The Essential Cole Porter

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1▼CD
#TitoloArtistaValutazioneDurata
1Anything Goes
registrazione di:
Anything Goes
paroliere e compositore:
Cole Porter (composer) (nel 1934)
editore:
Chappell Music (UK), Chappell Music Ltd. e Warner Bros., Inc. (not for release label use!)
Cole Porter3:11
2I Get a Kick Out of You
registrazione di:
I Get a Kick Out of You
paroliere e compositore:
Cole Porter (composer) (nel 1934)
editore:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell e Chappell (nel 1974)
parte di:
Anything Goes
Frank Sinatra2:55
3All Through the Night
registrazione di:
All Through the Night
paroliere e compositore:
Cole Porter (composer) (nel 1934)
editore:
WB Music Corp. (1929–2019)
parte di:
Anything Goes
Bing Crosby3:01
4You’re the Top
registrazione di:
You’re the Top
paroliere e compositore:
Cole Porter (composer) (nel 1934)
parte di:
Anything Goes
Cole Porter3:26
5Blow, Gabriel, Blow
registrazione di:
Blow, Gabriel Blow (Anything Goes)
paroliere e compositore:
Cole Porter (composer) (nel 1934)
parte di:
Anything Goes
Ethel Merman2:27
6Let’s Do It
registrazione di:
Let’s Do It (Let’s Fall in Love) (Paris musical) (il 1941-03-21)
paroliere e compositore:
Cole Porter (composer) (nel 1928)
parte di:
Can‐Can (1960 musical film)
parte di:
Paris (1928 musical)
Billie Holiday2:58
7Let’s Misbehave
registrata a:
Hollywood, Los Angeles, California, Stati Uniti (il 1928-03-01)
voce:
Phil Saxe & chorus (il 1928-03-01)
registrazione di:
Let’s Misbehave (Paris musical) (il 1928-03-01)
paroliere e compositore:
Cole Porter (composer) (nel 1927)
parte di:
Anything Goes
Irving Aaronson2:53
8Be Like the Bluebird
registrazione di:
Be Like the Bluebird
paroliere e compositore:
Cole Porter (composer)
parte di:
Anything Goes
Cole Porter2:56
9You Do Something to Me
voce:
Marlene Dietrich (actress and singer) (il 1939-12-11)
orchestra:
Victor Young and His Orchestra (il 1939-12-11)
registrata presso:
Decca Studios (Hollywood; fka Recordings, Inc. 1934–40, before Decca took it over) in Hollywood, Los Angeles, California, Stati Uniti (il 1939-12-11)
registrazione di:
You Do Something to Me (Fifty Million Frenchmen musical comedy) (il 1939-12-19)
paroliere e compositore:
Cole Porter (composer) (nel 1929)
editore:
Warner/Chappell (Warner/Chappell Music, Inc.) e Warner Bros., Inc. (not for release label use!) (nel 1929)
parte di:
Can‐Can (1960 musical film)
parte di:
Fifty Million Frenchmen
Marlene Dietrich32:59
10Looking at You
registrazione di:
Looking at You (Wake Up and Dream musical revue)
paroliere e compositore:
Cole Porter (composer) (nel 1929)
Lee Wiley3:24
11Love for Sale
registrazione di:
Love for Sale
paroliere e compositore:
Cole Porter (composer) (nel 1930)
editore:
Chappell & Co., Chappell Music Ltd., Harms, Inc. e Warner Bros., Inc. (not for release label use!)
Libby Holman3:19
12What Is This Thing Called Love?
registrazione di:
What Is This Thing Called Love? (Wake Up and Dream musical revue)
paroliere e compositore:
Cole Porter (composer) (nel 1929)
editore:
Harms, Inc., Warner Bros., Inc. (not for release label use!) e Warner/Chappell (Warner/Chappell Music, Inc.)
parte di:
Wake Up and Dream (1929 revue)
Anita O’Day2:41
13They All Fall in Love
registrazione di:
They All Fall in Love (The Battle of Paris pre-Code musical aka The Gay Lady)
paroliere e compositore:
Cole Porter (composer) (nel 1929)
Jack Hylton3:09
14Swingin’ the Jinx Away
registrazione di:
Swingin’ the Jinx Away (Born to Dance, 1936 film)
paroliere e compositore:
Cole Porter (composer) (nel 1936)
Frances Langford2:39
15Rosalie
registrazione di:
Rosalie (from “Rosalie”)
paroliere e compositore:
Cole Porter (composer) (nel 1937)
Nelson Eddy1:43
16Who Knows?
Nelson Eddy2:48
17In the Still of the Night
registrazione di:
In the Still of the Night (Cole Porter song)
paroliere e compositore:
Cole Porter (composer) (nel 1937)
editore:
Chappell (library/production music) e Chappell & Co., Inc. (USA)
Billy Eckstine2:54
18At Long Last Love
registrazione cover di:
At Long Last Love
paroliere e compositore:
Cole Porter (composer) (nel 1938)
editore:
Chappell & Co., Inc. (USA)
parte di:
You Never Know
Lena Horne2:41
19Find Me a Primitive Man
registrazione di:
Find Me a Primitive Man
paroliere e compositore:
Cole Porter (composer)
Lee Wiley3:13
20Don’t Fence Me In
registrata a:
Hollywood, Los Angeles, California, Stati Uniti (il 1944-07-25) e Los Angeles, California, Stati Uniti (il 1944-07-25)
voce principale:
The Andrews Sisters (il 1944-07-25) e Bing Crosby (il 1944-07-25)
orchestra:
Vic Schoen and His Orchestra (il 1944-07-25)
direttore d'orchestra:
Vic Schoen (il 1944-07-25)
registrazione di:
Don’t Fence Me In (il 1944-07-25)
paroliere:
Robert Fletcher (US poet) (nel 1934) e Cole Porter (composer) (nel 1934)
compositore:
Cole Porter (composer) (nel 1934)
editore:
Warner Bros., Inc. (not for release label use!)
Bing Crosby with The Andrews Sisters3.53:05
2▼CD
#TitoloArtistaValutazioneDurata
1Night and Day
ance :
Jess Smith (reeds in Leo Reisman & His Orchestra) (il 1932-11-22) e Burt Williams (il 1932-11-22)
tromba :
Lew Sherwood (il 1932-11-22)
trombone :
Ernie Gibbs (il 1932-11-22)
violino :
Lew Conrad (il 1932-11-22) e Sammy Schklar (il 1932-11-22)
voce:
Fred Astaire (il 1932-11-22)
orchestra:
Leo Reisman and His Orchestra (il 1932-11-22)
direttore d'orchestra:
Leo Reisman (violinist, bandleader, arranger) (il 1932-11-22)
registrata presso:
Victor Studio #1 (Cherokee A) in New York, New York, Stati Uniti (il 1932-11-22)
registrazione di:
Night and Day (Cole Porter; from “The Gay Divorce”) (il 1932-11-22)
paroliere e compositore:
Cole Porter (composer) (nel 1932)
editore:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (fino al 2019-05-28) e Harms, Inc. (il 1932-11-18)
parte di:
Gay Divorce
Fred Astaire53:28
2Miss Otis Regrets
registrazione di:
Miss Otis Regrets
paroliere e compositore:
Cole Porter (composer) (nel 1934)
editore:
Warner/Chappell (Warner/Chappell Music, Inc.) e Warner Bros., Inc. (not for release label use!) (nel 1934)
Ethel Waters2:59
3Begin the Beguine
registrazione di:
Begin the Beguine
paroliere e compositore:
Cole Porter (composer) (nel 1935)
editore:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Jubilee
Artie Shaw3:00
4Just One of Those Things
registrazione cover di:
Just One of Those Things
paroliere e compositore:
Cole Porter (composer) (nel 1935)
editore:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) e Warner Bros., Inc. (not for release label use!) (nel 1929)
parte di:
Can‐Can (1960 musical film)
parte di:
High Society (stage musical)
parte di:
Jubilee
parte di:
Panama Hattie (1942 film)
Peggy Lee2:17
5Easy to Love
registrazione di:
Easy to Love
paroliere e compositore:
Cole Porter (composer) (nel 1936)
editore:
Chappell (library/production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
Anything Goes
parte di:
Born to Dance
Billie Holiday3:12
6When Love Comes Your Way
Cole Porter1:42
7I’ve Got You Under My Skin
registrata a:
Los Angeles, California, Stati Uniti (il 1954-08-15)
registrazione dal vivo cover di:
I’ve Got You Under My Skin (il 1954-08-15)
paroliere e compositore:
Cole Porter (composer) (nel 1936)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
The 9th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1936 nominee)
parte di:
Born to Dance
Dinah Washington with Clifford Brown5:28
8It’s De‐Lovely
registrazione di:
It’s De‐Lovely
paroliere e compositore:
Cole Porter (composer) (nel 1936)
parte di:
Anything Goes
parte di:
Red, Hot and Blue (1936 Cole Porter musical)
Ethel Merman2:50
9Ridin’ High
registrazione di:
Ridin’ High
paroliere e compositore:
Cole Porter (composer) (nel 1936)
Benny Goodman2:39
10My Heart Belongs to Daddy
ance :
Garvin Bushell (il 1939-02-17) e Hilton Jefferson (il 1939-02-17)
batteria :
Chick Webb (il 1939-02-17)
chitarra :
Bobby Johnson (US guitarist) (il 1939-02-17)
contrabbasso :
Beverly Peer (il 1939-02-17)
legni :
Wayman Carver (il 1939-02-17)
pianoforte :
Tommy Fulford (il 1939-02-17)
sassofono tenore :
Teddy McRae (il 1939-02-17)
tromba :
Taft Jordan (il 1939-02-17), Bobby Stark (il 1939-02-17) e Dick Vance (US jazz trumpeter and arranger) (il 1939-02-17)
trombone :
George Matthews (trombone) (il 1939-02-17), Nat Story (il 1939-02-17) e Sandy Williams (American jazz trombonist) (il 1939-02-17)
voce:
Ella Fitzgerald (American jazz singer) (il 1939-02-17)
registrazione cover di:
My Heart Belongs to Daddy (il 1939-02-17)
paroliere e compositore:
Cole Porter (composer) (nel 1938)
editore:
Chappell (library/production music), Chappell & Co. e Chappell Music Ltd.
Ella Fitzgerald43:10
11Let’s Fly Away
registrazione di:
Let’s Fly Away (The New Yorkers musical)
paroliere e compositore:
Cole Porter (composer) (nel 1930)
Lee Wiley3:03
12I’m a Gigolo
registrazione di:
I'm a Gigolo
paroliere e compositore:
Cole Porter (composer)
Cole Porter2:26
13Two Little Babes in the Woods
Cole Porter3:17
14Down in the Depths
registrazione di:
Down in the Depths (on the Ninetieth Floor) (from "Red Hot & Blue")
paroliere e compositore:
Cole Porter (composer) (nel 1936)
Ethel Merman3:12
15Red, Hot and Blue
registrazione di:
Red, Hot and Blue (from the musical “Red, Hot and Blue”)
paroliere e compositore:
Cole Porter (composer)
parte di:
Red, Hot and Blue (1936 Cole Porter musical)
Ethel Merman3:13
16Friendship
registrazione di:
Friendship
paroliere e compositore:
Cole Porter (composer) (nel 1939)
parte di:
Anything Goes
parte di:
DuBarry Was a Lady (1939 stage musical)
Judy Garland and Johnny Mercer2:39
17Let’s Be Buddies
registrazione di:
Let’s Be Buddies (Panama Hattie musical)
paroliere e compositore:
Cole Porter (composer) (nel 1940)
parte di:
Panama Hattie (1940 Cole Porter musical)
parte di:
Panama Hattie (1942 film)
Doris Day3:05
18I Love You
voce:
Billy Eckstine (il 1949-12-22) e Sarah Vaughan (il 1949-12-22)
orchestra:
Orchestra conducted by Joe Lipman (il 1949-12-22)
registrazione cover di:
I Love You (Mexican Hayride musical) (nel 1957)
paroliere e compositore:
Cole Porter (composer) (nel 1944)
editore:
Chappell & Co., Inc. (USA), Chappell Music (UK), EMI Feist Catalog Inc. e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Sarah Vaughan and Billy Eckstine2:40
19You’d Be So Nice to Come Home To
registrata a:
Hollywood, Los Angeles, California, Stati Uniti (il 1942-07-30)
voce:
Dinah Shore (il 1942-07-30)
orchestra:
Orchestra conducted by Paul Weston (il 1942-07-30)
direttore d'orchestra:
Paul Weston (il 1942-07-30)
registrazione di:
You’d Be So Nice to Come Home To (il 1942-07-30)
paroliere e compositore:
Cole Porter (composer) (nel 1943)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
parte di:
The 16th Academy Award for Best Original Song (numero: 2)
Dinah Shore2:56
20Ev’ry Time We Say Goodbye
registrazione di:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue)
paroliere e compositore:
Cole Porter (composer) (nel 1944)
editore:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Jeri Southern3:30
3▼CD
#TitoloArtistaValutazioneDurata
1Kiss Me Kate
registrazione di:
Kiss Me Kate (from Kiss Me, Kate)
paroliere e compositore:
Cole Porter (composer)
parte di:
Kiss Me, Kate (musical)
Howard Keel and Kathryn Grayson1:33
2Too Darn Hot
registrazione di:
Too Darn Hot (from Kiss Me, Kate)
paroliere e compositore:
Cole Porter (composer) (nel 1948)
editore:
Chappell & Co. e T.B. Harms Co.
parte di:
Kiss Me, Kate (musical)
Ann Miller3:29
3Why Can’t You Behave?
registrazione di:
Why Can’t You Behave? (from Kiss Me, Kate)
paroliere e compositore:
Cole Porter (composer) (nel 1948)
editore:
Chappell & Co., Inc. (USA)
parte di:
Kiss Me, Kate (musical)
Ann Miller4:05
4Wunderbar
registrazione di:
Wunderbar (from Kiss Me, Kate)
paroliere e compositore:
Cole Porter (composer) (nel 1948)
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
Kiss Me, Kate (musical)
Howard Keel and Kathryn Grayson4:03
5So in Love
registrazione di:
So in Love (from Kiss Me, Kate)
paroliere e compositore:
Cole Porter (composer) (nel 1948)
editore:
Chappell & Co., Inc. (USA)
parte di:
Kiss Me, Kate (musical)
Howard Keel and Kathryn Grayson2:23
6I Hate Men
registrazione di:
I Hate Men (from Kiss Me, Kate)
paroliere e compositore:
Cole Porter (composer) (nel 1948)
parte di:
Kiss Me, Kate (musical)
Kathryn Grayson3:56
7Bianca
registrazione di:
Bianca (from Kiss Me, Kate)
paroliere e compositore:
Cole Porter (composer)
parte di:
Kiss Me, Kate (musical)
MGM Studio Orchestra1:37
8Brush Up Your Shakespeare
registrazione di:
Brush Up Your Shakespeare (from Kiss Me, Kate)
paroliere e compositore:
Cole Porter (composer) (nel 1948)
parte di:
Kiss Me, Kate (musical)
James Whitmore and Keenan Wynn3:34
9Always True to You in My Fashion
registrazione di:
Always True to You in My Fashion
paroliere e compositore:
Cole Porter (composer) (nel 1948)
parte di:
Kiss Me, Kate (musical)
Ann Miller2:47
10From This Moment On
registrazione di:
From This Moment On (Kiss Me, Kate, 1953 film & 1999 Broadway revival casts only)
paroliere e compositore:
Cole Porter (composer) (nel 1950)
parte di:
Kiss Me, Kate (musical)
Ann Miller3:51
11Thank You So Much, Mrs. Lowsborough‐Goodby
Cole Porter2:30
12Be a Clown
registrazione di:
Be a Clown (The Pirate film)
paroliere e compositore:
Cole Porter (composer) (nel 1946)
parte di:
The Pirate (1948 film)
Judy Garland2:54
13I’ve Got My Eyes on You
registrazione di:
I’ve Got My Eyes on You
paroliere e compositore:
Cole Porter (composer) (nel 1939)
Geraldo3:10
14How Could We Be Wrong
registrazione di:
How Could We Be Wrong? (Nymph Errant)
paroliere e compositore:
Cole Porter (composer) (nel 1933)
parte di:
Nymph Errant (Cole Porter Musical)
Al Bowlly3:14
15It’s Bad for Me
registrazione di:
It’s Bad for Me (Nymph Errant)
paroliere e compositore:
Cole Porter (composer) (nel 1933)
editore:
Warner Bros. Inc. (not for release label use!) (nel 1933)
parte di:
Nymph Errant (Cole Porter Musical)
Ray Noble3:18
16The Cocotte
Cole Porter2:47
17The Physician
registrazione di:
The Physician (from the musical “Nymph Errant”)
paroliere e compositore:
Cole Porter (composer) (nel 1933)
parte di:
Nymph Errant (Cole Porter Musical)
Cole Porter2:58
18Experiment
registrazione di:
Experiment (Nymph Errant)
paroliere e compositore:
Cole Porter (composer) (nel 1933)
parte di:
Nymph Errant (Cole Porter Musical)
Ray Noble feat. Gertrude Lawrence2:23
19Love of My Life
registrazione di:
Love of My Life (Cole Porter song)
paroliere e compositore:
Cole Porter (composer)
Judy Garland3:12
20I Concentrate on You
registrazione di:
I Concentrate on You
paroliere e compositore:
Cole Porter (composer) (nel 1939)
editore:
Chappell & Co., Inc. (USA)
Frank Sinatra3:05

Accreditamenti

Pubblicazione

ASIN:UK: B000B9G6OE [info]

Gruppo di pubblicazioni

parte di:The Soho Collection (ordine: 1)