Classical Chillout

~ Release by Various Artists (see all versions of this release, 6 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Adagio for Strings
orchestra:
The Philadelphia Orchestra (in 1957, in 1985)
conductor:
Eugene Ormandy (conductor) (in 1957, in 1985)
recording of:
Adagio for Strings (in 1957)
orchestrator:
Samuel Barber (American composer) (in 1938)
composer:
Samuel Barber (American composer) (in 1936)
premiered by:
NBC Symphony Orchestra (on 1938-11-05) and Arturo Toscanini (conductor) (on 1938-11-05)
premiered at:
[radio broadcast] (1938-11-05)
publisher:
Chappell (Warner/Chappell Music, Inc.) and G. Schirmer Inc.
arrangement of:
String Quartet, op. 11: II. Molto adagio
partial recording of:
Adagio for Strings
orchestrator:
Samuel Barber (American composer) (in 1938)
composer:
Samuel Barber (American composer) (in 1936)
premiered by:
NBC Symphony Orchestra (on 1938-11-05) and Arturo Toscanini (conductor) (on 1938-11-05)
premiered at:
[radio broadcast] (1938-11-05)
publisher:
Chappell (Warner/Chappell Music, Inc.) and G. Schirmer Inc.
arrangement of:
String Quartet, op. 11: II. Molto adagio
Samuel Barber36:24
2Gymnopedie No. 1
piano:
Angela Brownridge (pianist) (in 1985)
Erik Satie3:16
3Agnus Dei
assistant engineer:
Mat Bartram, Jake Jackson (recording engineer) and Richard Lancaster
engineer:
Dick Lewzey
producer:
Karl Jenkins (Welsh composer, conductor and instrumentalist)
trumpet:
Paul Beniston (trumpet player) (on 2000-07-24)
choir vocals:
National Youth Choir of Great Britain (on 2000-08-11)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 2000-07-24)
conductor:
Karl Jenkins (Welsh composer, conductor and instrumentalist) (on 2000-07-24) and Mike Brewer OBE (conductor) (on 2000-08-11)
chorus master:
Michael C. Brewer (conductor) (in 2000)
concertmaster:
Duncan Riddell (violinist)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Angel Studios in Islington, London (Greater London), England, United Kingdom
recording of:
The Armed Man: A Mass for Peace: Agnus Dei (from 2000-07-24 until 2000-08-11)
composer:
Karl Jenkins (Welsh composer, conductor and instrumentalist)
part of:
The Armed Man: A Mass for Peace (the complete work)
Karl Jenkins33:39
4Sarabande
orchestra:
Academy of St Martin-in-the-Fields (Academy of St Martin in the Fields) (in 2002)
conductor:
Alex Briger (Australian conductor) (in 2002)
performer:
Alexander Briger (Australian conductor)
arranger:
Simon Hale
recording of:
Suite de pièce in D minor, Vol. 2 no. 4, HWV 437: IV. Sarabande (catch-all for arrangements)
composer:
George Frideric Handel (German‐British baroque composer)
arrangement of:
Suite de pièce in D minor, Vol. 2 no. 4, HWV 437: IV. Sarabande
Georg Friedrich Händel3:26
5O mio babbino caro
engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios) (from 1997-08-12 until 1997-08-15)
producer:
David Groves (classical music producer at EMI)
editor:
Caroline Haigh, Simon Kiln and Jørn Pedersen
soprano vocals:
Angela Gheorghiu (Romanian soprano) (in 1999)
soprano vocals [Lauretta]:
Angela Gheorghiu (Romanian soprano) (from 1997-08-12 until 1997-08-15)
vocals:
Angela Gheorghiu (Romanian soprano)
orchestra:
London Symphony Orchestra (from 1997-08-12 until 1997-08-15, in 1999)
conductor:
Antonio Pappano (conductor and pianist) (from 1997-08-12 until 1997-08-15, in 1999)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1999) and Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1999)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1997-08-12 until 1997-08-15)
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta) (from 1997-08-12 until 1997-08-15)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. and G. Ricordi & Co. (London) Ltd. (UK division)
part of:
Gianni Schicchi
Giacomo Puccini2:08
6Concerto for Violin & Oboe in D Minor
oboe:
Léon Goossens (oboist)
violin:
Yehudi Menuhin (violinist)
orchestra:
Bath Festival Orchestra
conductor:
Léon Goossens (oboist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1962)
recording of:
Concerto for Violin & Oboe in C minor, BWV 1060R: II. Adagio (reconstructed arrangement for violin & oboe of BWV 1060)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Concerto in C minor for Two Harpsichords, BWV 1060: II. Largo ovvero Adagio
is based on:
Concerto Pour Deux Clavecins, BWV 1060: II. Adagio (Arr. Pour Flutes) (Recorder consort arrangements)
part of:
Concerto for Violin & Oboe in C minor, BWV 1060R (reconstructed arrangement of the concerto for harpsichord and strings)
Johann Sebastian Bach5:57
7Cinema Paradiso Love Theme
piano:
Myleene Klass (in 2007)
orchestra:
Royal Philharmonic Orchestra (in 2007)
conductor:
Chris Elliott (composer and arranger) (in 2007)
arranger:
Chris Elliott (composer and arranger)
recording of:
Nuovo cinema Paradiso: Tema d’amore
composer:
Andrea Morricone (composer) and Ennio Morricone (Italian classical and score composer)
part of:
Nuovo Cinema Paradiso (soundtrack)
Ennio Morricone3:19
8Spiegel im Spiegel
piano:
Martin Roscoe (English classical pianist) (in 1994)
violin:
Tasmin Little (violinist) (in 1994)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1994)
partial recording of:
Spiegel im Spiegel (for violin and piano)
composer:
Arvo Pärt (Estonian composer) (in 1978)
part of:
Classic 100: Piano (2025) (number: 12)
recording of:
Spiegel im Spiegel (for violin and piano)
composer:
Arvo Pärt (Estonian composer) (in 1978)
part of:
Classic 100: Piano (2025) (number: 12)
Arvo Pärt4:04
9Flower Duet
mezzo-soprano vocals:
Danielle Millet (mezzo-soprano) (from 1970-09-17 until 1970-12-21)
soprano vocals:
Mady Mesplé (soprano) (from 1970-09-17 until 1970-12-21)
orchestra:
Orchestre du Théâtre National de l’Opéra‐Comique (from 1970-09-17 until 1970-12-21)
conductor:
Alain Lombard (conductor) (from 1970-09-17 until 1970-12-21)
phonographic copyright (℗) by:
EMI France (in 1971)
edit of:
Lakmé : Acte I. Duettino « Viens, Mallika… » (Lakmé, Mallika) by Mady Mesplé (soprano), Danielle Millet (mezzo-soprano), Orchestre du Théâtre National de l’Opéra‐Comique, Alain Lombard (conductor)
partial recording of:
Lakmé : Acte I. No. 2 Duetto « Viens, Mallika, les lianes en fleurs » … « Dôme épais le jasmin » (Lakmé, Mallika) (from 1970-09-17 until 1970-12-21)
composer:
Léo Delibes (French composer)
librettist:
Philippe Gille and Edmond Gondinet
publisher:
Jenkinsongs Ltd.
part of:
Lakmé : Acte I
Léo Delibes3:31
10The Heart Asks Pleasure First/The Promise
producer:
Michael Nyman (composer) (in 1993)
piano:
Michael Nyman (composer) (in 1993)
recording of:
The Heart Asks Pleasure First (The Piano)
composer:
Michael Nyman (composer)
publisher:
Chester Music Ltd., G. Schirmer Inc., J&W Chester/Ed Wilhelm, Michael Nyman Ltd. (independent UK record, publishing and holding company) and Virgin (worldwide imprint of Virgin Records Ltd. and all its subsidiaries)
part of:
The Piano (1993 film score)
recording of:
The Promise (The Piano)
composer:
Michael Nyman (composer)
publisher:
J&W Chester/Ed Wilhelm
part of:
The Piano (1993 film score)
Michael Nyman3:13
11Sanctus
choir vocals:
Libera (in 2006)
treble vocals:
Ed Day (vocalist) (in 2006)
conductor:
Robert Prizeman (in 2006)
Robert Prizeman3:09
12Goldberg Variations
recording engineer:
Daniel Michel (recording engineer)
producer:
Alain Lanceron
piano:
Maria Tipo (pianist) (from 1986-06-26 until 1986-06-28)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1986-06-26 until 1986-06-28)
recording of:
Goldberg-Variationen, BWV 988: Aria (opening) (from 1986-06-26 until 1986-06-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 26)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
Johann Sebastian Bach3:05
13En Aranjuez con tu amor
guitar:
John Parricelli (in 2007)
countertenor vocals:
Fernando Lima (Argentine/Spanish countertenor vocalist) (in 2007)
recording of:
En Aranjuez con tu amor (spanish lyrics)
lyricist:
Alfredo García Segura
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1968)
is based on:
Concierto de Aranjuez: II. Adagio
Joaquín Rodrigo5:25
14Schindler's List Theme
violin:
Tasmin Little (violinist) (in 1994)
orchestra:
New World Philharmonic (in 1994)
conductor:
Iain Sutherland (British conductor) (in 1994)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1994)
recording of:
Main Theme (Schindler’s List) (in 1994)
composer:
John Williams (American score composer and conductor) (in 1993)
publisher:
Chester Music Ltd., MCA Music Ltd. and Universal/MCA Music (music publisher; do not use as release label!)
part of:
Schindler's List
part of:
Three Pieces from Schindler’s List
John Williams5:05
15Clair De Lune
piano:
Dame Moura Lympany (British pianist) (in 1988)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano)
composer:
Claude Debussy (French composer) (from 1890 until 1905)
part of:
Classic 100: Piano (2004) (number: 3)
included in:
Granblue Fantasy (video game soundtrack)
part of:
Suite bergamasque, L. 75, CD 82 (for piano)
Claude Debussy4:59
16Vision
keyboard:
Richard Souther (in 1994)
soprano vocals:
Emily Van Evera (soprano) (in 1994)
arranger:
Richard Souther (in 1994)
Hildegard von Bingen3:39
17Adiemus
additional engineer:
Gary Thomas (engineer)
assistant engineer and assistant mixer:
Kirsten Cowie
engineer and mixer:
Steve Price (UK recording engineer/producer/orchestrator/arranger)
soprano vocals:
Miriam Stockley (in 1995)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1995)
conductor:
Karl Jenkins (Welsh composer, conductor and instrumentalist) (in 1995)
percussion arranger:
Mike Ratledge
orchestrator:
Karl Jenkins (Welsh composer, conductor and instrumentalist)
phonographic copyright (℗) by:
Jenkins Ratledge Ltd. (in 1995)
recorded at and mixed at:
Angel Recording Studios in Islington, London (Greater London), England, United Kingdom
music videos:
Adiemus by Adiemus (Group founded by Karl Jenkins)
recording of:
Adiemus
lyricist:
Karl Jenkins (Welsh composer, conductor and instrumentalist)
composer:
Karl Jenkins (Welsh composer, conductor and instrumentalist) and Mike Ratledge
publisher:
FB Media in GSA
part of:
Adiemus I: Songs of Sanctuary
Karl Jenkins3.253:57
18In trutina
producer:
John Fraser (UK producer)
soprano vocals:
Kate Royal (soprano) (in 2007)
orchestra:
Academy of St Martin in the Fields (in 2007)
conductor:
Edward Gardner (conductor) (in 2007)
balance engineer:
Arne Akselberg
recording of:
Carmina Burana: III. Cour d’amours: XXI. In trutina mentis dubia (in 2007)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:32
19Miserere mei, Deus
baritone vocals, bass vocals [Cantor], bass-baritone vocals [cantor] and other vocals [cantor]:
Gerald Finley (bass-baritone)
choir vocals:
Choir of King’s College, Cambridge (in 1984)
treble vocals:
Timothy Beasley-Murray (treble vocalist) (in 1984)
vocals:
Gerald Finley (bass-baritone) (in 1984)
conductor:
Stephen Cleobury (organist, conductor)
chorus master:
Stephen Cleobury (organist, conductor) (in 1984)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
partial recording of:
Miserere mei, Deus
composer:
Gregorio Allegri (composer)
part of:
ABC Classic 100 (2001) (number: 9)
quotes lyrics from:
Miserere mei (words from Psalm 51)
Gregorio Allegri5:45
2▼CD
#TitleArtistRatingLength
1Any Other Name
producer:
Nikolaj Bloch (in 2001)
performer:
Sally Herbert (violinist, composer, and conductor) (in 2001)
Thomas Newman4:09
2Perpetuum Mobile
orchestra:
Penguin Cafe Orchestra (in 1996)
conductor:
Simon Jeffes (in 1996)
Simon Jeffes4:33
3And The Mother Did Weep
engineer:
Rupert Christie, Mikko Oinonen and Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistant producer:
Rupert Christie
choir vocals:
Royal Liverpool Philharmonic Choir (in 2008)
solo mezzo-soprano vocals:
Jurgita Adamonyte (Lithuanian mezzo-soprano)
vocals:
Belinda Sykes
orchestra:
Royal Liverpool Philharmonic Orchestra (from 2007-10 until 2007-11, in 2008)
conductor:
Karl Jenkins (Welsh composer, conductor and instrumentalist) (from 2007-10 until 2007-11, in 2008) and Pasi Hyökki (in 2008)
chorus master:
Ian Tracey (organist and choir master) (in 2008)
performer:
EMO Ensemble (Mixed choir from Finland) (in 2008)
balance engineer:
Jody Jenkins (production music) (percussion)
recording of:
And The Mother Did Weep (from 2007-10 until 2007-11)
composer:
Karl Jenkins (Welsh composer, conductor and instrumentalist)
part of:
Stabat Mater
Karl Jenkins5:53
4Symphony No.3 'Symphony of Sorrowful Songs'
soprano vocals:
Zofia Kilanowicz (Polish soprano) (in 1993)
orchestra:
Kraków Symphony Orchestra (in 1993)
conductor:
Jacek Kaspszyk (Polish conductor) (in 1993)
recorded at:
Wratislava Cantans (1993) (28th International Oratorio-Cantata Festival)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1995)
live partial recording of:
Symphony no. 3, op. 36 "Symphony of Sorrowful Songs": II. Lento e largo: Tranquillissimo - Cantabilissimo - Dolcissimo - Legatissimo (in 1993)
lyricist:
Helena Wanda Błażusiakówna
composer:
Henryk Mikołaj Górecki (Henryk Mikolaj Gorecki, Polish composer) (in 1976)
part of:
Symphony no. 3, op. 36 "Symphony of Sorrowful Songs"
Henryk Mikołaj Górecki4:33
5The Lark Ascending
violin:
Hugh Bean (violinist)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir Adrian Boult (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
partial recording of:
The Lark Ascending (for violin and orchestra)
composer:
Ralph Vaughan Williams (English composer) (in 1914)
premiered at:
[concert] (1921-06-14)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1921-06-14)
arrangement of:
The Lark Ascending (for violin and piano)
Ralph Vaughan Williams6:25
6Gnossienne No.1
piano:
Anne Queffélec (pianist) (in 1988)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988) and Virgin Classics (absorbed into Erato since 2013-07-19) (in 1988)
recording of:
Gnossienne no. 1
composer:
Erik Satie (French composer) (in 1890)
part of:
Trois Gnossiennes
Erik Satie3:27
7Nagoya Marimbas
marimba:
Sam Walton (percussionist) and Colin Currie (percussionist) (in 1998)
recording of:
Nagoya Marimbas
composer:
Steve Reich (American composer) (in 1994)
Steve Reich4:55
8Violin Concerto No. 1 in G minor, Op. 26
violin:
Yehudi Menuhin (violinist)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Walter Süsskind (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1959)
partial recording of:
Violin Concerto no. 1 in G minor, op. 26: II. Adagio
composer:
Max Bruch (composer and conductor) (from 1866 until 1867)
part of:
Violin Concerto no. 1 in G minor, op. 26
recording of:
Violin Concerto no. 1 in G minor, op. 26: II. Adagio
composer:
Max Bruch (composer and conductor) (from 1866 until 1867)
part of:
Violin Concerto no. 1 in G minor, op. 26
Max Bruch4:24
9Fantasia on a Theme by Thomas Tallis
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Adrian Boult (conductor)
partial recording of:
Fantasia on a Theme by Thomas Tallis
composer:
Ralph Vaughan Williams (English composer) (in 1910)
is based on:
Nine Psalm Tunes for Archbishop Parker’s Psalter: No. 3 “Why Fum’th in Fight” (Psalm 2)
Ralph Vaughan Williams6:13
10The Lamb
producer:
John West (classical engineer/producer)
choir vocals:
Vasari Singers (UK chamber choir) (from 1995-02-03 until 1995-02-05)
conductor:
Jeremy Backhouse (choral conductor) (from 1995-02-03 until 1995-02-05)
chorus master:
Jeremy Backhouse (choral conductor)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 1995-02-03 until 1995-02-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1996)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (from 1995-02-03 until 1995-02-05)
recording of:
The Lamb (from 1995-02-03 until 1995-02-05)
lyricist:
William Blake (English poet, painter, and printmaker) (in 1789)
composer:
John Tavener (20th century composer) (in 1982)
publisher:
Chester Music Ltd., Edition Wilhelm Hansen London Ltd. and J. & W. Chester, Ltd.
John Taverner3:15
11Gabriel's Oboe
orchestra:
The Ennio Morricone Orchestra (Italian symphonic orchestra)
conductor:
Ennio Morricone (Italian classical and score composer)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1987)
recording of:
Gabriel’s Oboe (The Mission, main theme)
publisher:
Ennio Morricone (Italian classical and score composer)
orchestrator and composer:
Ennio Morricone (Italian classical and score composer)
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!) and Virgin Music (Publishers) Ltd.
part of:
The Mission
Ennio Morricone2:15
12Weather Storm
keyboard and piano:
Craig Armstrong (Scottish score composer) (in 1997)
orchestra:
The London Session Orchestra (in 1997)
conductor:
Craig Armstrong (Scottish score composer) (in 1997)
keyboard and piano arranger:
Craig Armstrong (Scottish score composer) (in 1997)
Craig Armstrong6:06
13Chi Mai
orchestra:
The Ennio Morricone Orchestra (Italian symphonic orchestra) (in 1987)
conductor:
Ennio Morricone (Italian classical and score composer) (in 1987)
Ennio Morricone5:09
14In Paradisum
producer:
David Groves (classical music producer at EMI)
organ:
Peter Barley (from 1988-12-16 until 1988-12-19)
violin:
José‐Luis García (violinist & conductor) (from 1988-12-16 until 1988-12-19)
choir vocals:
Choir of King’s College, Cambridge (from 1988-12-16 until 1988-12-19)
orchestra:
English Chamber Orchestra (from 1988-12-16 until 1988-12-19)
conductor:
Stephen Cleobury (organist, conductor) (from 1988-12-16 until 1988-12-19)
balance engineer:
Neville Boyling (engineer) (from 1988-12-16 until 1988-12-19) and David Flower (engineer) (from 1988-12-16 until 1988-12-19)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1989)
recorded at:
Chapel of King’s College, Cambridge in Cambridge, Cambridgeshire, England, United Kingdom (from 1988-12-16 until 1988-12-19)
recording of:
Requiem, op. 48: VII. In Paradisum (1890, second version) (from 1988-12-16 until 1988-12-19)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
publisher:
Éditions Durand (1947–present)
included in:
28 Days Later
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré3:28
15Ebben? ne andrò lontana
recorded in:
London (Greater London), England, United Kingdom (in 1954)
producer:
Walter Legge (British classical producer)
soprano vocals:
Maria Callas (soprano) (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21)
soprano vocals [Wally]:
Maria Callas (soprano) (in 1954)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1954, from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21)
conductor:
Tullio Serafin (conductor) (in 1954, from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21)
recording of:
La Wally: Atto I. “Ebben? Ne andrò lontana” (Wally) (from 1954-09-17 until 1954-09-18)
composer:
Alfredo Catalani (composer)
librettist:
Luigi Illica (in 1892)
publisher:
Lam Larghetto Music (from 1993 to present)
part of:
La Wally: Atto I
recording of:
La Wally: Atto I. “Ebben? Ne andrò lontana” (Wally) (from 1954-09-20 until 1954-09-21)
composer:
Alfredo Catalani (composer)
librettist:
Luigi Illica (in 1892)
publisher:
Lam Larghetto Music (from 1993 to present)
part of:
La Wally: Atto I
recording of:
La Wally: Atto I. “Ebben? Ne andrò lontana” (Wally) (in 1954)
composer:
Alfredo Catalani (composer)
librettist:
Luigi Illica (in 1892)
publisher:
Lam Larghetto Music (from 1993 to present)
part of:
La Wally: Atto I
recording of:
La Wally: Atto I. “Ebben? Ne andrò lontana” (for cello and orchestra, arr. Cosma)
composer:
Alfredo Catalani (composer)
arranger:
Vladimir Cosma (French-Romanian composer, conductor and violinist)
arrangement of:
La Wally: Atto I. “Ebben? Ne andrò lontana” (Wally)
Alfredo Catalani4:51
16Winter
producer:
David Groves (classical music producer at EMI)
cello:
Antonio Bocaterra (cellist) (from 1993-12-14 until 1993-12-18)
harpsichord:
Robert Kettelson (pianist) (from 1993-12-14 until 1993-12-18)
solo violin and violin:
Giulio Franzetti (violinist) (from 1993-12-14 until 1993-12-18)
orchestra:
I Solisti dell’Orchestra Filarmonica della Scala (from 1993-12-14 until 1993-12-18) and Soloists of the Philharmonic Orchestra of La Scala (from 1993-12-14 until 1993-12-18)
conductor:
Riccardo Muti (conductor) (from 1993-12-14 until 1993-12-18)
balance engineer:
Michael Sheady (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1994)
recorded at:
Chiesa di San Marco in Milano (Milan), Milano, Lombardia, Italy (from 1993-12-14 until 1993-12-18)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo (from 1993-12-14 until 1993-12-18)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi2:35
17Piano Concerto No.5
producer:
John Fraser (UK producer)
piano:
Andrei Gavrilov (pianist) (in 1986-04)
orchestra:
Academy of St Martin in the Fields (in 1986-04)
conductor:
Sir Neville Marriner (conductor) (in 1986-04)
balance engineer:
Mark Vigars (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1986-04)
recording of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: II. Largo (in 1986-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056
Johann Sebastian Bach3:27
18Ave Verum Corpus
producer:
James Mallinson (producer)
choir vocals:
Stockholmer Kammerchor (Stockholm Chamber Choir) (from 1987-02-14 until 1987-02-15) and Swedish Radio Choir (from 1987-02-14 until 1987-02-15)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1987-02-14 until 1987-02-15)
conductor:
Riccardo Muti (conductor) (from 1987-02-14 until 1987-02-15)
chorus master:
Eric Ericson (from 1987-02-14 until 1987-02-15)
balance engineer:
John Kurlander (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1987-02-14 until 1987-02-15)
recording of:
Ave verum corpus, K. 618 (for chorus, string and organ) (from 1987-02-14 until 1987-02-15)
composer:
Wolfgang Amadeus Mozart (classical composer) (until 1791-06-18)
part of:
Köchelverzeichnis (Köchel catalogue, first edition, 1862, K¹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, third edition, 1937, K³) (number: K. 618), Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 618) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 618)
Wolfgang Amadeus Mozart3:24

Credits

Release

ASIN:UK: B0024RICY8 [info]

Release group

part of:Classical Chillout (number: 1) (order: 1)
Discogs:https://www.discogs.com/master/297545 [info]