Pure… Fitness

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▼CD
#TitoloArtistaValutazioneDurata
1Eye of the Tiger
assistente tecnico:
Hill Swimmer
tecnico:
Phil Bonanno e Mike Clink
produttore:
Jim Peterik e Frankie Sullivan (US guitarist and songwriter, member of Survivor)
diritti fonografici (℗) detenuti da:
Volcano Entertainment III, L.L.C. (nel 1985)
registrazione di:
Eye of the Tiger
autore:
Jim Peterik e Frankie Sullivan (US guitarist and songwriter, member of Survivor)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Easy Action Music, Ensign Music Corporation, Holy Moley Music, Rude Music (publisher; do NOT use as release label), Rude Music Inc, Sony/ATV Harmony UK, Sony/ATV Melody, Three Wise Boys Music LLC, Warner Chappell North America Limited (UK-registered publishing company, affiliated with PRS), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (, fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
Productions et Éditions Cinématographiques Françaises, Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing France, Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music Publishing (fino al 2017-03-31) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (dal 2017-04-01 a oggi)
parte di:
The 55th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1982 nominee)
Survivor4.73:49
2The Final Countdown
produttore:
Kevin Elson
diritti fonografici (℗) detenuti da:
CBS Records AB (SE subsidiary of CBS Records, renamed Sony Music Entertainment (Sweden) AB in 1991) (nel 1986), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1986), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1986), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1987) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1987)
registrazione di:
The Final Countdown
paroliere e compositore:
Joey Tempest (Swedish singer)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Sweden AB (not for release label use! SE subsidiary of EMI), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Seven Doors Music
Europe4.053:58
3Fighter
tecnico di registrazione:
Oscar Ramirez (US engineer) e Wassim Zreik
assistente tecnico:
Aaron Leply, John Morichal, Kevin Szymanski e Scott Whitting
produttore:
Christina Aguilera (incarico: vocals), E. Dawk (incarico: vocals) e Scott Storch (producer)
assistente tecnico di missaggio:
Anthony Kilhoffer
tecnico di missaggio:
Tony Maserati (engineer / mixer)
batteria [drums] :
Kameron Houff
chitarra :
Aaron Fishbein, John Goux e Dave Navarro (American guitarist)
chitarra basso [bass] :
Tarus Mateen
direttore d'orchestra:
Larry Gold (archi)
arrangiatore archi :
Larry Gold
arrangiatore voci:
Christina Aguilera e E. Dawk
diritti fonografici (℗) detenuti da:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 2002)
mixata per:
Two Chord Music Inc.
è stato produttore per:
Tuff Jew Productions
registrata presso:
Conway Studios in Hollywood, Los Angeles, California, Stati Uniti e The Enterprise Studios (aka Enterprise Studios) in Burbank, California, Stati Uniti
mixata presso:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Stati Uniti
video musicali:
Fighter di Christina Aguilera
parte di:
The Downloader’s Music Source Book (numero: 263)
registrazione di:
Fighter
autore:
Christina Aguilera e Scott Storch (producer)
editore:
Careers–BMG Music Publishing, Inc., LogRhythm Music, Scott Storch Music, TVT Music e Xtina Music
Christina Aguilera4.854:08
4U + Ur Hand
tecnico di registrazione:
Francesco Perlangeli (nel 2006) e Josh Wilbur (musician, writer, engineer, mixer & producer) (nel 2006)
supporto a vario titolo:
Roc Raida (incarico: DJ)
assistente tecnico:
Tim Roberts (engineer) (incarico: engineered for mix) e Tom Talomaa
tecnico aggiunto:
John Hanes (audio engineer, mixer) (incarico: engineered for mix)
produttore:
Dr. Luke e Max Martin (Swedish record producer)
tecnico di missaggio:
Serban Ghenea
batteria :
Shawn Pelton (nel 2006)
strumenti:
Łukasz Gottwald (nel 2006) e Max Martin (Swedish record producer) (nel 2006)
tamburello :
Steven Wolf (drummer from USA) (nel 2006)
diritti fonografici (℗) detenuti da:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 2006)
registrata presso:
Conway Recording Studios in Hollywood, Los Angeles, California, Stati Uniti (nel 2006)
mixata presso:
MixStar Studios in Virginia Beach, Virginia, Stati Uniti
video musicali:
U + Ur Hand (music video) di P!nk (American singer/songwriter) e U + Ur Hand (video) di P!nk (American singer/songwriter)
registrazione di:
U + Ur Hand (nel 2006)
paroliere e compositore:
Alecia Moore (American singer/songwriter), Łukasz Gottwald, Martin Sandberg (Swedish record producer) e Rami Yacoub (Swedish record producer and songwriter)
editore:
EMI Blackwood Music Inc., Kasz Money Publishing (ASCAP affiliated), Kobalt Songs Music Publishing (USA, ASCAP affiliated) e P!nk Inside Publishing
P!nk3.553:35
5Heavy Cross
tecnico di registrazione e tecnico di missaggio:
Greg Fidelman (Greg Fields, US producer, engineer, mixer and songwriter)
tecnico di registrazione aggiunto:
Dana Nielsen
assistente tecnico:
Sara Lyn Killion e Eric Lynn
produttore:
Rick Rubin (US record producer, former co‐president of Columbia Records)
tecnico di missaggio aggiunto:
Andrew Scheps
editor:
Jason Gossman (audio engineer) e Dana Nielsen
registrata presso e mixata presso:
Shangri La Studios in Malibu, California, Stati Uniti
registrazione di:
Heavy Cross
autore:
Hannah Blilie, Beth Ditto e Brace Paine
Gossip4.754:05
6Holding Out for a Hero
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1984), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1984), Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1984) e Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1985)
registrazione di:
Holding Out for a Hero
paroliere:
Dean Pitchford
compositore:
Jim Steinman
editore:
BMG Music Publishing Ltd., Ensign Music Corp., Famous Chappell, Famous Chappell Ltd. (UK-based music publishing company.), Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Harmony UK, Sony/ATV Melody e Sony/ATV Music Publishing LLC (1995–2020)
si basa su:
Stark Raving Love
Bonnie Tyler4.154:26
7Girlfriend
programmazione e produttore:
Dr. Luke
tecnico di mastering:
Stephen Marcussen (mastering engineer)
assistente tecnico:
Tatiana Gottwald
assistente tecnico aggiunto:
Tim Roberts (engineer)
tecnico:
Matt Beckley, Mike Caffrey, Aniela Gottwald, Keith Gretlein, Sam Holland (sound engineer), Tom Syrowski e Seth Waldmann
tecnico aggiunto:
John Hanes (audio engineer, mixer)
produttore aggiunto:
Matt Beckley e Steven Wolf (drummer from USA)
tecnico di missaggio:
Serban Ghenea
chitarra basso e famiglia delle chitarre :
Łukasz Gottwald
membranofono :
Steven Wolf (drummer from USA)
voce:
Avril Lavigne
diritti fonografici (℗) detenuti da:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (dal 2007 a oggi) e Arista Records, LLC (holding company - file NO releases here!) (nel 2022)
video musicali:
Girlfriend (music video) di Avril Lavigne
parte di:
Canada’s Drag Race Lip Sync Performances (season 1) (numero: 4)
registrazione di:
Girlfriend
autore:
Łukasz Gottwald e Avril Lavigne
editore:
Almo Music Corp. (USA, affiliated with ASCAP) e Kasz Money Publishing (ASCAP affiliated)
Avril Lavigne4.253:37
8Waka Waka (This Time for Africa)
tecnico di registrazione:
Eduardo Bergallo, Dave Clauss, Gustavo Elis, Alex Leader e Andros Rodriguez
assistente tecnico:
Josep Baiges e Miguel Bustamante (Spanish producer/engineer)
produttore:
John Hill (producer and songwriter, aka Johnny Rodeo) e Shakira (Colombian singer-songwriter)
assistente tecnico di missaggio:
Will Brierre
tecnico di missaggio:
Gustavo Celis e Mark Needham
voce di accompagnamento:
Olgui Chirino, Lidiwe F. Dlamini (singer, performer), Nonhlanhla Kheswa e Shakira (Colombian singer-songwriter)
arrangiatore voce di accompagnamento:
Olgui Chirino e Shakira (Colombian singer-songwriter)
arrangiatore voci:
Shakira (Colombian singer-songwriter)
registrazione di:
Waka Waka (This Time for Africa)
autore:
John Hill (producer and songwriter, aka Johnny Rodeo) e Shakira (Colombian singer-songwriter)
versione di:
Zangalewa
Shakira3:05
9Fire Burning
registrazione di:
Fire Burning
autore:
Bilal Hajji, Kisean Anderson (Jamaican-American rapper, singer, composer & record producer) e RedOne
Sean Kingston3.353:53
10I See You Baby (Fatboy Slim radio edit)
tecnico:
Simon Thornton (Big beat mixing engineer)
voce ospite:
Gram’ma Funk
remixer:
Fatboy Slim
arrangiatore:
Fatboy Slim
registrazione di:
I See You Baby
paroliere e compositore:
Andy Cato, Tom Findlay (UK electronic DJ/producer, Groove Armada) e Toi Wooten
Groove Armada feat. Gram’ma Funk3.454:05
11Hey Ya!
tecnico di registrazione:
John Frye (hip hop / R&B mix engineer), Robert Hannon e Pete Novak
programmazione e produttore:
André 3000
tecnico di missaggio:
Neal Pogue (mix engineer)
chitarra acustica e tastiera e voce principale:
André 3000
tastiera :
Kevin Kendrick (US soul/funk keyboardist/songwriter)
video musicali:
Hey Ya! di OutKast
parte di:
Sean Michaels: The Top 30 Songs of 2003 (numero: 1), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 10), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 14), Triple J’s Hottest 100: Twenty Years (2013) (numero: 18), VH1’s Big Song of 2003 (numero: 24), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 180) e Indie 88: Top 500 Indie Rock Songs (numero: 198)
registrazione di:
Hey Ya!
paroliere e compositore:
André Benjamin
editore:
Chrysalis Music, Inc. e Gnat Booty
OutKast43:58
12Gonna Make You Sweat (Everybody Dance Now)
assistente produttore:
Ricky Crespo e Alan Friedman
produttore:
Robert Clivillés (record producer, songwriter, arranger, music video director) e David Cole (US musician/producer, member of C+C Music Factory)
batteria e percussione :
Robert Clivillés (record producer, songwriter, arranger, music video director)
batteria aggiunto:
Alan Friedman
tastiera :
Ricky Crespo e Dave Cole (US musician/producer, member of C+C Music Factory)
voce:
Martha Wash e Freedom Williams
arrangiatore tastiera :
Robert Clivillés (record producer, songwriter, arranger, music video director)
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1990)
parte di:
Cachitos Nochevieja 2022 (numero: 116) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 402)
registrazione di:
Gonna Make You Sweat (Everybody Dance Now)
autore:
Robert Clivillés (record producer, songwriter, arranger, music video director) e Frederick B. Williams (UK dance vocalist aka Freedom Williams)
editore:
Cole/Clivillés Music, EMI Virgin Music Ltd. (do not use this as a release label!), R.B.G. Dome Music, WB Music Corp. (1929–2019), Cole/Clivillés Music Enterprises (dal 1990 al ????) e Virgin Music (publisher and label, only for releases with Virgin MUSIC logo) (dal 1990 al ????)
C+C Music Factory presenting Freedom Williams4.154:05
13Can You Feel It
produttore:
The Jacksons (formerly “The Jackson 5”)
basso :
Nathan Watts
batteria :
Ollie E. Brown (US drummer, session musician & record producer)
chitarra :
Tito Jackson e David Williams (session guitarist and songwriter)
tastiera :
Ronnie Foster, Greg Phillinganes e Bill Wolfer (record producer, songwriter, musician and synthesizer programmer from USA)
vibrafono [vibes] :
Gary L. Coleman (US percussionist)
cori:
Lita Aubrey, Paulette Brown, Brigette Bush, Soloman Daniels, Rock Deadrick, Carolyn Dennis (American singer), Venetta Fields, Roy Galloway (soul singer), Gerry Garrett, Rhonda Gentry, Jim Gilstrap, Gerry Gruberth, Bunny Hull, Roger Kenerly II, Josie James, Roger Kenerly-Saint, Yolanda Kenerly, Bob Mack, Arnold McCuller, Paulette McWilliams, Louis Price, Lisa Roberts, Stephanie Spruill (American soul/disco singer, songwriter, and percussionist), Phyllis St. James, Brian Stilwell, Audra Tillman, Carmen Twillie, Ronald Vann, Peter Wade e Gregory Wright
voce principale:
Michael Jackson (“King of Pop”) e Randy Jackson (brother of Michael and Janet)
arrangiatore archi :
Tom Tom 84
arrangiatore:
Jackie Jackson (member of the Jackson 5) e Michael Jackson (“King of Pop”)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1980)
registrazione di:
Can You Feel It
autore:
Jackie Jackson (member of the Jackson 5) e Michael Jackson (“King of Pop”)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
MJ: The Musical
The Jacksons4.253:49
14When the Going Gets Tough, the Tough Get Going
produttore:
Barry J. Eastmond e Wayne Brathwaite
produttore esecutivo:
Robert John “Mutt” Lange (Robert John Lange)
tecnico di missaggio:
Nigel Green (engineer)
diritti fonografici (℗) detenuti da:
Zomba Records Limited (not strictly a label - avoid adding releases here) (nel 1986)
video musicali:
When the Going Gets Tough, the Tough Get Going di Billy Ocean
registrazione di:
When the Going Gets Tough, the Tough Get Going
autore:
Wayne Brathwaite, Barry Eastmond, Robert John “Mutt” Lange (Robert John Lange) e Billy Ocean
editore:
Aqua Music (Billy Ocean's recording & publishing label), Aqua Music Ltd., BMG Music Publishing Ltd., Imagem London Ltd., Universal Music Publishers MGB Australia Pty Ltd, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Zomba Enterprises, Inc. e Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Billy Ocean3.254:08
15Bat Out of Hell
batteria :
Max Weinberg
chitarra e chitarra [Motorcycle guitar] :
Todd Rundgren
chitarra basso :
Kasim Sulton
percussione :
Jim Steinman
pianoforte :
Roy Bittan
sintetizzatore :
Roger Powell (US musician, programmer, and columnist, band "Utopia")
tastiera :
Roy Bittan, Todd Rundgren e Jim Steinman
voce di accompagnamento:
Todd Rundgren e Kasim Sulton
voce di accompagnamento aggiuntiva:
Rory Dodd e Ellen Foley
voce principale:
Meat Loaf
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1977) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1977)
edit di:
Bat Out of Hell di Meat Loaf
registrazione di:
Bat out of Hell
paroliere e compositore:
Jim Steinman
editore:
BMG AM Pty Limited, Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), J. Albert & Son Pty. Ltd., Neverland Music e Peg Music Co.
Meat Loaf4.654:51
16Danger Zone
programmazione degli strumenti:
Hans Zimmer (German score composer)
tecnico:
Dave Concors, Dave Connors e Tom Whitlock
produttore:
Giorgio Moroder e Tom Whitlock
produttore esecutivo:
Michael Dilbeck
tecnico di missaggio:
Giorgio Moroder e Brian Reeves
batteria :
John Robinson (session drummer)
chitarra :
Dann Huff e Kenny Loggins
sassofono :
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
sintetizzatore :
Tom Whitlock
tastiera :
Giorgio Moroder
voce principale:
Kenny Loggins
diritti fonografici (℗) detenuti da:
CBS Inc. (US broadcasting company; file no releases here!) (nel 1986), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1986), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1986) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1986)
registrata presso:
Oasis Recording Studios in North Hollywood, Los Angeles, California, Stati Uniti
versioni a cappella:
Danger Zone di Tufts Beelzebubs (Tufts University all-male a cappella group)
registrazione di:
Danger Zone (Top Gun)
paroliere:
Thomas Whitlock
compositore:
Giorgio Moroder
editore:
Budde Music Inc. (US publisher), Neue Welt Musikverlag GmbH (2017 – present), Sony/ATV Harmony, Sony/ATV Harmony UK, Sony/ATV Music Publishing (Germany) GmbH (1998–2002), Warner Chappell Overseas Holdings Ltd., Warner/Chappell North America, WB Music Corp. (1929–2019), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (nel 1986) e GMPC (nel 1986)
Kenny Loggins4.33:37
17Don’t Stop Believin’
assistente tecnico:
Wally Buck
tecnico:
Kevin Elson
produttore:
Kevin Elson e Mike Stone (producer and engineer, 1960s–80s)
batteria e percussione :
Steve Smith (US drummer most associated with Journey) (dal 1981-04 al 1981-06)
chitarra :
Neal Schon (dal 1981-04 al 1981-06)
chitarra basso :
Ross Valory (dal 1981-04 al 1981-06)
tastiera e pianoforte :
Jonathan Cain (dal 1981-04 al 1981-06)
voce di accompagnamento:
Jonathan Cain (dal 1981-04 al 1981-06), Neal Schon (dal 1981-04 al 1981-06) e Ross Valory (dal 1981-04 al 1981-06)
voce principale:
Steve Perry (former lead singer of Journey) (dal 1981-04 al 1981-06)
diritti fonografici (℗) detenuti da:
CBS Inc. (US broadcasting company; file no releases here!) (nel 1981), CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1981), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1981), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1981) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1981)
registrata presso:
Fantasy Studios (Berkeley) in Berkeley, California, Stati Uniti (dal 1981-04 al 1981-06)
mixata presso:
Fantasy Studios (Berkeley) in Berkeley, California, Stati Uniti
parte di:
SWR1 Hitparade 2022 (Baden-Württemberg) (numero: 10), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 11), Offizielle deutsche Charts – Single-Jahrescharts 2025 (numero: 34), Billboard Hot 100: 2026-07-18 (numero: 35), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 51) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 133)
registrazione di:
Don’t Stop Believin’ (Journey song) (dal 1981-04 al 1981-06)
autore:
Jonathan Cain, Steve Perry (former lead singer of Journey) e Neal Schon
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Lacey Boulevard Music, Sharandall Music, Sony Music (global brand, excluding JP, owned by Sony Music Entertainment), Universal/MCA Music Ltd. (not for release label use!) e Weedhigh‐Nightmare Music
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), 日音 Synch事業部 (NICHION, INC. Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31) e フジパシフィックミュージック (Fujipacific Music, Inc.) (dal 2015-01-01 a oggi)
Journey4.34:10
2▼CD
#TitoloArtistaValutazioneDurata
1TiK ToK
supporto a vario titolo:
Gary "G" Silver (incarico: production coordination) e Vanessa Silberman (incarico: production assistance)
programmazione e produttore:
benny blanco (producer Benjamin Levin) e Dr. Luke
assistente tecnico:
Tatiana Gottwald
tecnico:
benny blanco (producer Benjamin Levin), Sam Holland (sound engineer) e Emily Wright
assistente tecnico di missaggio:
Tim Roberts (engineer)
tecnico di missaggio:
Serban Ghenea e John Hanes (audio engineer, mixer)
editor:
Emily Wright (voce principale [vocal])
batteria [drums] e tastiera [keyboards] :
benny blanco (producer Benjamin Levin) e Dr. Luke
diritti fonografici (℗) detenuti da:
RCA/Jive Label Group (holding company, not a release label) (nel 2009) e RCA Records (RCA Records: simple ‘RCA’ or ‘RCA’ with lightning bolt in circle) (nel 2025)
è stato produttore per:
Kasz Money Productions, Inc.
mixata presso:
MixStar Studios in Virginia Beach, Virginia, Stati Uniti
lavorazione tecnica effettuata presso:
Conway Recording Studios in Hollywood, Los Angeles, California, Stati Uniti
parte di:
Billboard Year-End Hot 100 singles of 2010 (numero: 1), Billboard: Greatest of All Time Hot 100 Songs (numero: 68) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 149)
registrazione di:
TiK ToK
autore:
Benjamin Levin (producer Benjamin Levin), Łukasz Gottwald e Kesha Sebert (Kesha, American singer fka Ke$ha)
editore:
Dynamite Cop Music, Kasz Money Publishing (ASCAP affiliated), Matza Ball Music e Where da Kasz At
Ke$ha3.93:22
2Feel So Close
produttore:
Calvin Harris (Scottish DJ and producer)
strumenti e voce:
Calvin Harris (Scottish DJ and producer)
arrangiatore:
Calvin Harris (Scottish DJ and producer)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 2011)
registrata presso:
Fly Eye Studios (London) in London (Greater London), England, Regno Unito
video musicali:
Feel So Close (director’s cut) di Calvin Harris (Scottish DJ and producer)
parte di:
Billboard Year-End Hot 100 singles of 2012 (numero: 42)
registrazione di:
Feel So Close
autore:
Adam Wiles
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e TSJ Merlyn Licensing B.V.
Calvin Harris3.83:26
3Stronger (What Doesn’t Kill You)
parte di:
Billboard Year-End Hot 100 singles of 2012 (numero: 7), RuPaul’s Drag Race Lip Sync Performances (season 6) (numero: 11) e Billboard Decade End Chart: Adult Contemporary Songs (2010s) (numero: 19)
registrazione di:
Stronger (What Doesn't Kill You)
autore:
Jörgen Elofsson (Swedish songwriter and producer), David Gamson, Greg Kurstin e Ali Tamposi (American songwriter and backing vocalist)
Kelly Clarkson3.853:42
4International Love
voce ospite:
Chris Brown (US R&B/pop singer and dancer)
video musicali:
International Love di Pitbull (American rapper) feat. Chris Brown (US R&B/pop singer and dancer)
parte di:
Billboard Year-End Hot 100 singles of 2012 (numero: 48)
registrazione di:
International Love
Pitbull feat. Chris Brown3.053:49
5More (RedOne Jimmy Joker remix)
tecnico di registrazione e produttore:
RedOne
programmazione:
Johnny “Sev” Severin (producer and songwriter) e RedOne
tecnico di missaggio:
Trevor Muzzy
strumenti:
Johnny “Sev” Severin (producer and songwriter) e RedOne
è stato produttore per:
RedOne Productions LLC
registrata presso:
Henson Recording Studios (former A&M Studios) in Hollywood, Los Angeles, California, Stati Uniti e PKO Studios in Madrid, Comunidad de Madrid (Community of Madrid), Spagna
mixata presso:
PKO Studios in Madrid, Comunidad de Madrid (Community of Madrid), Spagna
registrazione di:
More
autore:
Prince Charlez (Charles Hinshaw), Bilal “The Chef” Hajji, RedOne e Usher (American R&B singer‐songwriter)
editore:
2101 Songs, EMI April Music, Inc., Prince Charlez Publishing, RedOne Productions LLC, Regime Music Societe, Sony/ATV Songs LLC e UR IV Music
Usher2.653:41
6No One Gonna Love You (Jason Nevins remix)
Jennifer Hudson3:59
7I Wanna Go
tecnico di registrazione e produttore:
Max Martin (Swedish record producer) e Shellback
assistente tecnico:
Tim Roberts (engineer) (incarico: engineered for mix)
tecnico:
John Hanes (audio engineer, mixer) (incarico: engineered for mix)
tecnico di missaggio:
Serban Ghenea
basso, chitarra e tastiera :
Shellback
tastiera :
Max Martin (Swedish record producer)
voce di accompagnamento:
Chau Phan
voce principale:
Britney Spears
è stato produttore per:
Maratone Productions
registrata presso:
Maratone Studios in Stockholm, Stockholms län (Stockholm county), Svezia
mixata presso:
MixStar Studios in Virginia Beach, Virginia, Stati Uniti
parte di:
Billboard Year-End Hot 100 singles of 2011 (numero: 46)
registrazione di:
I Wanna Go
autore:
Savan Kotecha, Max Martin (Swedish record producer) e Shellback
editore:
EMI Blackwood, Maratone e Mr. Kanani Songs
Britney Spears3.753:32
8You Bring Me Joy
video musicali:
You Bring Me Joy di Amelia Lily
registrazione di:
You Bring Me Joy
autore:
Carla Williams, Miranda Cooper, Luke Fitton, Frédérick Falke, Brian Higgins (British producer and song writer), Matthew Gray (UK techno DJ/producer, former video game composer), Owen Parker (UK composer, instrumentalist and producer), Toby Scott e Annie Yuill
Amelia Lily2.53:52
9Cooler Than Me
tecnico di registrazione:
Mike Posner
produttore:
Gigamesh
video musicali:
Cooler Than Me di Mike Posner
parte di:
Billboard Year-End Hot 100 singles of 2010 (numero: 19)
registrazione di:
Cooler Than Me
autore:
Eric Hölljes e Mike Posner
Mike Posner3.453:35
10Love Sex Magic
tecnico di registrazione:
Paul Foley (engineer)
produttore:
The Y's
assistente tecnico di missaggio:
Matty Green (mix engineer)
tecnico di missaggio:
Spike Stent (producer, engineer)
voce:
Justin Timberlake
esecutore ospite:
Justin Timberlake
registrata presso:
Henson Recording Studio (former A&M Studios) in Hollywood, Los Angeles, California, Stati Uniti
mixata presso:
Chalice Recording Studios in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Love Sex Magic
autore:
James Fauntleroy, Michael Elizondo, Robin Tadross e Justin Timberlake
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Cleopatra's Sons Music, EMI April Music Inc., Fauntleroy Music, Rincon Ave Music, Tennman Tunes, Underdog West Songs e Universal Music–Z Tunes LLC
Ciara feat. Justin Timberlake2.953:41
11Heart Skips a Beat
registrazione di:
Heart Skips a Beat
autore:
Alex James Smith (English songwriter and producer), Harley Alexander-Sule (English songwriter, musician & actor), Jim Eliot (UK singer-songwriter, composer, record producer), Samuel Preston (Sam Preston, English singer-songwriter, musician, actor) e Jordan Stephens (British rapper, singer-songwriter, lyricist, actor)
editore:
B-Unique (publisher; do NOT use as release label), BMG Rights (see annotation), Metrophonic Music, Music of Stage Three, Sony ATV Publishing e Stage Three Music Publishing Limited
Olly Murs3:23
12Broken Heels
edit di:
Broken Heels di Alexandra Burke
registrazione di:
Broken Heels
autore:
Bilal Hajji, Savan Kotecha e Nadir Khayat
Alexandra Burke23:36
13Kids
esecutore:
Ben Goldwasser e Andrew VanWyngarden
arrangiatore:
Ben Goldwasser e Andrew VanWyngarden
editore:
Old Man Future e Sadguitarius
parte di:
triple j's Hottest 100 of 2008 (16th edition of Australian annual music poll) (numero: 5) e Indie 88: Top 500 Indie Rock Songs (numero: 32)
registrazione di:
Kids
paroliere:
Andrew VanWyngarden
compositore:
Ben Goldwasser e Andrew VanWyngarden
editore:
Old Man Future e Sadguitarius
MGMT4.15:04
14Shake It
registrazione di:
Shake It
autore:
Trace Cyrus, Anthony Improgo, Mason Musso e Timothy Blake Healy
Metro Station3:04
15Tonight Tonight (Goldstein remix)
registrazione di:
Tonight Tonight
autore:
E. Kidd Bogart, Ryan Follese, Emanuel Kiriakou, Nash Overstreet e Lindy Robbins (American songwriter)
Hot Chelle Rae3:30
16Happiness (Dave Audé mix)
registrazione di:
Happiness
autore:
Mikkel Storleer Eriksen, Tor Erik Hermansen, Autumn Rowe e Joel Zimmerman (performs as deadmau5)
revisione di:
Brazil
Alexis Jordan3:26
3▼CD
#TitoloArtistaValutazioneDurata
1Sirius
tecnico di registrazione aggiunto e produttore aggiunto:
Chris Blair (senior mastering engineer at Abbey Road Studios, London, UK)
assistente tecnico:
Tony Richards (recording engineer)
tecnico e produttore:
Alan Parsons (of The Alan Parsons Project)
produttore esecutivo:
Eric Woolfson
batteria e percussione :
Stuart Elliott (session drummer, member of Cockney Rebel)
chitarra acustica e chitarra elettrica :
Ian Bairnson
chitarra basso :
David Paton (of Pilot)
sassofono :
Mel Collins
sintetizzatore :
Alan Parsons (of The Alan Parsons Project)
tastiera :
Alan Parsons (of The Alan Parsons Project) e Eric Woolfson
tastiera aggiunto:
Haydn Bendall (producer and engineer)
direttore d'orchestra:
Andrew Powell (known for contributions to Alan Parsons Project)
maestro del coro:
Bob Howes (percussionist)
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1982, nel 2007)
registrazione di:
Sirius
orchestratore:
Andrew Powell (known for contributions to Alan Parsons Project)
compositore:
Alan Parsons (of The Alan Parsons Project) e Eric Woolfson
The Alan Parsons Project4.251:58
2Poison
tecnico di registrazione:
Sir Arthur Payson (dal 1988 al 1989)
programmazione degli strumenti:
Steve Deutsch
assistente tecnico:
George Cowan (US engineer), Ben Fowler, Lolly Grodner, Robert Hart (engineer), John Herman (engineer), Don Peterkofsky, Duane Seykora, Brian Sterber e Mark Tanzer
produttore:
Desmond Child
tecnico di missaggio:
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson) e Steve Thompson (producer)
altri strumenti [special effects] aggiunto:
Gregg Mangiafico (dal 1988 al 1989)
batteria :
Bobby Chouinard (dal 1988 al 1989)
chitarra :
John McCurry (dal 1988 al 1989)
chitarra basso :
Hugh McDonald (bassist) (dal 1988 al 1989)
tastiera :
Alan St. John (dal 1988 al 1989)
tastiera aggiunto:
Paul Chiten (songwriter and producer) (dal 1988 al 1989) e Gregg Mangiafico (dal 1988 al 1989)
voce di accompagnamento:
Alan St. John (dal 1988 al 1989), Michael Anthony (US bassist, formerly of Van Halen) (dal 1988 al 1989), Desmond Child (dal 1988 al 1989), Diana Grasselli (dal 1988 al 1989), Jango (backing vocalist on “Trash” by Alice Cooper) (dal 1988 al 1989), Louie Merlino (dal 1988 al 1989), Hugh McDonald (bassist) (dal 1988 al 1989), Jamie Sever (dal 1988 al 1989), Bernie Shanahan (dal 1988 al 1989), Stiv Bator (dal 1988 al 1989), Tom Teeley (dal 1988 al 1989), Joe Turano (singer, multi-instrumentalist, composer/arranger, jazz) (dal 1988 al 1989), Myriam Valle (dal 1988 al 1989) e Maria Vidal (American singer-songwriter) (dal 1988 al 1989)
voce principale:
Alice Cooper (the singer, active as a solo artist 1975–present) (dal 1988 al 1989)
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1989), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1989), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1989), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1989) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1989)
registrata presso:
Bearsville Studios in Bearsville, New York, Stati Uniti (dal 1988 al 1989), Blue Jay Recording Studios in Carlisle, Massachusetts, Stati Uniti (dal 1988 al 1989), Grog Kill Studio in Woodstock, New York, Stati Uniti (dal 1988 al 1989), Mediasound Studios in New York, New York, Stati Uniti (dal 1988 al 1989), Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti (dal 1988 al 1989), Right Track Recording in Manhattan, New York, New York, Stati Uniti (dal 1988 al 1989), Sigma Sound Studios (New York) in New York, New York, Stati Uniti (dal 1988 al 1989), The Complex Studios in Los Angeles, California, Stati Uniti (dal 1988 al 1989), The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Stati Uniti (dal 1988 al 1989) e The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, Stati Uniti (dal 1988 al 1989)
registrazione di:
Poison (dal 1988 al 1989)
autore:
Desmond Child, Alice Cooper (the singer, active as a solo artist 1975–present) e John McCurry
editore:
Desmobile Inc., Desmobile Music Co., Inc. (publisher), EMI April Music Inc., EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Songs Ltd., Ezra Music, Kat and Mouse Music (, dal 1989 a oggi), MCA Music Ltd., Primary Wave Music Publishing, SBK April Music Inc. (, dal 1989 al ????), SBK Songs Ltd., Songs of Universal, Inc. (BMI), Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Music Publishing Scandinavia, Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Group, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing Pty Ltd, Universal/MCA Music Publishing Scandinavia AB (Universal MCA Music Scandinavia AB), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Ezra Music Corp. (dal 1989 a oggi)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper4.44:30
3More Than a Feeling
produttore:
John Boylan e Tom Scholz
basso , chitarra acustica e chitarra elettrica :
Tom Scholz (dal 1975-10 al 1976-04)
batteria :
Sib Hashian (dal 1975-10 al 1976-04)
voce:
Brad Delp (dal 1975-10 al 1976-04)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1976), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1976), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1976) e Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 2002)
registrazione di:
More Than a Feeling (dal 1975-10 al 1976-04)
paroliere e compositore:
Tom Scholz
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) e Pure Songs (nel 1976)
Boston4.83:28
4Surrender
assistente tecnico:
Mike Beiriger
tecnico:
Gary Ladinsky (engineer)
produttore:
Tom Werman
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1978) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1978)
mixata presso:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Stati Uniti
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 356) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 465)
registrazione di:
Surrender (dal 1978-04-30 al 1978-05-03)
paroliere e compositore:
Rick Nielsen
editore:
Adult Music (nel 1978) e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (nel 1978)
sub-editore:
イーエムアイ音楽出版 C・F事業部 (EMI Music Publishing Japan C.F. division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Cheap Trick3.854:12
5Carry on Wayward Son
produttore:
Jeff Glixman
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1976) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1976)
registrazione di:
Carry On Wayward Son
paroliere e compositore:
Kerry Livgren
editore:
Kirshner CBS Music Publishing, Kirshner-Warner Bros Music Ltd., Don Kirshner Music Inc. (dal 1976 a oggi) e EMI Blackwood Music Inc. (dal 1976 a oggi)
sub-editore:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Kansas43:27
6Frankenstein
produttore:
Rick Derringer
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1972) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1972)
edit di:
Frankenstein di The Edgar Winter Group
registrazione di:
Frankenstein
compositore:
Edgar Winter
editore:
Longitude Music (conclusa), EMI Longitude Music, EMI Music Publishing Ltd. (PRS‐affiliated), EMI Virgin Songs, Inc., Hierophant Music, Longitude Music Co., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
The Edgar Winter Group3:27
7(Don’t Fear) The Reaper
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1976), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1976) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1976, nel 1978)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 397) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 449)
registrazione di:
(Don’t Fear) The Reaper
paroliere e compositore:
Donald Roeser (singer, lead guitarist and songwriter)
editore:
Blue Oyster Cult Songs, Inc., Carlin Music Corporation, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC e Sony/ATV Tunes LLC (ASCAP) (nel 1976)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Blue Öyster Cult4.43:50
8Barracuda
produttore:
Mike Flicker
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1977)
registrazione di:
Barracuda
autore:
Michael Derosier, Roger Fisher (US rock guitarist), Ann Wilson (lead singer of Heart) e Nancy Wilson (guitarist/singer of “Heart”)
editore:
BMG Songs, Inc., IQ Music Ltd., Know Music, Of the Roses Music, Play My Music, Rosebud Music, Strange Euphoria Music, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing MGB Ltd., Universal Music–MGB Songs, Universal/MCA Music Ltd. (not for release label use!) e Wilsongs
sub-editore:
Shinko Music Entertainment Co., Ltd. e Universal Music Publishing, Synch Division
Heart3:29
9Tuff Enuff
tecnico:
Carey Taylor
produttore:
Dave Edmunds
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1986)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 96)
registrazione di:
Tuff Enuff
paroliere e compositore:
Kim Wilson
editore:
Hello Mr. Wilson
The Fabulous Thunderbirds3.53:22
10Cum on Feel the Noize
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1983)
registrazione cover di:
Cum On Feel the Noize
autore:
Noddy Holder e Jim Lea
editore:
Barn Publishing (Slade) Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Warner Chappell e Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
sub-editore:
渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
Quiet Riot3:49
11Word Up!
tecnico di registrazione:
Toby Wright (producer & engineer)
assistente tecnico:
David Colvin e Aaron Swihart
produttore:
Jonathan Davis (vocalist for Korn), Korn (US nu metal band) e Toby Wright (producer & engineer)
assistente tecnico di missaggio:
Femio Hernandez
tecnico di missaggio:
Tom Lord‐Alge
video musicali:
Word Up! (music video) di Korn (US nu metal band)
registrazione cover di:
Word Up!
autore:
Larry Blackmon e Tomi Jenkins
editore:
All Seeing Eye Music, Better Days Music e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Korn3.92:54
12Walk This Way
produttore:
Rick Rubin (US record producer, former co‐president of Columbia Records) e Russell Simmons
chitarra ospite :
Joe Perry (guitarist for Aerosmith)
voce ospite:
Steven Tyler
diritti fonografici (℗) detenuti da:
Arista Records, LLC (holding company - file NO releases here!) (nel 1986), Profile Records, Inc. (distributor / holding / manufacturer) (nel 1986) e RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1986)
edit di:
Walk This Way di Run‐D.M.C.
video musicali:
Walk This Way (music video) di Run‐D.M.C.
registrazione di:
Walk This Way
autore:
Joe Perry (guitarist for Aerosmith) e Steven Tyler
editore:
Daksel LLC, Daksel Music Corp., Music of Stage Three, Music of Stage Three Aerosmith Account, Song and Dance Music, Sony/ATV Music Publishing, Sony/ATV Music Publishing Ltd., Stage Three Music Ltd., Stage Three Music Publishing Limited e Vindaloo Productions, Inc.
registrazione cover di:
Walk This Way
autore:
Joe Perry (guitarist for Aerosmith) e Steven Tyler
editore:
Daksel LLC, Daksel Music Corp., Music of Stage Three, Music of Stage Three Aerosmith Account, Song and Dance Music, Sony/ATV Music Publishing, Sony/ATV Music Publishing Ltd., Stage Three Music Ltd., Stage Three Music Publishing Limited e Vindaloo Productions, Inc.
Run‐DMC3.73:39
13Keep the Fire Burnin’
assistente tecnico:
Bruce Barris e Tom Cummings (engineer)
tecnico:
Kevin Beamish
produttore:
Kevin Beamish, Kevin Cronin (guitarist, singer and songwriter), Alan Gratzer (drummer) e Gary Richrath (guitarist and songwriter)
batteria [drums] :
Alan (drummer)
chitarra acustica [acoustic guitars] , pianoforte e voce principale:
Kevin (guitarist, singer and songwriter)
chitarra basso :
Bruce (US bassist for REO Speedwagon)
chitarra elettrica [electric guitars] :
Gary (guitarist and songwriter)
organo :
Neal (keyboards)
percussione :
Steve Forman (US percussionist)
voce di accompagnamento:
Kevin Cronin (guitarist, singer and songwriter), Tom Kelly (songwriter) e Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
registrata presso:
Sound City Studio in Van Nuys, California, Stati Uniti
mixata presso:
Kendun Recorders in Burbank, California, Stati Uniti
registrazione di:
Keep the Fire Burnin' (nel 1982-05)
paroliere e compositore:
Kevin Cronin (guitarist, singer and songwriter)
REO Speedwagon53:56
14Hush
tecnico:
Ian Taylor (rock producer/engineer)
produttore:
Stephen Harris (mixer/producer) e Crispian Mills
registrazione cover di:
Hush (South, Royal, Deep Purple) (nel 1996)
paroliere e compositore:
Joe South (fino al 1967)
editore:
BMG Music Publishing Ltd., BMG Ufa (not for release label use! this is a music publisher), Lowery-Chappell Music e Sony/ATV Music Publishing Australia Pty Ltd.
Kula Shaker4.652:57
15Two Princes
tecnico:
Frank Aversa e Spin Doctors
produttore:
Frank Aversa, Peter Denenberg, Frankie LaRocka e Spin Doctors
tecnico di missaggio:
Peter Denenberg, Frankie LaRocka e Spin Doctors
chitarra :
Eric Schenkman
chitarra basso :
Mark White (Spin Doctors)
organo Hammond, batteria e percussione :
Aaron Comess
voce:
Chris Barron
voce di accompagnamento ospite:
John Popper
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1991), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1991), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1991) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1991)
registrazione di:
Two Princes (original version)
autore:
Chris Barron, Aaron Comess, Eric Schenkman e Mark White (Spin Doctors)
editore:
Mow B'jow Music, Sony Songs Inc. e Sony/ATV Music Publishing Ltd.
registrazione di:
Two Princes (Muppets parody)
versione parodia di:
Two Princes (original version)
Spin Doctors4.24:18
16Wake Up Boo!
tecnico:
Andy Wilkinson (UK engineer)
produttore:
The Boo Radleys
tecnico di missaggio:
Al Clay
registrazione di:
Wake Up Boo!
paroliere e compositore:
Martin Carr
The Boo Radleys33:06
17Valerie
assistente tecnico:
Tom Stanley
tecnico:
Cenzo Townshend (engineer)
produttore:
Stephen Street (famous producer, songwriter)
registrazione di:
Valerie (nel 2006)
autore:
Boyan Chowdhury, Dave McCabe (English singer, songwriter and guitarist), Abi Harding, Sean Payne (member of The Big Kids, The Isrites, The Zutons) e Russ Pritchard
editore:
EMI Music Publishing Ltd. (PRS‐affiliated)
The Zutons3.654:00
4▼CD
#TitoloArtistaValutazioneDurata
1Can I Kick It?
diritti fonografici (℗) detenuti da:
Zomba Recording Corp. (not strictly a label - avoid adding releases here) (nel 1990) e Zomba Recording LLC (nel 1990, nel 2015)
campionamenti:
Fried Okra di The Watts 103rd Street Rhythm Band, Hard Times di Baby Huey (US rock/soul singer James Ramey), Soul Concerto di The Watts 103rd Street Rhythm Band, Spinning Wheel di Dr. Lonnie Smith, Sunshower di Dr. Buzzard’s Original Savannah Band, The Way You Do The Things You Do di David Porter (US soul musician, producer & songwriter), Walk on the Wild Side di Lou Reed, What a Waste! di Ian Dury & the Blockheads e You Sexy Thing (re‐released single version, a‐side/album version) di Hot Chocolate (70s and 80s British soul band)
video musicali:
Can I Kick It? di A Tribe Called Quest
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 292)
registrazione di:
Can I Kick It?
paroliere:
Jonathan Davis (American rapper), Ali Shaheed Muhammad e Lou Reed
compositore:
Lou Reed
editore:
Metal Machine Music (US work publisher)
A Tribe Called Quest44:14
2Ain’t Got No, I Got Life (remix)
remixer:
Groovefinder
registrazione cover di:
Ain’t Got No, I Got Life
paroliere:
James Rado (US actor, playwright, director, writer & composer) e Gerome Ragni
compositore:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
editore:
EMI U Catalog (publisher; do NOT use as release label) e EMI United Partnership Ltd.
medley di:
I Got Life (from “Hair”)
medley di:
Ain’t Got No (from “Hair”)
Nina Simone vs. Groovefinder23:21
3A Little Less Conversation (JXL remix)
assistente tecnico:
Dan Milazzo e Claudius Mittendorfer (engineer, producer, mixer)
tecnico:
Ray Bardani
voce principale:
Elvis Presley (“The King of Rock and Roll”) (dal 1968-03-07 al 1968-06-23)
remixer:
Junkie XL (Dutch DJ/score composer Tom Holkenborg)
diritti fonografici (℗) detenuti da:
BMG (the former Bertelsmann Music Group, defunct since 2004-08-05; for releases dated 2008 and later, see annotation) (nel 2002) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (dal 1968-03-07 al 1968-06-23)
mixata presso:
Computer Hell Cabin in Amsterdam, Noord-Holland (North Holland), Paesi Bassi, Kingdom of the Netherlands
remix di:
A Little Less Conversation di Elvis Presley (“The King of Rock and Roll”)
registrazione cover di:
A Little Less Conversation (dal 1968-03-07 al 1968-06-23)
autore:
Mac Davis (US country singer, songwriter & actor) e Billy Strange
editore:
Carlin Music Corporation e Elvis Presley Music
registrazione di:
A Little Less Conversation
autore:
Mac Davis (US country singer, songwriter & actor) e Billy Strange
editore:
Carlin Music Corporation e Elvis Presley Music
Elvis vs. JXL3.43:33
4Stop the Rock
produttore:
Apollo 440 (electronic rock band)
basso e melodica :
Kenny Cougar
batteria :
Kodish
batteria elettronica [ddrums] :
Cliff Hewitt
piatto (giradischi) [vinyl] :
Harry K.
voce:
Mary Mary (performance name of Ian Hoxley)
esecutore:
Howard Gray (UK producer, engineer, and electronic musician), Trevor Gray (Member of Apollo 440) e Noko (Norman Fisher Jones)
diritti fonografici (℗) detenuti da:
TVT Soundtrax (nel 1998) e Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1999)
è stato produttore per:
Apollo Control
registrazione di:
Stop the Rock
autore:
Howard Gray (UK producer, engineer, and electronic musician), Trevor Gray (Member of Apollo 440), Ian Hoxley e Noko (Norman Fisher Jones)
editore:
Reverb America Music e Reverb Music Ltd.
Apollo 4403.853:34
5Freestyler
produttore:
Jaakko Salovaara
piatto (giradischi) :
DJ Gismo
registrata presso:
JS16 Studios
registrazione di:
Freestyler
paroliere:
B.O.W.
autore:
Raymond Ebanks
compositore:
Jaakko Salovaara
editore:
BMG Music Publishing Finland Oy
Bomfunk MC’s42:54
6I’m Outta Love
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 2000)
edit di:
I’m Outta Love (album version) di Anastacia (USA pop singer from Chicago, IL, best known for “I’m Outta Love”)
registrazione di:
I’m Outta Love (nel 2000)
paroliere:
Anastacia Newkirk (USA pop singer from Chicago, IL, best known for “I’m Outta Love”), Louis Biancaniello e Sam Watters
compositore:
Louis Biancaniello e Sam Watters
editore:
Breakthrough Creations, EMI April Music Inc., Poho Productions, S. M. Y. Publishing, Sony/ATV Tunes LLC (ASCAP) e Universal Music Corp. (USA, affiliated with ASCAP)
registrazione di:
I’m Outta Love
paroliere:
Anastacia Newkirk (USA pop singer from Chicago, IL, best known for “I’m Outta Love”), Louis Biancaniello e Sam Watters
compositore:
Louis Biancaniello e Sam Watters
editore:
Breakthrough Creations, EMI April Music Inc., Poho Productions, S. M. Y. Publishing, Sony/ATV Tunes LLC (ASCAP) e Universal Music Corp. (USA, affiliated with ASCAP)
Anastacia3:50
7Waiting for Tonight
programmazione aggiuntiva:
Richie Jones e “Young” Dave Scheuer
assistente tecnico:
Juan Bohorquez e Robb Williams
tecnico:
Franklyn Grant (Sound engineer and producer), “Young” Dave Scheuer e Thomas R. Yezzi
produttore:
Ric Wake
produttore aggiunto:
Richie Jones
tecnico di missaggio:
Dan Hetzel
batteria e percussione :
Richie Jones
tastiera [keyboards] :
Eric Kupper
voce di accompagnamento:
Jane Barrett, Margaret Dorn e Maria Christiansen (songwriter, singer)
remixer:
Richie Jones
arrangiatore:
Richie Jones e Ric Wake
arrangiatore aggiunto:
Richie Jones e “Young” Dave Scheuer
registrata presso:
Cove City Sound Studios in Glen Cove, New York, Stati Uniti, Sony Music Studios (NYC, closed 2007) in Hell's Kitchen, New York, New York, Stati Uniti e The Hit Factory in Manhattan, New York, New York, Stati Uniti
mixata presso:
Cove City Sound Studios in Glen Cove, New York, Stati Uniti
versioni a cappella:
Waiting for Tonight (A cappella) di Jennifer Lopez (American singer and actress aka J.Lo)
versioni strumentali:
Waiting for Tonight (Instrumental) di Jennifer Lopez (American singer and actress aka J.Lo)
registrazione di:
Waiting for Tonight
paroliere e compositore:
Maria Christensen (songwriter, singer), Michael Garvin (Nashville songwriter and producer) e Phil Temple (songwriter)
adattamenti:
Una noche más
Jennifer Lopez3.54:05
8Crying at the Discoteque
produttore:
Alexander Bard, Anders Hansson (producer / writer / performer) e Johan Strandkvist
parte di:
The Downloader’s Music Source Book (numero: 324)
registrazione di:
Crying at the Discoteque
autore:
Alexander Bard, Bernard Edwards (American bassist and record producer), Michael Goulos, Anders Hansson (producer / writer / performer), Nile Rodgers e Anders Wollbeck (pop music songwriter and producer)
si basa su:
Spacer
Alcazar43:52
9Daddy Cool
produttore:
Frank Farian
voce di accompagnamento e voce principale:
Marcia Barrett (nel 1976), Frank Farian (nel 1976) e Liz Mitchell (nel 1976)
arrangiatore:
Steven Hammer
diritti fonografici (℗) detenuti da:
Far Music Productions GmbH (nel 1976) e Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (nel 1976)
parte di:
Cachitos Nochevieja 2022 (numero: 153)
registrazione di:
Daddy Cool (nel 1976)
paroliere:
George Reyam
compositore:
Frank Farian
editore:
BMG Music, Far Musikverlag GmbH e Intro (German publisher) (nel 1976)
Boney M.4.13:32
10You Spin Me Round (Like a Record)
produttore:
Pete Waterman
esecutore:
Dead or Alive (UK new wave band) (nel 1984)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1985)
video musicali:
You Spin Me Round (Like a Record) (On 'Blue Peter') (TX 10/01/2003) di Dead or Alive (UK new wave band)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 52)
registrazione di:
You Spin Me Round (Like a Record)
autore:
Pete Burns, Steve Coy, Tim Lever e Mike Percy
editore:
Burning Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Métisse Music, Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996) e Westbury Music Ltd.
parte di:
American Psycho
Dead or Alive4.153:16
11Dr. Beat
voce principale:
Gloria Estefan
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1984) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1984)
registrazione di:
Dr. Beat
paroliere e compositore:
Enrique Garcia (Miami Sound Machine)
editore:
EMI Songs Ltd. e Foreign Imported Productions & Publishing, Inc.
Miami Sound Machine3.854:25
12Give It Up
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1982) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1982, nel 1983)
registrazione di:
Give It Up
autore:
Deborah Carter (writer, backing vocalist) e Harry Wayne Casey
editore:
EMI Songs Australia Pty. Ltd., EMI Songs Ltd. e Harrick Music, Inc. (BMI)
KC & the Sunshine Band4.254:11
13Jump (for My Love)
tecnico:
Gary Skardina
produttore:
Richard Perry (producer)
produttore associato:
Stephen Mitchell (US musician, composer, songwriter, producer et al.) e Gary Skardina
tecnico di missaggio:
Michael Brooks (mixer) e James C. Tract
diritti fonografici (℗) detenuti da:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1982)
registrazione di:
Jump (for My Love)
autore:
Stephen Mitchell (US musician, composer, songwriter, producer et al.), Marti Sharron e Gary Skardina
editore:
Anidraks Music (publisher), ATV Music, Braintree Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Sony/ATV Songs LLC
The Pointer Sisters44:01
14The Runner
voce:
Sheila Ferguson, Valerie Holiday e Helen Scott
edit di:
The Runner (Ferguson, Holiday, Scott, album version) di The Three Degrees
registrazione di:
The Runner
paroliere:
Sheila Ferguson
compositore:
Giorgio Moroder
The Three Degrees4:21
15Keep on Movin’
tecnico di registrazione:
Adrian Bushby
programmazione aggiuntiva:
Chris Laws (engineer, keyboardist & songwriter)
produttore:
Julian Gallagher (songwriter, producer) e Richard Stannard
produttore aggiunto e tecnico di missaggio aggiunto:
Steve Mac (British pop producer/songwriter Steve McCutcheon)
assistente tecnico di missaggio:
Daniel Pursey (UK engineer), Conal Markey e Alvin Sweeney
tecnico di missaggio:
Adrian Bushby, Jake Davies e Matt Howe (producer and engineer)
esecutore:
Abs (Richard Abidin Breen ex-Five), J (Five), Ritchie (British singer/songwriter, member of boy band "Five") e Scott (British singer/performer/songwriter)
diritti fonografici (℗) detenuti da:
BMG UK & Ireland Ltd. (holding company, do not add releases here) (nel 1999)
è stato produttore per:
Biffco Productions
registrata presso:
Windmill Lane Studio (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Irlanda
mixata in aggiunta presso:
Rokstone Studios in Parsons Green, Hammersmith and Fulham, London (Greater London), England, Regno Unito
prodotta in aggiunta presso:
Rokstone Studios in Parsons Green, Hammersmith and Fulham, London (Greater London), England, Regno Unito
registrazione di:
Keep On Movin’
autore:
Richard Breen, Jason Paul Brown (Five), Sean Conlon, Julian Gallagher (songwriter, producer) e Richard Stannard
editore:
EMI Music Publishing Limited (PRS‐affiliated), Sony/ATV Music Publishing Ltd e Universal Music Publishing Limited (UK subsidiary of Universal Music Publishing Group)
Five53:19
16Living in America
assistente tecnico:
Jeff Lord‐Alge
tecnico:
Chris Lord‐Alge
produttore:
Dan Hartman
chitarra :
Dan Hartman e Stevie Ray Vaughan
chitarra basso :
T.M. Stevens (US bass player Thomas Michael Stevens)
corno :
Crispin Cioe, Bob Funk (trombonist, trumpet player), Arno Hecht (American saxophonist), Hollywood Paul Litteral e The Uptown Horns (US horn section, formed in 1980)
membranofono :
Ray Marchica
tastiera :
Dan Hartman
voce di accompagnamento:
Dan Hartman e T.M. Stevens (US bass player Thomas Michael Stevens)
voce principale:
James Brown (The Godfather of Soul)
registrazione di:
Living in America
autore:
Dan Hartman e Charlie Midnight
editore:
April Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Janiceps Music, Second Nature Music, Inc., UA Music Inc. e United Lion Music Inc.
James Brown3.354:44
17Nothing’s Gonna Stop Us Now
esecutore:
Starship (continuation of Jefferson Starship) (nel 1987)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1985, nel 1987), BMG Entertainment (nel 1987) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1987)
registrazione di:
Nothing’s Gonna Stop Us Now (nel 1987)
autore:
Albert Hammond e Diane Warren (US songwriter)
arrangiatore:
Narada Michael Walden
editore:
BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), WB Music Corp. (1929–2019) e Windswept Pacific Music Ltd. (publishing company)
parte di:
The 60th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1987 nominee)
registrazione cover di:
Nothing’s Gonna Stop Us Now
autore:
Albert Hammond e Diane Warren (US songwriter)
arrangiatore:
Narada Michael Walden
editore:
BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), WB Music Corp. (1929–2019) e Windswept Pacific Music Ltd. (publishing company)
parte di:
The 60th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1987 nominee)
Starship3.754:31

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parte di:Pure… (ordine: 41)