Thomanerchor Leipzig singt J.S. Bach

~ Release by J.S. Bach; Thomanerchor Leipzig, Gewandhausorchester Leipzig, Capella Thomana, Georg Christoph Biller (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Introitus: Hymnus auf das Pfingstfest: Spiritum sancti gratia
choir vocals:
Thomanerchor Leipzig (on 2000-07-28)
conductor:
Georg Christoph Biller (conductor) (on 2000-07-28)
phonographic copyright (℗) by:
Universal Music GmbH (not for release label use! DE subsidiary of Universal Music Group) (in 2001)
recorded at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 2000-07-28)
[traditional]1:11
2Messe in h-moll, BWV 232: Kyrie: Kyrie eleison
choir vocals:
Thomanerchor Leipzig (on 2000-07-28)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (on 2000-07-28)
conductor:
Georg Christoph Biller (conductor) (on 2000-07-28)
phonographic copyright (℗) by:
Universal Music GmbH (not for release label use! DE subsidiary of Universal Music Group) (in 2001)
recorded at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 2000-07-28)
live recording of:
h-Moll-Messe, BWV 232: I. Missa: I. Kyrie eleison (Mass in B minor, BWV 232: Ia. Kyrie: Chorus "Kyrie eleison") (on 2000-07-28)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach9:22
3Messe in h-moll, BWV 232: Kyrie: Christe eleison
alto vocals:
Matthias Rexroth (countertenor) (on 2000-07-28)
soprano vocals:
Ruth Holton (soprano) (on 2000-07-28)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (on 2000-07-28)
conductor:
Georg Christoph Biller (conductor) (on 2000-07-28)
phonographic copyright (℗) by:
Universal Music GmbH (not for release label use! DE subsidiary of Universal Music Group) (in 2001)
recorded at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 2000-07-28)
live recording of:
h-Moll-Messe, BWV 232: I. Missa: II. Christe eleison (Mass in B minor, BWV 232: Ib. Kyrie: Duet "Christe eleison") (on 2000-07-28)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:06
4Messe in h-moll, BWV 232: Kyrie: Kyrie eleison
choir vocals:
Thomanerchor Leipzig (on 2000-07-28)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (on 2000-07-28)
conductor:
Georg Christoph Biller (conductor) (on 2000-07-28)
phonographic copyright (℗) by:
Universal Music GmbH (not for release label use! DE subsidiary of Universal Music Group) (in 2001)
recorded at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 2000-07-28)
live recording of:
h-Moll-Messe, BWV 232: I. Missa: I. Kyrie eleison (Mass in B minor, BWV 232: Ia. Kyrie: Chorus "Kyrie eleison") (on 2000-07-28)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:14
5Intonation zum Gloria: Gloria in excelsis Deo
other vocals [liturg]:
Georg Christoph Biller (conductor) (on 2000-07-28)
phonographic copyright (℗) by:
Universal Music GmbH (not for release label use! DE subsidiary of Universal Music Group) (in 2001)
recorded at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 2000-07-28)
[traditional]0:08
6Messe in h-moll, BWV 232: Gloria: Gloria in excelsis Deo
choir vocals:
Thomanerchor Leipzig (on 2000-07-28)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (on 2000-07-28)
conductor:
Georg Christoph Biller (conductor) (on 2000-07-28)
phonographic copyright (℗) by:
Universal Music GmbH (not for release label use! DE subsidiary of Universal Music Group) (in 2001)
recorded at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 2000-07-28)
live recording of:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (Mass in B minor, BWV 232: IIa. Gloria: Chorus "Gloria in excelsis Deo") (on 2000-07-28)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach1:42
7Messe in h-moll, BWV 232: Gloria: Et in terra pax
choir vocals:
Thomanerchor Leipzig (on 2000-07-28)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (on 2000-07-28)
conductor:
Georg Christoph Biller (conductor) (on 2000-07-28)
phonographic copyright (℗) by:
Universal Music GmbH (not for release label use! DE subsidiary of Universal Music Group) (in 2001)
recorded at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 2000-07-28)
live recording of:
h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (Mass in B minor, BWV 232: IIb. Gloria: Chorus "Et in terra pax") (on 2000-07-28)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:21
8Messe in h-moll, BWV 232: Gloria: Laudamus te
alto vocals:
Matthias Rexroth (countertenor) (on 2000-07-28)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (on 2000-07-28)
conductor:
Georg Christoph Biller (conductor) (on 2000-07-28)
phonographic copyright (℗) by:
Universal Music GmbH (not for release label use! DE subsidiary of Universal Music Group) (in 2001)
recorded at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 2000-07-28)
live recording of:
h-Moll-Messe, BWV 232: I. Missa: VI. Laudamus te (Mass in B minor, BWV 232: IIc. Gloria: Aria "Laudamus te") (on 2000-07-28)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:03
9Messe in h-moll, BWV 232: Gloria: Gratias agimus tibi
choir vocals:
Thomanerchor Leipzig (on 2000-07-28)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (on 2000-07-28)
conductor:
Georg Christoph Biller (conductor) (on 2000-07-28)
phonographic copyright (℗) by:
Universal Music GmbH (not for release label use! DE subsidiary of Universal Music Group) (in 2001)
recorded at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 2000-07-28)
live recording of:
h-Moll-Messe, BWV 232: I. Missa: VII. Gratias agimus tibi (Mass in B minor, BWV 232: IId. Gloria: Chorus "Gratias agimus tibi") (on 2000-07-28)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": II. Coro "Wir danken dir, Gott, wir danken dir"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:48
10Messe in h-moll, BWV 232: Gloria: Domine Deus
soprano vocals:
Ruth Holton (soprano) (on 2000-07-28)
tenor vocals:
Christoph Genz (tenor) (on 2000-07-28)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (on 2000-07-28)
conductor:
Georg Christoph Biller (conductor) (on 2000-07-28)
phonographic copyright (℗) by:
Universal Music GmbH (not for release label use! DE subsidiary of Universal Music Group) (in 2001)
recorded at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 2000-07-28)
live recording of:
h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus (Mass in B minor, BWV 232: IIe. Gloria: Duet "Domine Deus") (on 2000-07-28)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:45
11Messe in h-moll, BWV 232: Gloria: Qui tollis peccata mundi
choir vocals:
Thomanerchor Leipzig (on 2000-07-28)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (on 2000-07-28)
conductor:
Georg Christoph Biller (conductor) (on 2000-07-28)
phonographic copyright (℗) by:
Universal Music GmbH (not for release label use! DE subsidiary of Universal Music Group) (in 2001)
recorded at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 2000-07-28)
live recording of:
h-Moll-Messe, BWV 232: I. Missa: IX. Qui tollis peccata mundi (Mass in B minor, BWV 232: IIf. Gloria: Chorus "Qui tollis peccata mundi") (on 2000-07-28)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": I. Coro "Schauet doch und sehet, ob irgendein Schmerz sei"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:44
12Messe in h-moll, BWV 232: Gloria: Qui sedes ad dextram Patris
alto vocals:
Matthias Rexroth (countertenor) (on 2000-07-28)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (on 2000-07-28)
conductor:
Georg Christoph Biller (conductor) (on 2000-07-28)
phonographic copyright (℗) by:
Universal Music GmbH (not for release label use! DE subsidiary of Universal Music Group) (in 2001)
recorded at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 2000-07-28)
live recording of:
h-Moll-Messe, BWV 232: I. Missa: X. Qui sedes ad dextram Patris (Mass in B minor, BWV 232: IIg. Gloria: Aria "Qui sedes ad dextram Patris") (on 2000-07-28)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:43
13Messe in h-moll, BWV 232: Gloria: Quoniam tu solus Sanctus
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (on 2000-07-28)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (on 2000-07-28)
conductor:
Georg Christoph Biller (conductor) (on 2000-07-28)
phonographic copyright (℗) by:
Universal Music GmbH (not for release label use! DE subsidiary of Universal Music Group) (in 2001)
recorded at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 2000-07-28)
live recording of:
h-Moll-Messe, BWV 232: I. Missa: XI. Quoniam tu solus Sanctus (Mass in B minor, BWV 232: IIh. Gloria: Aria "Quoniam tu solus Sanctus") (on 2000-07-28)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:52
14Messe in h-moll, BWV 232: Gloria: CCum Sancto Spiritu
choir vocals:
Thomanerchor Leipzig (on 2000-07-28)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (on 2000-07-28)
conductor:
Georg Christoph Biller (conductor) (on 2000-07-28)
phonographic copyright (℗) by:
Universal Music GmbH (not for release label use! DE subsidiary of Universal Music Group) (in 2001)
recorded at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 2000-07-28)
live recording of:
h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu (Mass in B minor, BWV 232: IIi. Gloria: Chorus "Cum Sancto Spiritu") (on 2000-07-28)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:02
2▼CD
#TitleArtistRatingLength
1Intonation zum Credo: Credo in unum Deum
other vocals [liturg]:
Georg Christoph Biller (conductor) (on 2000-07-28)
phonographic copyright (℗) by:
Universal Music GmbH (not for release label use! DE subsidiary of Universal Music Group) (in 2001)
recorded at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 2000-07-28)
[traditional]0:09
2Messe in h-moll, BWV 232: Symbolum Nicenum (Credo): Credo in unum Deum
choir vocals:
Thomanerchor Leipzig (on 2000-07-28)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (on 2000-07-28)
conductor:
Georg Christoph Biller (conductor) (on 2000-07-28)
phonographic copyright (℗) by:
Universal Music GmbH (not for release label use! DE subsidiary of Universal Music Group) (in 2001)
recorded at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 2000-07-28)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (Mass in B minor, BWV 232: IIIa. Symbolum nicenum: Chorus "Credo in unum Deum") (on 2000-07-28)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:09
3Messe in h-moll, BWV 232: Symbolum Nicenum (Credo): Patrem omnipotentem
choir vocals:
Thomanerchor Leipzig (on 2000-07-28)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (on 2000-07-28)
conductor:
Georg Christoph Biller (conductor) (on 2000-07-28)
phonographic copyright (℗) by:
Universal Music GmbH (not for release label use! DE subsidiary of Universal Music Group) (in 2001)
recorded at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 2000-07-28)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (Mass in B minor, BWV 232: IIIa. Symbolum nicenum: Chorus "Credo in unum Deum") (on 2000-07-28)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:02
4Messe in h-moll, BWV 232: Symbolum Nicenum (Credo): Et in unum Dominum
alto vocals:
Matthias Rexroth (countertenor) (on 2000-07-28)
soprano vocals:
Ruth Holton (soprano) (on 2000-07-28)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (on 2000-07-28)
conductor:
Georg Christoph Biller (conductor) (on 2000-07-28)
phonographic copyright (℗) by:
Universal Music GmbH (not for release label use! DE subsidiary of Universal Music Group) (in 2001)
recorded at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 2000-07-28)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (Mass in B minor, BWV 232: IIIc. Symbolum nicenum: Duet "Et in unum Dominum") (on 2000-07-28)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:36
5Messe in h-moll, BWV 232: Symbolum Nicenum (Credo): Et incarnatus est
choir vocals:
Thomanerchor Leipzig (on 2000-07-28)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (on 2000-07-28)
conductor:
Georg Christoph Biller (conductor) (on 2000-07-28)
phonographic copyright (℗) by:
Universal Music GmbH (not for release label use! DE subsidiary of Universal Music Group) (in 2001)
recorded at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 2000-07-28)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (Mass in B minor, BWV 232: IIId. Symbolum nicenum: Chorus "Et incarnatus est") (on 2000-07-28)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:50
6Messe in h-moll, BWV 232: Symbolum Nicenum (Credo): Crucifixus
choir vocals:
Thomanerchor Leipzig (on 2000-07-28)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (on 2000-07-28)
conductor:
Georg Christoph Biller (conductor) (on 2000-07-28)
phonographic copyright (℗) by:
Universal Music GmbH (not for release label use! DE subsidiary of Universal Music Group) (in 2001)
recorded at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 2000-07-28)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Chorus "Crucifixus") (on 2000-07-28)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 12 “Weinen, Klagen, Sorgen, Zagen”: II. Coro “Weinen, Klagen, Sorgen, Zagen”
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:33
7Messe in h-moll, BWV 232: Symbolum Nicenum (Credo): Et resurrexit
choir vocals:
Thomanerchor Leipzig (on 2000-07-28)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (on 2000-07-28)
conductor:
Georg Christoph Biller (conductor) (on 2000-07-28)
phonographic copyright (℗) by:
Universal Music GmbH (not for release label use! DE subsidiary of Universal Music Group) (in 2001)
recorded at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 2000-07-28)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (Mass in B minor, BWV 232: IIIf. Symbolum nicenum: Chorus "Et resurrexit") (on 2000-07-28)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:10
8Messe in h-moll, BWV 232: Symbolum Nicenum (Credo): Et in Spiritum Sanctum
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (on 2000-07-28)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (on 2000-07-28)
conductor:
Georg Christoph Biller (conductor) (on 2000-07-28)
phonographic copyright (℗) by:
Universal Music GmbH (not for release label use! DE subsidiary of Universal Music Group) (in 2001)
recorded at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 2000-07-28)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (Mass in B minor, BWV 232: IIIg. Symbolum nicenum: Aria "Et in Spiritum Sanctum Dominum") (from 2000-07 until 2000-07-27)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:57
9Messe in h-moll, BWV 232: Symbolum Nicenum (Credo): Confiteor unum baptisma
choir vocals:
Thomanerchor Leipzig (on 2000-07-28)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (on 2000-07-28)
conductor:
Georg Christoph Biller (conductor) (on 2000-07-28)
phonographic copyright (℗) by:
Universal Music GmbH (not for release label use! DE subsidiary of Universal Music Group) (in 2001)
recorded at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 2000-07-28)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (Mass in B minor, BWV 232: IIIh. Symbolum nicenum: Chorus "Confiteor") (on 2000-07-28)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:47
10Messe in h-moll, BWV 232: Symbolum Nicenum (Credo): Et expecto resurrectionem
choir vocals:
Thomanerchor Leipzig (on 2000-07-28)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (on 2000-07-28)
conductor:
Georg Christoph Biller (conductor) (on 2000-07-28)
phonographic copyright (℗) by:
Universal Music GmbH (not for release label use! DE subsidiary of Universal Music Group) (in 2001)
recorded at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 2000-07-28)
live recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (Mass in B minor, BWV 232: IIIi. Symbolum nicenum: Chorus "Et expecto") (on 2000-07-28)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen" (former BWV 120)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:14
11Praefatio: Liturg / Schola
choir vocals:
Thomanerchor Leipzig (on 2000-07-28)
other vocals [liturg]:
Georg Christoph Biller (conductor) (on 2000-07-28)
phonographic copyright (℗) by:
Universal Music GmbH (not for release label use! DE subsidiary of Universal Music Group) (in 2001)
recorded at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 2000-07-28)
[traditional]2:23
12Messe in h-moll, BWV 232: Sanctus: Sanctus
choir vocals:
Thomanerchor Leipzig (on 2000-07-28)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (on 2000-07-28)
conductor:
Georg Christoph Biller (conductor) (on 2000-07-28)
phonographic copyright (℗) by:
Universal Music GmbH (not for release label use! DE subsidiary of Universal Music Group) (in 2001)
recorded at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 2000-07-28)
live recording of:
h-Moll-Messe, BWV 232: III. Sanctus (Mass in B minor, BWV 232: IVa. Chorus "Sanctus") (on 2000-07-28)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:55
13Messe in h-moll, BWV 232: Osanna, Benedictus, Agns Dei ei Dona nobis pacem: Osanna in excelsis
choir vocals:
Thomanerchor Leipzig (on 2000-07-28)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (on 2000-07-28)
conductor:
Georg Christoph Biller (conductor) (on 2000-07-28)
phonographic copyright (℗) by:
Universal Music GmbH (not for release label use! DE subsidiary of Universal Music Group) (in 2001)
recorded at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 2000-07-28)
live recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (Mass in B minor, BWV 232: IVb. Chorus "Osanna in excelsis") (on 2000-07-28)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:35
14Messe in h-moll, BWV 232: Osanna, Benedictus, Agns Dei ei Dona nobis pacem: Benedictus / Osanna in excelsis
choir vocals:
Thomanerchor Leipzig (on 2000-07-28)
tenor vocals:
Christoph Genz (tenor) (on 2000-07-28)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (on 2000-07-28)
conductor:
Georg Christoph Biller (conductor) (on 2000-07-28)
phonographic copyright (℗) by:
Universal Music GmbH (not for release label use! DE subsidiary of Universal Music Group) (in 2001)
recorded at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 2000-07-28)
live recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (Mass in B minor, BWV 232: IVc. Aria "Benedictus") (on 2000-07-28)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
live recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (Mass in B minor, BWV 232: IVd. Chorus "Osanna in excelsis") (on 2000-07-28)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach6:45
15Messe in h-moll, BWV 232: Osanna, Benedictus, Agns Dei ei Dona nobis pacem: Agnus Dei
alto vocals:
Matthias Rexroth (countertenor) (on 2000-07-28)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (on 2000-07-28)
conductor:
Georg Christoph Biller (conductor) (on 2000-07-28)
phonographic copyright (℗) by:
Universal Music GmbH (not for release label use! DE subsidiary of Universal Music Group) (in 2001)
recorded at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 2000-07-28)
live recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei") (on 2000-07-28)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:38
16Messe in h-moll, BWV 232: Osanna, Benedictus, Agns Dei ei Dona nobis pacem: Dona nobis pacem
choir vocals:
Thomanerchor Leipzig (on 2000-07-28)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (on 2000-07-28)
conductor:
Georg Christoph Biller (conductor) (on 2000-07-28)
phonographic copyright (℗) by:
Universal Music GmbH (not for release label use! DE subsidiary of Universal Music Group) (in 2001)
recorded at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 2000-07-28)
live recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (Mass in B minor, BWV 232: IVf. Choir "Dona nobis pacem") (on 2000-07-28)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:19
3▼CD
#TitleArtistRatingLength
1Singet dem Herrn ein neues Lied, BWV 225: Singet dem Herrn ein neues Lied
recording engineer:
Matthias Stiehler (engineer) (in 1996-10)
choir vocals:
Thomanerchor Leipzig (in 1996-10)
conductor:
Georg Christoph Biller (conductor) (in 1996-10)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1997)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (in 1996-10)
recording of:
Singet dem Herrn ein neues Lied, BWV 225: I. "Singet dem Herrn ein neues Lied" (in 1996-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Singet dem Herrn ein neues Lied, BWV 225
Johann Sebastian Bach5:28
2Singet dem Herrn ein neues Lied, BWV 225: Gott, nimm dich ferner unser an
recording engineer:
Matthias Stiehler (engineer) (in 1996-10)
choir vocals:
Thomanerchor Leipzig (in 1996-10)
conductor:
Georg Christoph Biller (conductor) (in 1996-10)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1997)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (in 1996-10)
recording of:
Singet dem Herrn ein neues Lied, BWV 225: II. "Wie sich ein Vater erbarmet" (in 1996-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Singet dem Herrn ein neues Lied, BWV 225
Johann Sebastian Bach4:33
3Singet dem Herrn ein neues Lied, BWV 225: Lobet den Herrn in seinen Taten
recording engineer:
Matthias Stiehler (engineer) (in 1996-10)
choir vocals:
Thomanerchor Leipzig (in 1996-10)
conductor:
Georg Christoph Biller (conductor) (in 1996-10)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1997)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (in 1996-10)
recording of:
Singet dem Herrn ein neues Lied, BWV 225: III. "Lobet den Herrn in seinen Taten" (in 1996-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Singet dem Herrn ein neues Lied, BWV 225
Johann Sebastian Bach4:01
4Der Geist hilft unsrer Schwachheit auf, BWV 226: Der Geist hilft unsrer / Schwachheit auf
recording engineer:
Matthias Stiehler (engineer) (in 1996-10)
choir vocals:
Thomanerchor Leipzig (in 1996-10)
conductor:
Georg Christoph Biller (conductor) (in 1996-10)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1997)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (in 1996-10)
recording of:
Der Geist hilft unser Schwachheit auf, BWV 226: I. "Der Geist hilft unser Schwachheit auf" (in 1996-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Der Geist hilft unsrer Schwachheit auf, BWV 226
recording of:
Der Geist hilft unser Schwachheit auf, BWV 226: II. "Der aber die Herzen forschet" (in 1996-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Der Geist hilft unsrer Schwachheit auf, BWV 226
Johann Sebastian Bach6:39
5Der Geist hilft unsrer Schwachheit auf, BWV 226: Du heilige Brunst
recording engineer:
Matthias Stiehler (engineer) (in 1996-10)
choir vocals:
Thomanerchor Leipzig (in 1996-10)
conductor:
Georg Christoph Biller (conductor) (in 1996-10)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1997)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (in 1996-10)
recording of:
Der Geist hilft unsrer Schwachheit auf, BWV 226: III. "Du heilige Brunst" (in 1996-10)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 221)
part of:
Der Geist hilft unsrer Schwachheit auf, BWV 226
Johann Sebastian Bach1:35
6Jesu meine Freude, BWV 227: Jesu, meine Freude
recording engineer:
Matthias Stiehler (engineer) (in 1996-10)
choir vocals:
Thomanerchor Leipzig (in 1996-10)
conductor:
Georg Christoph Biller (conductor) (in 1996-10)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1997)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (in 1996-10)
recording of:
Jesu, meine Freude, BWV 227: I. Corale „Jesu, meine Freude“ (in 1996-10)
lyricist:
Johann Franck (German poet of the 17th century)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 196)
is based on:
Jesu, meine Freude
part of:
Jesu, meine Freude, BWV 227
Johann Sebastian Bach1:05
7Jesu meine Freude, BWV 227: Es ist nun nichts Verdammliches an denen
recording engineer:
Matthias Stiehler (engineer) (in 1996-10)
choir vocals:
Thomanerchor Leipzig (in 1996-10)
conductor:
Georg Christoph Biller (conductor) (in 1996-10)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1997)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (in 1996-10)
recording of:
Jesu, meine Freude, BWV 227: II. "Es ist nun nichts Verdammliches" (in 1996-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Jesu, meine Freude, BWV 227
Johann Sebastian Bach3:07
8Jesu meine Freude, BWV 227: Unter deinen Schirmen
recording engineer:
Matthias Stiehler (engineer) (in 1996-10)
choir vocals:
Thomanerchor Leipzig (in 1996-10)
conductor:
Georg Christoph Biller (conductor) (in 1996-10)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1997)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (in 1996-10)
recording of:
Jesu, meine Freude, BWV 227: III. Corale: "Unter deinem Schirmen" (in 1996-10)
lyricist:
Johann Franck (German poet of the 17th century)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 198)
part of:
Jesu, meine Freude, BWV 227
Johann Sebastian Bach1:04
9Jesu meine Freude, BWV 227: Denn das Gesetz des Geistes
recording engineer:
Matthias Stiehler (engineer) (in 1996-10)
choir vocals:
Thomanerchor Leipzig (in 1996-10)
conductor:
Georg Christoph Biller (conductor) (in 1996-10)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1997)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (in 1996-10)
recording of:
Jesu, meine Freude, BWV 227: IV. "Denn das Gesetz des Geistes" (in 1996-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Jesu, meine Freude, BWV 227
Johann Sebastian Bach1:03
10Jesu meine Freude, BWV 227: Trotz dem alten Drachen
recording engineer:
Matthias Stiehler (engineer) (in 1996-10)
choir vocals:
Thomanerchor Leipzig (in 1996-10)
conductor:
Georg Christoph Biller (conductor) (in 1996-10)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1997)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (in 1996-10)
recording of:
Jesu, meine Freude, BWV 227: V. Corale: "Trotz dem alten Drachen" (in 1996-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Jesu, meine Freude, BWV 227
Johann Sebastian Bach2:22
11Jesu meine Freude, BWV 227: Ihr aber seid nicht fleischlich
recording engineer:
Matthias Stiehler (engineer) (in 1996-10)
choir vocals:
Thomanerchor Leipzig (in 1996-10)
conductor:
Georg Christoph Biller (conductor) (in 1996-10)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1997)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (in 1996-10)
recording of:
Jesu, meine Freude, BWV 227: VI. "Ihr aber seid nicht fleischlich" (in 1996-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Jesu, meine Freude, BWV 227
Johann Sebastian Bach2:50
12Jesu meine Freude, BWV 227: Weg mit allen Schätzen
recording engineer:
Matthias Stiehler (engineer) (in 1996-10)
choir vocals:
Thomanerchor Leipzig (in 1996-10)
conductor:
Georg Christoph Biller (conductor) (in 1996-10)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1997)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (in 1996-10)
recording of:
Jesu, meine Freude, BWV 227: VII. Corale: "Weg mit allen Schätzen" (in 1996-10)
lyricist:
Johann Franck (German poet of the 17th century)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 199)
part of:
Jesu, meine Freude, BWV 227
Johann Sebastian Bach1:09
13Jesu meine Freude, BWV 227: So aber Christus in euch ist
recording engineer:
Matthias Stiehler (engineer) (in 1996-10)
choir vocals:
Thomanerchor Leipzig (in 1996-10)
conductor:
Georg Christoph Biller (conductor) (in 1996-10)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1997)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (in 1996-10)
recording of:
Jesu, meine Freude, BWV 227: VIII. "So aber Christus in euch ist" (in 1996-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Jesu, meine Freude, BWV 227
Johann Sebastian Bach2:18
14Jesu meine Freude, BWV 227: Gute Nacht, o Wesen
recording engineer:
Matthias Stiehler (engineer) (in 1996-10)
choir vocals:
Thomanerchor Leipzig (in 1996-10)
conductor:
Georg Christoph Biller (conductor) (in 1996-10)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1997)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (in 1996-10)
recording of:
Jesu, meine Freude, BWV 227: IX. Corale: "Gute Nacht, o Wesen" (in 1996-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Jesu, meine Freude, BWV 227
Johann Sebastian Bach3:35
15Jesu meine Freude, BWV 227: So nun der Geist
recording engineer:
Matthias Stiehler (engineer) (in 1996-10)
choir vocals:
Thomanerchor Leipzig (in 1996-10)
conductor:
Georg Christoph Biller (conductor) (in 1996-10)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1997)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (in 1996-10)
recording of:
Jesu, meine Freude, BWV 227: X. "So nun der Geist" (in 1996-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Jesu, meine Freude, BWV 227
Johann Sebastian Bach1:35
16Jesu meine Freude, BWV 227: Weicht, ihr Trauergeister
recording engineer:
Matthias Stiehler (engineer) (in 1996-10)
choir vocals:
Thomanerchor Leipzig (in 1996-10)
conductor:
Georg Christoph Biller (conductor)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1997)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (in 1996-10)
recording of:
Jesu, meine Freude, BWV 227: XI. Corale: "Weicht, ihr Trauergeister" (in 1996-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Jesu, meine Freude, BWV 227
Johann Sebastian Bach1:12
17Fürchte dich nicht, BWV 228
recording engineer:
Matthias Stiehler (engineer) (in 1996-10)
choir vocals:
Thomanerchor Leipzig (in 1996-10)
conductor:
Georg Christoph Biller (conductor) (in 1996-10)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1997)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (in 1996-10)
recording of:
Fürchte dich nicht, ich bin bei dir, BWV 228 (in 1996-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1726)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 228) and Bach Compendium (number: BC C 4)
Johann Sebastian Bach8:54
18Komm, Jesu, komm, BWV 229: Komm, Jesu, komm
recording engineer:
Matthias Stiehler (engineer) (in 1996-10)
choir vocals:
Thomanerchor Leipzig (in 1996-10)
conductor:
Georg Christoph Biller (conductor) (in 1996-10)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1997)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (in 1996-10)
recording of:
Komm, Jesu, komm, BWV 229: I. "Komm, Jesu, komm" (in 1996-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Komm, Jesu, komm, BWV 229
Johann Sebastian Bach7:03
19Komm, Jesu, komm, BWV 229: Drum schließ ich mich in deine Hände
recording engineer:
Matthias Stiehler (engineer) (in 1996-10)
choir vocals:
Thomanerchor Leipzig (in 1996-10)
conductor:
Georg Christoph Biller (conductor) (in 1996-10)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1997)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (in 1996-10)
recording of:
Komm, Jesu, komm, BWV 229: II. Aria "Drum schließ ich mich in deine Hände" (in 1996-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 222)
part of:
Komm, Jesu, komm, BWV 229
Johann Sebastian Bach1:25
20Lobet den Herrn, alle Heiden, BWV 230
recording engineer:
Matthias Stiehler (engineer) (in 1996-10)
choir vocals:
Thomanerchor Leipzig (in 1996-10)
conductor:
Georg Christoph Biller (conductor) (in 1996-10)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1997)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (in 1996-10)
recording of:
Lobet den Herrn, alle Heiden, BWV 230 (in 1996-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 230) and Bach Compendium (number: BC C 6)
Johann Sebastian Bach6:52
4▼CD
#TitleArtistRatingLength
1Der Herechte kommt um, BWV deest
choir vocals:
Thomanerchor Leipzig (in 1997-02)
orchestra:
Baroque Brass of London (in 1997-02) and Capella Thomana (in 1997-02)
conductor:
Georg Christoph Biller (conductor) (in 1997-02)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (in 1997-02)
recording of:
Der Gerechte kömmt um, BWV 1149 (in 1997-02)
composer:
Johann Kuhnau (composer)
arranger:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV 1149) and Bach Compendium (number: BC D 10/3 (= C 8))
Johann Sebastian Bach5:38
2Alles Fleisch ist wie Gras
choir vocals:
Thomanerchor Leipzig (in 1997-02)
orchestra:
Baroque Brass of London (in 1997-02) and Capella Thomana (in 1997-02)
conductor:
Georg Christoph Biller (conductor) (in 1997-02)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (in 1997-02)
recording of:
Alles Fleisch ist wie Gras (in 1997-02)
composer:
Johann Adam Hiller (German composer)
Johann Adam Hiller6:43
3Fürchte dich nicht, ich bin mit dir
choir vocals:
Thomanerchor Leipzig (in 1997-02)
orchestra:
Baroque Brass of London (in 1997-02) and Capella Thomana (in 1997-02)
conductor:
Georg Christoph Biller (conductor) (in 1997-02)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (in 1997-02)
recording of:
Fürchte dich nicht ich bin mit dir (in 1997-02)
composer:
Johann Friedrich Doles (the elder, German composer)
Johann Friedrich Doles5:55
4Ich lasse dich nicht, du segnest mich denn, BWV Anh. III 159
choir vocals:
Thomanerchor Leipzig (in 1997-02)
orchestra:
Baroque Brass of London (in 1997-02) and Capella Thomana (in 1997-02)
conductor:
Georg Christoph Biller (conductor) (in 1997-02)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (in 1997-02)
recording of:
Ich lasse dich nicht, du segnest mich denn, BWV 1165 / Anh. III 159 (attribution doubtful) (in 1997-02)
composer:
Johann Christoph Bach (not a son of J. S. Bach, 1642-1703) and Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
previously attributed to:
Johann Christoph Bach (not a son of J. S. Bach, 1642-1703)
part of:
Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV 1165), Bach Compendium (number: BC C 9), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV Anh. III 159), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV Anh. 159) and Bach-Werke-Verzeichnis (number: BWV Anh. 159)
Johann Sebastian Bach4:31
5O Jesu Christ, mein's Lebens Licht, BWV 118
choir vocals:
Thomanerchor Leipzig (in 1997-02)
orchestra:
Baroque Brass of London (in 1997-02) and Capella Thomana (in 1997-02)
conductor:
Georg Christoph Biller (conductor) (in 1997-02)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (in 1997-02)
recording of:
BWV 118 "O Jesu Christ, meins Lebens Licht" (in 1997-02)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 118) and Bach Compendium (number: BC B 23)
Johann Sebastian Bach4:19
6Lobe den Herrn
choir vocals:
Thomanerchor Leipzig (in 1997-02)
orchestra:
Baroque Brass of London (in 1997-02) and Capella Thomana (in 1997-02)
conductor:
Georg Christoph Biller (conductor) (in 1997-02)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (in 1997-02)
recording of:
Lobe den Herrn meine Seele (in 1997-02)
composer:
Johann Friedrich Doles (the elder, German composer)
Johann Friedrich Doles6:32
7Mein Herz ist bereit, Gott
choir vocals:
Thomanerchor Leipzig (in 1997-02)
orchestra:
Baroque Brass of London (in 1997-02) and Capella Thomana (in 1997-02)
conductor:
Georg Christoph Biller (conductor) (in 1997-02)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (in 1997-02)
recording of:
Mein Herz ist bereit (in 1997-02)
composer:
Johann Gottlob Harrer (German composer)
Gottlob Harrer5:47
8Jauchzet dem Herrn, alle Welt, BWV Anh. III 160: Jauchzet dem Herrn, alle Welt
producer:
Matthias Stiehler (German conductor)
choir vocals:
Capella Thomana (in 1997-02) and Thomanerchor Leipzig (in 1997-02)
orchestra:
Baroque Brass of London (in 1997-02) and Capella Thomana (in 1997-02)
conductor:
Georg Christoph Biller (conductor) (in 1997-02)
balance engineer:
Matthias Stiehler (German conductor) (in 1997-02)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (in 1997-02)
partial recording of:
Motet, "Jauchzet, dem Herrn, alle Welt", TWV 8:10 (BWV Anh. 160) (in 1997-02)
composer:
Georg Philipp Telemann (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bachs Notenbibliothek (BNB) (number: BNB II/T/7), Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (number: BWV Anh. III 160), Telemann-Werke-Verzeichnis (number: TWV 8:10), Bach Compendium (number: BC C 7), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV Anh. 160), Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV App C, S. 718) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV Anh. 160)
Johann Sebastian Bach, Gottlob Harrer, Georg Philipp Telemann4:30
9Jauchzet dem Herrn, alle Welt, BWV Anh. III 160: Sei Lob uns Preis mit Ehren
producer:
Matthias Stiehler (German conductor)
choir vocals:
Capella Thomana (in 1997-02) and Thomanerchor Leipzig (in 1997-02)
orchestra:
Baroque Brass of London (in 1997-02) and Capella Thomana (in 1997-02)
conductor:
Georg Christoph Biller (conductor) (in 1997-02)
balance engineer:
Matthias Stiehler (German conductor) (in 1997-02)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (in 1997-02)
partial recording of:
Motet, "Jauchzet, dem Herrn, alle Welt", TWV 8:10 (BWV Anh. 160) (in 1997-02)
composer:
Georg Philipp Telemann (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bachs Notenbibliothek (BNB) (number: BNB II/T/7), Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (number: BWV Anh. III 160), Telemann-Werke-Verzeichnis (number: TWV 8:10), Bach Compendium (number: BC C 7), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV Anh. 160), Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV App C, S. 718) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV Anh. 160)
Johann Sebastian Bach, Gottlob Harrer, Georg Philipp Telemann4:36
10Jauchzet dem Herrn, alle Welt, BWV Anh. III 160: Amen, Lob und Ehre und Weisheit
producer:
Matthias Stiehler (German conductor)
choir vocals:
Capella Thomana (in 1997-02) and Thomanerchor Leipzig (in 1997-02)
orchestra:
Baroque Brass of London (in 1997-02) and Capella Thomana (in 1997-02)
conductor:
Georg Christoph Biller (conductor) (in 1997-02)
balance engineer:
Matthias Stiehler (German conductor) (in 1997-02)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (in 1997-02)
partial recording of:
Motet, "Jauchzet, dem Herrn, alle Welt", TWV 8:10 (BWV Anh. 160) (in 1997-02)
composer:
Georg Philipp Telemann (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bachs Notenbibliothek (BNB) (number: BNB II/T/7), Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (number: BWV Anh. III 160), Telemann-Werke-Verzeichnis (number: TWV 8:10), Bach Compendium (number: BC C 7), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV Anh. 160), Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV App C, S. 718) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV Anh. 160)
Johann Sebastian Bach, Gottlob Harrer, Georg Philipp Telemann3:12
5▼CD
#TitleArtistRatingLength
1Weihnachtsoratorium, BWV 248: Erster Teil: Am ersten Weihnachtsfeiertag: Jauchzet, frohlocket! (chor)
choir vocals:
Thomanerchor Leipzig (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts‐Oratorium, BWV 248: Teil I, I. Coro „Jauchzet, frohlocket“ (in 1998-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": I. Coro "Tönet, ihr Pauken! Erschallet, Trompeten!"
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach7:44
2Weihnachtsoratorium, BWV 248: Erster Teil: Am ersten Weihnachtsfeiertag: Es begab sich aber zu der Zeit (rezitativ)
tenor vocals:
Christoph Prégardien (tenor) (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, II. Recitativo „Es begab sich aber zu der Zeit“ (Evangelista) (in 1998-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:18
3Weihnachtsoratorium, BWV 248: Erster Teil: Am ersten Weihnachtsfeiertag: Nun wird mein liebster Bräutigam (rezitativ)
alto vocals:
Yvonne Naef (mezzo-soprano) (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, III. Recitativo (Alto) „Nun wird mein liebster Bräutigam“ (in 1998-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:57
4Weihnachtsoratorium, BWV 248: Erster Teil: Am ersten Weihnachtsfeiertag: Bereite dich, Zion (arie)
alto vocals:
Yvonne Naef (mezzo-soprano) (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IV. Aria (Alto) „Bereite dich, Zion“ (in 1998-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:23
5Weihnachtsoratorium, BWV 248: Erster Teil: Am ersten Weihnachtsfeiertag: Wie soll ich dich empfangen (choral)
choir vocals:
Thomanerchor Leipzig (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, V. Choral „Wie soll ich dich empfangen“ (in 1998-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Wie soll ich dich empfangen
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:09
6Weihnachtsoratorium, BWV 248: Erster Teil: Am ersten Weihnachtsfeiertag: Und sie gebar ihren ersten Sohn (rezitativ)
tenor vocals:
Christoph Prégardien (tenor) (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VI. Recitativo „Und sie gebar ihren ersten Sohn“ (Evangelista) (in 1998-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:25
7Weihnachtsoratorium, BWV 248: Erster Teil: Am ersten Weihnachtsfeiertag: Er ist auf Erden kommen arm (choral) - Wer will die Liebe recht erhöhn (rezitativ)
choir vocals:
Thomanerchor Leipzig (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VII. Choral (Soprano) con Recitativo (Basso) „Er ist auf Erden kommen arm“ (in 1998-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach2:47
8Weihnachtsoratorium, BWV 248: Erster Teil: Am ersten Weihnachtsfeiertag: Großer Herr, o starker König (arie)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VIII. Aria (Basso) „Großer Herr, o starker König“ (in 1998-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:44
9Weihnachtsoratorium, BWV 248: Erster Teil: Am ersten Weihnachtsfeiertag: Ach mein herzliebes Jesulein (choral)
choir vocals:
Thomanerchor Leipzig (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IX. Choral „Ach mein herzliebes Jesulein“ (in 1998-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:18
10Weihnachtsoratorium, BWV 248: Zweiter Teil: Am zweiten Weihnachtsfeiertage: Sinfonia
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia (in 1998-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach6:04
11Weihnachtsoratorium, BWV 248: Zweiter Teil: Am zweiten Weihnachtsfeiertage: Und es waren Hirten in derselben Gegend (rezitativ)
tenor vocals:
Christoph Prégardien (tenor) (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XI. Recitativo „Und es waren Hirten in derselben Gegend“ (Evangelista) (in 1998-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:40
12Weihnachtsoratorium, BWV 248: Zweiter Teil: Am zweiten Weihnachtsfeiertage: Brich an, du schönes Morgenlicht (choral)
choir vocals:
Thomanerchor Leipzig (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XII. Choral „Brich an, o schönes Morgenlicht“ (in 1998-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Johann von Rist (in 1641)
part of:
Breitkopf 389 Choralgesänge (number: 80)
is based on:
Geistliches Lied, BWV 454: „Ermuntre dich, mein schwacher Geist“
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:55
13Weihnachtsoratorium, BWV 248: Zweiter Teil: Am zweiten Weihnachtsfeiertage: Und der Engel sprach zu ihnen (rezitativ)
tenor vocals:
Christoph Prégardien (tenor) (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIII. Recitativo „Und der Engel sprach zu ihnen“ (Evangelista, Angelus) (in 1998-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:47
14Weihnachtsoratorium, BWV 248: Zweiter Teil: Am zweiten Weihnachtsfeiertage: Was Gott dem Abraham verheißen (rezitativ)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIV. Recitativo (Basso) „Was Gott dem Abraham verheißen“ (in 1998-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:49
15Weihnachtsoratorium, BWV 248: Zweiter Teil: Am zweiten Weihnachtsfeiertage: Frohe Hirten, eilt, ach eilet (arie)
tenor vocals:
Christoph Prégardien (tenor) (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XV. Aria (Tenore) „Frohe Hirten, eilt, ach eilet“ (in 1998-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach3:38
16Weihnachtsoratorium, BWV 248: Zweiter Teil: Am zweiten Weihnachtsfeiertage: Und das habt zum Zeichen (rezitativ)
tenor vocals:
Christoph Prégardien (tenor) (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVI. Recitativo „Und das habt zum Zeichen“ (Evangelista) (in 1998-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:24
17Weihnachtsoratorium, BWV 248: Zweiter Teil: Am zweiten Weihnachtsfeiertage: Schaut hin, dort liegt im finstern Stall (choral)
choir vocals:
Thomanerchor Leipzig (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVII. Choral „Schaut hin, dort liegt im finstern Stall“ (in 1998-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 323)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:47
18Weihnachtsoratorium, BWV 248: Zweiter Teil: Am zweiten Weihnachtsfeiertage: So geht denn hin, ihr Hirten, geht (rezitativ)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVIII. Recitativo (Basso) „So geht denn hin“ (in 1998-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:48
19Weihnachtsoratorium, BWV 248: Zweiter Teil: Am zweiten Weihnachtsfeiertage: Schlafe, mein Liebster, genieße der Ruh (arie)
alto vocals:
Yvonne Naef (mezzo-soprano) (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIX. Aria (Alto) „Schlafe, mein Liebster“ (in 1998-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach8:48
20Weihnachtsoratorium, BWV 248: Zweiter Teil: Am zweiten Weihnachtsfeiertage: Und alsobald war da bei dem Engel (rezitativ)
tenor vocals:
Christoph Prégardien (tenor) (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XX. Recitativo „Und alsobald war da bei dem Engel“ (Evangelista) (in 1998-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:15
21Weihnachtsoratorium, BWV 248: Zweiter Teil: Am zweiten Weihnachtsfeiertage: Ehre sei Gott in der Höhe (chor)
choir vocals:
Thomanerchor Leipzig (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXI. Coro „Ehre sei Gott in der Höhe“ (in 1998-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach2:32
22Weihnachtsoratorium, BWV 248: Zweiter Teil: Am zweiten Weihnachtsfeiertage: So recht, ihr Engel, jauchzt und singet (rezitativ)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXII. Recitativo (Basso) „So recht, ihr Engel“ (in 1998-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:25
23Weihnachtsoratorium, BWV 248: Zweiter Teil: Am zweiten Weihnachtsfeiertage: Wir singen dir in deinem Heer (choral)
choir vocals:
Thomanerchor Leipzig (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXIII. Choral „Wir singen dir in deinem Heer“ (in 1998-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:25
24Weihnachtsoratorium, BWV 248: Dritter Teil: Am dritten Weihnachtsfeiertage: Herrscher des Himmels, erhöre das Lallen (chor)
choir vocals:
Thomanerchor Leipzig (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXIV. Coro „Herrscher des Himmels, erhöre das Lallen“ (in 1998-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:53
25Weihnachtsoratorium, BWV 248: Dritter Teil: Am dritten Weihnachtsfeiertage: Und da die Engel von ihnen gen Himmel fuhren (rezitativ)
tenor vocals:
Christoph Prégardien (tenor) (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXV. Recitativo „Und da die Engel“ (Evangelista) (in 1998-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:09
26Weihnachtsoratorium, BWV 248: Dritter Teil: Am dritten Weihnachtsfeiertage: Lasset uns nun gehen gen Bethlehem (chor)
choir vocals:
Thomanerchor Leipzig (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXVI. Coro „Lasset uns nun gehen“ (in 1998-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:45
27Weihnachtsoratorium, BWV 248: Dritter Teil: Am dritten Weihnachtsfeiertage: Er hat sein Volk getröst' (rezitativ)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXVII. Recitativo (Basso) „Er hat sein Volk getröst“ (in 1998-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:42
28Weihnachtsoratorium, BWV 248: Dritter Teil: Am dritten Weihnachtsfeiertage: Dies hat er alles uns getan (choral)
choir vocals:
Thomanerchor Leipzig (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXVIII. Choral „Dies hat er alles uns getan“ (in 1998-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 110)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:52
29Weihnachtsoratorium, BWV 248: Dritter Teil: Am dritten Weihnachtsfeiertage: Herr, dein Mitleid, dein Erbarmen (duett)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (in 1998-12)
soprano vocals:
Barbara Schlick (soprano) (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXIX. Aria duetto (Soprano, Basso) „Herr, dein Mitleid“ (in 1998-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach7:45
30Weihnachtsoratorium, BWV 248: Dritter Teil: Am dritten Weihnachtsfeiertage: Und sie kamen eilend (rezitativ)
tenor vocals:
Christoph Prégardien (tenor) (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXX. Recitativo „Und sie kamen eilend“ (Evangelista) (in 1998-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:24
31Weihnachtsoratorium, BWV 248: Dritter Teil: Am dritten Weihnachtsfeiertage: Schließe, mein Herze, dies selige Wunder (arie)
alto vocals:
Yvonne Naef (mezzo-soprano) (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXI. Aria (Alto) „Schließe, mein Herze“ (in 1998-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:08
32Weihnachtsoratorium, BWV 248: Dritter Teil: Am dritten Weihnachtsfeiertage: Ja, ja, mein Herz soll es bewahren (rezitativ)
alto vocals:
Yvonne Naef (mezzo-soprano) (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXII. Recitativo (Alto) „Ja, ja, mein Herz soll es bewahren“ (in 1998-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:30
33Weihnachtsoratorium, BWV 248: Dritter Teil: Am dritten Weihnachtsfeiertage: Ich will wich mit Fleiß bewahren (choral)
choir vocals:
Thomanerchor Leipzig (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXIII. Choral „Ich will dich mit Fleiß bewahren“ (in 1998-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 335)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:49
34Weihnachtsoratorium, BWV 248: Dritter Teil: Am dritten Weihnachtsfeiertage: Und die Hirten kehrten wieder um (rezitativ)
tenor vocals:
Christoph Prégardien (tenor) (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXIV. Recitativo „Und die Hirten kehrten wieder um“ (Evangelista) (in 1998-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:26
35Weihnachtsoratorium, BWV 248: Dritter Teil: Am dritten Weihnachtsfeiertage: Seid froh dieweil (choral)
choir vocals:
Thomanerchor Leipzig (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXV. Choral "Seid froh dieweil" (in 1998-12)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 381)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:45
36Weihnachtsoratorium, BWV 248: Dritter Teil: Am dritten Weihnachtsfeiertage: Herrscher des Himmels, erhöre das Lallen (chor dacapo)
choir vocals:
Thomanerchor Leipzig (in 1998-12)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1998-12)
conductor:
Georg Christoph Biller (conductor) (in 1998-12)
recorded at:
Nikolaikirche (St. Nicholas Church) in Leipzig, Sachsen (Saxony), Germany (in 1998-12)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXIV (da capo). Coro da capo „Herrscher des Himmels, erhöre das Lallen“ (in 1998-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach2:03
6▶CD

Credits

Release

part of:Eloquence (Deutsche Grammophon/Decca/Philips Classics, et al.; classical series established in 1999) (order: 337)