Classical Chillout

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 6 vorhanden)

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Adagio for Strings
Orchester:
The Philadelphia Orchestra (in 1957, in 1985)
conductor:
Eugene Ormandy (conductor) (in 1957, in 1985)
recording of:
Adagio for Strings (in 1957)
Orchestrator(in):
Samuel Barber (American composer) (in 1938)
Komponist(in):
Samuel Barber (American composer) (in 1936)
uraufgeführt von:
NBC Symphony Orchestra (am 1938-11-05) und Arturo Toscanini (conductor) (am 1938-11-05)
Premiere bei:
[radio broadcast] (1938-11-05)
publisher:
Chappell (Warner/Chappell Music, Inc.) und G. Schirmer Inc.
Arrangement von:
String Quartet, op. 11: II. Molto adagio
teilweise recording of:
Adagio for Strings
Orchestrator(in):
Samuel Barber (American composer) (in 1938)
Komponist(in):
Samuel Barber (American composer) (in 1936)
uraufgeführt von:
NBC Symphony Orchestra (am 1938-11-05) und Arturo Toscanini (conductor) (am 1938-11-05)
Premiere bei:
[radio broadcast] (1938-11-05)
publisher:
Chappell (Warner/Chappell Music, Inc.) und G. Schirmer Inc.
Arrangement von:
String Quartet, op. 11: II. Molto adagio
Samuel Barber36:24
2Gymnopedie No. 1
Klavier:
Angela Brownridge (pianist) (in 1985)
Erik Satie3:16
3Agnus Dei
assistierende(r) Techniker(in):
Mat Bartram, Jake Jackson (recording engineer) und Richard Lancaster
Techniker(in):
Dick Lewzey
Produzent(in):
Karl Jenkins (Welsh composer, conductor and instrumentalist)
Trompete:
Paul Beniston (trumpet player) (am 2000-07-24)
Chorgesang:
National Youth Choir of Great Britain (am 2000-08-11)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (am 2000-07-24)
conductor:
Karl Jenkins (Welsh composer, conductor and instrumentalist) (am 2000-07-24) und Mike Brewer OBE (conductor) (am 2000-08-11)
chorus master:
Michael C. Brewer (conductor) (in 2000)
concertmaster:
Duncan Riddell (violinist)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
mixed at:
Angel Studios in Islington, London (Greater London), England, Vereinigtes Königreich
recording of:
The Armed Man: A Mass for Peace: Agnus Dei (von 2000-07-24 bis 2000-08-11)
Komponist(in):
Karl Jenkins (Welsh composer, conductor and instrumentalist)
Teil von:
The Armed Man: A Mass for Peace (the complete work)
Karl Jenkins33:39
4Sarabande
Orchester:
Academy of St Martin-in-the-Fields (Academy of St Martin in the Fields) (in 2002)
conductor:
Alex Briger (Australian conductor) (in 2002)
Interpret(in):
Alexander Briger (Australian conductor)
arranger:
Simon Hale
recording of:
Suite de pièce in D minor, Vol. 2 no. 4, HWV 437: IV. Sarabande (catch-all for arrangements)
Komponist(in):
George Frideric Handel (German‐British baroque composer)
Arrangement von:
Suite de pièce in D minor, Vol. 2 no. 4, HWV 437: IV. Sarabande
Georg Friedrich Händel3:26
5O mio babbino caro
Techniker(in):
Simon Rhodes (senior recording engineer at Abbey Road Studios) (von 1997-08-12 bis 1997-08-15)
Produzent(in):
David Groves (classical music producer at EMI)
Editing:
Caroline Haigh, Simon Kiln und Jørn Pedersen
Soprangesang:
Angela Gheorghiu (Romanian soprano) (in 1999)
Soprangesang [Lauretta]:
Angela Gheorghiu (Romanian soprano) (von 1997-08-12 bis 1997-08-15)
vocals:
Angela Gheorghiu (Romanian soprano)
Orchester:
London Symphony Orchestra (von 1997-08-12 bis 1997-08-15, in 1999)
conductor:
Antonio Pappano (conductor and pianist) (von 1997-08-12 bis 1997-08-15, in 1999)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1999) und Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1999)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (von 1997-08-12 bis 1997-08-15)
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta) (von 1997-08-12 bis 1997-08-15)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. und G. Ricordi & Co. (London) Ltd. (UK division)
Teil von:
Gianni Schicchi
Giacomo Puccini2:08
6Concerto for Violin & Oboe in D Minor
Geige / Violine:
Yehudi Menuhin (violinist)
Oboe:
Léon Goossens (oboist)
Orchester:
Bath Festival Orchestra
conductor:
Léon Goossens (oboist)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1962)
recording of:
Concerto for Violin & Oboe in C minor, BWV 1060R: II. Adagio (reconstructed arrangement for violin & oboe of BWV 1060)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Concerto in C minor for Two Harpsichords, BWV 1060: II. Largo ovvero Adagio
basiert auf:
Concerto Pour Deux Clavecins, BWV 1060: II. Adagio (Arr. Pour Flutes) (Recorder consort arrangements)
Teil von:
Concerto for Violin & Oboe in C minor, BWV 1060R (reconstructed arrangement of the concerto for harpsichord and strings)
Johann Sebastian Bach5:57
7Cinema Paradiso Love Theme
Klavier:
Myleene Klass (in 2007)
Orchester:
Royal Philharmonic Orchestra (in 2007)
conductor:
Chris Elliott (composer and arranger) (in 2007)
arranger:
Chris Elliott (composer and arranger)
recording of:
Nuovo cinema Paradiso: Tema d’amore
Komponist(in):
Andrea Morricone (composer) und Ennio Morricone (Italian classical and score composer)
Teil von:
Nuovo Cinema Paradiso (soundtrack)
Ennio Morricone3:19
8Spiegel im Spiegel
Geige / Violine:
Tasmin Little (violinist) (in 1994)
Klavier:
Martin Roscoe (English classical pianist) (in 1994)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1994)
teilweise recording of:
Spiegel im Spiegel (for violin and piano)
Komponist(in):
Arvo Pärt (Estonian composer) (in 1978)
Teil von:
Classic 100: Piano (2025) (Nummer: 12)
recording of:
Spiegel im Spiegel (for violin and piano)
Komponist(in):
Arvo Pärt (Estonian composer) (in 1978)
Teil von:
Classic 100: Piano (2025) (Nummer: 12)
Arvo Pärt4:04
9Flower Duet
Mezzosoprangesang:
Danielle Millet (mezzo-soprano) (von 1970-09-17 bis 1970-12-21)
Soprangesang:
Mady Mesplé (soprano) (von 1970-09-17 bis 1970-12-21)
Orchester:
Orchestre du Théâtre National de l’Opéra‐Comique (von 1970-09-17 bis 1970-12-21)
conductor:
Alain Lombard (conductor) (von 1970-09-17 bis 1970-12-21)
phonographisches Urheberrecht (℗) von:
EMI France (in 1971)
Bearbeitung von:
Lakmé : Acte I. Duettino « Viens, Mallika… » (Lakmé, Mallika) von Mady Mesplé (soprano), Danielle Millet (mezzo-soprano), Orchestre du Théâtre National de l’Opéra‐Comique, Alain Lombard (conductor)
teilweise recording of:
Lakmé : Acte I. No. 2 Duetto « Viens, Mallika, les lianes en fleurs » … « Dôme épais le jasmin » (Lakmé, Mallika) (von 1970-09-17 bis 1970-12-21)
Komponist(in):
Léo Delibes (French composer)
Librettist:
Philippe Gille und Edmond Gondinet
publisher:
Jenkinsongs Ltd.
Teil von:
Lakmé : Acte I
Léo Delibes3:31
10The Heart Asks Pleasure First/The Promise
Produzent(in):
Michael Nyman (composer) (in 1993)
Klavier:
Michael Nyman (composer) (in 1993)
recording of:
The Heart Asks Pleasure First (The Piano)
Komponist(in):
Michael Nyman (composer)
publisher:
Chester Music Ltd., G. Schirmer Inc., J&W Chester/Ed Wilhelm, Michael Nyman Ltd. (independent UK record, publishing and holding company) und Virgin (worldwide imprint of Virgin Records Ltd. and all its subsidiaries)
Teil von:
The Piano (1993 film score)
recording of:
The Promise (The Piano)
Komponist(in):
Michael Nyman (composer)
publisher:
J&W Chester/Ed Wilhelm
Teil von:
The Piano (1993 film score)
Michael Nyman3:13
11Sanctus
Chorgesang:
Libera (in 2006)
Diskantstimme:
Ed Day (vocalist) (in 2006)
conductor:
Robert Prizeman (in 2006)
Robert Prizeman3:09
12Goldberg Variations
recording engineer:
Daniel Michel (recording engineer)
Produzent(in):
Alain Lanceron
Klavier:
Maria Tipo (pianist) (von 1986-06-26 bis 1986-06-28)
aufgenommen bei:
Salle Wagram in Paris, Île-de-France, Frankreich (von 1986-06-26 bis 1986-06-28)
recording of:
Goldberg-Variationen, BWV 988: Aria (opening) (von 1986-06-26 bis 1986-06-28)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Notebook for Anna Magdalena Bach (Notenbüchlein für Anna Magdalena Bach, 1725) (Nummer: 26)
Teil von:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
Johann Sebastian Bach3:05
13En Aranjuez con tu amor
Gitarre:
John Parricelli (in 2007)
Countertenorgesang:
Fernando Lima (Argentine/Spanish countertenor vocalist) (in 2007)
recording of:
En Aranjuez con tu amor (spanish lyrics)
Texter:
Alfredo García Segura
Komponist(in):
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1968)
basiert auf:
Concierto de Aranjuez: II. Adagio
Joaquín Rodrigo5:25
14Schindler's List Theme
Geige / Violine:
Tasmin Little (violinist) (in 1994)
Orchester:
New World Philharmonic (in 1994)
conductor:
Iain Sutherland (British conductor) (in 1994)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1994)
recording of:
Main Theme (Schindler’s List) (in 1994)
Komponist(in):
John Williams (American score composer and conductor) (in 1993)
publisher:
Chester Music Ltd., MCA Music Ltd. und Universal/MCA Music (music publisher; do not use as release label!)
Teil von:
Schindler's List
Teil von:
Three Pieces from Schindler’s List
John Williams5:05
15Clair De Lune
Klavier:
Dame Moura Lympany (British pianist) (in 1988)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano)
Komponist(in):
Claude Debussy (French composer) (von 1890 bis 1905)
Teil von:
Classic 100: Piano (2004) (Nummer: 3)
enthalten in:
Granblue Fantasy (video game soundtrack)
Teil von:
Suite bergamasque, L. 75, CD 82 (for piano)
Claude Debussy4:59
16Vision
Keyboard:
Richard Souther (in 1994)
Soprangesang:
Emily Van Evera (soprano) (in 1994)
arranger:
Richard Souther (in 1994)
Hildegard von Bingen3:39
17Adiemus
assistierende(r) Techniker(in) und assistierende(r) Mix:
Kirsten Cowie
Techniker(in) und Mix:
Steve Price (UK recording engineer/producer/orchestrator/arranger)
zusätzliche(r) Techniker(in):
Gary Thomas (engineer)
Soprangesang:
Miriam Stockley (in 1995)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1995)
conductor:
Karl Jenkins (Welsh composer, conductor and instrumentalist) (in 1995)
Perkussion arranger:
Mike Ratledge
Orchestrator(in):
Karl Jenkins (Welsh composer, conductor and instrumentalist)
phonographisches Urheberrecht (℗) von:
Jenkins Ratledge Ltd. (in 1995)
aufgenommen bei und mixed at:
Angel Recording Studios in Islington, London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Adiemus von Adiemus (Group founded by Karl Jenkins)
recording of:
Adiemus
Texter:
Karl Jenkins (Welsh composer, conductor and instrumentalist)
Komponist(in):
Karl Jenkins (Welsh composer, conductor and instrumentalist) und Mike Ratledge
publisher:
FB Media in GSA
Teil von:
Adiemus I: Songs of Sanctuary
Karl Jenkins3.253:57
18In trutina
Produzent(in):
John Fraser (UK producer)
Soprangesang:
Kate Royal (soprano) (in 2007)
Orchester:
Academy of St Martin in the Fields (in 2007)
conductor:
Edward Gardner (conductor) (in 2007)
Tonmeister(in):
Arne Akselberg
recording of:
Carmina Burana: III. Cour d’amours: XXI. In trutina mentis dubia (in 2007)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Teil von:
Carmina Burana: III. Cour d’amours (Carmina Burana: Cour d’Amours)
Carl Orff2:32
19Miserere mei, Deus
Baritongesang, bass-baritone vocals [cantor], Bass-Gesang [Cantor] und sonstiger Gesang [cantor]:
Gerald Finley (bass-baritone)
Chorgesang:
Choir of King’s College, Cambridge (in 1984)
Diskantstimme:
Timothy Beasley-Murray (treble vocalist) (in 1984)
vocals:
Gerald Finley (bass-baritone) (in 1984)
conductor:
Stephen Cleobury (organist, conductor)
chorus master:
Stephen Cleobury (organist, conductor) (in 1984)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
teilweise recording of:
Miserere mei, Deus
Komponist(in):
Gregorio Allegri (composer)
Teil von:
ABC Classic 100 (2001) (Nummer: 9)
quotes lyrics from:
Miserere mei (words from Psalm 51)
Gregorio Allegri5:45
2▼CD
Nr.TitelKünstlerBewertungLänge
1Any Other Name
Produzent(in):
Nikolaj Bloch (in 2001)
Interpret(in):
Sally Herbert (violinist, composer, and conductor) (in 2001)
Thomas Newman4:09
2Perpetuum Mobile
Orchester:
Penguin Cafe Orchestra (in 1996)
conductor:
Simon Jeffes (in 1996)
Simon Jeffes4:33
3And The Mother Did Weep
Techniker(in):
Rupert Christie, Mikko Oinonen und Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistierende(r) Produzent(in):
Rupert Christie
Chorgesang:
Royal Liverpool Philharmonic Choir (in 2008)
Solo Mezzosoprangesang:
Jurgita Adamonyte (Lithuanian mezzo-soprano)
vocals:
Belinda Sykes
Orchester:
Royal Liverpool Philharmonic Orchestra (von 2007-10 bis 2007-11, in 2008)
conductor:
Karl Jenkins (Welsh composer, conductor and instrumentalist) (von 2007-10 bis 2007-11, in 2008) und Pasi Hyökki (in 2008)
chorus master:
Ian Tracey (organist and choir master) (in 2008)
Interpret(in):
EMO Ensemble (Mixed choir from Finland) (in 2008)
Tonmeister(in):
Jody Jenkins (production music) (Perkussion)
recording of:
And The Mother Did Weep (von 2007-10 bis 2007-11)
Komponist(in):
Karl Jenkins (Welsh composer, conductor and instrumentalist)
Teil von:
Stabat Mater
Karl Jenkins5:53
4Symphony No.3 'Symphony of Sorrowful Songs'
Soprangesang:
Zofia Kilanowicz (Polish soprano) (in 1993)
Orchester:
Kraków Symphony Orchestra (in 1993)
conductor:
Jacek Kaspszyk (Polish conductor) (in 1993)
aufgenommen bei:
Wratislava Cantans (1993) (28th International Oratorio-Cantata Festival)
phonographisches Urheberrecht (℗) von:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1995)
live teilweise recording of:
Symphony no. 3, op. 36 "Symphony of Sorrowful Songs": II. Lento e largo: Tranquillissimo - Cantabilissimo - Dolcissimo - Legatissimo (in 1993)
Texter:
Helena Wanda Błażusiakówna
Komponist(in):
Henryk Mikołaj Górecki (Henryk Mikolaj Gorecki, Polish composer) (in 1976)
Teil von:
Symphony no. 3, op. 36 "Symphony of Sorrowful Songs"
Henryk Mikołaj Górecki4:33
5The Lark Ascending
Geige / Violine:
Hugh Bean (violinist)
Orchester:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir Adrian Boult (conductor)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
teilweise recording of:
The Lark Ascending (for violin and orchestra)
Komponist(in):
Ralph Vaughan Williams (English composer) (in 1914)
Premiere bei:
[concert] (1921-06-14)
Premiere bei:
Queen’s Hall in London (Greater London), England, Vereinigtes Königreich (am 1921-06-14)
Arrangement von:
The Lark Ascending (for violin and piano)
Ralph Vaughan Williams6:25
6Gnossienne No.1
Klavier:
Anne Queffélec (pianist) (in 1988)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988) und Virgin Classics (absorbed into Erato since 2013-07-19) (in 1988)
recording of:
Gnossienne no. 1
Komponist(in):
Erik Satie (French composer) (in 1890)
Teil von:
Trois Gnossiennes
Erik Satie3:27
7Nagoya Marimbas
Marimba:
Sam Walton (percussionist) und Colin Currie (percussionist) (in 1998)
recording of:
Nagoya Marimbas
Komponist(in):
Steve Reich (American composer) (in 1994)
Steve Reich4:55
8Violin Concerto No. 1 in G minor, Op. 26
Geige / Violine:
Yehudi Menuhin (violinist)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Walter Süsskind (conductor)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1959)
teilweise recording of:
Violin Concerto no. 1 in G minor, op. 26: II. Adagio (Konzert für Violine und Orchester Nr. 1 g-Moll, Op. 26: II. Adagio)
Komponist(in):
Max Bruch (composer and conductor) (von 1866 bis 1867)
Teil von:
Violin Concerto no. 1 in G minor, op. 26
recording of:
Violin Concerto no. 1 in G minor, op. 26: II. Adagio (Konzert für Violine und Orchester Nr. 1 g-Moll, Op. 26: II. Adagio)
Komponist(in):
Max Bruch (composer and conductor) (von 1866 bis 1867)
Teil von:
Violin Concerto no. 1 in G minor, op. 26
Max Bruch4:24
9Fantasia on a Theme by Thomas Tallis
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Adrian Boult (conductor)
teilweise recording of:
Fantasia on a Theme by Thomas Tallis
Komponist(in):
Ralph Vaughan Williams (English composer) (in 1910)
basiert auf:
Nine Psalm Tunes for Archbishop Parker’s Psalter: No. 3 “Why Fum’th in Fight” (Psalm 2)
Ralph Vaughan Williams6:13
10The Lamb
Produzent(in):
John West (classical engineer/producer)
Chorgesang:
Vasari Singers (UK chamber choir) (von 1995-02-03 bis 1995-02-05)
conductor:
Jeremy Backhouse (choral conductor) (von 1995-02-03 bis 1995-02-05)
chorus master:
Jeremy Backhouse (choral conductor)
Tonmeister(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (von 1995-02-03 bis 1995-02-05)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1996)
aufgenommen bei:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, Vereinigtes Königreich (von 1995-02-03 bis 1995-02-05)
recording of:
The Lamb (von 1995-02-03 bis 1995-02-05)
Texter:
William Blake (English poet, painter, and printmaker) (in 1789)
Komponist(in):
John Tavener (20th century composer) (in 1982)
publisher:
Chester Music Ltd., Edition Wilhelm Hansen London Ltd. und J. & W. Chester, Ltd.
John Taverner3:15
11Gabriel's Oboe
Orchester:
The Ennio Morricone Orchestra (Italian symphonic orchestra)
conductor:
Ennio Morricone (Italian classical and score composer)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1987)
recording of:
Gabriel’s Oboe (The Mission, main theme)
publisher:
Ennio Morricone (Italian classical and score composer)
Orchestrator(in) und Komponist(in):
Ennio Morricone (Italian classical and score composer)
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!) und Virgin Music (Publishers) Ltd.
Teil von:
The Mission
Ennio Morricone2:15
12Weather Storm
Keyboard und Klavier:
Craig Armstrong (Scottish score composer) (in 1997)
Orchester:
The London Session Orchestra (in 1997)
conductor:
Craig Armstrong (Scottish score composer) (in 1997)
Keyboard und Klavier arranger:
Craig Armstrong (Scottish score composer) (in 1997)
Craig Armstrong6:06
13Chi Mai
Orchester:
The Ennio Morricone Orchestra (Italian symphonic orchestra) (in 1987)
conductor:
Ennio Morricone (Italian classical and score composer) (in 1987)
Ennio Morricone5:09
14In Paradisum
Produzent(in):
David Groves (classical music producer at EMI)
Geige / Violine:
José‐Luis García (violinist & conductor) (von 1988-12-16 bis 1988-12-19)
Orgel:
Peter Barley (von 1988-12-16 bis 1988-12-19)
Chorgesang:
Choir of King’s College, Cambridge (von 1988-12-16 bis 1988-12-19)
Orchester:
English Chamber Orchestra (von 1988-12-16 bis 1988-12-19)
conductor:
Stephen Cleobury (organist, conductor) (von 1988-12-16 bis 1988-12-19)
Tonmeister(in):
Neville Boyling (engineer) (von 1988-12-16 bis 1988-12-19) und David Flower (engineer) (von 1988-12-16 bis 1988-12-19)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1989)
aufgenommen bei:
Chapel of King’s College, Cambridge in Cambridge, Cambridgeshire, England, Vereinigtes Königreich (von 1988-12-16 bis 1988-12-19)
recording of:
Requiem, op. 48: VII. In Paradisum (1890, second version) (von 1988-12-16 bis 1988-12-19)
Komponist(in):
Gabriel Fauré (French composer) (von 1886 bis 1900)
publisher:
Éditions Durand (1947–present)
enthalten in:
28 Days Later
Teil von:
Requiem, op. 48 (1890, second version)
Gabriel Fauré3:28
15Ebben? ne andrò lontana
recorded in:
London (Greater London), England, Vereinigtes Königreich (in 1954)
Produzent(in):
Walter Legge (British classical producer)
Soprangesang:
Maria Callas (soprano) (von 1954-09-17 bis 1954-09-18, von 1954-09-20 bis 1954-09-21)
Soprangesang [Wally]:
Maria Callas (soprano) (in 1954)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954, von 1954-09-17 bis 1954-09-18, von 1954-09-20 bis 1954-09-21)
conductor:
Tullio Serafin (conductor) (in 1954, von 1954-09-17 bis 1954-09-18, von 1954-09-20 bis 1954-09-21)
Tonmeister(in):
Robert Beckett (classical recording engineer, EMI mainly)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
aufgenommen bei:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, Vereinigtes Königreich (von 1954-09-17 bis 1954-09-18, von 1954-09-20 bis 1954-09-21)
recording of:
La Wally: Atto I. “Ebben? Ne andrò lontana” (Wally) (von 1954-09-17 bis 1954-09-18)
Komponist(in):
Alfredo Catalani (composer)
Librettist:
Luigi Illica (in 1892)
publisher:
Lam Larghetto Music (vom 1993 bis heute)
Teil von:
La Wally: Atto I
recording of:
La Wally: Atto I. “Ebben? Ne andrò lontana” (Wally) (von 1954-09-20 bis 1954-09-21)
Komponist(in):
Alfredo Catalani (composer)
Librettist:
Luigi Illica (in 1892)
publisher:
Lam Larghetto Music (vom 1993 bis heute)
Teil von:
La Wally: Atto I
recording of:
La Wally: Atto I. “Ebben? Ne andrò lontana” (Wally) (in 1954)
Komponist(in):
Alfredo Catalani (composer)
Librettist:
Luigi Illica (in 1892)
publisher:
Lam Larghetto Music (vom 1993 bis heute)
Teil von:
La Wally: Atto I
recording of:
La Wally: Atto I. “Ebben? Ne andrò lontana” (for cello and orchestra, arr. Cosma)
Komponist(in):
Alfredo Catalani (composer)
arranger:
Vladimir Cosma (French-Romanian composer, conductor and violinist)
Arrangement von:
La Wally: Atto I. “Ebben? Ne andrò lontana” (Wally)
Alfredo Catalani4:51
16Winter
Produzent(in):
David Groves (classical music producer at EMI)
Cello:
Antonio Bocaterra (cellist) (von 1993-12-14 bis 1993-12-18)
Cembalo:
Robert Kettelson (pianist) (von 1993-12-14 bis 1993-12-18)
Geige / Violine und Solo-Geige / Violine:
Giulio Franzetti (violinist) (von 1993-12-14 bis 1993-12-18)
Orchester:
I Solisti dell’Orchestra Filarmonica della Scala (von 1993-12-14 bis 1993-12-18) und Soloists of the Philharmonic Orchestra of La Scala (von 1993-12-14 bis 1993-12-18)
conductor:
Riccardo Muti (conductor) (von 1993-12-14 bis 1993-12-18)
Tonmeister(in):
Michael Sheady (engineer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1994)
aufgenommen bei:
Chiesa di San Marco in Milano (Milan), Milano, Lombardia, Italien (von 1993-12-14 bis 1993-12-18)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo (von 1993-12-14 bis 1993-12-18)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi2:35
17Piano Concerto No.5
Produzent(in):
John Fraser (UK producer)
Klavier:
Andrei Gavrilov (Andrei Gawrilow, pianist) (in 1986-04)
Orchester:
Academy of St Martin in the Fields (in 1986-04)
conductor:
Sir Neville Marriner (conductor) (in 1986-04)
Tonmeister(in):
Mark Vigars (engineer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1986-04)
recording of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: II. Largo (in 1986-04)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056
Johann Sebastian Bach3:27
18Ave Verum Corpus
Produzent(in):
James Mallinson (producer)
Chorgesang:
Stockholmer Kammerchor (Stockholm Chamber Choir) (von 1987-02-14 bis 1987-02-15) und Swedish Radio Choir (Swedischer Rundfunkchor) (von 1987-02-14 bis 1987-02-15)
Orchester:
Berliner Philharmoniker (von 1987-02-14 bis 1987-02-15)
conductor:
Riccardo Muti (conductor) (von 1987-02-14 bis 1987-02-15)
chorus master:
Eric Ericson (von 1987-02-14 bis 1987-02-15)
Tonmeister(in):
John Kurlander (engineer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
aufgenommen bei:
Berliner Philharmonie in Mitte, Berlin, Deutschland (von 1987-02-14 bis 1987-02-15)
recording of:
Ave verum corpus, K. 618 (for chorus, string and organ) (von 1987-02-14 bis 1987-02-15)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (bis 1791-06-18)
Teil von:
Köchelverzeichnis (first edition, 1862, K¹) (Nummer: K. 618), Köchelverzeichnis (Köchel catalogue, third edition, 1937, K³) (Nummer: K. 618), Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (Nummer: K. 618), Köchelverzeichnis (original numbering) (Nummer: 618) und Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (Nummer: K. 618)
Wolfgang Amadeus Mozart3:24

Nennungen

Veröffentlichung

ASIN:UK: B0024RICY8 [Info]

Veröffentlichungsgruppe

Teil von:Classical Chillout (Nummer: 1) (Reihenfolge: 1)
Discogs:https://www.discogs.com/master/297545 [Info]