
Mary Wells2:43
18Hey Hey Lover
Debbie Dovale2:05
19Let Me Be the Fool
Lucky Clark2:41
20Fever
recorded in:
Cincinnati, Ohio, Vereinigte Staaten (am 1956-03-01)
Bass:
Edwyn Conley (am 1956-03-01)
Gitarre:
Bill Jennings (1950s US jazz guitarist) (am 1956-03-01)
Klavier:
Jon Thomas (R&B/rock'n'roll organist and pianist) (am 1956-03-01)
Schlagzeug [drums]:
Edison Gore (am 1956-03-01)
Tenorsaxophon:
Ray Felder (am 1956-03-01) und Rufus Gore (US R&B saxophonist) (am 1956-03-01)
vocals:
Little Willie John (am 1956-03-01)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 3) und Blues Hall of Fame: Classic of Blues Recording Single (Nummer: 2010)
recording of:
Fever (am 1956-03-01)
Verfasser(in):
Eddie Cooley und John Davenport (songwriter Otis Blackwell)
publisher:
Carlin Music Corp., Chrysalis Songs, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Jay & Cee Music, Lark Music Ltd., Trio Music (publisher), Trio Music Co., Inc. und Trio Music Company
Teil von:
The Adjustment Bureau
Little Willie John42:40
3▼CD
Nr.TitelKünstlerBewertungLänge
1Chain Gang
Produzent(in):
Sam Cooke (American singer and songwriter, “King of Soul”), Luigi Creatore und Hugo Peretti
Gitarre:
Clifton White
Sologesang:
Sam Cooke (American singer and songwriter, “King of Soul”)
conductor:
Glenn Osser
zusätzlich aufgenommen bei:
RCA Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-04-13)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1960 (Nummer: 37)
recording of:
Chain Gang (Sam Cooke song)
Texter und Komponist(in):
Sam Cooke (American singer and songwriter, “King of Soul”)
Sam Cooke32:33
2Just Another Guy
Cliff Richard2:06
3Love Potion No. 9
The Clovers1:55
4Tower of Strength
recording of:
Tower of Strength
Texter:
Bob Hilliard
Komponist(in):
Burt Bacharach
Gene McDaniels2:18
5I’ll Touch a Star
Terry Stafford2:22
6Rhythm
Major Lance2:21
7Twist and Limbo
recording of:
Twist and Limbo
Texter und Komponist(in):
Curtis Mayfield
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Curtom Publishing Co Inc (vom 1963 bis ????)
The Impressions2:30
8In the First Place
Teri Allen2:12
9There Will Never Be Another You
Chris Montez2:51
10Nobody but You
Dee Clark2:25
11Forgive Me
Babs Tino2:11
12Fever
Earl Grant3:11
13Always
cover recording of:
Always
Texter und Komponist(in):
Irving Berlin (in 1925)
publisher:
Francis, Day & Hunter Ltd., Irving Berlin Inc. und Irving Berlin Music
Jerry Jackson2:48
14China Town
Clyde McPhatter2:19
15Tout en fumée
Burt Blanca2:14
16A Song Called Soul
recording of:
A Song Called Soul
Texter und Komponist(in):
Billy Butler (60-70s R&B singer)
Gene Chandler2:37
17This World of Mine
Walter Jackson2:15
18I Can’t Help Myself (Sugar Pie, Honey Bunch)
recording engineer:
Russ Terrana
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
baritone saxophone:
Mike Terry (60s US soul arranger/conductor) (in 1965)
Bass [1962 Fender Precision Bass]:
James Jamerson
Gitarre [1964 Gibson Firebird III]:
Eddie Willis (in 1965)
Gitarre [Fender Telecaster with Jazzmaster Neck]:
Joe Messina (in 1965)
Gitarre [Gibson L-5]:
Robert White (US funk/soul guitarist) (in 1965)
Instrumente:
The Funk Brothers (in 1965)
Klavier:
Earl Van Dyke (in 1965)
Saiteninstrumente:
Detroit Symphony Orchestra (in 1965)
Schlagzeug:
Richard "Pistol" Allen (in 1965)
Tamburin:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (in 1965)
Vibraphon:
Jack Brokensha (in 1965)
Hintergrundgesang:
The Andantes (in 1965), Marlene Barrow (in 1965), Renaldo Benson (in 1965), Louvain Demps (in 1965), Abdul “Duke” Fakir (in 1965), Jackie Hicks (in 1965) und Lawrence Payton (in 1965)
Sologesang:
Levi Stubbs (in 1965)
aufgenommen bei und mixed at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (in 1965)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 30), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 148), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 415) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 483)
recording of:
I Can’t Help Myself (Sugar Pie, Honey Bunch) (in 1965)
Texter:
Lamont Dozier, Brian Holland (Motown producer & songwriter) und Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Stone Agate Music Division
Four Tops3.62:41
19Come See About Me
recording of:
Come See About Me
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Verfasser(in):
Lamont Dozier, Brian Holland (Motown producer & songwriter) und Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Stone Agate Music Division
The Supremes2:41
20Dancing in the Street
Produzent(in):
William Stevenson (Motown songwriter)
andere Instrumente [tire iron]:
Ivy Jo Hunter (am 1964-06-29)
baritone saxophone:
Thomas Bowles (am 1964-06-29)
Bassgitarre:
James Jamerson (am 1964-06-29)
Gitarre:
Joe Messina (am 1964-06-29), Robert White (US funk/soul guitarist) (am 1964-06-29) und Eddie Willis (am 1964-06-29)
Perkussion, Tamburin und Vibraphon [vibes]:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (am 1964-06-29)
Posaune:
George Bohanon (am 1964-06-29) und Paul Riser (am 1964-06-29)
Schlagzeug:
Marvin Gaye (am 1964-06-29)
Tenorsaxophon:
Henry Cosby (am 1964-06-29)
Trompete:
Russell Conway (trumpet player) (am 1964-06-29) und Herbert Williams (trumpet player) (am 1964-06-29)
Hintergrundgesang:
Rosalind Ashford (am 1964-06-29), Ivy Jo Hunter (am 1964-06-29), Betty Kelly (am 1964-06-29) und William Stevenson (Motown songwriter) (am 1964-06-29)
Sologesang:
Martha Reeves (am 1964-06-29)
Herausgeber:
EMI Music Publishing (do not use as a release label!)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1964) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1964)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 7), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 40), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 130) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 403)
recording of:
Dancing in the Street (am 1964-06-29)
Verfasser(in):
I. Hunter, M. Gaye und W. Stevenson (Motown songwriter)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), FCG Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., MG III Music, NMG Music, Stone Agate Music, Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Martha and the Vandellas3.552:37
4▼CD
Nr.TitelKünstlerBewertungLänge
1The Shoop Shoop Song (It’s in His Kiss)
cover recording of:
It’s in His Kiss (The Shoop Shoop Song) (in 1964)
Texter und Komponist(in):
Rudy Clark (US songwriter)
publisher:
By the Bay Music, Pathe Publications (F.E.) Ltd., TM Music Ltd. und Trio Music Company
Betty Everett42:11
2You Better Watch Out
Dorothy Berry2:03
3For Your Sweet Love
Ricky Nelson2:15
4It’s a Lonely Town
Gene McDaniels2:36
5The Chaperone
LaBrenda Ben & The Beljeans2:52
6Ta Ta
Clyde McPhatter2:13
7You Ain’t Ready
Billy Butler2:24
8Ain’t Too Proud to Beg
Produzent(in):
Norman Whitfield
Instrumente:
The Funk Brothers (von 1966-01-04 bis 1966-01-11)
Hintergrundgesang:
Melvin Franklin (von 1966-01-04 bis 1966-01-11), Eddie Kendricks (von 1966-01-04 bis 1966-01-11), Otis Williams (US baritone singer, member of The Temptations & The Distants) (von 1966-01-04 bis 1966-01-11) und Paul Williams (member of The Temptations) (von 1966-01-04 bis 1966-01-11)
Sologesang:
David Ruffin (soul singer, member of The Temptations) (von 1966-01-04 bis 1966-01-11)
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1966)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (von 1966-01-04 bis 1966-01-11)
recording of:
Ain’t Too Proud to Beg (von 1966-01-04 bis 1966-01-11)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team) und Norman Whitfield
Komponist(in):
Norman Whitfield
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Stone Agate Music und Stone Agate Music Division
cover recording of:
Ain’t Too Proud to Beg
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team) und Norman Whitfield
Komponist(in):
Norman Whitfield
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Stone Agate Music und Stone Agate Music Division
The Temptations4.352:31
9Honey Babe
recording of:
Honey Babe
Texter und Komponist(in):
Berry Gordy
The Supremes2:30
10I’ll Cry Alone
Gale Garnett2:07
11My Guy
Bass:
James Jamerson (in 1964)
Gitarre:
Robert White (US funk/soul guitarist) (in 1964) und Eddie Willis (in 1964)
Instrumente:
The Funk Brothers (in 1964)
Klavier:
Johnny Griffith (in 1964)
Orgel:
Earl Van Dyke (in 1964)
Posaune:
George Bohanon (in 1964) und Paul Riser (in 1964)
Schlagzeug:
Benny Benjamin (US drummer) (in 1964)
Trompete:
Russell Conway (trumpet player) (in 1964) und Herbert Williams (trumpet player) (in 1964)
Vibraphon:
Dave Hamilton (US guitar/vibraphone player) (in 1964)
Hintergrundgesang:
The Andantes (in 1964), Marlene Barrow (in 1964), Louvain Demps (in 1964) und Jackie Hicks (in 1964)
Sologesang:
Mary Wells (Motown singer) (in 1964)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1964)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (in 1964)
recording of:
My Guy (in 1964)
Texter und Komponist(in):
Smokey Robinson
publisher:
Jobette Music (UK) Ltd.
Mary Wells4.22:48
12Jamie
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1962 (Nummer: 26)
recording of:
Jamie
Verfasser(in):
William Stevenson (Motown songwriter) und Barrett Strong
Edward Holland, Jr.2:22
13Pretty Little Girl
Gene Chandler2:07
14There’s No Other Love
Jimmy Beaumont2:10
15Summertime
recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
Texter:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) und DuBose Heyward (in 1934)
Komponist(in):
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (von 1935 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Version von:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Billy Stewart2:41
16Stand by Me
Earl Grant2:08
17Operator
cover recording of:
Operator
Texter und Komponist(in):
Smokey Robinson
Brenda Holloway3:16
18Lovely Ladies
Jimmy Hughes2:20
19Banana Split
The McGuire Sisters2:21
20Rescue Me
Produzent(in):
Billy Davis (r&b producer/songwriter/performer Roquel Davis), Raynard Miner und Carl Smith (US songwriter and producer active in Chicago)
Sologesang:
Fontella Bass
arranger:
Phil Wright (American jazz pianist and assistant to Barbara Morrison)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1965) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1965)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 31)
recording of:
Rescue Me
Verfasser(in):
Raynard Miner und Carl Smith (US songwriter and producer active in Chicago)
publisher:
United Artists Music Co., Inc. (beendet), Chevis Music Publ. Corp. und Reservoir 416
Fontella Bass4.352:53
5▼CD
Nr.TitelKünstlerBewertungLänge
1Yet I Know
Teil von:
Radio 2 Zomerhit (Nummer: 1980)
Jimmy Frey2:31
2Summertime
Shake Spears2:20
3Copycat
recording of:
Copy Cat
Verfasser(in):
Billy Jackson (50s/60s US rock/pop songwriter) und Jimmy Wisner (pianist, producer and songwriter)
Plato2:33
4Mr. Bang Bang Man
Little Hank & The Rhythm Kings2:37
5Going to a Happening
Tommy Neal2:33
6Just a Little Bit of Everything
Herb Hardesty2:43
7Far East Cha Cha Cha
The Turbo Jets2:34
8Blues in the Night
Johnnie Taylor3:11
9Freedom Sounds
The Skatalites3:50
10Jungle Drums
Clyde Otis1:57
11Di‐Gue‐Ding‐Ding
Michel Legrand2:46
12Wade in the Water
The Ramsey Lewis Trio3:47
13I’ve Got the Blues
Marvin Jenkins2:05
14Because of You
Produzent(in):
Herb Alpert
arranger:
Nick de Caro
cover recording of:
Because of You
Verfasser(in):
Arthur Hammerstein und Dudley Wilkinson
publisher:
Julian Stearns Arena Music, Inc
Chris Montez2:25
15I’m Satisfied
San Remo Golden Strings2:07
16That Old Black Magic
cover recording of:
That Old Black Magic
Texter:
Johnny Mercer (in 1942)
Komponist(in):
Harold Arlen (in 1942)
publisher:
Famous Chappell und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Teil von:
The 16th Academy Award for Best Original Song (Nummer: 2)
Sammy Davis Jr.2:53
17The Way You Do the Things You Do
Produzent(in):
Smokey Robinson
Instrumente:
The Funk Brothers (am 1964-01-23)
Hintergrundgesang:
Melvin Franklin (am 1964-01-23), David Ruffin (soul singer, member of The Temptations) (am 1964-01-23), Otis Williams (US baritone singer, member of The Temptations & The Distants) (am 1964-01-23) und Paul Williams (member of The Temptations) (am 1964-01-23)
Sologesang:
Eddie Kendricks (am 1964-01-23)
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1964)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (am 1964-01-23)
recording of:
The Way You Do the Things You Do
Verfasser(in):
Smokey Robinson und Bobby Rogers
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
The Temptations2.52:40
18It’s the Beat
Major Lance2:29
19My Heart Belongs to Daddy
cover recording of:
My Heart Belongs to Daddy
Texter und Komponist(in):
Cole Porter (composer) (in 1938)
publisher:
Chappell (library/production music), Chappell & Co. und Chappell Music Ltd.
The Platters2:04
20Third Window From the Right
Dean Barlow2:28

Nennungen

Veröffentlichungsgruppe

Teil von:100 Classics (Reihenfolge: 17)