Great Opera Arias

~ Release by Giacomo Puccini (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleRatingLength
1Gianni Schicchi: "O mio babbino caro"
producer:
Roy Emerson (producer, engineer, classical) and Paul Myers (classical record producer)
soprano vocals [Lauretta]:
Kiri Te Kanawa (soprano)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
John Pritchard (conductor)
recorded at:
EMI Studios (London) in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1981-09)
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. and G. Ricordi & Co. (London) Ltd. (UK division)
part of:
Gianni Schicchi
2:29
2Gianni Schicchi: "Firenze é come un albero fiorito"
recording of:
Gianni Schicchi: Aria “Firenze è come un albero fiorito” (Rinuccio)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
part of:
Gianni Schicchi
2:15
3La rondine: "Chi il bel sogno di Doretta"
producer:
Roy Emerson (producer, engineer, classical)
soprano vocals:
Kiri Te Kanawa (soprano)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
John Pritchard (conductor)
recording of:
La rondine: Atto I. “Ch’il bel sogno di Doretta” (Prunier, Magda, Lisette, Suzy, Yvette, Bianca)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami
part of:
La rondine: Atto I
3:21
4La bohéme: "Si, mi chiamano Mimì"
recording engineer:
Günter Heß (engineer) (in 1986)
soprano vocals:
Marton Éva (soprano) (in 1986)
orchestra:
Munich Radio Orchestra (The Munich Radio Orchestra) (in 1986)
conductor:
Giuseppe Patanè (conductor) (in 1986)
phonographic copyright (℗) by:
CBS Records Masterworks (in 1986)
recorded at:
Bavarian Radio: Studio 1 in München (Munich), Bayern (Bavaria), Germany (in 1986)
recording of:
La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì) (in 1986)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
4:48
5La bohéme: "Quando m'en vo'soletta"
producer:
Roy Emerson (producer, engineer, classical) and Paul Myers (classical record producer)
soprano vocals:
Kiri Te Kanawa (soprano)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
John Pritchard (conductor)
recorded at:
EMI Studios (London) in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1981-09)
recording of:
La bohème: Atto II. no. 13. “Quando me’n vo soletta” (Musetta, Marcello, Alcindoro, Mimi, Schaunard, Colline) (Musetta’s Waltz)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto II. Al Quartiere Latino (La bohème: Act II, Puccini)
2:34
6Madama Butterfly: "Un bel dì, vedremo"
producer:
Roy Emerson (producer, engineer, classical)
soprano vocals:
Kiri Te Kanawa (soprano)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir John Pritchard (conductor)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
4:32
7Madama Butterfly: "Scuoti quella fronda di ciliegio" (The Flower Duet)
mezzo-soprano vocals:
Gillian Knight (mezzo-soprano)
soprano vocals:
Renata Scotto (operatic soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Lorin Maazel (conductor)
recording of:
Madama Butterfly: Atto II. “Scuoti quella fronda di ciliegio” (Butterfly, Suzuki)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
5:02
8Madama Butterfly: The Humming Chorus
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) and Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Lorin Maazel (conductor)
recording of:
Madama Butterfly: Atto II. Coro a bocca chiusa (Humming Chorus)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
3:13
9Madama Butterfly: "Tu? tu? Piccolo iddio"
soprano vocals and soprano vocals [Butterfly]:
Marton Éva (soprano)
orchestra:
Munich Radio Orchestra (The Munich Radio Orchestra)
conductor:
Giuseppe Patanè (conductor)
recording of:
Madama Butterfly: Atto III. “Con onor muore … Tu? Tu? Piccolo Iddio” (Butterfly, Pinkerton)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
2:25
10Tosca: "Dammi i colori"
recording of:
Tosca: Atto I. “Recondita armonia” (Cavaradossi, Sagrestano) (“Dammi i colori”)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto I (Tosca: Act 1)
4:14
11Tosca: "Vissi d'arte"
producer:
Roy Emerson (producer, engineer, classical) and Paul Myers (classical record producer)
soprano vocals:
Kiri Te Kanawa (soprano)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
John Pritchard (conductor)
recorded at:
EMI Studios (London) in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1981-09)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
3:31
12Tosca: "E lucevan le stelle"
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto III (Tosca: Act III)
3:27
13Turandot: "Signore, ascolta!"
recording of:
Turandot: Atto I. “Signore, ascolta!” (Liù)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto I (Turandot: Act I)
2:32
14Turandot: "In questa reggia"
soprano vocals:
Marton Éva (soprano)
tenor vocals:
José Carreras (Spanish tenor)
orchestra:
Viena State Opera Orchestra (Vienna State Opera Orchestra)
conductor:
Lorin Maazel (conductor)
recording of:
Turandot: Atto II, scena 2. “In questa reggia” (Turandot, La folla, Calaf)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto II (Turandot: Act II)
6:29
15Turandot: "Nessun dorma"
tenor vocals and tenor vocals [Calaf]:
José Carreras (Spanish tenor)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf)
composer:
Giacomo Puccini (Italian composer) (from 1921-03 until 1924-03)
librettist:
Giuseppe Adami and Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. and Ed. G. Ricordi & Cia. SpA (Italian publisher)
part of:
Turandot: Atto III (Turandot: Act III)
3:17
16La fanciulla del West: "Ch'ella mi creda libero e lontana"
recording of:
La fanciulla del West: Atto III. “Ch’ella mi creda libero e lontano” (Johnson, Rance)
composer:
Giacomo Puccini (Italian composer) (in 1910)
librettist:
Guelfo Civinini (Italian librettist) and Carlo Zangarini
part of:
La fanciulla del West: Atto III
2:08
17Suor Angelica: "Senza mamma, o bimbo"
soprano vocals:
Renata Scotto (operatic soprano)
orchestra:
London Symphony Orchestra
conductor:
Gianandrea Gavazzeni (conductor)
recording of:
Suor Angelica: “Senza mamma, o bimbo, tu sei morto!” (Suor Angelica)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A.
part of:
Suor Angelica
4:14
18Le villi: "Se come voi piccini io fossi"
producer:
Roy Emerson (producer, engineer, classical)
soprano vocals:
Kiri Te Kanawa (soprano)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir John Pritchard (conductor)
recording of:
Le Villi: Atto I. "Se come voi piccina"
composer:
Giacomo Puccini (Italian composer)
librettist:
Ferdinando Fontana
part of:
Le Villi: Atto I
5:22
19Manon Lescaut: "In quelle trini morbide"
recording of:
Manon Lescaut: Atto II. “In quelle trine morbide” (Manon)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi
part of:
Manon Lescaut: Atto II
2:28
20Manon Lescaut: "Sola, perduta, abbandonata"
soprano vocals:
Renata Scotto (operatic soprano)
orchestra:
London Symphony Orchestra
conductor:
Gianandrea Gavazzeni (conductor)
recording of:
Manon Lescaut: Atto IV. “Sola, perduta, abbandonata” … “Fra le tue braccia, amore” (Manon, Des Grieux)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi
part of:
Manon Lescaut: Atto IV
4:11