Cantatas BWV 206 & 208 „Jagdkantate“

~ Release by Johann Sebastian Bach, André Rieu & Amsterdam Chamber Orchestra (see all versions of this release, 1 available)

Tracklist

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1Was mir behagt, ist nur die muntre Jagd, BWV 208 „Jagdkantate“: 1. Recitativo (Soprano I): „Was mir behagt, ist nur die muntre Jagd!“
bassoon:
Thom De Klerk (bassoonist)
cello:
Louis Smeehuyzen (cellist)
cor anglais:
Leo Van Der Lek (Dutch classical wind instrument artist)
double bass:
E. Spieler (bassist, double bass)
harpsichord:
Gustav Leonhardt (conductor, harpsichordist)
horn:
Jan Bos (horn player) and Marinus Clarijs (horn)
oboe:
Cees van der Kraan and Haakon Stotijn (Dutch oboist)
recorder:
Frans Brüggen (recorder player, baroque flautist, conductor) and Jeanette van Wingerden (recorder)
violin:
Herman Krebbers (violinist)
soprano vocals [Diana]:
Erna Spoorenberg (soprano)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: I. Recitativo (Sopran I) “Was mir behagt, ist nur die muntre Jagd!”
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach0:46
2Was mir behagt, ist nur die muntre Jagd, BWV 208 „Jagdkantate“: 2. Aria (Soprano I): „Jagen ist die Lust der Götter“
bassoon:
Thom De Klerk (bassoonist)
cello:
Louis Smeehuyzen (cellist)
cor anglais:
Leo Van Der Lek (Dutch classical wind instrument artist)
double bass:
E. Spieler (bassist, double bass)
harpsichord:
Gustav Leonhardt (conductor, harpsichordist)
horn:
Jan Bos (horn player) and Marinus Clarijs (horn)
oboe:
Cees van der Kraan and Haakon Stotijn (Dutch oboist)
recorder:
Frans Brüggen (recorder player, baroque flautist, conductor) and Jeanette van Wingerden (recorder)
violin:
Herman Krebbers (violinist)
soprano vocals [Diana]:
Erna Spoorenberg (soprano)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: II. Aria (Sopran I) “Jagen ist die Lust de Göter”
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach2:16
3Was mir behagt, ist nur die muntre Jagd, BWV 208 „Jagdkantate“: 3. Recitativo (Tenore): „Wie, schönste Göttin, wie?“
bassoon:
Thom De Klerk (bassoonist)
cello:
Louis Smeehuyzen (cellist)
cor anglais:
Leo Van Der Lek (Dutch classical wind instrument artist)
double bass:
E. Spieler (bassist, double bass)
harpsichord:
Gustav Leonhardt (conductor, harpsichordist)
horn:
Jan Bos (horn player) and Marinus Clarijs (horn)
oboe:
Cees van der Kraan and Haakon Stotijn (Dutch oboist)
recorder:
Frans Brüggen (recorder player, baroque flautist, conductor) and Jeanette van Wingerden (recorder)
violin:
Herman Krebbers (violinist)
tenor vocals [Endymion]:
Tom Brand (Dutch tenor)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: III. Recitativo (Tenor) “Wie? Schönste Göttin! Wie?”
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach1:03
4Was mir behagt, ist nur die muntre Jagd, BWV 208 „Jagdkantate“: 4. Aria (Tenore): „Willst du dich nicht mehr ergötzen“
bassoon:
Thom De Klerk (bassoonist)
cello:
Louis Smeehuyzen (cellist)
cor anglais:
Leo Van Der Lek (Dutch classical wind instrument artist)
double bass:
E. Spieler (bassist, double bass)
harpsichord:
Gustav Leonhardt (conductor, harpsichordist)
horn:
Jan Bos (horn player) and Marinus Clarijs (horn)
oboe:
Cees van der Kraan and Haakon Stotijn (Dutch oboist)
recorder:
Frans Brüggen (recorder player, baroque flautist, conductor) and Jeanette van Wingerden (recorder)
violin:
Herman Krebbers (violinist)
tenor vocals [Endymion]:
Tom Brand (Dutch tenor)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IV. Aria (Tenor) “Willst du dich nicht mehr ergötzen”
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach5:29
5Was mir behagt, ist nur die muntre Jagd, BWV 208 „Jagdkantate“: 5. Recitativo (Soprano I, Tenore): „Ich liebe dich zwar noch!“
bassoon:
Thom De Klerk (bassoonist)
cello:
Louis Smeehuyzen (cellist)
cor anglais:
Leo Van Der Lek (Dutch classical wind instrument artist)
double bass:
E. Spieler (bassist, double bass)
harpsichord:
Gustav Leonhardt (conductor, harpsichordist)
horn:
Jan Bos (horn player) and Marinus Clarijs (horn)
oboe:
Cees van der Kraan and Haakon Stotijn (Dutch oboist)
recorder:
Frans Brüggen (recorder player, baroque flautist, conductor) and Jeanette van Wingerden (recorder)
violin:
Herman Krebbers (violinist)
soprano vocals [Diana]:
Erna Spoorenberg (soprano)
tenor vocals [Endymion]:
Tom Brand (Dutch tenor)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: V. Recitativo (Sopran I, Tenor) “Ich liebe dich zwar noch!”
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach2:31
6Was mir behagt, ist nur die muntre Jagd, BWV 208 „Jagdkantate“: 6. Recitativo (Basso): „Ich, der ich sonst ein Gott in diesen Feldern bin“
bassoon:
Thom De Klerk (bassoonist)
cello:
Louis Smeehuyzen (cellist)
cor anglais:
Leo Van Der Lek (Dutch classical wind instrument artist)
double bass:
E. Spieler (bassist, double bass)
harpsichord:
Gustav Leonhardt (conductor, harpsichordist)
horn:
Jan Bos (horn player) and Marinus Clarijs (horn)
oboe:
Cees van der Kraan and Haakon Stotijn (Dutch oboist)
recorder:
Frans Brüggen (recorder player, baroque flautist, conductor) and Jeanette van Wingerden (recorder)
violin:
Herman Krebbers (violinist)
bass vocals [Pan]:
Jacques Villisech (bass-baritone)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: VI. Recitativo (Bass) “Ich, der ich sonst ein Gott in diesen Feldern bin”
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach0:32
7Was mir behagt, ist nur die muntre Jagd, BWV 208 „Jagdkantate“: 7. Aria (Basso): „Ein Fürst ist seines Landes Pan“
bassoon:
Thom De Klerk (bassoonist)
cello:
Louis Smeehuyzen (cellist)
cor anglais:
Leo Van Der Lek (Dutch classical wind instrument artist)
double bass:
E. Spieler (bassist, double bass)
harpsichord:
Gustav Leonhardt (conductor, harpsichordist)
horn:
Jan Bos (horn player) and Marinus Clarijs (horn)
oboe:
Cees van der Kraan and Haakon Stotijn (Dutch oboist)
recorder:
Frans Brüggen (recorder player, baroque flautist, conductor) and Jeanette van Wingerden (recorder)
violin:
Herman Krebbers (violinist)
bass vocals [Pan]:
Jacques Villisech (bass-baritone)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: VII. Aria (Bass) “Ein Fürst ist seines Landes Pan!”
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach3:21
8Was mir behagt, ist nur die muntre Jagd, BWV 208 „Jagdkantate“: 8. Recitativo (Soprano II): „Soll dann der Pales Opfer hier das Letzte sein?“
bassoon:
Thom De Klerk (bassoonist)
cello:
Louis Smeehuyzen (cellist)
cor anglais:
Leo Van Der Lek (Dutch classical wind instrument artist)
double bass:
E. Spieler (bassist, double bass)
harpsichord:
Gustav Leonhardt (conductor, harpsichordist)
horn:
Jan Bos (horn player) and Marinus Clarijs (horn)
oboe:
Cees van der Kraan and Haakon Stotijn (Dutch oboist)
recorder:
Frans Brüggen (recorder player, baroque flautist, conductor) and Jeanette van Wingerden (recorder)
violin:
Herman Krebbers (violinist)
soprano vocals [Pales]:
Irmgard Jacobeit (soprano)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: VIII. Recitativo (Sopran II) “Soll denn der Pales Opfer hier das letzte sein?”
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach0:40
9Was mir behagt, ist nur die muntre Jagd, BWV 208 „Jagdkantate“: 9. Aria (Soprano II): „Schafe können sicher weiden“
bassoon:
Thom De Klerk (bassoonist)
cello:
Louis Smeehuyzen (cellist)
cor anglais:
Leo Van Der Lek (Dutch classical wind instrument artist)
double bass:
E. Spieler (bassist, double bass)
harpsichord:
Gustav Leonhardt (conductor, harpsichordist)
horn:
Jan Bos (horn player) and Marinus Clarijs (horn)
oboe:
Cees van der Kraan and Haakon Stotijn (Dutch oboist)
recorder:
Frans Brüggen (recorder player, baroque flautist, conductor) and Jeanette van Wingerden (recorder)
violin:
Herman Krebbers (violinist)
soprano vocals [Pales]:
Irmgard Jacobeit (soprano)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden”
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Classic 100: Piano (2025) (number: 38)
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach4:01
10Was mir behagt, ist nur die muntre Jagd, BWV 208 „Jagdkantate“: 10. Recitativo (Soprano I): „So stimmt mit ein“
bassoon:
Thom De Klerk (bassoonist)
cello:
Louis Smeehuyzen (cellist)
cor anglais:
Leo Van Der Lek (Dutch classical wind instrument artist)
double bass:
E. Spieler (bassist, double bass)
harpsichord:
Gustav Leonhardt (conductor, harpsichordist)
horn:
Jan Bos (horn player) and Marinus Clarijs (horn)
oboe:
Cees van der Kraan and Haakon Stotijn (Dutch oboist)
recorder:
Frans Brüggen (recorder player, baroque flautist, conductor) and Jeanette van Wingerden (recorder)
violin:
Herman Krebbers (violinist)
soprano vocals [Diana]:
Erna Spoorenberg (soprano)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: X. Recitativo (Sopran I) “So stimmt mit ein”
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach0:13
11Was mir behagt, ist nur die muntre Jagd, BWV 208 „Jagdkantate“: 11. Coro: „Lebe, Sonne dieser Erden“
bassoon:
Thom De Klerk (bassoonist)
cello:
Louis Smeehuyzen (cellist)
cor anglais:
Leo Van Der Lek (Dutch classical wind instrument artist)
double bass:
E. Spieler (bassist, double bass)
harpsichord:
Gustav Leonhardt (conductor, harpsichordist)
horn:
Jan Bos (horn player) and Marinus Clarijs (horn)
oboe:
Cees van der Kraan and Haakon Stotijn (Dutch oboist)
recorder:
Frans Brüggen (recorder player, baroque flautist, conductor) and Jeanette van Wingerden (recorder)
violin:
Herman Krebbers (violinist)
choir vocals:
Monteverdi‐Chor Hamburg
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: XI. Chorus (Aria a 4) “Lebe, Sonne dieser Erdem”
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach2:51
12Was mir behagt, ist nur die muntre Jagd, BWV 208 „Jagdkantate“: 12. Duetto (Soprano I, Tenore): „Entzücket uns Beide, ihr Strahlen der Freude“
bassoon:
Thom De Klerk (bassoonist)
cello:
Louis Smeehuyzen (cellist)
cor anglais:
Leo Van Der Lek (Dutch classical wind instrument artist)
double bass:
E. Spieler (bassist, double bass)
harpsichord:
Gustav Leonhardt (conductor, harpsichordist)
horn:
Jan Bos (horn player) and Marinus Clarijs (horn)
oboe:
Cees van der Kraan and Haakon Stotijn (Dutch oboist)
recorder:
Frans Brüggen (recorder player, baroque flautist, conductor) and Jeanette van Wingerden (recorder)
violin:
Herman Krebbers (violinist)
soprano vocals [Diana]:
Erna Spoorenberg (soprano)
tenor vocals [Endymion]:
Tom Brand (Dutch tenor)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: XII. Duetto (Sopran I, Tenor) “Entzücket uns beide”
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach2:30
13Was mir behagt, ist nur die muntre Jagd, BWV 208 „Jagdkantate“: 13. Aria (Soprano II): „Weil die wollenreichen Herden“
bassoon:
Thom De Klerk (bassoonist)
cello:
Louis Smeehuyzen (cellist)
cor anglais:
Leo Van Der Lek (Dutch classical wind instrument artist)
double bass:
E. Spieler (bassist, double bass)
harpsichord:
Gustav Leonhardt (conductor, harpsichordist)
horn:
Jan Bos (horn player) and Marinus Clarijs (horn)
oboe:
Cees van der Kraan and Haakon Stotijn (Dutch oboist)
recorder:
Frans Brüggen (recorder player, baroque flautist, conductor) and Jeanette van Wingerden (recorder)
violin:
Herman Krebbers (violinist)
soprano vocals [Pales]:
Irmgard Jacobeit (soprano)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: XIII. Aria (Sopran II) “Weil die wollenreichen Herden”
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach1:55
14Was mir behagt, ist nur die muntre Jagd, BWV 208 „Jagdkantate“: 14. Aria (Basso): „Ihr Felder und Auen, laßt grünend euch schauen“
bassoon:
Thom De Klerk (bassoonist)
cello:
Louis Smeehuyzen (cellist)
cor anglais:
Leo Van Der Lek (Dutch classical wind instrument artist)
double bass:
E. Spieler (bassist, double bass)
harpsichord:
Gustav Leonhardt (conductor, harpsichordist)
horn:
Jan Bos (horn player) and Marinus Clarijs (horn)
oboe:
Cees van der Kraan and Haakon Stotijn (Dutch oboist)
recorder:
Frans Brüggen (recorder player, baroque flautist, conductor) and Jeanette van Wingerden (recorder)
violin:
Herman Krebbers (violinist)
bass vocals [Pan]:
Jacques Villisech (bass-baritone)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: XIV. Aria (Bass) “Ihr felder und Auen, laßt grünend euch schauen”
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach2:34
15Was mir behagt, ist nur die muntre Jagd, BWV 208 „Jagdkantate“: 15. Coro: „Ihr lieblichste Blicke“
bassoon:
Thom De Klerk (bassoonist)
cello:
Louis Smeehuyzen (cellist)
cor anglais:
Leo Van Der Lek (Dutch classical wind instrument artist)
double bass:
E. Spieler (bassist, double bass)
harpsichord:
Gustav Leonhardt (conductor, harpsichordist)
horn:
Jan Bos (horn player) and Marinus Clarijs (horn)
oboe:
Cees van der Kraan and Haakon Stotijn (Dutch oboist)
recorder:
Frans Brüggen (recorder player, baroque flautist, conductor) and Jeanette van Wingerden (recorder)
violin:
Herman Krebbers (violinist)
choir vocals:
Monteverdi‐Chor Hamburg
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: XV. Chorus “Ihr lieblichste Bliche! ihr freudige Stunden”
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach4:12
16Schleicht, spielende Wellen, BWV 206: 1. Coro: „Schleicht, spielende Wellen“
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1962-10-21 until 1962-10-27)
cello:
Louis Smeehuyzen (cellist)
double bass:
Bernard Spieler (bassist, double bass)
flute:
H. Bahrwasser
harpsichord:
Gustav Leonhardt (conductor, harpsichordist)
oboe d'amore:
Leo Van Der Lek (Dutch classical wind instrument artist) and Haakon Stotijn (Dutch oboist)
trumpet:
Willem Groot (trumpet)
violin:
Herman Krebbers (violinist)
choir vocals:
Monteverdi‐Chor Hamburg (from 1962-10-21 until 1962-10-27)
orchestra:
Amsterdam Chamber Orchestra (from 1962-10-21 until 1962-10-27)
conductor:
André Rieu (from 1962-10-21 until 1962-10-27)
chorus master:
Jürgen Jürgens (chorus master and conductor) (from 1962-10-21 until 1962-10-27)
recording of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!": I. Chorus "Schleicht, spielende Wellen, und murmelt gelinde!" (from 1967-05-06 until 1967-05-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1736-10-07)
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!"
Johann Sebastian Bach6:33
17Schleicht, spielende Wellen, BWV 206: 2. Recitativo (Basso): „O glückliche Veränderung!“
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1962-10-21 until 1962-10-27)
cello:
Louis Smeehuyzen (cellist)
double bass:
Bernard Spieler (bassist, double bass)
flute:
H. Bahrwasser
harpsichord:
Gustav Leonhardt (conductor, harpsichordist)
oboe d'amore:
Leo Van Der Lek (Dutch classical wind instrument artist) and Haakon Stotijn (Dutch oboist)
trumpet:
Willem Groot (trumpet)
violin:
Herman Krebbers (violinist)
bass vocals [Weichsel]:
Jacques Villisech (bass-baritone) (from 1962-10-21 until 1962-10-27)
orchestra:
Amsterdam Chamber Orchestra (from 1962-10-21 until 1962-10-27)
conductor:
André Rieu (from 1962-10-21 until 1962-10-27)
recording of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!": II. Recitativo (Bass) "O glückliche Veränderung!" (from 1967-05-06 until 1967-05-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1736-10-07)
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!"
Johann Sebastian Bach1:20
18Schleicht, spielende Wellen, BWV 206: 3. Aria Basso: „Schleuß des Janustempels Türen“
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1962-10-21 until 1962-10-27)
cello:
Louis Smeehuyzen (cellist)
double bass:
Bernard Spieler (bassist, double bass)
flute:
H. Bahrwasser
harpsichord:
Gustav Leonhardt (conductor, harpsichordist)
oboe d'amore:
Leo Van Der Lek (Dutch classical wind instrument artist) and Haakon Stotijn (Dutch oboist)
trumpet:
Willem Groot (trumpet)
violin:
Herman Krebbers (violinist)
bass vocals [Weichsel]:
Jacques Villisech (bass-baritone) (from 1962-10-21 until 1962-10-27)
orchestra:
Amsterdam Chamber Orchestra (from 1962-10-21 until 1962-10-27)
conductor:
André Rieu (from 1962-10-21 until 1962-10-27)
recording of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!": III. Aria (Bass) "Schleuß des Janustempels Türen" (from 1967-05-06 until 1967-05-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1736-10-07)
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!"
Johann Sebastian Bach5:11
19Schleicht, spielende Wellen, BWV 206: 4. Recitativo (Tenore): „So recht! Beglückter Weichselstrom!“
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1962-10-21 until 1962-10-27)
cello:
Louis Smeehuyzen (cellist)
double bass:
Bernard Spieler (bassist, double bass)
flute:
H. Bahrwasser
harpsichord:
Gustav Leonhardt (conductor, harpsichordist)
oboe d'amore:
Leo Van Der Lek (Dutch classical wind instrument artist) and Haakon Stotijn (Dutch oboist)
trumpet:
Willem Groot (trumpet)
violin:
Herman Krebbers (violinist)
tenor vocals [Elbe]:
Tom Brand (Dutch tenor) (from 1962-10-21 until 1962-10-27)
orchestra:
Amsterdam Chamber Orchestra (from 1962-10-21 until 1962-10-27)
conductor:
André Rieu (from 1962-10-21 until 1962-10-27)
recording of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!": IV. Recitativo (Tenor) "So recht! beglückter Weichselstrom!" (from 1967-05-06 until 1967-05-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1736-10-07)
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!"
Johann Sebastian Bach1:42
20Schleicht, spielende Wellen, BWV 206: 5. Aria (Tenore): „Jede Woge meiner Wellen“
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1962-10-21 until 1962-10-27)
cello:
Louis Smeehuyzen (cellist)
double bass:
Bernard Spieler (bassist, double bass)
flute:
H. Bahrwasser
harpsichord:
Gustav Leonhardt (conductor, harpsichordist)
oboe d'amore:
Leo Van Der Lek (Dutch classical wind instrument artist) and Haakon Stotijn (Dutch oboist)
trumpet:
Willem Groot (trumpet)
violin:
Herman Krebbers (violinist)
tenor vocals [Elbe]:
Tom Brand (Dutch tenor) (from 1962-10-21 until 1962-10-27)
orchestra:
Amsterdam Chamber Orchestra (from 1962-10-21 until 1962-10-27)
conductor:
André Rieu (from 1962-10-21 until 1962-10-27)
recording of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!": V. Aria (Tenor) "Jede Woge meiner Wellen" (from 1967-05-06 until 1967-05-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1736-10-07)
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!"
Johann Sebastian Bach7:52
21Schleicht, spielende Wellen, BWV 206: 6. Recitativo (Alto): „Ich nehm’ zugleich an deiner Freude Teil“
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1962-10-21 until 1962-10-27)
cello:
Louis Smeehuyzen (cellist)
double bass:
Bernard Spieler (bassist, double bass)
flute:
H. Bahrwasser
harpsichord:
Gustav Leonhardt (conductor, harpsichordist)
oboe d'amore:
Leo Van Der Lek (Dutch classical wind instrument artist) and Haakon Stotijn (Dutch oboist)
trumpet:
Willem Groot (trumpet)
violin:
Herman Krebbers (violinist)
alto vocals [Donau]:
Wilhelmine Matthès (contralto) (from 1962-10-21 until 1962-10-27)
orchestra:
Amsterdam Chamber Orchestra (from 1962-10-21 until 1962-10-27)
conductor:
André Rieu (from 1962-10-21 until 1962-10-27)
recording of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!": VI. Recitativo (Alt) "Ich nehm zugleich an deiner Freude teil" (from 1967-05-06 until 1967-05-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1736-10-07)
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!"
Johann Sebastian Bach1:04
22Schleicht, spielende Wellen, BWV 206: 7. Aria (alto): „Reis von Habsburgs hohem Stamme“
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1962-10-21 until 1962-10-27)
cello:
Louis Smeehuyzen (cellist)
double bass:
Bernard Spieler (bassist, double bass)
flute:
H. Bahrwasser
harpsichord:
Gustav Leonhardt (conductor, harpsichordist)
oboe d'amore:
Leo Van Der Lek (Dutch classical wind instrument artist) and Haakon Stotijn (Dutch oboist)
trumpet:
Willem Groot (trumpet)
violin:
Herman Krebbers (violinist)
alto vocals [Donau]:
Wilhelmine Matthès (contralto) (from 1962-10-21 until 1962-10-27)
orchestra:
Amsterdam Chamber Orchestra (from 1962-10-21 until 1962-10-27)
conductor:
André Rieu (from 1962-10-21 until 1962-10-27)
recording of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!": VII. Aria (Alt) "Reis von Habsburgs hohem Stamme" (from 1967-05-06 until 1967-05-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1736-10-07)
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!"
Johann Sebastian Bach6:59
23Schleicht, spielende Wellen, BWV 206: 8. Rez. Sopran: „Verzeiht, bemooste Häupter“
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1962-10-21 until 1962-10-27)
cello:
Louis Smeehuyzen (cellist)
double bass:
Bernard Spieler (bassist, double bass)
flute:
H. Bahrwasser
harpsichord:
Gustav Leonhardt (conductor, harpsichordist)
oboe d'amore:
Leo Van Der Lek (Dutch classical wind instrument artist) and Haakon Stotijn (Dutch oboist)
trumpet:
Willem Groot (trumpet)
violin:
Herman Krebbers (violinist)
soprano vocals [Pleiße]:
Irmgard Jacobeit (soprano) (from 1962-10-21 until 1962-10-27)
orchestra:
Amsterdam Chamber Orchestra (from 1962-10-21 until 1962-10-27)
conductor:
André Rieu (from 1962-10-21 until 1962-10-27)
recording of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!": VIII. Recitativo (Sopran) "Verzeiht, bemooste Häupter starker Ströme" (from 1967-05-06 until 1967-05-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1736-10-07)
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!"
Johann Sebastian Bach1:59
24Schleicht, spielende Wellen, BWV 206: 9. Aria (Soprano): „Hört doch! Der sanften Flöten Chor“
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1962-10-21 until 1962-10-27)
cello:
Louis Smeehuyzen (cellist)
double bass:
Bernard Spieler (bassist, double bass)
flute:
H. Bahrwasser
oboe d'amore:
Leo Van Der Lek (Dutch classical wind instrument artist) and Haakon Stotijn (Dutch oboist)
trumpet:
Willem Groot (trumpet)
violin:
Herman Krebbers (violinist)
soprano vocals [Pleiße]:
Irmgard Jacobeit (soprano) (from 1962-10-21 until 1962-10-27)
orchestra:
Amsterdam Chamber Orchestra (from 1962-10-21 until 1962-10-27)
conductor:
André Rieu (from 1962-10-21 until 1962-10-27)
recording of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!": IX. Aria (Sopran) "Hört doch! der sanften Flöten Chor" (from 1967-05-06 until 1967-05-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1736-10-07)
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!"
Johann Sebastian Bach3:57
25Schleicht, spielende Wellen, BWV 206: 10. Recitativo (Soprano, Alto, Tenore, Basso): „Ich muß, ich will gehorsam sein“
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1962-10-21 until 1962-10-27)
cello:
Louis Smeehuyzen (cellist)
double bass:
Bernard Spieler (bassist, double bass)
flute:
H. Bahrwasser
oboe d'amore:
Leo Van Der Lek (Dutch classical wind instrument artist) and Haakon Stotijn (Dutch oboist)
trumpet:
Willem Groot (trumpet)
violin:
Herman Krebbers (violinist)
alto vocals [Donau]:
Wilhelmine Matthès (contralto) (from 1962-10-21 until 1962-10-27)
bass vocals [Weichsel]:
Jacques Villisech (bass-baritone) (from 1962-10-21 until 1962-10-27)
soprano vocals [Pleiße]:
Irmgard Jacobeit (soprano) (from 1962-10-21 until 1962-10-27)
tenor vocals [Elbe]:
Tom Brand (Dutch tenor) (from 1962-10-21 until 1962-10-27)
orchestra:
Amsterdam Chamber Orchestra (from 1962-10-21 until 1962-10-27)
conductor:
André Rieu (from 1962-10-21 until 1962-10-27)
recording of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!": X. Recitativo (Sopran, Alt, Tenor, Bass) "Ich muß, ich will gehorsam sein" (from 1967-05-06 until 1967-05-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1736-10-07)
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!"
Johann Sebastian Bach1:41
26Schleicht, spielende Wellen, BWV 206: 11. Coro: „Die himmlische Vorsicht der ewigen Güte“
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1962-10-21 until 1962-10-27)
cello:
Louis Smeehuyzen (cellist)
double bass:
Bernard Spieler (bassist, double bass)
flute:
H. Bahrwasser
oboe d'amore:
Leo Van Der Lek (Dutch classical wind instrument artist) and Haakon Stotijn (Dutch oboist)
trumpet:
Willem Groot (trumpet)
violin:
Herman Krebbers (violinist)
choir vocals:
Monteverdi‐Chor Hamburg (from 1962-10-21 until 1962-10-27)
orchestra:
Amsterdam Chamber Orchestra (from 1962-10-21 until 1962-10-27)
conductor:
André Rieu (from 1962-10-21 until 1962-10-27)
chorus master:
Jürgen Jürgens (chorus master and conductor) (from 1962-10-21 until 1962-10-27)
recording of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!": XI. Chorus "Die himmlische Vorsicht der ewigen Güte" (from 1967-05-06 until 1967-05-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1736-10-07)
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 206 "Schleicht, spielende Wellen, und murmelt gelinde!"
Johann Sebastian Bach3:58

Credits

Release

orchestra:Amsterdam Chamber Orchestra
conductor:André Rieu
chorus master:Jürgen Jürgens (chorus master and conductor)
choir vocals:Monteverdi‐Chor Hamburg
part of:Das Alte Werk (order: 44)
Discogs:https://www.discogs.com/release/13519272 [info]
ASIN:DE: B001AMG7KY [info]