Guitar Rock: The Early ’70s: Take Two

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1After Midnight
Techniker(in):
Bill Halverson
Produzent(in):
Delaney Bramlett
Mix:
Tom Dowd
arranger:
Delaney Bramlett
aufgenommen bei:
The Village Recorders (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
After Midnight (von 1969-11 bis 1970-03)
Texter und Komponist(in):
J.J. Cale
publisher:
Mijac Music, Robert Stigwood Organisation Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Australia Pty. Ltd., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Eric Clapton3.752:53
2Ain’t Wastin’ Time No More
Produzent(in):
Tom Dowd
Bass:
Berry Oakley (US bassist, The Allman Brothers Band) (von 1971-09 bis 1971-12)
membranophone und Perkussion:
Jai Johanny Johanson (von 1971-09 bis 1971-12) und Butch Trucks (von 1971-09 bis 1971-12)
Orgel und Klavier:
Gregg Allman (von 1971-09 bis 1971-12)
vocals:
Gregg Allman (von 1971-09 bis 1971-12)
aufgenommen bei:
Criteria Studios in Miami, Florida, Vereinigte Staaten (von 1971-09 bis 1971-12)
Remaster von:
Ain’t Wastin’ Time No More von The Allman Brothers Band
recording of:
Ain’t Wastin’ Time No More (von 1971-09 bis 1971-12)
Texter und Komponist(in):
Gregg Allman
publisher:
Elijah Blue Music, No Exit Music Co., Inc., Unichappell Music, Inc. und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Allman Brothers Band33:35
3High Time We Went
recording of:
High Time We Went
Verfasser(in):
Joe Cocker und Chris Stainton (keyboard player, session musician and songwriter)
publisher:
Writers Workshop Ltd.
Joe Cocker54:28
4Elected
Produzent(in):
Bob Ezrin
Bassgitarre:
Dennis Dunaway (original bass player for Alice Cooper) (von 1972-08 bis 1973-01)
Gitarre:
Michael Bruce (of Alice Cooper) (von 1972-08 bis 1973-01) und Glen Buxton (American guitarist) (von 1972-08 bis 1973-01)
Keyboard:
Michael Bruce (of Alice Cooper) (von 1972-08 bis 1973-01)
Schlagzeug:
Neal Smith (former Alice Cooper drummer) (von 1972-08 bis 1973-01)
Hintergrundgesang:
Michael Bruce (of Alice Cooper) (von 1972-08 bis 1973-01), Dennis Dunaway (original bass player for Alice Cooper) (von 1972-08 bis 1973-01) und Neal Smith (former Alice Cooper drummer) (von 1972-08 bis 1973-01)
Sologesang:
Alice Cooper (the singer, active as a solo artist 1975–present) (von 1972-08 bis 1973-01)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1973) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1973)
Musikvideos:
Elected von Alice Cooper (the band, active 1964–1974/5)
Teil von:
CBC Music: The Ultimate Election Day Playlist
recording of:
Elected (von 1972-08 bis 1973-01)
Verfasser(in):
Michael Bruce (of Alice Cooper), Glen Buxton (American guitarist), Alice Cooper (the singer, active as a solo artist 1975–present), Dennis Dunaway (original bass player for Alice Cooper) und Neal Smith (former Alice Cooper drummer)
publisher:
Sony Songs Inc. (beendet), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ezra Music Corp., Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Songs LLC und Ezra Music (in 1973)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Revision von:
Reflected
Alice Cooper3.64:08
5Hot ’N’ Nasty
recording of:
Hot 'n' Nasty
Texter:
Steve Marriott (English musician and songwriter)
Komponist(in):
Humble Pie
Humble Pie53:23
6Johnny B. Goode
Techniker(in):
James Green (US recording engineer/studio manager, Columbia Studios, NY) und Ed Kollis
Produzent(in):
Johnny Winter (American blues/rock musician)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1969)
cover recording of:
Johnny B. Goode
Texter und Komponist(in):
Chuck Berry (in 1955)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Isalee Music, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) und ロックンロール ミュージック (Rock ’n’ Roll Music)
Teil von:
Back to the Future: the Musical
Johnny Winter52:46
7Theme for an Imaginary Western
Mountain3.55:07
81984
Spirit3:39
9Light Up or Leave Me Alone
Produzent(in):
Steve Winwood
recording of:
Light Up or Leave Me Alone
Verfasser(in):
Jim Capaldi
publisher:
Universal PolyGram International (SESAC)
Traffic4:44
10Maggie May
Produzent(in):
Rod Stewart
Akustikgitarre:
Martell Brandy (in 1971-01), Martin Quittenton (guitarist for Steamhammer) (in 1971-01) und Rod Stewart (in 1971-01)
Bass:
Andy Pyle (in 1971-01)
Bassgitarre, Gitarre und Pedal-Steel-Gitarre:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood) (in 1971-01)
Geige / Violine:
Dick Powell (Violinist and double-bass player) (in 1971-01)
Klavier:
Pete Sears (in 1971-01)
Kontrabass:
Danny Thompson (English double bass player) (in 1971-01)
Orgel:
Ian McLagan (in 1971-01)
Schlagzeug:
Micky Waller (in 1971-01)
Slide-Gitarre:
Sam Mitchell (in 1971-01)
Sologesang:
Rod Stewart (in 1971-01)
vocals:
Madeline Bell (in 1971-01)
Kompilation von:
Henry von Rod Stewart und Maggie May (without “Henry” prelude) von Rod Stewart
Musikvideos:
Maggie May von Rod Stewart
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 130) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 141)
recording of:
Henry (prelude to “Maggie May”) (in 1971-01)
Komponist(in):
Martin Quittenton (guitarist for Steamhammer)
recording of:
Maggie May (in 1971-01)
publisher:
Rod Stewart
Verfasser(in):
Mike Peters, Martin Quittenton (guitarist for Steamhammer) und Rod Stewart
publisher:
Chappell Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Full Keel Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), H. G. Music Inc, Mushroom Music (Mushroom label’s publishing company), Rightsong Music Inc., Unichappell Music, Inc., Warner Chappell und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Rod Stewart4.155:46
11The Story in Your Eyes
Produzent(in):
Tony Clarke (UK producer/guitarist)
recording of:
The Story in Your Eyes
Texter und Komponist(in):
Justin Hayward (of the Moody Blues)
publisher:
Cheshire Music Inc. und Tyler Music Ltd.
The Moody Blues33:07
12Crazy Mama
recording engineer:
James Long (engineer) (von 1970-09-29 bis 1970-09-30)
Bass:
Carl Radle
Gitarre:
J.J. Cale
Schlagzeug:
Karl T. Himmel
Slide-Gitarre:
Mac Gayden
Hintergrundgesang:
Diane Davidson
vocals:
J.J. Cale
aufgenommen bei:
Moss Rose Studio in Nashville, Tennessee, Vereinigte Staaten (von 1970-09-29 bis 1970-09-30)
recording of:
Crazy Mama (von 1970-09-29 bis 1970-09-30)
Texter und Komponist(in):
J.J. Cale
publisher:
Johnny Bienstock Music
J.J. Cale42:29
13Going to the Country
Produzent(in):
Glyn Johns und Steve Miller Band (American rock band)
recording of:
Going to the Country
Verfasser(in):
Steve Miller (leader of Steve Miller Band) und Ben Sidran
Steve Miller Band3:15
14Keep Playin’ That Rock ’n’ Roll
Edgar Winter's White Trash3:46
15The Stealer
Techniker(in):
Andy Johns
Produzent(in):
Free (60s/70s UK blues rock group) und Guy Stevens
aufgenommen bei:
Island Studios (aka the Fallout Shelter, located in Hammersmith, London) in Hammersmith, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
recording of:
The Stealer
Verfasser(in):
Andy Fraser (English bassist, member of Free), Paul Kossoff und Paul Rodgers
Free53:13
16Looking for a Love
Techniker(in):
Lee Kiefer und Bill Szymczyk
Produzent(in):
Bill Szymczyk
Bass:
Danny Klein (bassist, member of J. Geils Band) (am 1971-09-02)
Gitarre:
J. Geils (am 1971-09-02)
Keyboard:
Seth Justman (am 1971-09-02)
Schlagzeug:
Stephen Bladd (am 1971-09-02)
vocals:
Peter Wolf (US rock vocalist, member of J. Geils Band) (am 1971-09-02)
arranger:
The J. Geils Band
aufgenommen bei:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1971-09-02)
cover recording of:
Lookin’ for a Love (am 1971-09-02)
Verfasser(in):
James Woodie Alexander und Zelda Samuels
Version von:
Couldn't Hear Nobody Pray
The J. Geils Band3:45
17No One to Depend On
recording engineer:
Mike Larner (am 1971-06-16)
Techniker(in):
Glen Kolotkin
Produzent(in):
Santana (US Latin, blues, & rock band)
Bassgitarre:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (am 1971-06-16)
Conga:
Michael Carabello (percussionist) (am 1971-06-16)
Gitarre:
Carlos Santana (am 1971-06-16) und Neal Schon (am 1971-06-16)
Keyboard:
Gregg Rolie (keyboardist and vocalist) (am 1971-06-16)
membranophone:
Michael Shrieve (drummer) (am 1971-06-16)
Perkussion [percussion assistance]:
Coke Escovedo (am 1971-06-16)
Tamburin:
Greg Errico (am 1971-06-16)
Timbales:
Jose Chepito Áreas (am 1971-06-16)
Hintergrundgesang:
Coke Escovedo (am 1971-06-16) und Rico Reyes (am 1971-06-16)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1971) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1971)
aufgenommen bei:
Columbia Studios in San Francisco, California (Kalifornien), Vereinigte Staaten (am 1971-06-16)
recording of:
No One to Depend On (am 1971-06-16)
Verfasser(in):
Michael Carabello (percussionist), Coke Escovedo und Gregg Rolie (keyboardist and vocalist)
publisher:
Careers–BMG Music Publishing, Inc., Petra Music, Universal Music (plain logo: “Universal Music”) und Universal Music Careers
Santana2.655:30
18Bell Bottom Blues
leitende(r) Produzent(in):
Tom Dowd
Produzent(in):
Derek and the Dominos
Bassgitarre und Perkussion:
Carl Radle
guitar family und Sologesang:
Eric Clapton
Orgel:
Bobby Whitlock
Schlagzeug und Perkussion:
Jim Gordon (US drummer with Derek and the Dominos)
vocals:
Bobby Whitlock
arranger:
Derek and the Dominos
phonographisches Urheberrecht (℗) von:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1970)
aufgenommen bei:
Criteria Studios in Miami, Florida, Vereinigte Staaten (am 1970-09-02)
recording of:
Bell Bottom Blues (am 1970-09-02)
Texter und Komponist(in):
Eric Clapton und Bobby Whitlock
publisher:
Casserole Music Corp., E.C. Music (UK work publisher for Eric Clapton), Throat Music und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Derek and the Dominos3.754:58

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Veröffentlichungsgruppe

Teil von:Guitar Rock (Time-Life Music) (Nummer: 19) (Reihenfolge: 19)