A Baroque Festival

~ Veröffentlichung von J.S. Bach, Handel, Pachelbel, Purcell; Taverner Players, Andrew Parrott (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Synfony: "The Arrival Of The Queen Of Sheba
Orchester:
Taverner Players
conductor:
Andrew Parrott (conductor)
Interpret(in):
Taverner Consort und Taverner Players
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba”
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1748)
publisher:
Hallische Händel‐Ausgabe der Georg‐Friedrich‐Händel‐Gesellschaft und Public Domain (refers to works that are in the public domain)
Teil von:
Solomon, HWV 67: Act III
George Frideric Handel2:52
2Harp Concerto in B-flat major, op. 4 no. 6: I. Andante Allegro
Harfe:
Andrew Lawrence‐King (Early music harpist and conductor) (in 1988)
Orchester:
Taverner Consort (in 1988) und Taverner Players (in 1988)
conductor:
Andrew Parrott (conductor) (in 1988)
Interpret(in):
Taverner Consort und Taverner Players
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
Harp Concerto in B‐flat major, op. 4 no. 6, HWV 294: I. Andante – Allegro (original version, for harp)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1736)
Teil von:
Harp Concerto in B‐flat major, op. 4 no. 6, HWV 294
George Frideric Handel6:05
3Harp Concerto in B-flat major, op. 4 no. 6: II. Larghetto
Harfe:
Andrew Lawrence‐King (Early music harpist and conductor)
Orchester:
Taverner Players
conductor:
Andrew Parrott (conductor)
Interpret(in):
Taverner Consort und Taverner Players
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
Harp Concerto in B‐flat major, op. 4 no. 6, HWV 294: II. Larghetto (original version, for harp)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1736)
Teil von:
Harp Concerto in B‐flat major, op. 4 no. 6, HWV 294
George Frideric Handel5:02
4Harp Concerto in B-flat major, op. 4 no. 6: III. Allegro Moderato
Harfe:
Andrew Lawrence‐King (Early music harpist and conductor)
Orchester:
Taverner Players
conductor:
Andrew Parrott (conductor)
Interpret(in):
Taverner Consort und Taverner Players
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
Harp Concerto in B‐flat major, op. 4 no. 6, HWV 294: III. Allegro moderato (original version, for harp)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1736)
Teil von:
Harp Concerto in B‐flat major, op. 4 no. 6, HWV 294
George Frideric Handel2:51
5Three Parts Upon A Ground
Orchester:
Taverner Players
conductor:
Andrew Parrott (conductor)
Interpret(in):
Taverner Consort und Taverner Players
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
Fantasia, 3 parts on a Ground for three recorders, Z. 731
Komponist(in):
Henry Purcell (Baroque composer)
Teil von:
Henry Purcell: An Analytical Catalogue of His Music (Nummer: Z. 731)
Henry Purcell5:11
6A Suite of Theatre Music: I. Trumpet Overture
Orchester:
Taverner Players
conductor:
Andrew Parrott (conductor)
Interpret(in):
Taverner Consort und Taverner Players
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
The Indian Queen, Z. 630: Trumpet Overture
Komponist(in):
Henry Purcell (Baroque composer)
Teil von:
The Indian Queen, Z. 630
Henry Purcell2:47
7A Suite of Theatre Music: II. Rondeau
Orchester:
Taverner Players
conductor:
Andrew Parrott (conductor)
Interpret(in):
Taverner Consort und Taverner Players
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
Komponist(in):
Henry Purcell (Baroque composer)
Teil von:
Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570
Henry Purcell1:34
8A Suite of Theatre Music: III. Chaconne
Orchester:
Taverner Players
conductor:
Andrew Parrott (conductor)
Interpret(in):
Taverner Consort und Taverner Players
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
The Gordian Knot Unty’d, Z. 597: VI. Chaconne
Komponist(in):
Henry Purcell (Baroque composer)
publisher:
Public Domain (refers to works that are in the public domain)
Teil von:
The Gordion Knot Unty’d, Z. 597
Henry Purcell1:49
9A Suite of Theatre Music: IV. Symphony & Dance
Orchester:
Taverner Players
conductor:
Andrew Parrott (conductor)
Interpret(in):
Taverner Consort und Taverner Players
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
teilweise recording of:
The Indian Queen, Z. 630: Act II
Komponist(in):
Henry Purcell (Baroque composer)
Teil von:
The Indian Queen, Z. 630
Henry Purcell1:47
10Canon & Gigue: Canon
Orchester:
Taverner Players
conductor:
Andrew Parrott (conductor)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (Canon und Gigue D-Dur, P37: I. Canon)
Komponist(in):
Johann Pachelbel (composer)
Teil von:
Canon and Gigue in D major, P. 37, T. 337 (Canon und Gigue D-Dur, P37)
Johann Pachelbel3:39
11Canon & Gigue: Gigue
Orchester:
Taverner Players
conductor:
Andrew Parrott (conductor)
Interpret(in):
Taverner Consort und Taverner Players
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
Canon and Gigue in D major, P. 37, T. 337: II. Gigue
Komponist(in):
Johann Pachelbel (composer)
Teil von:
Canon and Gigue in D major, P. 37, T. 337 (Canon und Gigue D-Dur, P37)
Johann Pachelbel1:27
12Sinfonia from Cantata, BWV 29
Orchester:
Taverner Players (von 1987-04 bis 1987-06)
conductor:
Andrew Parrott (conductor) (von 1987-04 bis 1987-06)
Interpret(in):
Taverner Consort und Taverner Players
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1987-04 bis 1987-06)
recording of:
Kantate, BWV 29 “Wir danken dir, Gott, wir danken dir”: I. Sinfonia (von 1987-04 bis 1987-06)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
Teil von:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir"
Johann Sebastian Bach3:39
13Sinfonia from Cantata, BWV 156
Orchester:
Taverner Players
conductor:
Andrew Parrott (conductor)
Interpret(in):
Taverner Consort und Taverner Players
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
Premiere in:
Leipzig, Sachsen, Deutschland (in 1729)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
basiert auf:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056
Teil von:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe"
Johann Sebastian Bach2:24
14Sonata from Cantata, BWV 31
Orchester:
Taverner Players
conductor:
Andrew Parrott (conductor)
Interpret(in):
Taverner Consort und Taverner Players
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret": I. Sonata
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
Teil von:
Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret"
Johann Sebastian Bach2:25
15Sinfonia from Wehnachts-Oratorium (II. Teil), BWV 248
Orchester:
Taverner Players
conductor:
Andrew Parrott (conductor)
Interpret(in):
Taverner Consort und Taverner Players
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia
Premiere in:
Leipzig, Sachsen, Deutschland (am 1734-12-26)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1734 bis 1735)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach6:02
16Sonatina from Cantata, BWV 106
Orchester:
Taverner Players
conductor:
Andrew Parrott (conductor)
Interpret(in):
Taverner Consort und Taverner Players
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": I. Sonatina
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
Teil von:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach2:44
17Choral: "Jesus bleibet meine Freude" from Cantata, BWV 147
Chorgesang:
Taverner Consort (in 1987)
Orchester:
Taverner Players (in 1987)
conductor:
Andrew Parrott (conductor) (in 1987)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) (in 1987)
Premiere in:
Leipzig, Sachsen, Deutschland (am 1723-07-02)
Texter:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
Teil von:
Classic 100: Piano (2025) (Nummer: 15)
Teil von:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach2:16
18Sinfonia from Cantata, BWV 174
Orchester:
Taverner Players
conductor:
Andrew Parrott (conductor)
Interpret(in):
Taverner Consort und Taverner Players
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
Kantate, BWV 174 „Ich liebe den Höchsten von ganzem Gemüte“: I. Sinfonia
Premiere in:
Leipzig, Sachsen, Deutschland (am 1729-06-06)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
Librettist:
Christian Friedrich Henrici (in 1728)
basiert auf:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro
Teil von:
Kantate, BWV 174 "Ich liebe den Höchsten von ganzem Gemüte"
Johann Sebastian Bach5:43

Nennungen

Veröffentlichung

hergestellt in:USA
urheberrechtlich geschützt (©) von:Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1996)
Teil von:Veritas (Virgin Classics) (Reihenfolge: 7)
Discogs:https://www.discogs.com/release/24433199 [Info]