Un ballo in maschera

~ Release by Giuseppe Verdi; Giuseppe di Stefano, Tito Gobbi, Maria Meneghini Callas, Fedora Barbieri, Eugenia Ratti, Ezio Giordano, Silvio Maionica, Nicola Zaccaria, Renato Ercolani, Antonino Votto, Norberto Mola, L'Ente Autonomo del Teatro alla Scala (see all versions of this release, 3 available)

Tracklist

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1▼CD: Act 1 · Act 2 beginning
#TitleArtistRatingLength
1Un ballo in maschera: Preludio
producer:
Walter Jellinek (British classical producer)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Nº 1. Preludio (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera
Giuseppe Verdi4:18
2Un ballo in maschera: Atto I, scena 1. “Posa in pace, a’ bei sogni ristora”
producer:
Walter Jellinek (British classical producer)
bass vocals [Samuel]:
Silvio Maionica (operatic bass) (from 1956-09-04 until 1956-09-09)
bass vocals [Tom]:
Nicola Zaccaria (operatic bass) (from 1956-09-04 until 1956-09-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto I, scena 1. Nº 2 “Posa in pace, a' bei sogni ristora” (Samuel, Tom, Coro) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi1:35
3Un ballo in maschera: Atto I, scena 1. “S’avanza il Conte”
producer:
Walter Jellinek (British classical producer)
soprano vocals [Oscar]:
Eugenia Ratti (soprano) (from 1956-09-04 until 1956-09-09)
tenor vocals [Riccardo]:
Giuseppe Di Stefano (tenor) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto I, scena 1. Nº 3a Scena “S'avanza il conte” (Oscar, Riccardo) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi1:38
4Un ballo in maschera: Atto I, scena 1. “La rivedrà nell’estasi”
producer:
Walter Jellinek (British classical producer)
bass vocals [Samuel]:
Silvio Maionica (operatic bass) (from 1956-09-04 until 1956-09-09)
bass vocals [Tom]:
Nicola Zaccaria (operatic bass) (from 1956-09-04 until 1956-09-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-09-04 until 1956-09-09)
soprano vocals [Oscar]:
Eugenia Ratti (soprano) (from 1956-09-04 until 1956-09-09)
tenor vocals [Riccardo]:
Giuseppe Di Stefano (tenor) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
chorus master:
Norberto Mola (chorus master) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto I, scena 1. Nº 3b Sortita di Riccardo “La rivedrà nell'estasi” (Riccardo, Samuel, Tom, Coro) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi1:56
5Un ballo in maschera: Atto I, scena 1. “Il cenno mio di là con essi attendi”
producer:
Walter Jellinek (British classical producer)
baritone vocals [Renato]:
Tito Gobbi (baritone) (from 1956-09-04 until 1956-09-09)
soprano vocals [Oscar]:
Eugenia Ratti (soprano) (from 1956-09-04 until 1956-09-09)
tenor vocals [Riccardo]:
Giuseppe Di Stefano (tenor) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto I, scena 1. Nº 4a Scena “Il cenno mio di là con essi attendi” (Riccardo, Oscar, Renato) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi2:33
6Un ballo in maschera: Atto I, scena 1. “Alla vita che t’arride”
producer:
Walter Jellinek (British classical producer)
baritone vocals [Renato]:
Tito Gobbi (baritone) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto I, scena 1. Nº 4b Cantabile “Alla vita che t'arride” (Renato) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi2:50
7Un ballo in maschera: Atto I, scena 1. “Il primo giudice”
producer:
Walter Jellinek (British classical producer)
soprano vocals [Oscar]:
Eugenia Ratti (soprano) (from 1956-09-04 until 1956-09-09)
tenor vocals [Riccardo]:
Giuseppe Di Stefano (tenor) (from 1956-09-04 until 1956-09-09)
tenor vocals [Un giudice]:
Renato Ercolani (tenor) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto I, scena 1. Nº 5a Scena “Il primo Giudice - S'avanzi” (Oscar, Riccardo, Giudice) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi1:31
8Un ballo in maschera: Atto I, scena 1. “Volta la terrea”
producer:
Walter Jellinek (British classical producer)
baritone vocals [Renato]:
Tito Gobbi (baritone) (from 1956-09-04 until 1956-09-09)
bass vocals [Samuel]:
Silvio Maionica (operatic bass) (from 1956-09-04 until 1956-09-09)
bass vocals [Tom]:
Nicola Zaccaria (operatic bass) (from 1956-09-04 until 1956-09-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-09-04 until 1956-09-09)
soprano vocals [Oscar]:
Eugenia Ratti (soprano) (from 1956-09-04 until 1956-09-09)
tenor vocals [Riccardo]:
Giuseppe Di Stefano (tenor) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
chorus master:
Norberto Mola (chorus master) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto I, scena 1. Nº 5b Ballata “Volta la terrea fronte alle stelle” (Oscar, Riccardo) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi2:37
9Un ballo in maschera: Atto I, scena 1. “Ogni cura si doni al diletto”
producer:
Walter Jellinek (British classical producer)
baritone vocals [Renato]:
Tito Gobbi (baritone) (from 1956-09-04 until 1956-09-09)
bass vocals [Samuel]:
Silvio Maionica (operatic bass) (from 1956-09-04 until 1956-09-09)
bass vocals [Tom]:
Nicola Zaccaria (operatic bass) (from 1956-09-04 until 1956-09-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-09-04 until 1956-09-09)
soprano vocals [Oscar]:
Eugenia Ratti (soprano) (from 1956-09-04 until 1956-09-09)
tenor vocals [Riccardo]:
Giuseppe Di Stefano (tenor) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
chorus master:
Norberto Mola (chorus master) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto I, scena 1. Nº 6b “Ogni cura si doni al diletto” (Riccardo, Renato, Oscar, Samuel, Tom, Coro) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi2:14
10Un ballo in maschera: Atto I, scena 2. “Zitti…l’incanto non dessi turbare” / “Re dell’abisso, affrettati”
producer:
Walter Jellinek (British classical producer)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-09-04 until 1956-09-09)
mezzo-soprano vocals [Ulrica]:
Fedora Barbieri (mezzo-soprano) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
chorus master:
Norberto Mola (chorus master) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 7a Scena “Zitti … l'incanto non dèssi turbare” (Coro) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi4:01
11Un ballo in maschera: Atto I, scena 2. “Arrivo il primo!” / “È lui, è lui!”
producer:
Walter Jellinek (British classical producer)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-09-04 until 1956-09-09)
mezzo-soprano vocals [Ulrica]:
Fedora Barbieri (mezzo-soprano) (from 1956-09-04 until 1956-09-09)
tenor vocals [Riccardo]:
Giuseppe Di Stefano (tenor) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
chorus master:
Norberto Mola (chorus master) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 7c Scena “Arrivo il primo!” (Riccardo, Ulrica, Coro) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi2:29
12Un ballo in maschera: Atto I, scena 2. “Su, fatemi largo, saper vo’ il mio fato”
producer:
Walter Jellinek (British classical producer)
baritone vocals [Silvano]:
Ezio Giordano (italian baritone) (from 1956-09-04 until 1956-09-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-09-04 until 1956-09-09)
mezzo-soprano vocals [Ulrica]:
Fedora Barbieri (mezzo-soprano) (from 1956-09-04 until 1956-09-09)
tenor vocals [Riccardo]:
Giuseppe Di Stefano (tenor) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
chorus master:
Norberto Mola (chorus master) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 7d Scena “Su, fatemi largo, saper vo' il mio fato” (Silvano, Ulrica, Riccardo, Servo, Coro) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi1:03
13Un ballo in maschera: Atto I, scena 2. “Rallegrati omai”
producer:
Walter Jellinek (British classical producer)
baritone vocals [Silvano]:
Ezio Giordano (italian baritone) (from 1956-09-04 until 1956-09-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-09-04 until 1956-09-09)
mezzo-soprano vocals [Ulrica]:
Fedora Barbieri (mezzo-soprano) (from 1956-09-04 until 1956-09-09)
tenor vocals [Riccardo]:
Giuseppe Di Stefano (tenor) (from 1956-09-04 until 1956-09-09)
tenor vocals [Un servo]:
Renato Ercolani (tenor) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
chorus master:
Norberto Mola (chorus master) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 7d “Rallegrati omai” (Silvano, Ulrica, Riccardo, Servo, coro) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi2:22
14Un ballo in maschera: Atto I, scena 2. “Che v’agita così?”
producer:
Walter Jellinek (British classical producer)
mezzo-soprano vocals [Ulrica]:
Fedora Barbieri (mezzo-soprano) (from 1956-09-04 until 1956-09-09)
soprano vocals [Amelia]:
Maria Callas (soprano) (from 1956-09-04 until 1956-09-09)
tenor vocals [Riccardo]:
Giuseppe Di Stefano (tenor) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 8a Scena “Che v'agita così?” (Ulrica, Amelia, Riccardo) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi1:26
15Un ballo in maschera: Atto I, scena 2. “Della città all’occaso”
producer:
Walter Jellinek (British classical producer)
mezzo-soprano vocals [Ulrica]:
Fedora Barbieri (mezzo-soprano) (from 1956-09-04 until 1956-09-09)
soprano vocals [Amelia]:
Maria Callas (soprano) (from 1956-09-04 until 1956-09-09)
tenor vocals [Riccardo]:
Giuseppe Di Stefano (tenor) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 8b Terzetto “Della città all'occaso” (Ulrica, Amelia, Riccardo) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi1:30
16Un ballo in maschera: Atto I, scena 2. “Consentimi, o Signore”
producer:
Walter Jellinek (British classical producer)
mezzo-soprano vocals [Ulrica]:
Fedora Barbieri (mezzo-soprano) (from 1956-09-04 until 1956-09-09)
soprano vocals [Amelia]:
Maria Callas (soprano) (from 1956-09-04 until 1956-09-09)
tenor vocals [Riccardo]:
Giuseppe Di Stefano (tenor) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 8c “Consentimi, o signore” (Ulrica, Amelia, Riccardo) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi2:00
17Un ballo in maschera: Atto I, scena 2. “Figlia d’averno, schiudi la chiostra”
producer:
Walter Jellinek (British classical producer)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-09-04 until 1956-09-09)
mezzo-soprano vocals [Ulrica]:
Fedora Barbieri (mezzo-soprano) (from 1956-09-04 until 1956-09-09)
soprano vocals [Amelia]:
Maria Callas (soprano) (from 1956-09-04 until 1956-09-09)
tenor vocals [Riccardo]:
Giuseppe Di Stefano (tenor) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
chorus master:
Norberto Mola (chorus master) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 8c “Figlia d'averno, schiudi la chiostra” (Coro, Ulrica, Amelia, Riccardo) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi0:26
18Un ballo in maschera: Atto I, scena 2. “Su, profetessa, monta il treppiè”
producer:
Walter Jellinek (British classical producer)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-09-04 until 1956-09-09)
soprano vocals [Oscar]:
Eugenia Ratti (soprano) (from 1956-09-04 until 1956-09-09)
tenor vocals [Riccardo]:
Giuseppe Di Stefano (tenor) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
chorus master:
Norberto Mola (chorus master) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 9a Scena “Su, profetessa, monta il treppiè” (Coro, Oscar, Riccardo) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi0:57
19Un ballo in maschera: Atto I, scena 2. “Di’ tu se fedele”
producer:
Walter Jellinek (British classical producer)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-09-04 until 1956-09-09)
tenor vocals [Riccardo]:
Giuseppe Di Stefano (tenor) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
chorus master:
Norberto Mola (chorus master) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 9b Canzone “Di’ tu se fedele il flutto m’aspetta” (Riccardo, Coro) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer) (in 1859)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi3:13
20Un ballo in maschera: Atto I, scena 2. “Chi voi siate, l’audace parola”
producer:
Walter Jellinek (British classical producer)
bass vocals [Samuel]:
Silvio Maionica (operatic bass) (from 1956-09-04 until 1956-09-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-09-04 until 1956-09-09)
mezzo-soprano vocals [Ulrica]:
Fedora Barbieri (mezzo-soprano) (from 1956-09-04 until 1956-09-09)
soprano vocals [Oscar]:
Eugenia Ratti (soprano) (from 1956-09-04 until 1956-09-09)
tenor vocals [Riccardo]:
Giuseppe Di Stefano (tenor) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
chorus master:
Norberto Mola (chorus master) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 10a Scena “Chi voi siate, l'audace parola” (Ulrica, Riccardo, Samuel, Oscar, Coro) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi2:32
21Un ballo in maschera: Atto I, scena 2. “È scherzo od è follia”
producer:
Walter Jellinek (British classical producer)
bass vocals [Samuel]:
Silvio Maionica (operatic bass) (from 1956-09-04 until 1956-09-09)
bass vocals [Tom]:
Nicola Zaccaria (operatic bass) (from 1956-09-04 until 1956-09-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-09-04 until 1956-09-09)
mezzo-soprano vocals [Ulrica]:
Fedora Barbieri (mezzo-soprano) (from 1956-09-04 until 1956-09-09)
soprano vocals [Oscar]:
Eugenia Ratti (soprano) (from 1956-09-04 until 1956-09-09)
tenor vocals [Riccardo]:
Giuseppe Di Stefano (tenor) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
chorus master:
Norberto Mola (chorus master) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 10b Quintetto “È scherzo od è follia” (Riccardo, Ulrica, Samuel, Tom, Oscar, Coro) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi3:20
22Un ballo in maschera: Atto I, scena 2. “Finisci il vaticinio”
producer:
Walter Jellinek (British classical producer)
baritone vocals [Renato]:
Tito Gobbi (baritone) (from 1956-09-04 until 1956-09-09)
baritone vocals [Silvano]:
Ezio Giordano (italian baritone) (from 1956-09-04 until 1956-09-09)
bass vocals [Samuel]:
Silvio Maionica (operatic bass) (from 1956-09-04 until 1956-09-09)
bass vocals [Tom]:
Nicola Zaccaria (operatic bass) (from 1956-09-04 until 1956-09-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-09-04 until 1956-09-09)
mezzo-soprano vocals [Ulrica]:
Fedora Barbieri (mezzo-soprano) (from 1956-09-04 until 1956-09-09)
soprano vocals [Oscar]:
Eugenia Ratti (soprano) (from 1956-09-04 until 1956-09-09)
tenor vocals [Riccardo]:
Giuseppe Di Stefano (tenor) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
chorus master:
Norberto Mola (chorus master) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 11a Scena “Finisci 'l vaticinio” (Riccardo, Ulrica, Samuel, Tom, Renato, Coro) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi4:26
23Un ballo in maschera: Atto II. Preludio
producer:
Walter Jellinek (British classical producer)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto II. Nº 12a. Preludio (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
Giuseppe Verdi2:25
24Un ballo in maschera: Atto II. “Ecco l’orrido campo ove s’accoppia”
producer:
Walter Jellinek (British classical producer)
soprano vocals [Amelia]:
Maria Callas (soprano) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto II. Nº 12b. Scena “Ecco l'orrido campo ove s'accoppia” (Amelia) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
Giuseppe Verdi1:30
25Un ballo in maschera: Atto II. “Ma dall’arido stelo divulsa”
producer:
Walter Jellinek (British classical producer)
soprano vocals [Amelia]:
Maria Callas (soprano) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto II. Nº 12c. Aria “Ma dall'arido stelo divulsa” (Amelia) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
Giuseppe Verdi5:12
26Un ballo in maschera: Atto II. “Teco io sto”
producer:
Walter Jellinek (British classical producer)
soprano vocals [Amelia]:
Maria Callas (soprano) (from 1956-09-04 until 1956-09-09)
tenor vocals [Riccardo]:
Giuseppe Di Stefano (tenor) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto II. Nº 13a. Scena "Teco io sto - Gran Dio!" (Riccardo, Amelia) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
Giuseppe Verdi1:32
27Un ballo in maschera: Atto II. “Non sai tu che se l’anima mia”
producer:
Walter Jellinek (British classical producer)
soprano vocals [Amelia]:
Maria Callas (soprano) (from 1956-09-04 until 1956-09-09)
tenor vocals [Riccardo]:
Giuseppe Di Stefano (tenor) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto II. Nº 13b. Duetto "Non sai tu che se l'anima mia" (Riccardo, Amelia) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
Giuseppe Verdi4:13
28Un ballo in maschera: Atto II. “Oh, qual soave brivido”
producer:
Walter Jellinek (British classical producer)
soprano vocals [Amelia]:
Maria Callas (soprano) (from 1956-09-04 until 1956-09-09)
tenor vocals [Riccardo]:
Giuseppe Di Stefano (tenor) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto II. Nº 13d. Cabaletta "Oh, qual soave brivido" (Riccardo, Amelia) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
Giuseppe Verdi3:48
2▼CD: Act 2 conclusion · Act 3
#TitleArtistRatingLength
1Un ballo in maschera: Atto II. “Ahimè! s’appressa alcun”
producer:
Walter Jellinek (British classical producer)
baritone vocals [Renato]:
Tito Gobbi (baritone) (from 1956-09-04 until 1956-09-09)
soprano vocals [Amelia]:
Maria Callas (soprano) (from 1956-09-04 until 1956-09-09)
tenor vocals [Riccardo]:
Giuseppe Di Stefano (tenor) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto II. Nº 14a. Scena "Ahimè! S'appressa alcun!" (Amelia, Riccardo, Renato) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
Giuseppe Verdi2:13
2Un ballo in maschera: Atto II. “Amico, gelosa t’affido una cura”
producer:
Walter Jellinek (British classical producer)
baritone vocals [Renato]:
Tito Gobbi (baritone) (from 1956-09-04 until 1956-09-09)
tenor vocals [Riccardo]:
Giuseppe Di Stefano (tenor) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto II. Nº 14c. "Amico, gelosa t'affido una cura" (Riccardo, Renato) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
Giuseppe Verdi0:55
3Un ballo in maschera: Atto II. “Odi tu come fremono cupi”
producer:
Walter Jellinek (British classical producer)
baritone vocals [Renato]:
Tito Gobbi (baritone) (from 1956-09-04 until 1956-09-09)
soprano vocals [Amelia]:
Maria Callas (soprano) (from 1956-09-04 until 1956-09-09)
tenor vocals [Riccardo]:
Giuseppe Di Stefano (tenor) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto II. Nº 14d. Cabaletta "Odi tu come fremono cupi" (Amelia, Renato, Riccardo) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
Giuseppe Verdi1:57
4Un ballo in maschera: Atto II. “Seguitemi”
producer:
Walter Jellinek (British classical producer)
baritone vocals [Renato]:
Tito Gobbi (baritone) (from 1956-09-04 until 1956-09-09)
bass vocals [Samuel]:
Silvio Maionica (operatic bass) (from 1956-09-04 until 1956-09-09)
bass vocals [Tom]:
Nicola Zaccaria (operatic bass) (from 1956-09-04 until 1956-09-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-09-04 until 1956-09-09)
soprano vocals [Amelia]:
Maria Callas (soprano) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
chorus master:
Norberto Mola (chorus master) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto II. Nº 15a. Scena "Seguitemi - Mio Dio!" (Renato, Amelia) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
Giuseppe Verdi2:39
5Un ballo in maschera: Atto II. “Ve’, se di notte qui colla sposa”
producer:
Walter Jellinek (British classical producer)
baritone vocals [Renato]:
Tito Gobbi (baritone) (from 1956-09-04 until 1956-09-09)
bass vocals [Samuel]:
Silvio Maionica (operatic bass) (from 1956-09-04 until 1956-09-09)
bass vocals [Tom]:
Nicola Zaccaria (operatic bass) (from 1956-09-04 until 1956-09-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-09-04 until 1956-09-09)
soprano vocals [Amelia]:
Maria Callas (soprano) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
chorus master:
Norberto Mola (chorus master) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto II. Nº 15c. Quartetto "Ve', se di notte qui colla sposa" (Samuel, Tom, Renato, Amelia, Coro) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
Giuseppe Verdi5:07
6Un ballo in maschera: Atto III, scena 1. “A tal colpa è nulla il pianto”
producer:
Walter Jellinek (British classical producer)
baritone vocals [Renato]:
Tito Gobbi (baritone) (from 1956-09-04 until 1956-09-09)
soprano vocals [Amelia]:
Maria Callas (soprano) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 16a. Scena "A tal colpa è nulla il pianto" (Renato, Amelia) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi2:19
7Un ballo in maschera: Atto III, scena 1. “Morró, ma prima in grazia”
producer:
Walter Jellinek (British classical producer)
soprano vocals [Amelia]:
Maria Callas (soprano) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 16b. Aria "Morrò, ma prima in grazia" (Amelia) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi4:32
8Un ballo in maschera: Atto III, scena 1. “Alzati! là tuo figlio”
producer:
Walter Jellinek (British classical producer)
baritone vocals [Renato]:
Tito Gobbi (baritone) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 17a. Scena “Alzati! Là, tuo figlio” (Renato) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi1:53
9Un ballo in maschera: Atto III, scena 1. “Eri tu che macchiavi quell’anima… O dolcezze perdute! O memorie”
producer:
Walter Jellinek (British classical producer)
baritone vocals [Renato]:
Tito Gobbi (baritone) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 17b. Aria “Eri tu che macchiavi quell'anima” (Renato) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi4:18
10Un ballo in maschera: Atto III, scena 1. “Siam soli. Udite”
producer:
Walter Jellinek (British classical producer)
baritone vocals [Renato]:
Tito Gobbi (baritone) (from 1956-09-04 until 1956-09-09)
bass vocals [Samuel]:
Silvio Maionica (operatic bass) (from 1956-09-04 until 1956-09-09)
bass vocals [Tom]:
Nicola Zaccaria (operatic bass) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 18a Scena “Siam soli. Udite” (Renato, Tom, Samuel) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi2:37
11Un ballo in maschera: Atto III, scena 1. “Dunque l’onta di tutti sol una”
producer:
Walter Jellinek (British classical producer)
baritone vocals [Renato]:
Tito Gobbi (baritone) (from 1956-09-04 until 1956-09-09)
bass vocals [Samuel]:
Silvio Maionica (operatic bass) (from 1956-09-04 until 1956-09-09)
bass vocals [Tom]:
Nicola Zaccaria (operatic bass) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 18b. Terzetto “Dunque l'onta di tutti sol una” (Renato, Tom, Samuel) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi0:55
12Un ballo in maschera: Atto III, scena 1. “D’una grazia vi supplico”
producer:
Walter Jellinek (British classical producer)
baritone vocals [Renato]:
Tito Gobbi (baritone) (from 1956-09-04 until 1956-09-09)
bass vocals [Samuel]:
Silvio Maionica (operatic bass) (from 1956-09-04 until 1956-09-09)
bass vocals [Tom]:
Nicola Zaccaria (operatic bass) (from 1956-09-04 until 1956-09-09)
soprano vocals [Amelia]:
Maria Callas (soprano) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 19a. “D'una grazia vi supplico” (Renato, Tom, Samuel, Amelia) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi3:58
13Un ballo in maschera: Atto III, scena 1. “Qual è dunque l’eletto?” / “Ah! del Conte la morte si vuole!”
producer:
Walter Jellinek (British classical producer)
baritone vocals [Renato]:
Tito Gobbi (baritone) (from 1956-09-04 until 1956-09-09)
bass vocals [Samuel]:
Silvio Maionica (operatic bass) (from 1956-09-04 until 1956-09-09)
bass vocals [Tom]:
Nicola Zaccaria (operatic bass) (from 1956-09-04 until 1956-09-09)
soprano vocals [Amelia]:
Maria Callas (soprano) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 19b. “Qual e dunque l'eletto … Ah! Del Conte la morte si vuole!” (Renato, Samuel, Tom, Amelia) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi1:21
14Un ballo in maschera: Atto III, scena 1. “Il messaggio entri”
producer:
Walter Jellinek (British classical producer)
baritone vocals [Renato]:
Tito Gobbi (baritone) (from 1956-09-04 until 1956-09-09)
bass vocals [Samuel]:
Silvio Maionica (operatic bass) (from 1956-09-04 until 1956-09-09)
bass vocals [Tom]:
Nicola Zaccaria (operatic bass) (from 1956-09-04 until 1956-09-09)
soprano vocals [Amelia]:
Maria Callas (soprano) (from 1956-09-04 until 1956-09-09)
soprano vocals [Oscar]:
Eugenia Ratti (soprano) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 20a. Scena “Il messaggio entri” (Renato, Oscar, Amelia, Samuel, Tom) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi1:06
15Un ballo in maschera: Atto III, scena 1. “Ah! Di che fulgor, che musiche”
producer:
Walter Jellinek (British classical producer)
baritone vocals [Renato]:
Tito Gobbi (baritone) (from 1956-09-04 until 1956-09-09)
bass vocals [Samuel]:
Silvio Maionica (operatic bass) (from 1956-09-04 until 1956-09-09)
bass vocals [Tom]:
Nicola Zaccaria (operatic bass) (from 1956-09-04 until 1956-09-09)
soprano vocals [Amelia]:
Maria Callas (soprano) (from 1956-09-04 until 1956-09-09)
soprano vocals [Oscar]:
Eugenia Ratti (soprano) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 20b. Quintetto "Ah! Di che fulgor, che musiche" (Oscar, Amelia, Renato, Samuel, Tom) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi2:44
16Un ballo in maschera: Atto III, scena 2. “Forse la soglia attinse”
producer:
Walter Jellinek (British classical producer)
tenor vocals [Riccardo]:
Giuseppe Di Stefano (tenor) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 21a. Scena “Forse la soglia attinse” (Riccardo) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi2:38
17Un ballo in maschera: Atto III, scena 2. “Ma se m’è forza perderti”
producer:
Walter Jellinek (British classical producer)
tenor vocals [Riccardo]:
Giuseppe Di Stefano (tenor) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 21b. Romanza “Ma se m'è forza perderti” (Riccardo) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi2:45
18Un ballo in maschera: Atto III, scena 2. “Ah! dessa è là”
producer:
Walter Jellinek (British classical producer)
soprano vocals [Oscar]:
Eugenia Ratti (soprano) (from 1956-09-04 until 1956-09-09)
tenor vocals [Riccardo]:
Giuseppe Di Stefano (tenor) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 22a. Festa da ballo “Ah! dessa è là …” (Riccardo, Oscar) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi1:38
19Un ballo in maschera: Atto III, scena 2. “Fervono amori e danze”
producer:
Walter Jellinek (British classical producer)
baritone vocals [Renato]:
Tito Gobbi (baritone) (from 1956-09-04 until 1956-09-09)
bass vocals [Samuel]:
Silvio Maionica (operatic bass) (from 1956-09-04 until 1956-09-09)
bass vocals [Tom]:
Nicola Zaccaria (operatic bass) (from 1956-09-04 until 1956-09-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-09-04 until 1956-09-09)
soprano vocals [Oscar]:
Eugenia Ratti (soprano) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
chorus master:
Norberto Mola (chorus master) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 22b. Coro “Fervono amori e danze” (1) (Coro, Samuel, Tom, Renato) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Un ballo in maschera: Atto III
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 24a. Coro “Fervono amori e danze” (2) (Coro, Renato, Oscar) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi2:09
20Un ballo in maschera: Atto III, scena 2. “Saper vorreste di che si veste”
producer:
Walter Jellinek (British classical producer)
soprano vocals [Oscar]:
Eugenia Ratti (soprano) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 23b. Canzone “Saper vorreste di che si veste” (Oscar) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi2:02
21Un ballo in maschera: Atto III, scena 2. “Fervono amori e danze”
producer:
Walter Jellinek (British classical producer)
baritone vocals [Renato]:
Tito Gobbi (baritone) (from 1956-09-04 until 1956-09-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-09-04 until 1956-09-09)
soprano vocals [Oscar]:
Eugenia Ratti (soprano) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
chorus master:
Norberto Mola (chorus master) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 24a. Coro “Fervono amori e danze” (2) (Coro, Renato, Oscar) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi1:29
22Un ballo in maschera: Atto III, scena 2. “Ah! perché qui! fuggite”
producer:
Walter Jellinek (British classical producer)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1956)
soprano vocals [Amelia]:
Maria Callas (soprano) (in 1956)
tenor vocals [Riccardo]:
Giuseppe Di Stefano (tenor) (in 1956)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1956)
conductor:
Antonino Votto (conductor) (in 1956)
chorus master:
Norberto Mola (chorus master) (in 1956)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 24c. Scena "Ah! Perché qui? Fuggite … ” (Amelia, Riccardo, Renato, Oscar, coro) (in 1956)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi4:39
23Un ballo in maschera: Atto III, scena 2. “E tu ricevi il mio!”
producer:
Walter Jellinek (British classical producer)
baritone vocals [Renato]:
Tito Gobbi (baritone) (from 1956-09-04 until 1956-09-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-09-04 until 1956-09-09)
soprano vocals [Amelia]:
Maria Callas (soprano) (from 1956-09-04 until 1956-09-09)
soprano vocals [Oscar]:
Eugenia Ratti (soprano) (from 1956-09-04 until 1956-09-09)
tenor vocals [Riccardo]:
Giuseppe Di Stefano (tenor) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 24e “E tu ricevi il mio!” (Renato, Riccardo, Amelia, Oscar, coro) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi1:15
24Un ballo in maschera: Atto III, scena 2. “Ella è pura: in braccio a morte”
producer:
Walter Jellinek (British classical producer)
baritone vocals [Renato]:
Tito Gobbi (baritone) (from 1956-09-04 until 1956-09-09)
bass vocals [Samuel]:
Silvio Maionica (operatic bass) (from 1956-09-04 until 1956-09-09)
bass vocals [Tom]:
Nicola Zaccaria (operatic bass) (from 1956-09-04 until 1956-09-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-09-04 until 1956-09-09)
soprano vocals [Amelia]:
Maria Callas (soprano) (from 1956-09-04 until 1956-09-09)
soprano vocals [Oscar]:
Eugenia Ratti (soprano) (from 1956-09-04 until 1956-09-09)
tenor vocals [Riccardo]:
Giuseppe Di Stefano (tenor) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
chorus master:
Norberto Mola (chorus master) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 24f. Finale “Ella è pura; in braccio a morte” (Riccardo, Amelia, Oscar, Renato, Samuel, Tom, coro) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi4:42