Carmen (Großer Querschnitt)

~ Release by Georges Bizet; Christa Ludwig, Rudolf Schock, Melita Muszely, Hermann Prey, Chor der Deutschen Oper Berlin, Berliner Symphoniker, Horst Stein (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Carmen: Erster Akt: Nr. 1 Einleitung (Orchester)
producer:
Fritz Ganss (producer)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990) (in 1961-09)
conductor:
Horst Stein (conductor) (in 1961-09)
balance engineer:
Horst Lindner (engineer)
recorded at:
Grunewaldkirche in Berlin, Germany (in 1961-09)
recording of:
Carmen : Prélude (in 1961-09)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen (Italian lyrics)
part of:
Carmen (German translation, Julius Hopp)
part of:
Carmen (english lyrics, David Parry)
part of:
Carmen, WD 31 (opera by Georges Bizet)
Georges Bizet3:35
2Carmen: Erster Akt: Nr. 5 Habanera: Ja, die Liebe hat bunte Flügel (Carmen, Chor)
producer:
Fritz Ganss (producer)
choir vocals [Chor]:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1961-09)
mezzo-soprano vocals [Carmen]:
Christa Ludwig (mezzo-soprano) (in 1961-09)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990) (in 1961-09)
conductor:
Horst Stein (conductor) (in 1961-09)
balance engineer:
Horst Lindner (engineer)
recorded at:
Grunewaldkirche in Berlin, Germany (in 1961-09)
recording of:
Carmen: Erster Akt. Nr. 5 Habanera „Ja, die Liebe hat bunte Flügel” (Carmen, Chor) (in 1961-09)
composer:
Georges Bizet (French composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
translator:
Julius Hopp
translated version of:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur)
part of:
Carmen: Akt I (German translation, Julius Hopp)
Georges Bizet3:32
3Carmen: Erster Akt: Nr. 7 Duett: Wie? Du kommst von der Mutter - Als Botin komm’ ich her - Ich seh’ die Mutter dort (Don José, Micaéla)
producer:
Fritz Ganss (producer)
soprano vocals [Micaëla]:
Melitta Muszely (soprano) (in 1961-09)
tenor vocals [Don José]:
Rudolf Schock (tenor) (in 1961-09)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990) (in 1961-09)
conductor:
Horst Stein (conductor) (in 1961-09)
balance engineer:
Horst Lindner (engineer)
recorded at:
Grunewaldkirche in Berlin, Germany (in 1961-09)
recording of:
Carmen: Erster Akt. Nr. 7 Duett „Wie? Du kommst von der Mutter” – „Als Botin komm’ ich her” – „Ich seh’ die Mutter dort” (Don José, Micaëla) (in 1961-09)
composer:
Georges Bizet (French composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
translator:
Julius Hopp
translated version of:
Carmen : Acte I. No. 7 Duo « Parle-moi de ma mère ! » (Don José, Micaëla)
part of:
Carmen: Akt I (German translation, Julius Hopp)
Georges Bizet9:24
4Carmen: Zweiter Akt: Nr. 12 Zigeunerlied: Was ist Zigeuners höchste Lust (Carmen, Frasquita, Mercédès)
producer:
Fritz Ganss (producer)
mezzo-soprano vocals [Carmen]:
Christa Ludwig (mezzo-soprano) (in 1961-09)
mezzo-soprano vocals [Mercédès]:
Ursula Gust (soprano / mezzo-soprano) (in 1961-09)
soprano vocals [Frasquita]:
Ursula Schirrmacher (soprano) (in 1961-09)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990) (in 1961-09)
conductor:
Horst Stein (conductor) (in 1961-09)
balance engineer:
Horst Lindner (engineer)
recorded at:
Grunewaldkirche in Berlin, Germany (in 1961-09)
recording of:
Carmen: Zweiter Akt. Nr. 12 Zigeunerlied „Was ist Zigeuners höchste Lust” (Carmen, Frasquita, Mercédès) (in 1961-09)
composer:
Georges Bizet (French composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
translator:
Julius Hopp
part of:
Carmen: Akt 2 (German translation, Julius Hopp)
Georges Bizet4:48
5Carmen: Zweiter Akt: Nr. 14 Torerolied: Euren Toast kann ich wohl erwidern - Auf in den Kampf 4.51 (Escamillo, Frasquita, Mercédès, Carmen, Moralès, Zuniga, Chor)
producer:
Fritz Ganss (producer)
baritone vocals [Moralès]:
Georg Völker (baritone) (in 1961-09)
bass vocals [Zuniga]:
Iwan Rebroff (in 1961-09)
bass-baritone vocals [Escamillo]:
Hermann Prey (baritone) (in 1961-09)
choir vocals [Chor]:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1961-09)
mezzo-soprano vocals [Carmen]:
Christa Ludwig (mezzo-soprano) (in 1961-09)
mezzo-soprano vocals [Mercédès]:
Ursula Gust (soprano / mezzo-soprano) (in 1961-09)
soprano vocals [Frasquita]:
Ursula Schirrmacher (soprano) (in 1961-09)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990) (in 1961-09)
conductor:
Horst Stein (conductor) (in 1961-09)
balance engineer:
Horst Lindner (engineer)
recorded at:
Grunewaldkirche in Berlin, Germany (in 1961-09)
recording of:
Carmen: Zweiter Akt. Nr. 14 Torerolied: „Euren Toast kann ich wohl erwidern” – „Auf in den Kampf” (Escamillo, Frasquita, Mercédès, Carmen, Moralès, Zuniga, Chor) (in 1961-09)
composer:
Georges Bizet (French composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
translator:
Julius Hopp
part of:
Carmen: Akt 2 (German translation, Julius Hopp)
Georges Bizet4:51
6Carmen: Zweiter Akt: Blumenarie: Hier an dem Herzen treu geborgen (Carmen, Don José)
producer:
Fritz Ganss (producer)
mezzo-soprano vocals [Carmen]:
Christa Ludwig (mezzo-soprano) (in 1961-09)
tenor vocals [Don José]:
Rudolf Schock (tenor) (in 1961-09)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990) (in 1961-09)
conductor:
Horst Stein (conductor) (in 1961-09)
balance engineer:
Horst Lindner (engineer)
recorded at:
Grunewaldkirche in Berlin, Germany (in 1961-09)
recording of:
Carmen: Zweiter Akt. Nr. 17 Blumenarie: „Hier an dem Herzen treu geborgen“ (Carmen, Don José) (in 1961-09)
composer:
Georges Bizet (French composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
translator:
Julius Hopp
translated version of:
Carmen : Acte II. No. 17 Duo : « La Fleur que tu m’avais jetée » (Carmen, Don José) (Flower Song)
part of:
Carmen: Akt 2 (German translation, Julius Hopp)
part of:
Carmen: Akt 2 (German translation, Julius Hopp)
Georges Bizet7:31
7Carmen: Dritter Akt: Wenn dir die Karten einmal bittres Unheil künden (Mercédès, Frasquita, Carmen)
producer:
Fritz Ganss (producer)
mezzo-soprano vocals [Carmen]:
Christa Ludwig (mezzo-soprano) (in 1961-09)
mezzo-soprano vocals [Mercédès]:
Ursula Gust (soprano / mezzo-soprano) (in 1961-09)
soprano vocals [Frasquita]:
Ursula Schirrmacher (soprano) (in 1961-09)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990) (in 1961-09)
conductor:
Horst Stein (conductor) (in 1961-09)
balance engineer:
Horst Lindner (engineer)
recorded at:
Grunewaldkirche in Berlin, Germany (in 1961-09)
recording of:
Carmen: Dritter Akt. „Wenn dir die Karten einmal bittres Unheil künden” (Mercédès, Frasquita, Carmen) (in 1961-09)
composer:
Georges Bizet (French composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
translator:
Julius Hopp
translated version of:
Carmen : Acte III. Trio des cartes : « Carreau ! Pique !… La mort ! » (Carmen, Frasquita, Mercédès)
part of:
Carmen: Akt 3 (German translation, Julius Hopp)
Georges Bizet3:27
8Carmen: Vierter Akt: Nr. 26 Marsch & Chor: Ha, sie naht!
producer:
Fritz Ganss (producer)
choir vocals [Chor]:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1961-09)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990) (in 1961-09)
conductor:
Horst Stein (conductor) (in 1961-09)
balance engineer:
Horst Lindner (engineer)
recorded at:
Grunewaldkirche in Berlin, Germany (in 1961-09)
recording of:
Carmen: Vierter Akt. Nr. 26 Marsch & Chor „Ha, sie naht!” (Chor, Kinderchor, Escamillo, Carmen, Frasquita, Mercédès) (in 1961-09)
composer:
Georges Bizet (French composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
translator:
Julius Hopp
translated version of:
Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès)
part of:
Carmen: Akt 4 (German translation, Julius Hopp)
Georges Bizet3:48
9Carmen: Vierter Akt: Nr. 27 Duett & Schlusschor: Du bist's? - Ich bin’s! (Carmen, Don José, Chor)
producer:
Fritz Ganss (producer)
choir vocals [Chor]:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1961-09)
mezzo-soprano vocals [Carmen]:
Christa Ludwig (mezzo-soprano) (in 1961-09)
tenor vocals [Don José]:
Rudolf Schock (tenor) (in 1961-09)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990) (in 1961-09)
conductor:
Horst Stein (conductor) (in 1961-09)
balance engineer:
Horst Lindner (engineer)
recorded at:
Grunewaldkirche in Berlin, Germany (in 1961-09)
recording of:
Carmen: Vierter Akt. Nr. 27 Duett & Schlusschor „Du bist's?” … „Ich bin’s!” (Carmen, Don José, Chor) (in 1961-09)
composer:
Georges Bizet (French composer) (from 1873 until 1875)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
translator:
Julius Hopp
translated version of:
Carmen : Acte IV. No. 27 Duo final : « C’est toi ! – C’est moi ! » (Carmen, Don José, chœur)
part of:
Carmen: Akt 4 (German translation, Julius Hopp)
Georges Bizet8:08

Credits

Release group

included in:Carmen (1961 studio cast, in German)