No. 1 Hits of the Fifties

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▼CD
#TitoloArtistaValutazioneDurata
1Butterfly
voce:
Andy Williams (US pop/jazz vocalist)
direttore d'orchestra:
Archie Bleyer
diritti fonografici (℗) detenuti da:
Cadence (NYC-based label founded by Archie Bleyer) (nel 1957)
registrazione cover di:
Butterfly
autore:
Bernie Lowe e Kal Mann
editore:
Mayland‐Presley
Andy Williams1?:??
2Round and Round
produttore:
Joe Carlton
voce:
Perry Como (US pop singer & TV personality, 1912–2001) (il 1957-01-15) e The Ray Charles Singers (il 1957-01-15)
orchestra:
Mitchell Ayres and His Orchestra (il 1957-01-15)
arrangiatore:
Joe Reisman
registrazione di:
Round and Round (il 1957-01-15)
autore:
Joe Shapiro (US songwriter) (nel 1956) e Lou Stallman (Songwriter and producer active since the 1950s) (nel 1956)
Perry Como?:??
3April Love
direttore d'orchestra:
Billy Vaughn
diritti fonografici (℗) detenuti da:
Geffen Records. (nel 1957)
registrazione di:
April Love (il 1957-09-15)
paroliere:
Paul Francis Webster
compositore:
Sammy Fain
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Leo Feist, Inc.
parte di:
The 30th Academy Award for Best Original Song (numero: 2)
Pat Boone?:??
4Tammy
Debbie Reynolds?:??
5Yes, Tonight Josephine
registrazione di:
Yes Tonight Josephine
autore:
Dorothy Goodman e Winfield Scott
Johnnie Ray?:??
6Diana
Paul Anka?:??
7Honeycomb
registrazione cover di:
Honeycomb (nel 1957)
paroliere e compositore:
Bob Merrill (songwriter, and lyricist of the hit musical Funny Girl) (nel 1954)
Jimmie Rodgers4?:??
8Young Love
registrazione cover di:
Young Love
autore:
Ric Cartey (US rockabilly singer and songwriter) e Carole Joyner
editore:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) e Sony/ATV Songs LLC
registrazione di:
Young Love
autore:
Ric Cartey (US rockabilly singer and songwriter) e Carole Joyner
editore:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) e Sony/ATV Songs LLC
Tab Hunter?:??
9That'll Be the Day
produttore:
Norman Petty
basso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer)
batteria :
Jerry Allison (il 1957-02-25)
chitarra :
Niki Sullivan
chitarra [lead guitar] e voce principale:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-02-25)
chitarra [rhythm guitar] :
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-02-25) e Niki Sullivan (il 1957-02-25)
contrabbasso :
Larry Welborn (il 1957-02-25)
voce di accompagnamento:
June Clark (background vocals for The Crickets) (il 1957-02-25), Gary Tollett (il 1957-02-25), Niki Sullivan (il 1957-02-25) e Ramona Tollett (il 1957-02-25)
voce parlata [dialogue]:
Wolfman Jack (US disc jockey)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1957) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1957)
registrata presso:
Norman Petty Studios in Clovis, New Mexico, Stati Uniti (il 1957-02-25)
registrazione di:
That’ll Be the Day (il 1957-02-25)
autore:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. e MPL Communications (not for release label use! Paul McCartney-related, London-based company) (nel 1976)
The Crickets4.6?:??
10You Send Me
produttore:
Robert “Bumps” Blackwell
basso :
Ted Brinson (il 1957-06-01)
batteria :
Earl Palmer (il 1957-06-01)
chitarra :
Clifton White (il 1957-06-01) e René Hall (il 1957-06-01)
voce di accompagnamento:
Charles Parlato, Alicia Adams (singer) (il 1957-06-01), Sue Allen (il 1957-06-01) e Lee Gotch (il 1957-06-01)
voce principale:
Sam Cooke (American singer and songwriter, “King of Soul”) (il 1957-06-01)
orchestra:
Bumps Blackwell Orchestra (Robert Alexander "Bumps" Blackwell) (il 1957-06-01)
direttore d'orchestra:
Glenn Osser (il 1957-06-01)
diritti fonografici (℗) detenuti da:
Keen (nel 1958)
registrata presso:
Specialty Studios in Los Angeles, California, Stati Uniti (il 1957-06-01)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1957 (numero: 8) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 115)
registrazione di:
You Send Me (il 1957-06-01)
paroliere e compositore:
Sam Cooke (American singer and songwriter, “King of Soul”)
autore aggiunto:
L. C. Cooke
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Burlington Music Co., Ltd., Warner/Chappell Music Ltd. (1996–2019), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 日本アブコ音楽出版 (ABKCO Japan Publishing), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (fino al 2017-03-31) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi)
Sam Cooke4?:??
11Chances Are
registrazione di:
Chances Are
paroliere:
Al Stillman
compositore:
Robert Allen (US songwriter/arranger/pianist)
editore:
Kitty Anne Music Co., Inc. (conclusa), Charlie Deitcher Productions, Inc., Edward Kassner Music Co. Ltd., EMI Music Publishing (do not use as a release label!), Music Sales Corporation (American copyright holder in both popular and classical music) e Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Johnny Mathis?:??
12Autumn Leaves
pianoforte :
Roger Williams (US pop standards pianist)
registrazione di:
Autumn Leaves (jazz standard, English lyrics)
paroliere:
Jacques Prévert (nel 1945)
compositore:
Joseph Kosma (composer) (nel 1945)
traduttore:
Johnny Mercer (nel 1947)
editore:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. e MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
versione tradotta di:
Les Feuilles mortes (Autumn Leaves)
Roger Williams?:??
13Be My Love
registrazione di:
Be My Love (dal 1949-12-15 al 1950-06-09)
paroliere:
Sammy Cahn
compositore:
Nicholas Brodzsky
editore:
EMI Music Publishing (do not use as a release label!)
parte di:
The 23rd Academy Award for Best Original Song (numero: 2)
Mario Lanza?:??
14Cold, Cold Heart
pianoforte :
John Bunch (jazz pianist)
voce:
Tony Bennett (US jazz/standards vocalist) e Tony Bennett (US jazz/standards vocalist)
orchestra:
Percy Faith & His Orchestra (Faith’s orchestra before his death in 1976)
registrazione cover di:
Cold, Cold Heart
paroliere e compositore:
Hank Williams (country music legend)
editore:
Rightsong Music Inc., Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), Sony/ATV Music Publishing Australia Pty Ltd. e Acuff-Rose Publications, Inc. (BMI) (il 1951-02-16)
Tony Bennett?:??
15I Believe
registrazione cover di:
I Believe
autore:
Ervin Drake (songwriter), Irvin Graham, Jimmy Shirl (songwriter) e Al Stillman
editore:
Adaken Music, Cromwell Music, Inc., Gentlemen Jim Music Corp., Hampshire House Publishing Corp., L and S Freedom Music, Lindabet Music Corporation, Tadzio Music Corp., The Songwriters Guild, The Stillman Song Company e TRO Essex Music Ltd.
Frankie Laine?:??
16The Yellow Rose of Texas
registrazione di:
The Yellow Rose of Texas (il 1955-06-10)
paroliere:
[traditional] (special purpose artist) e Don George (US songwriter/composer, 1909–1987)
compositore:
[traditional] (special purpose artist)
editore:
EMI Full Keel Music
Mitch Miller?:??
17Give Me Your Word
registrazione di:
Give Me Your Word
autore:
Irving Taylor e George Wyle
Tennessee Ernie Ford?:??
18C'mon A-My House
registrata a:
New York, New York, Stati Uniti (il 1951-06-06)
produttore:
Al Ham e Mitch Miller
batteria :
Jimmy Crawford (US swing-era jazz drummer) (il 1951-06-06)
chitarra :
Mundell Lowe (il 1951-06-06)
clavicembalo :
Stan Freeman (il 1951-06-06)
contrabbasso :
Frank Carroll (US bass player) (il 1951-06-06)
voce:
Rosemary Clooney (il 1951-06-06)
arrangiatore:
Jimmy Carroll (1913 - 1972, songwriter, orchestra arranger & conductor)
registrazione cover di:
Come On‐a My House (il 1951-06-06)
autore:
Ross Bagdasarian (Sr.; creator of Alvin and the Chipmunks) e William Saroyan
editore:
Adam Bagdasarian Music, Bagdasarian Productions, Carol Bagdasarian Music, EMI Music Publishing France, Peter Maurice Music, Ross Bagdasarian Music, Stanford University Library for Saroyan, The Saroyan Company, Universal Duchess Music Corp., Universal MCA Music Publishing (France), Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH e シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.)
Rosemary Clooney4?:??
19Ain't That a Shame?
produttore:
Randy Wood (producer)
voce:
Pat Boone (nel 1955-05)
direttore d'orchestra:
Billy Vaughn (nel 1955-05)
arrangiatore:
Billy Vaughn
registrata presso:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, Stati Uniti (nel 1955-05)
registrazione cover di:
Ain’t That a Shame (nel 1955-05)
autore:
Antoine Domino (Fats Domino) e Dave Bartholomew
editore:
Commodore Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Unart Catalog Inc., F. Day & Hunter Ltd., Travis Music, Inc., Unart Music Corp. (nel 1955, nel 1983) e United Artists Music Ltd. (dal 1977 a oggi)
Pat Boone?:??
20Party Doll
Buddy Knox And The Rhythm Orchids?:??
21Rags to Riches
voce:
Tony Bennett (US jazz/standards vocalist) e Tony Bennett (US jazz/standards vocalist)
orchestra:
Percy Faith & His Orchestra (Faith’s orchestra before his death in 1976)
registrazione di:
Rags to Riches (il 1953-03-17)
autore:
Richard Adler (musical composer/lyricist) e Jerry Ross (musical composer/lyricist)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Saunders Publications Inc. (dal 1953 al 2010), J & J Ross Co. (dal 2011 a oggi) e Lakshmi Puja Music Ltd. (dal 2011 a oggi)
registrazione cover di:
Rags to Riches
autore:
Richard Adler (musical composer/lyricist) e Jerry Ross (musical composer/lyricist)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Saunders Publications Inc. (dal 1953 al 2010), J & J Ross Co. (dal 2011 a oggi) e Lakshmi Puja Music Ltd. (dal 2011 a oggi)
Tony Bennett?:??
22I Went to Your Wedding
Patti Page?:??
23Wanted
voce:
Perry Como (US pop singer & TV personality, 1912–2001) (il 1953-12-29)
orchestra:
Hugo Winterhalter’s Chorus and Orchestra (il 1953-12-29)
registrazione di:
Wanted
autore:
Jack Fulton (US jazz trombonist, composer & vocalist) e Lois Steele
Perry Como?:??
24A Guy Is a Guy
voce:
Doris Day (il 1952-02-07)
orchestra:
Paul Weston Orchestra (il 1952-02-07)
direttore d'orchestra:
Paul Weston (il 1952-02-07)
registrazione di:
A Guy Is a Guy (il 1952-02-07)
paroliere e compositore:
Oscar Brand
editore:
Ludlow Music
Doris Day?:??
25Finger of Suspicion
registrazione di:
Finger of Suspicion
autore:
Al Lewis (Tin Pan Alley era lyricist) e Paul Mann (German/American pianist and composer)
Dickie Valentine?:??
2▼CD
#TitoloArtistaValutazioneDurata
1Memories Are Made of This
produttore:
Lee Gillette
voce:
Dean Martin (American singer/actor) (nel 1955)
voce di accompagnamento:
The Easy Riders (nel 1955)
orchestra:
Dick Stabile and His Orchestra (nel 1955)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1955)
registrazione cover di:
Memories Are Made of This (il 1955-10-28)
autore:
Richard Dehr (nel 1955), Terry Gilkyson (nel 1955) e Frank Miller (American singer & songwriter) (nel 1955)
editore:
Montclare Music
Dean Martin5?:??
2Whatever Will Be (Que Sera, Sera)
voce:
Doris Day (il 1956-02-24)
orchestra:
Frank De Vol and His Orchestra (il 1956-02-24)
direttore d'orchestra:
Frank De Vol (il 1956-02-24)
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment Inc. (dal 1956 a oggi)
registrazione cover di:
Que será, será (Whatever Will Be, Will Be) (il 1956-02-24)
paroliere:
Ray Evans (American songwriter)
compositore:
Jay Livingston
editore:
Jay Livingston Music Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), St. Angelo Music, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) e Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
sub-editore:
日音 Synch事業部 (NICHION, INC. Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31) e フジパシフィックミュージック (Fujipacific Music, Inc.) (dal 2015-01-01 a oggi)
parte di:
The 29th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1956 winner)
Doris Day?:??
3Mr. Sandman
registrazione di:
Mr. Sandman (nel 1954)
paroliere e compositore:
Pat Ballard
editore:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.)
The Chordettes?:??
4Love Me Tender
banjo :
Luther "Red" Roundtree (dal 1956-08-24 al 1956-09-04)
basso :
Meyer "Mike" Rubin (US bassist 1930s - 1960s) (dal 1956-08-24 al 1956-09-04)
batteria :
Richard Cornell (Percussion) (dal 1956-08-24 al 1956-09-04)
chitarra :
Vito Mumolo (Session Musician (Guitar)) (dal 1956-08-24 al 1956-09-04)
fisarmonica :
Carl Fortina (dal 1956-08-24 al 1956-09-04) e Dominic Frontiere (dal 1956-08-24 al 1956-09-04)
voce:
Jon Dodson (dal 1956-08-24 al 1956-09-04, il 1956-09-01), Charles Prescott (dal 1956-08-24 al 1956-09-04, il 1956-09-01) e Rad Robinson (dal 1956-08-24 al 1956-09-04, il 1956-09-01)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1956-09-01)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1956), BMG Music (nel 1956), RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (nel 1956) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
20th Century Fox Music Stage 1 in Los Angeles, California, Stati Uniti (il 1956-08-24, il 1956-09-04)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 437)
registrazione di:
Love Me Tender (dal 1956-08-24 al 1956-09-04)
paroliere:
Ken Darby (nel 1956)
autore aggiunto:
Vera Matson (nel 1956) e Elvis Presley (“The King of Rock and Roll”) (nel 1956)
compositore:
George R. Poulton (nel 1861)
editore:
Aberbach Musikverlag (German publisher), ABG Elvis Songs, Carlin Music Corporation, Chrysalis Songs, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, R&H Music, Songs of Kobalt Music Publishing, Williamson Music Company e Elvis Presley Music (dal 1956 a oggi)
sub-editore:
フジパシフィックミュージック (Fujipacific Music, Inc.) e 日音 Synch事業部 (NICHION, INC. Synch Division)
si basa su:
Aura Lea
Elvis Presley3.55?:??
5Sh-Boom (Life Could Be a Dream)
registrazione cover di:
Sh‐Boom
autore:
William Edwards (The Chords), Carl Feaster, Claude Feaster, James Keyes e Floyd McRae
eseguita per la prima volta da:
The Chords (50s US doo-wop group "Sh-Boom")
The Crew-Cuts5?:??
6Such a Night
Johnnie Ray?:??
7Love Is Many-Splendoured Thing
The Four Aces?:??
8On the Street Where You Live
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1956)
registrazione cover di:
On the Street Where You Live (My Fair Lady)
paroliere:
Alan Jay Lerner
compositore:
Frederick Loewe
editore:
Chappell & Co Ltd., Chappell Music Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
My Fair Lady (full musical)
Vic Damone4?:??
9Hey Joe
registrazione di:
Hey Joe
paroliere:
Boudleaux Bryant
compositore:
Boudleaux Bryant (nel 1953)
Frankie Laine?:??
10Garden of Eden
registrazione di:
The Garden of Eden (1956 song)
paroliere e compositore:
Dennise Norwood (Songwriter)
Frankie Vaughan?:??
11Cumberland Gap
Lonnie Donegan?:??
12All Shook Up
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (dal 1957-01-12 al 1957-01-13)
batteria :
D.J. Fontana (dal 1957-01-12 al 1957-01-13)
chitarra :
Scotty Moore (American guitarist and recording engineer) (dal 1957-01-12 al 1957-01-13) e Elvis Presley (“The King of Rock and Roll”) (dal 1957-01-12 al 1957-01-13)
pianoforte :
Gordon Stoker (US pianist, tenor vocalist and music publisher) (dal 1957-01-12 al 1957-01-13)
voce:
Elvis Presley (“The King of Rock and Roll”) e The Jordanaires (southern gospel group) (dal 1957-01-12 al 1957-01-13)
voce principale:
Elvis Presley (“The King of Rock and Roll”)
remixer:
Dennis Ferrante
esecutore aggiunto:
The Jordanaires (southern gospel group)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1957), BMG Music (nel 1957) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (dal 1957-01-12 al 1957-01-13) e Bloch Arena in Honolulu, Hawaii, Stati Uniti (il 1961-03-25)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1957 (numero: 18) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 353)
registrazione cover di:
All Shook Up (il 1957-01-12)
autore:
Otis Blackwell (American pianist, singer and songwriter) e Elvis Presley (“The King of Rock and Roll”)
editore:
Carlin Music Corporation, Elvis Presley Music Inc., Global (publisher) e Shalimar Music Corp.
Elvis Presley3.65?:??
13He's Got the Whole World in His Hands
voce:
Laurie London
orchestra:
Geoff Love's Orchestra
arrangiatore:
Geoff Love
registrazione di:
He's Got the Whole World in His Hands
autore:
[traditional] (special purpose artist)
arrangiatore:
Geoff Love
Laurie London?:??
14Only You (And You Alone)
registrazione di:
Only You
paroliere e compositore:
Buck Ram
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Hollis Music, Inc., Robert Mellin, Inc., Tro-Hollis Music, Inc., Wildwood Music e Sherwin Music (publisher) (nel 1973)
The Platters?:??
15Singing the Blues
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 37)
registrazione cover di:
Singing the Blues
paroliere e compositore:
Melvin Endsley (nel 1956)
editore:
Acuff Rose Opryland Ltd. (UK) e Acuff-Rose Music Limited (UK)
Guy Mitchell?:??
16Sixteen Tons
batteria [drums] :
Roy Harte (drummer and Pacific Jazz founder) (il 1955-09-20)
chitarra acustica :
Bobby Gibbons (il 1955-09-20)
clarinetto :
Red Mandel (il 1955-09-20)
clarinetto basso :
Darol Rice (il 1955-09-20)
contrabbasso [bass] :
Rolly Bundock (il 1955-09-20)
schiocchi di dita e voce principale:
Tennessee Ernie Ford (il 1955-09-20)
tromba :
Charlie Parlato (il 1955-09-20)
trombone :
George Bruns (il 1955-09-20)
direttore d'orchestra:
Jack Fascinato (il 1955-09-20)
arrangiatore:
Jack Fascinato
diritti fonografici (℗) detenuti da:
Bacci Bros Records (nel 2010) e Lucky Vintage (nel 2014)
registrata presso:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1955-09-20)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1955 (numero: 12)
registrazione cover di:
Sixteen Tons (il 1955-09-20)
paroliere e compositore:
Merle Travis
arrangiatore:
Paul Brody
editore:
American Music, Inc. e Campbell Connelly & Co. Ltd.
Tennessee Ernie Ford4.65?:??
17The Cry of the Wild Goose
registrazione cover di:
The Cry of the Wild Goose
paroliere e compositore:
Terry Gilkyson
registrazione di:
The Cry of the Wild Goose
paroliere e compositore:
Terry Gilkyson
Frankie Laine?:??
18The Ballad of Davy Crockett
registrazione di:
The Ballad of Davy Crockett
paroliere:
Tom Blackburn
compositore:
George Bruns
editore:
Walt Disney Music Company (music publisher, do not use as release label)
Bill Hayes?:??
19Love Letters in the Sand
produttore:
Randy Wood (producer)
basso :
Larry Breen (il 1956-11-24)
batteria :
Dick Shanahan (il 1956-11-24)
chitarra :
Barney Kessel (il 1956-11-24) e Jack Marshall (US jazz guitarist, composer, arranger & record producer) (il 1956-11-24)
clarinetto :
Ryland Weston (il 1956-11-24)
pianoforte :
Milt Rogers (bandleader, arranger and composer) (il 1956-11-24)
sassofono :
Babe Russin (il 1956-11-24) e Justin Gordon (il 1956-11-24)
vibrafono :
Bernie Mattinson (il 1956-11-24)
cori:
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (il 1956-11-24)
voce:
Pat Boone (il 1956-11-24)
direttore d'orchestra:
Billy Vaughn (il 1956-11-24)
diritti fonografici (℗) detenuti da:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1956-11-24)
registrazione cover di:
Love Letters in the Sand (il 1956-11-24)
paroliere:
Charles Kenny (songwriter, violinist) e Nick Kenny
compositore:
J. Fred Coots, Charles Kenny (songwriter, violinist) e Nick Kenny
editore:
Bourne (not for release label use, this is a music publisher), Bourne, Inc. e Francis, Day & Hunter Ltd.
Pat Boone?:??
20Unchained Melody
registrazione di:
Unchained Melody (nel 1955)
editore:
Hy Zaret
paroliere:
Hy Zaret
compositore:
Alex North (US composer)
editore:
Frank Music Corp. (conclusa), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH (do not use as a release label! this is a music publisher), North Melody Publishing e Unchained Melody Publishing, LLC
sub-editore:
日音 Synch事業部 (NICHION, INC. Synch Division)
parte di:
The 28th Academy Award for Best Original Song (numero: 2)
Les Baxter4?:??
21Three Coins in the Fountain
registrazione di:
Three Coins in the Fountain
paroliere:
Sammy Cahn
compositore:
Jule Styne
editore:
Cahn Music Company, Chappell & Co., Chappell & Co., Inc. (USA), Robbins Music Corp. e WB Music Corp. (1929–2019)
parte di:
The 27th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1954 winner)
Frank Sinatra?:??
22Wish You Were Here
registrazione di:
Wish You Were Here (1952 song from the musical “Wish You Were Here”)
paroliere e compositore:
Harold Rome
editore:
Chappell & Co., Inc. (USA), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Wish You Were Here (1952 musical)
Eddie Fisher?:??
23Hey There
registrata a:
Hollywood, Los Angeles, California, Stati Uniti (il 1954-05-22)
produttore:
Al Ham e Mitch Miller
voce:
Rosemary Clooney (il 1954-05-22)
orchestra:
Buddy Cole and His Orchestra (il 1954-05-22)
arrangiatore:
Jimmy Carroll (1913 - 1972, songwriter, orchestra arranger & conductor)
registrazione di:
Hey There (The Pajama Game) (il 1954-05-22)
paroliere e compositore:
Richard Adler (musical composer/lyricist) e Jerry Ross (musical composer/lyricist)
editore:
Frank Music (dal 1954 al 2010), J & J Ross Co. (dal 2011 a oggi) e Lakshmi Puja Music Ltd. (dal 2011 a oggi)
parte di:
The Pajama Game (musical)
Rosemary Clooney4.5?:??
24Too Young
registrazione di:
Too Young
paroliere:
Sylvia Dee (American lyricist)
compositore:
Sidney Lippman (American songwriter)
editore:
Aria Music Co.
Nat King Cole?:??
25Music, Music, Music
registrazione cover di:
Music! Music! Music!
autore:
Bernie Baum e Stephan Weiss
Teresa Brewer?:??

Accreditamenti