Best of Motown, Volume 1

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Reflections
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
recording of:
Reflections
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
EMI Songs, Jobete Music (appears also as: Jobete Msc.), ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) and Stone Agate Music (in 1967)
Diana Ross & The Supremes2:49
2I Heard It Through the Grapevine
producer:
Norman Whitfield
bass [1962 Fender Precision Bass]:
James Jamerson (from 1967-02-03 until 1967-04-10)
congas and tambourine:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (from 1967-02-03 until 1967-04-10)
drums (drum set):
Uriel Jones (from 1967-02-03 until 1967-04-10)
French horn:
Don Ozga (from 1967-02-03 until 1967-04-10) and Edwin Jones (from 1967-02-03 until 1967-04-10)
guitar [1964 Gibson Firebird III]:
Eddie Willis (from 1967-02-03 until 1967-04-10)
guitar [Fender Telecaster with Jazzmaster Neck]:
Joe Messina (from 1967-02-03 until 1967-04-10)
Hammond organ [B-3]:
Earl Van Dyke (from 1967-02-03 until 1967-04-10)
instruments:
The Funk Brothers (from 1967-02-03 until 1967-04-10)
tom-tom:
Richard "Pistol" Allen (from 1967-02-03 until 1967-04-10)
Wurlitzer electric piano:
Johnny Griffith (from 1967-02-03 until 1967-04-10)
background vocals:
The Andantes (from 1967-02-03 until 1967-04-10), Marlene Barrow (from 1967-02-03 until 1967-04-10), Louvain Demps (from 1967-02-03 until 1967-04-10) and Jackie Hicks (from 1967-02-03 until 1967-04-10)
lead vocals:
Marvin Gaye (from 1967-02-03 until 1967-04-10)
orchestra:
Detroit Symphony Orchestra (from 1967-02-03 until 1967-04-10)
strings arranger:
Paul Riser (from 1967-02-03 until 1967-04-10)
orchestrator:
Paul Riser (from 1967-02-03 until 1967-04-10)
phonographic copyright (℗) by:
Motown Record Company (company credits only; do NOT use as release label) (in 1968)
recorded at and mixed at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, United States (from 1967-02-03 until 1967-04-10)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 80), Billboard: Greatest of All Time Hot 100 Songs (number: 93), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 119) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 307)
cover recording of:
I Heard It Through the Grapevine (from 1967-02-03 until 1967-04-10)
writer:
Barrett Strong and Norman Whitfield
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia, EMI Songs Scandinavia AB, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Marvin Gaye3.73:11
3Papa Was a Rollin’ Stone
producer:
Norman Whitfield
lead vocals:
Dennis Edwards (US soul & R’n’B singer) (in 1972), Damon Harris (in 1972) and Richard Street (in 1972)
conductor:
Paul Riser (in 1972)
arranger:
Paul Riser
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1972) and Motown Record Corporation (company credits only; do NOT use as release label) (in 1972)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 168) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 333)
cover recording of:
Papa Was a Rollin’ Stone (in 1972)
lyricist and composer:
Barrett Strong and Norman Whitfield
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Stone Diamond Music Corporation, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
The Temptations3.46:52
4My Cherie Amour
producer:
Henry Cosby
lead vocals:
Stevie Wonder (from 1967 until 1968)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1969)
recorded at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, United States (from 1967 until 1968)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 399)
recording of:
My Cherie Amour (from 1967 until 1968)
writer:
Henry Cosby, Sylvia Moy and Stevie Wonder
publisher:
Black Bull Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc., Sawandi Music, Stone Agate Music and 大洋音楽 (Taiyō Music)
Stevie Wonder4.32:55
5The Tears of a Clown
guitar:
Marvin Tarplin (on 1966-09-26)
instruments:
The Funk Brothers (on 1966-09-26)
background vocals:
Warren “Pete” Moore (on 1966-09-26), Claudette Robinson (on 1966-09-26), Bobby Rogers (on 1966-09-26) and Ronald White (soul singer, founding member of The Miracles) (on 1966-09-26)
lead vocals:
Smokey Robinson (on 1966-09-26)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1967) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1970)
recorded at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, United States (on 1966-09-26)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 190) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 313)
recording of:
The Tears of a Clown (on 1966-09-26)
lyricist:
Smokey Robinson
composer:
Henry Cosby, Smokey Robinson and Stevie Wonder
publisher:
Black Bull Music, Inc., Jobete Music Ltd and Jobette Music (UK) Ltd.
Smokey Robinson3.92:59
6Jimmy Mack (When Are You Comin’ Back)
Martha and the Vandellas2:50
7What Becomes of the Brokenhearted
producer:
William "Mickey" Stevenson (Motown songwriter)
recording of:
What Becomes of the Brokenhearted
writer:
James Dean (US soul songwriter), Paul Riser and William Weatherspoon
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Jobete Music (UK)
Jimmy Ruffin4.652:55
8I Can’t Help Myself (Sugar Pie, Honey Bunch)
recording engineer:
Russ Terrana
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
baritone saxophone:
Mike Terry (60s US soul arranger/conductor) (in 1965)
bass [1962 Fender Precision Bass]:
James Jamerson
drums (drum set):
Richard "Pistol" Allen (in 1965)
guitar [1964 Gibson Firebird III]:
Eddie Willis (in 1965)
guitar [Fender Telecaster with Jazzmaster Neck]:
Joe Messina (in 1965)
guitar [Gibson L-5]:
Robert White (US funk/soul guitarist) (in 1965)
instruments:
The Funk Brothers (in 1965)
piano:
Earl Van Dyke (in 1965)
strings:
Detroit Symphony Orchestra (in 1965)
tambourine:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (in 1965)
vibraphone:
Jack Brokensha (in 1965)
background vocals:
The Andantes (in 1965), Marlene Barrow (in 1965), Renaldo Benson (in 1965), Louvain Demps (in 1965), Abdul “Duke” Fakir (in 1965), Jackie Hicks (in 1965) and Lawrence Payton (in 1965)
lead vocals:
Levi Stubbs (in 1965)
recorded at and mixed at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, United States (in 1965)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 30), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 148), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 415) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 483)
recording of:
I Can’t Help Myself (Sugar Pie, Honey Bunch) (in 1965)
lyricist:
Lamont Dozier, Brian Holland (Motown producer & songwriter) and Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Stone Agate Music Division
Four Tops3.62:41
9Help Me Make It Through the Night
producer:
Johnny Bristol
phonographic copyright (℗) by:
Motown Record Company, L.P. (Los Angeles) (company credits only; do NOT use as release label) (in 1971)
cover recording of:
Help Me Make It Through the Night
lyricist and composer:
Kris Kristofferson
publisher:
BMG Songs Ltd., Combine Music Corp., EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Keith Prowse Music Publishing Co. Ltd. and KPM (music publisher)
sub-publisher:
Air Music Scandinavia AB
Gladys Knight & the Pips34:19
10My Guy
bass:
James Jamerson (in 1964)
drums (drum set):
Benny Benjamin (US drummer) (in 1964)
guitar:
Robert White (US funk/soul guitarist) (in 1964) and Eddie Willis (in 1964)
instruments:
The Funk Brothers (in 1964)
organ:
Earl Van Dyke (in 1964)
piano:
Johnny Griffith (in 1964)
trombone:
George Bohanon (in 1964) and Paul Riser (in 1964)
trumpet:
Russell Conway (trumpet player) (in 1964) and Herbert Williams (trumpet player) (in 1964)
vibraphone:
Dave Hamilton (US guitar/vibraphone player) (in 1964)
background vocals:
The Andantes (in 1964), Marlene Barrow (in 1964), Louvain Demps (in 1964) and Jackie Hicks (in 1964)
lead vocals:
Mary Wells (Motown singer) (in 1964)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1964)
recorded at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, United States (in 1964)
recording of:
My Guy (in 1964)
lyricist and composer:
Smokey Robinson
publisher:
Jobette Music (UK) Ltd.
Mary Wells4.22:47
11I Want You Back
producer:
The Corporation (Motown songwriters)
bass guitar:
Wilton Felder (in 1969-07)
drums (drum set):
Gene Pello and Johnny Jackson (drummer for Jackson 5) (in 1969-07)
guitar:
Donald Peake, David T. Walker and Tito Jackson (in 1969-07)
guitar [lead guitar]:
Louis Shelton (in 1969-07)
keyboard:
Clarence McDonald and Ronnie Rancifer (in 1969-07)
percussion:
Sandra Crouch and Marlon Jackson (in 1969-07)
piano:
Fonce Mizell, Freddie Perren, Joe Sample and Ronnie Rancifer (in 1969-07)
background vocals:
Jackie Jackson (member of the Jackson 5), Michael Jackson (“King of Pop”), Keith Washington, Jermaine Jackson (soul/pop singer, of Jackson 5) (in 1969-07), Marlon Jackson (in 1969-07) and Tito Jackson (in 1969-07)
lead vocals:
Michael Jackson (“King of Pop”) (in 1969-07)
vocals:
Jackie Jackson (member of the Jackson 5) (in 1969-07)
arranger:
The Corporation (Motown songwriters)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1969)
recorded at:
The Sound Factory West in West Hollywood, California, United States (in 1969-07, from 1969-07 until 1969-09)
music videos:
I Want You Back by The Jackson 5 (The Jacksons, formerly “The Jackson 5”)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 23), Billboard Year-End Hot 100 singles of 1970 (number: 28), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 104) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 120)
recording of:
I Want You Back (in 1969-07)
lyricist and composer:
The Corporation (Motown songwriters)
publisher:
EMI April Music Inc. and Jobete Music Co., Inc.
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
part of:
MJ: The Musical
The Jackson 54.152:56
12You’re All I Need to Get By
producer:
Nickolas Ashford and Valerie Simpson
vocals:
Tammi Terrell
recording of:
You’re All I Need to Get By
writer:
Nickolas Ashford and Valerie Simpson
publisher:
Jobete Music (UK) Ltd., Jobete Music Co., Inc. and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Marvin Gaye & Tammi Terrell42:45
13This Old Heart of Mine
producer:
Lamont Dozier, Holland–Dozier (with Brian Holland) and Brian Holland (Motown producer & songwriter)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1966)
recording of:
This Old Heart of Mine (Is Weak for You)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
writer:
Holland–Dozier–Holland
composer:
Lamont Dozier, Brian Holland (Motown producer & songwriter) and Sylvia Moy
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Jobete Music (appears also as: Jobete Msc.) and Stone Agate Music Division
The Isley Brothers4.252:50
14Going to a Go‐Go
producer:
Bill “Smokey” Robinson
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1965)
recording of:
Going to a Go‐Go
writer:
Warren “Pete” Moore, Smokey Robinson, Bobby Rogers and Marvin Tarplin
publisher:
EMI Music (do not use as release label! this is a music publisher) and Jobete Music (appears also as: Jobete Msc.)
Smokey Robinson & The Miracles42:49
15How Sweet It Is (to Be Loved by You)
mixer:
Suha Gur
bass:
James Jamerson
guitar:
Willie Woods (US guitarist & songwriter)
keyboard:
Vic Thomas (keyboard)
membranophone:
James Graves
saxophone:
Junior Walker
cover recording of:
How Sweet It Is (to Be Loved by You)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), EMI Music Publishing Ltd. (PRS‐affiliated), Stone Agate Music, Stone Agate Music Division and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Jr. Walker & the All Stars42:59
16Ben
producer:
The Corporation (Motown songwriters)
lead vocals:
Michael Jackson (“King of Pop”) (in 1972)
arranger:
The Corporation (Motown songwriters)
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label)
recording of:
Ben (in 1972)
lyricist:
Don Black (English lyricist)
composer:
Walter Scharf
publisher:
Jobette Music (in 1972)
part of:
The 45th Academy Award for Best Original Song (number: 2)
Michael Jackson3.852:43
17With You I’m Born Again
recording of:
With You I’m Born Again
lyricist:
Carol Connors
composer:
David Shire (American score composer)
publisher:
Check Out Music, EMI Music Publishing (do not use as a release label!) and Jobete Music (UK) Ltd.
Billy Preston & Syreeta3:37
18Endless Love
recording engineer:
Reggie Dozier
producer:
Lionel Richie
mixer:
Guy Costa
additional guest performer:
Diana Ross
arranger:
Gene Page (conductor, composer, arranger and record producer)
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1981)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 20)
recording of:
Endless Love
lyricist and composer:
Lionel Richie
publisher:
Brockman Music, Café Americana Inc., PGP Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Publishing (Warner/Chappell Music, Inc.) and Warner/Chappell North America
part of:
The 54th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1981 nominee)
Diana Ross & Lionel Richie3.54:28
2▼CD
#TitleArtistRatingLength
1My Girl
producer:
Smokey Robinson and Ronald White (soul singer, founding member of The Miracles)
bass:
James Jamerson (from 1964-09-25 until 1964-11-17)
drums (drum set):
Benny Benjamin (US drummer) (from 1964-09-25 until 1964-11-17)
guitar:
Robert White (US funk/soul guitarist) (from 1964-09-25 until 1964-11-17)
instruments:
The Funk Brothers (from 1964-09-25 until 1964-11-17)
strings:
Detroit Symphony Orchestra (from 1964-09-25 until 1964-11-17)
background vocals:
Eddie Kendricks (from 1964-09-25 until 1964-11-17), Otis Williams (US baritone singer, member of The Temptations & The Distants) (from 1964-09-25 until 1964-11-17) and Paul Williams (member of The Temptations) (from 1964-09-25 until 1964-11-17)
lead vocals:
David Ruffin (soul singer, member of The Temptations) (from 1964-09-25 until 1964-11-17)
performer:
The Temptations (Motown soul vocal group) (from 1964-09-25 until 1964-11-17)
strings arranger:
Paul Riser
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1964)
recorded at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, United States (from 1964-09-25 until 1964-11-17)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 3), Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 11), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 43) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 88)
recording of:
My Girl (from 1964-09-25 until 1964-11-17)
lyricist:
Smokey Robinson
composer:
Smokey Robinson and Ronald White (soul singer, founding member of The Miracles)
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Music for Africa (South Africa), Poochum, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
The Temptations4.452:43
2You Can’t Hurry Love
recording engineer:
Russ Terrana
engineer:
Lamont Dozier
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
bass:
James Jamerson (on 1966-06-11)
brass [horns]:
Detroit Symphony Orchestra (on 1966-06-11)
drums (drum set):
Benny Benjamin (US drummer) (on 1966-06-11)
guitar [Gibson L-5]:
Robert White (US funk/soul guitarist) (on 1966-06-11)
instruments:
The Funk Brothers (on 1966-06-11)
piano:
Earl Van Dyke (on 1966-06-11)
tambourine:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (on 1966-06-11)
background vocals:
Florence Ballard (on 1966-07-05) and Mary Wilson (on 1966-07-05)
lead vocals:
Diana Ross (on 1966-07-05)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1966) and Motown Records (not for label use; use “Motown” instead) (in 2015, in 2017)
recorded at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, United States (from 1966-06-11 until 1966-07-05)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 280)
recording of:
You Can’t Hurry Love (from 1966-06-11 until 1966-07-05)
writer:
Lamont Dozier, Brian Holland (Motown producer & songwriter) and Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Jobete (now‐defunct US music publisher, affiliated with BMI), Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30), Jobete Music (UK) Ltd. (in 1965) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
The Supremes4.752:44
3It’s the Same Old Song
recording engineer:
Lawrence T. Horn
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
mixer:
Robert L. Gordy (music publishing executive)
baritone saxophone:
Mike Terry (60s US soul arranger/conductor)
bass [1962 Fender Precision Bass]:
James Jamerson
drums (drum set):
Benny Benjamin (US drummer)
guitar [1964 Gibson Firebird III]:
Eddie Willis
guitar [Fender Telecaster with Jazzmaster Neck]:
Joe Messina
guitar [Gibson L-5]:
Robert White (US funk/soul guitarist)
piano:
Earl Van Dyke
strings:
Detroit Symphony Orchestra
tambourine:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger)
vibraphone:
Jack Brokensha
background vocals:
Marlene Barrow, Renaldo Benson, Louvain Demps, Abdul “Duke” Fakir, Jackie Hicks and Lawrence Payton
lead vocals:
Levi Stubbs
recorded at and mixed at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, United States
recording of:
It’s the Same Old Song (on 1965-07-07)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
EMI Songs Australia
Four Tops42:46
4The Track of My Tears
producer:
Bill “Smokey” Robinson
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1965)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 50) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 54)
recording of:
The Tracks of My Tears (on 1965-05-19)
writer:
Warren “Pete” Moore, Smokey Robinson and Marvin Tarplin
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) and Jobete Music Co., Inc.
sub-publisher:
Jobete Music (UK) Ltd.
recording of:
The Tracks of My Tears (on 1971-05-06)
writer:
Warren “Pete” Moore, Smokey Robinson and Marvin Tarplin
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) and Jobete Music Co., Inc.
sub-publisher:
Jobete Music (UK) Ltd.
Smokey Robinson4.252:59
5Yester Me, Yester You, Yesterday
producer:
Johnny Bristol and Harvey Fuqua
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1969)
recording of:
Yester‐Me, Yester‐You, Yesterday
writer:
Ron Miller (Motown songwriter Ronald Norman Miller) and Bryan Wells
publisher:
Jobete Music (appears also as: Jobete Msc.)
Stevie Wonder53:03
6ABC
producer:
The Corporation (Motown songwriters)
drums (drum set):
Gene Pello (in 1970-01)
electric bass guitar:
Wilton Felder (in 1970-01) and Bob West (US session bassist, producer & songwriter) (in 1970-01)
guitar:
Don Peake (in 1970-01), Louis Shelton (in 1970-01) and David T. Walker (in 1970-01)
keyboard:
Freddie Perren (in 1970-01)
background vocals:
Jackie Jackson (member of the Jackson 5) (in 1970-01), Marlon Jackson (in 1970-01) and Tito Jackson (in 1970-01)
background vocals and lead vocals:
Michael Jackson (“King of Pop”) (in 1970-01)
lead vocals:
Jackie Jackson (member of the Jackson 5) (in 1970-01), Jermaine Jackson (soul/pop singer, of Jackson 5) (in 1970-01) and Tito Jackson (in 1970-01)
arranger:
The Corporation (Motown songwriters)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1970)
recorded at:
Sound Factory (1969–1980) in Los Angeles, California, United States (in 1970-01)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 174)
recording of:
ABC (in 1970-01)
writer:
Berry Gordy, Fonce Mizell, Freddie Perren and Deke Richards (American songwriter and record producer)
composer:
Erik Huber (audio engineer, producer, composer)
publisher:
Jobete Music Co., Inc.
sub-publisher:
ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
part of:
MJ: The Musical
The Jackson 54.12:57
7It Takes Two
vocals:
Kim Weston
recording of:
It Takes Two
writer:
Sylvia Moy and William Stevenson (Motown songwriter)
publisher:
Jobete Music (UK) Ltd. and Stone Agate Music
Marvin Gaye & Kim Weston32:56
8Dancing in the Street
producer:
William Stevenson (Motown songwriter)
baritone saxophone:
Thomas Bowles (on 1964-06-29)
bass guitar:
James Jamerson (on 1964-06-29)
drums (drum set):
Marvin Gaye (on 1964-06-29)
guitar:
Joe Messina (on 1964-06-29), Robert White (US funk/soul guitarist) (on 1964-06-29) and Eddie Willis (on 1964-06-29)
other instruments [tire iron]:
Ivy Jo Hunter (on 1964-06-29)
percussion, tambourine and vibraphone [vibes]:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (on 1964-06-29)
tenor saxophone:
Henry Cosby (on 1964-06-29)
trombone:
George Bohanon (on 1964-06-29) and Paul Riser (on 1964-06-29)
trumpet:
Russell Conway (trumpet player) (on 1964-06-29) and Herbert Williams (trumpet player) (on 1964-06-29)
background vocals:
Rosalind Ashford (on 1964-06-29), Ivy Jo Hunter (on 1964-06-29), Betty Kelly (on 1964-06-29) and William Stevenson (Motown songwriter) (on 1964-06-29)
lead vocals:
Martha Reeves (on 1964-06-29)
publisher:
EMI Music Publishing (do not use as a release label!)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1964) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1964)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 7), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 40), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 130) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 403)
recording of:
Dancing in the Street (on 1964-06-29)
writer:
I. Hunter, M. Gaye and W. Stevenson (Motown songwriter)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), FCG Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., MG III Music, NMG Music, Stone Agate Music, Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Martha and the Vandellas3.552:37
9I Hear a Symphony
cover recording of:
I Hear a Symphony
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
writer:
Holland–Dozier–Holland
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Stone Agate Music Division and Jobete (now‐defunct US music publisher, affiliated with BMI) (in 1965)
The Isley Brothers3:19
10The Look of Love
cover recording of:
The Look of Love
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Colgems Music Corp., Colgems-EMI Music Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
Screen Gems–EMI Music Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
part of:
The 40th Academy Award for Best Original Song (number: 2)
Gladys Knight & the Pips33:56
11(I’m a) Roadrunner
mixer:
Suha Gur
bass:
James Jamerson
guitar:
Willie Woods (US guitarist & songwriter)
keyboard:
Vic Thomas (keyboard)
membranophone:
James Graves
saxophone:
Junior Walker
recording of:
(I’m a) Road Runner
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Stone Agate Music, Stone Agate Music Corp., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Jr. Walker & the All Stars22:46
12It’s Wonderful (to Be Loved By You)
recording of:
How Sweet It Is (to Be Loved by You)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), EMI Music Publishing Ltd. (PRS‐affiliated), Stone Agate Music, Stone Agate Music Division and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Jimmy Ruffin2:43
13Ain’t No Mountain High Enough
producer:
Nickolas Ashford, Henry Cosby and Valerie Simpson
arranger:
Paul Riser
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1970)
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 6)
cover recording of:
Ain’t No Mountain High Enough
writer:
Nickolas Ashford and Valerie Simpson
publisher:
EMI Music Publishing (do not use as a release label!), EMI Songs, Jobete Music (appears also as: Jobete Msc.) and Jobete Music Co., Inc.
sub-publisher:
EMI Songs Australia Pty. Ltd. and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Diana Ross4.153:33
14What’s Going On
producer:
Marvin Gaye
mixer:
Lawrence Miles (on 1971-05-06)
instruments:
Detroit Symphony Orchestra (on 1971-05-06) and The Funk Brothers (on 1971-05-06)
percussion [box drum], piano and lead vocals:
Marvin Gaye (on 1971-05-06)
background vocals:
Lem Barney (on 1971-05-06), Mel Farr (on 1971-05-06) and Marvin Gaye (on 1971-05-06)
conductor:
David Van dePitte (on 1971-05-06)
phonographic copyright (℗) by:
Motown Records (not for label use; use “Motown” instead) (in 1971)
recorded at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, United States (on 1971-05-06)
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 4), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 4), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 102) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
What’s Going On (on 1971-05-06)
lyricist and composer:
Renaldo Benson, Al Cleveland (songwriter 1930-1996) and Marvin Gaye
publisher:
EMI Songs Australia, FCG Music, Jobete Music Co., Inc., MG III Music, NMG Music, Sony/ATV Music Publishing Ltd. and Stone Agate Music Corp.
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Marvin Gaye4.23:52
15One Day in Your Life
producer:
Sam Brown
arranger:
Sam Brown
recording of:
One Day in Your Life
lyricist:
Samuel F. Brown III
composer:
Renée Armand
publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30), Jobete Music Co., Inc. (from 1974 to present) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Michael Jackson3.64:10
16I Love Your Smile
producer:
Narada Michael Walden
arranger:
Narada Michael Walden
produced for:
Perfection Light Productions
recording of:
I Love Your Smile
writer:
Jarvis Baker, Sylvester Jackson, Shanice Lorraine Wilson-Knox and Narada Michael Walden
publisher:
Carlin Music Corporation, EMI April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Gratitude Sky Music, Inc., Shanice 4 U Music and WB Music Corp. (1929–2019)
Shanice44:18
17Superfreak
recording engineer and mixer:
Tom "Super" Flye
assistant engineer:
Rick "Port Hole" Sanchez
engineer:
Bobby Brooks (US producer/engineer/remixer), Rick "Port Hole" Sanchez and Tom "Super" Flye
executive producer:
Alonzo Miller (Singer-songwriter, producer)
producer:
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
bass:
Oscar Alston
drums (drum set):
Lanise Hughes
electric piano and synthesizer [Crumar]:
Levi Ruffin, Jr.
guitar:
Tom McDermott (guitarist)
handclaps and percussion:
Oscar Alston, Rick James (US vocalist, multi‐instrumentalist, composer & producer) and Tom McDermott (guitarist)
other instruments [flexatone] and vibraslap:
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
tenor saxophone:
Daniel LeMelle
background vocals:
Dennis Edwards (US soul & R’n’B singer), Melvin Franklin, Taborah Johnson, Glenn Leonard, Richard Street and Otis Williams (US baritone singer, member of The Temptations & The Distants)
horn arranger:
Daniel LeMelle and Rick James (US vocalist, multi‐instrumentalist, composer & producer)
arranger:
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
recorded at:
Motown Studios - Hitsville West (recording and mastering studios in West Hollywood, CA) in West Hollywood, California, United States (background vocals) and The Plant Studios (1981–2008) in Sausalito, California, United States
mixed at:
Westlake Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, United States
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 71), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 153) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 477)
recording of:
Super Freak
orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
lyricist and composer:
Alonzo Miller (Singer-songwriter, producer) and Rick James (US vocalist, multi‐instrumentalist, composer & producer)
publisher:
Jobete Music Co., Inc. and Stone Diamond Music Corporation
Rick James4.153:18
18Don’t Look Any Further
recording engineer:
Jeremy Smith (producer/engineer)
drum machine programming and associate co-producer:
Paul M. Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
producer:
Dennis Lambert
bass guitar:
Nathan East
bass synthesizer and electric guitar [Valley Arts Stratocaster]:
Paul M. Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
cabasa, shakers, talking drum, tambourine and timbales:
Paulinho da Costa (Brazilian percussionist)
synthesizer:
Dennis Lambert
guest vocals:
Siedah Garrett
performer:
Siedah Garrett
arranger:
Dennis Lambert and Paul M. Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
recorded at:
Soundcastle Studios (former LA location) in Silver Lake, Los Angeles, California, United States
mixed at:
Motown Studios - Hitsville West (recording and mastering studios in West Hollywood, CA) in West Hollywood, California, United States
recording of:
Don’t Look Any Further
writer:
Franne Golde, Duane Hitchings and Dennis Lambert
publisher:
BMG Platinum Songs US, Universal Music Careers and VMG Worldwide
Dennis Edwards & Siedah Garrett43:59