Bästard

~ Release by Bästard (see all versions of this release, 2 available)

Tracklist

112" Vinyl
#TitleRatingLength
A1The Hunt
electric bass guitar:
Stéphane Roger (French guitarist/bassist for Bästard) (in 1994-04)
electric guitar:
Éric Aldéa (in 1994-04), François Cuilleron (in 1994-04) and Stéphane Roger (French guitarist/bassist for Bästard) (in 1994-04)
membranophone:
Franck Laurino (in 1994-04)
sampler and tape:
Jean-Michel Berthier (in 1994-04)
violin:
François Cuilleron (in 1994-04)
vocals:
Éric Aldéa (in 1994-04)
recorded at and mixed at:
B.C. Studios in Brooklyn, New York, New York, United States (in 1994-04)
recording of:
The Hunt
5:02
A2Sittin’ in a Cab
electric bass guitar:
Stéphane Roger (French guitarist/bassist for Bästard) (in 1994-04)
electric guitar:
Éric Aldéa (in 1994-04), François Cuilleron (in 1994-04) and Stéphane Roger (French guitarist/bassist for Bästard) (in 1994-04)
membranophone:
Franck Laurino (in 1994-04)
sampler and tape:
Jean-Michel Berthier (in 1994-04)
violin:
François Cuilleron (in 1994-04)
vocals:
Éric Aldéa (in 1994-04)
recorded at and mixed at:
B.C. Studios in Brooklyn, New York, New York, United States (in 1994-04)
recording of:
Sittin' in a Cab
4:49
A3In the Throat
electric bass guitar:
Stéphane Roger (French guitarist/bassist for Bästard) (in 1994-04)
electric guitar:
Éric Aldéa (in 1994-04), François Cuilleron (in 1994-04) and Stéphane Roger (French guitarist/bassist for Bästard) (in 1994-04)
membranophone:
Franck Laurino (in 1994-04)
sampler and tape:
Jean-Michel Berthier (in 1994-04)
violin:
François Cuilleron (in 1994-04)
vocals:
Éric Aldéa (in 1994-04)
recorded at and mixed at:
B.C. Studios in Brooklyn, New York, New York, United States (in 1994-04)
recording of:
In the Throat
6:16
A4Sake
electric bass guitar:
Stéphane Roger (French guitarist/bassist for Bästard) (in 1994-04)
electric guitar:
Éric Aldéa (in 1994-04), François Cuilleron (in 1994-04) and Stéphane Roger (French guitarist/bassist for Bästard) (in 1994-04)
membranophone:
Franck Laurino (in 1994-04)
sampler and tape:
Jean-Michel Berthier (in 1994-04)
violin:
François Cuilleron (in 1994-04)
vocals:
Éric Aldéa (in 1994-04)
recorded at and mixed at:
B.C. Studios in Brooklyn, New York, New York, United States (in 1994-04)
recording of:
Sake
2:22
A5Give Up
electric bass guitar:
Stéphane Roger (French guitarist/bassist for Bästard) (in 1994-04)
electric guitar:
Éric Aldéa (in 1994-04), François Cuilleron (in 1994-04) and Stéphane Roger (French guitarist/bassist for Bästard) (in 1994-04)
membranophone:
Franck Laurino (in 1994-04)
sampler and tape:
Jean-Michel Berthier (in 1994-04)
violin:
François Cuilleron (in 1994-04)
vocals:
Éric Aldéa (in 1994-04)
recorded at and mixed at:
B.C. Studios in Brooklyn, New York, New York, United States (in 1994-04)
recording of:
Give Up
4:02
A6The Snitch
electric bass guitar:
Stéphane Roger (French guitarist/bassist for Bästard) (in 1994-04)
electric guitar:
Éric Aldéa (in 1994-04), François Cuilleron (in 1994-04) and Stéphane Roger (French guitarist/bassist for Bästard) (in 1994-04)
membranophone:
Franck Laurino (in 1994-04)
sampler and tape:
Jean-Michel Berthier (in 1994-04)
violin:
François Cuilleron (in 1994-04)
vocals:
Éric Aldéa (in 1994-04)
recorded at and mixed at:
B.C. Studios in Brooklyn, New York, New York, United States (in 1994-04)
recording of:
The Snitch
0:53
B1Kal
electric bass guitar:
Stéphane Roger (French guitarist/bassist for Bästard) (in 1994-04)
electric guitar:
Éric Aldéa (in 1994-04), François Cuilleron (in 1994-04) and Stéphane Roger (French guitarist/bassist for Bästard) (in 1994-04)
membranophone:
Franck Laurino (in 1994-04)
sampler and tape:
Jean-Michel Berthier (in 1994-04)
violin:
François Cuilleron (in 1994-04)
vocals:
Éric Aldéa (in 1994-04)
recorded at and mixed at:
B.C. Studios in Brooklyn, New York, New York, United States (in 1994-04)
recording of:
Kal
5:31
B2Kuro Shivo
electric bass guitar:
Stéphane Roger (French guitarist/bassist for Bästard) (in 1994-04)
electric guitar:
Éric Aldéa (in 1994-04), François Cuilleron (in 1994-04) and Stéphane Roger (French guitarist/bassist for Bästard) (in 1994-04)
membranophone:
Franck Laurino (in 1994-04)
sampler and tape:
Jean-Michel Berthier (in 1994-04)
violin:
François Cuilleron (in 1994-04)
vocals:
Éric Aldéa (in 1994-04)
recorded at and mixed at:
B.C. Studios in Brooklyn, New York, New York, United States (in 1994-04)
recording of:
Kuro Shivo
6:24
B3Lookin’ for Nancy
electric bass guitar:
Stéphane Roger (French guitarist/bassist for Bästard) (in 1994-04)
electric guitar:
Éric Aldéa (in 1994-04), François Cuilleron (in 1994-04) and Stéphane Roger (French guitarist/bassist for Bästard) (in 1994-04)
membranophone:
Franck Laurino (in 1994-04)
sampler and tape:
Jean-Michel Berthier (in 1994-04)
violin:
François Cuilleron (in 1994-04)
vocals:
Éric Aldéa (in 1994-04)
recorded at and mixed at:
B.C. Studios in Brooklyn, New York, New York, United States (in 1994-04)
recording of:
Lookin' for Nancy
2:49
B4Dinner for the Worms
electric bass guitar:
Stéphane Roger (French guitarist/bassist for Bästard) (in 1994-04)
electric guitar:
Éric Aldéa (in 1994-04), François Cuilleron (in 1994-04) and Stéphane Roger (French guitarist/bassist for Bästard) (in 1994-04)
membranophone:
Franck Laurino (in 1994-04)
sampler and tape:
Jean-Michel Berthier (in 1994-04)
violin:
François Cuilleron (in 1994-04)
additional guest vocals:
Jack Natz (in 1994-04)
vocals:
Éric Aldéa (in 1994-04)
recorded at and mixed at:
B.C. Studios in Brooklyn, New York, New York, United States (in 1994-04)
recording of:
Dinner for the Worms
2:43
B5Fossils
electric bass guitar:
Stéphane Roger (French guitarist/bassist for Bästard) (in 1994-04)
electric guitar:
Éric Aldéa (in 1994-04), François Cuilleron (in 1994-04) and Stéphane Roger (French guitarist/bassist for Bästard) (in 1994-04)
membranophone:
Franck Laurino (in 1994-04)
sampler and tape:
Jean-Michel Berthier (in 1994-04)
violin:
François Cuilleron (in 1994-04)
vocals:
Éric Aldéa (in 1994-04)
recorded at and mixed at:
B.C. Studios in Brooklyn, New York, New York, United States (in 1994-04)
recording of:
Fossils
4:52