Songs That Won the War

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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1▼CD
Nr.TitelKünstlerBewertungLänge
1(There’ll Be Bluebirds Over) The White Cliffs of Dover
Sologesang:
Vera Lynn (am 1942-03-20)
vocals:
Vera Lynn
Orchester:
Jay Wilbur and His Band (am 1942-03-20)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1942)
recording of:
(There’ll Be Bluebirds Over) The White Cliffs of Dover (am 1942-03-20)
Texter:
Nat Burton (US songwriter)
Komponist(in):
Walter Kent
publisher:
Shapiro, Bernstein & Co., Inc. und Walter Kent Music Co.
Vera Lynn3:18
2(We’re Gonna Hang Out) The Washing on the Siegfried Line
vocals:
Chesney Allen und Bud Flanagan
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1939)
recording of:
We’re Going to Hang out the Washing on the Siegfried Line
Texter:
Jimmy Kennedy (Irish songwriter)
Komponist(in):
Michael Carr (songwriter)
publisher:
Keith Prowse Music Publishing Co. Ltd. und Peter Maurice Music Co. Ltd.
Flanagan and Allen2:45
3Fight on the Beaches
Sprecher:
Winston Churchill (politician) (am 1940-06-04)
aufgenommen bei:
The House of Commons (London) in Westminster, London (Greater London), England, Vereinigtes Königreich (am 1940-06-04)
Winston Churchill0:36
4Moonlight Serenade
alto saxophone:
Hal McIntyre (am 1939-04-04) und Wilbur Schwartz (am 1939-04-04)
Gitarre:
Allan Reuss (am 1939-04-04)
Klavier:
Chummy MacGregor (am 1939-04-04)
Kontrabass:
Rolly Bundock (am 1939-04-04)
Posaune:
Al Mastren (am 1939-04-04), Glenn Miller (jazz band leader) (am 1939-04-04) und Paul Tanner (am 1939-04-04)
Schlagzeug:
Frankie Carlson (am 1939-04-04)
Tenorsaxophon:
Stanley Aronson (am 1939-04-04), Tex Beneke (am 1939-04-04) und Al Klink (am 1939-04-04)
Trompete:
Legh Knowles (am 1939-04-04), Dale McMickle (am 1939-04-04) und Bob Price (Big band trumpet player) (am 1939-04-04)
Orchester:
Glenn Miller and His Orchestra (Glenn Miller und sein Orchester, use only for releases Glenn Miller performed with) (am 1939-04-04)
conductor:
Glenn Miller (jazz band leader) (am 1939-04-04)
arranger:
Bill Finegan
phonographisches Urheberrecht (℗) von:
Decca (WARNING: NOT FOR RELEASE LABEL USE!!!!!!!!!! A division of Universal Music Operations Limited) (in 2009)
aufgenommen bei:
Victor Studio #2 (Cherokee B) in Manhattan, New York, New York, Vereinigte Staaten (am 1939-04-04)
recording of:
Moonlight Serenade (original instrumental version) (am 1939-04-04)
Komponist(in) und arranger:
Glenn Miller (jazz band leader)
publisher:
Big 3 Music Ltd., EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd. und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
instrumental recording of:
Moonlight Serenade (original instrumental version) (am 1939-04-04)
Komponist(in) und arranger:
Glenn Miller (jazz band leader)
publisher:
Big 3 Music Ltd., EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd. und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
Glenn Miller13:23
5Don’t Sit Under the Apple Tree (with Anyone Else but Me)
vocals:
The Andrews Sisters
Orchester:
Vic Schoen and His Orchestra
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1942)
recording of:
Don’t Sit Under the Apple Tree (With Anyone Else but Me) (am 1942-04-04)
Texter:
Lew Brown
Komponist(in):
Sam H. Stept und Charles Tobias (Tin Pan Alley songwriter)
publisher:
Ched Music Corp., EMI Robbins Catalog Inc. (ASCAP), J. Tobias Music, Jer Nor, Mark Steve, Robbins Music Corp. und Robert Lane Music
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
The Andrews Sisters3:00
6Thanks for the Memory
vocals:
Bob Hope und Shirley Ross (American actress and singer, notable for her duet with Bob Hope, “Thanks for the Memory”)
Orchester:
Harry Sosnik and His Orchestra
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1938)
recording of:
Thanks for the Memory
Texter:
Leo Robin (US composer, lyricist & songwriter)
Komponist(in):
Ralph Rainger
publisher:
BMG Music Publishing Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) und Paramount Music Corporation
Teil von:
The 11th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1938 winner)
Bob Hope1:09
7Lambeth Walk
vocals:
Eddie Cantor
Orchester:
Ambrose and His Orchestra
phonographisches Urheberrecht (℗) von:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2000)
recording of:
The Lambeth Walk
Texter:
Douglas Furber (in 1937) und L. Arthur Rose (playwright and lyricist) (in 1937)
Komponist(in):
Noel Gay (in 1937)
publisher:
Cinephonic Music Co., Ltd. und Richard Armitage Ltd
Teil von:
Roud Folk Song Index (Nummer: 25672)
Eddie Cantor & Ambrose2:30
8Round the Back of the Arches
vocals:
Chesney Allen und Bud Flanagan
Orchester:
Jay Wilbur’s Orchestra
conductor:
Jay Wilbur
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1941)
recording of:
Round the Back of the Arches
Verfasser(in):
Desmond O’Connor und Kennedy Russell
publisher:
Victoria Music Publishing Co. Ltd.
Flanagan and Allen2:53
9Their Finest Hour
Sprecher:
Winston Churchill (politician) (am 1940-06-18)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only)
aufgenommen bei:
The House of Commons (London) in Westminster, London (Greater London), England, Vereinigtes Königreich (am 1940-06-18)
Winston Churchill1:40
10We’ll Meet Again
vocals:
Vera Lynn
conductor:
Roland Shaw (composer)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1953)
recording of:
We’ll Meet Again
Texter:
Hugh Charles
Komponist(in):
Hugh Charles und Ross Parker
publisher:
Dash Music Co. Ltd., Music Sales Corporation (American copyright holder in both popular and classical music), World Music Co. und World Music, Inc.
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Vera Lynn3:00
11American Patrol
Orchester:
Glenn Miller and His Orchestra (Glenn Miller und sein Orchester, use only for releases Glenn Miller performed with)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1942)
recording of:
American Patrol (swing version)
Komponist(in):
F. W. Meacham (in 1885)
arranger:
Jerry Gray (US big band arranger and conductor) (in 1942)
publisher:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment)
Arrangement von:
American Patrol
Glenn Miller3:19
12I’ll Be Seeing You
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1944-02-17)
Produzent(in):
Dave Kapp
Sologesang:
Bing Crosby (am 1944-02-17)
vocals:
Bing Crosby
Orchester:
John Scott Trotter's Orchestra (am 1944-02-17)
conductor:
John Scott Trotter
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1993)
cover recording of:
I’ll Be Seeing You (am 1944-02-17)
Texter:
Irving Kahal (in 1938)
Komponist(in):
Sammy Fain (in 1938)
publisher:
Fain Music (ASCAP), New Irving Kahal Music und Williamson Music Company
sub-publisher:
フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31), フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Bing Crosby2:53
13Over the Rainbow
vocals:
Judy Garland (am 1939-07-28)
Orchester:
Victor Young and His Orchestra
conductor:
Victor Young (American composer, arranger, violinist & conductor) (am 1939-07-28)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1939)
recording of:
Over the Rainbow (The Wizard of Oz) (am 1939-07-28)
Texter:
Yip Harburg (in 1938)
Komponist(in):
Harold Arlen (in 1938)
uraufgeführt von:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. und Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
The 12th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1939 winner)
Teil von:
The Wizard of Oz (1942 Arlen/Harburg musical)
Teil von:
The Wizard of Oz (1939 film soundtrack)
Judy Garland2:50
14Run, Rabbit, Run
vocals:
Chesney Allen und Bud Flanagan
Orchester:
Jay Wilbur’s Orchestra
conductor:
Jay Wilbur
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1939)
recording of:
Run Rabbit Run
Texter:
Ralph Butler und Noel Gay
Komponist(in):
Noel Gay
publisher:
Campbell Connelly & Co. Ltd. und Noel Gay Music Co. Ltd.
Flanagan and Allen2:44
15Boogie Woogie Bugle Boy
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1941-01-02)
vocals:
The Andrews Sisters (am 1941-01-02), Maxene Andrews (am 1941-01-02), Laverne Andrews (am 1941-01-02) und Patti Andrews (am 1941-01-02)
Orchester:
Vic Schoen and His Orchestra (am 1941-01-02)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1941)
recording of:
Boogie Woogie Bugle Boy (am 1941-01-02)
Verfasser(in):
Hughie Prince und Don Raye
publisher:
A4V Digital, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 14th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1941 nominee)
The Andrews Sisters2:45
16There’ll Always Be an England
vocals:
Alfred Piccaver
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1939)
recording of:
There’ll Always Be an England
Verfasser(in):
Hugh Charles und Ross Parker
publisher:
Dash Music Co. Ltd.
Alfred Piccaver3:13
17I Don’t Want to Walk Without You
vocals:
Bing Crosby
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1942)
recording of:
I Don’t Want to Walk Without You (from 1942 film “Sweater Girl”)
Texter:
Frank Loesser (in 1941)
Komponist(in):
Jule Styne (in 1941)
publisher:
Paramount Music Corporation und Sony/ATV Harmony
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Bing Crosby3:19
18It’s a Lovely Day Tomorrow
Orgel:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1939-12-29)
Sologesang:
Vera Lynn (am 1940-02-17)
Orchester:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1940-02-17)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1940)
recording of:
It’s a Lovely Day Tomorrow (am 1940-02-17)
Texter und Komponist(in):
Irving Berlin
publisher:
Irving Berlin Inc. und Irving Berlin Music Company
Vera Lynn3:14
19Lili Marlene
recorded in:
New York, New York, Vereinigte Staaten (am 1945-09-07)
vocals:
Marlene Dietrich (actress and singer)
Orchester:
Charles Magnante and His Orchestra
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1945)
recording of:
Lili Marleen (Marlene Dietrich version)
Texter:
Hans Leip
Komponist(in):
Norbert Schultze
Übersetzer:
Marlene Dietrich (actress and singer)
übersetzte Version von:
Lili Marleen (Lied eines jungen Wachtpostens, original German version)
Marlene Dietrich3:26
20It Had to Be You
vocals:
Helen Forrest und Dick Haymes
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1944)
cover recording of:
It Had to Be You
Texter:
Gus Kahn (in 1924)
Komponist(in):
Isham Jones (in 1924)
publisher:
Bantam Music Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, The Songwriters Guild, Warner Bros., Inc. (not for release label use!) und Jerome H. Remick & Co. (am 1924-05-09)
Dick Haymes & Helen Forrest3:13
21Whispering Grass (Don’t Tell the Trees)
vocals:
The Ink Spots
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1940)
recording of:
Whispering Grass (am 1940-06-11)
Verfasser(in):
Doris Fisher und Fred Fisher
publisher:
Campbell Connelly & Co. Ltd., EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated) und Universal Music Corp. (USA, affiliated with ASCAP)
The Ink Spots2:43
22I’ll Be With You in Apple Blossom Time
vocals:
The Andrews Sisters (am 1940-11-14)
Orchester:
Vic Schoen and His Orchestra (am 1940-11-14)
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1940)
recording of:
(I’ll Be With You) In Apple Blossom Time (am 1940-11-14)
Texter:
Neville Fleeson
Komponist(in):
Albert Von Tilzer
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd. und Jerry Vogel Music
The Andrews Sisters3:01
23Yours
vocals:
Vera Lynn
conductor:
Roland Shaw (composer)
Interpret(in):
Members of H.M. Forces
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1952)
recording of:
Yours (1931 version of "Quiéreme mucho")
Texter und Übersetzer:
Albert Gamse und Jack Sherr
Komponist(in):
Gonzalo Roig
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) und Peter Maurice Music Co. Ltd.
basiert auf:
Quiéreme mucho
Vera Lynn3:24
24Moonlight Becomes You
vocals:
Bing Crosby
Orchester:
John Scott Trotter and His Orchestra
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1942)
recording of:
Moonlight Becomes You
Texter:
Johnny Burke (American lyricist, 1908–1964) (in 1942)
Komponist(in):
Jimmy Van Heusen (in 1942)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Bing Crosby3:12
25We’ll Smile Again
vocals:
Chesney Allen und Bud Flanagan
Orchester:
Jay Wilbur’s Orchestra
conductor:
Jay Wilbur
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1942)
recording of:
We’ll Smile Again
Texter:
Desmond O’Connor
Komponist(in):
Kennedy Russell
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.)
Flanagan and Allen2:53
26Now Is the Hour
vocals:
Gracie Fields
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1947)
recording of:
Now Is the Hour
Texter:
Maewa Kaihau (in 1920)
zusätzlicher Texter:
Dorothy Stewart (von 1945 bis 1947)
Komponist(in):
Clement Scott (Clement William Scott, 1841-1904, theatre critic, playwright and lyricist)
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), Keith Prowse Music Publishing Co. Ltd., On Backstreet Music Inc., Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) und The Boston Music Company
übersetzte Version von:
Po atarau (based on “The Swiss Cradle Song”, with English and Maori lyrics)
Gracie Fields3:08
27A Nightingale Sang in Berkeley Square
Sologesang:
Vera Lynn (am 1940-06-05)
vocals:
Vera Lynn
Orchester:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1940-06-05)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1940)
recording of:
A Nightingale Sang in Berkeley Square (am 1940-06-05)
Texter:
Eric Maschwitz (Holt Marvell)
Komponist(in):
Manning Sherwin (in 1939)
publisher:
Colgems-EMI Music Inc., Peter Maurice Music Co. Ltd. und Shapiro, Bernstein & Co., Inc.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Vera Lynn3:14
28Never in the Field of Human Conflict
Sprecher:
Winston Churchill (politician) (am 1940-08-20)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only)
aufgenommen bei:
The House of Commons (London) in Westminster, London (Greater London), England, Vereinigtes Königreich (am 1940-08-20)
Winston Churchill1:38
2▼DVD-Video
Nr.TitelKünstlerBewertungLänge
1Songs That Won the War
Fotografie:
Bill Glass (photography)
Produzent(in):
Robert Garofalo (film producer/director)
Mix:
Mark Stevens (arranger/mixer of dvd tracks)
Ukulele-Banjo:
George Formby (Junior, musical film star 1904–1961)
Sologesang:
Vera Lynn
Sprecher:
Queen Elizabeth (The Queen Mother), Vera Lynn, Russell Thompson (Royal British Legion) und Neville Chamberlain (former British Prime Minister) (am 1939-09-03)
vocals:
Chesney Allen, The Andrews Sisters, Bentley Hilliam, Eddie Cantor, Bing Crosby, Gracie Fields, Bud Flanagan, George Formby (Junior, musical film star 1904–1961), Judy Garland, Bob Hope, Kenneth Horne (Comedian and businessman), Penny Lee (singer c.1940s), Malcolm McEachern (Australian bass singer), The Mills Brothers, Richard Murdoch (actor), Frank Parker, Dinah Shore, Tommy Trinder und Dooley Wilson
Orchester:
Glenn Miller and His Orchestra (Glenn Miller und sein Orchester, use only for releases Glenn Miller performed with)
arranger:
Mark Stevens (arranger/mixer of dvd tracks)
phonographisches Urheberrecht (℗) von:
Classic Pictures Ltd. (in 1994)
aufgenommen bei:
Coronet Cinema (Notting Hill Gate) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich
recording of:
(There’ll Be Bluebirds Over) The White Cliffs of Dover
Texter:
Nat Burton (US songwriter)
Komponist(in):
Walter Kent
publisher:
Shapiro, Bernstein & Co., Inc. und Walter Kent Music Co.
recording of:
A Little on the Lonely Side
Verfasser(in):
James Cavanaugh, Dick Robertson (US jazz vocalist, 1920s-1940s) und Frank Weldon
recording of:
A Nightingale Sang in Berkeley Square
Texter:
Eric Maschwitz (Holt Marvell)
Komponist(in):
Manning Sherwin (in 1939)
publisher:
Colgems-EMI Music Inc., Peter Maurice Music Co. Ltd. und Shapiro, Bernstein & Co., Inc.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
recording of:
A String of Pearls
Texter:
Eddie DeLange
Komponist(in):
Jerry Gray (US big band arranger and conductor)
publisher:
Chappell & Co. und Scarsdale Music (ASCAP)
recording of:
All Over the Place (from “Sailors Three”)
Texter:
Frank Eyton und Noel Gay
Komponist(in):
Noel Gay
Teil von:
Sailors Three (1940)
recording of:
As Time Goes By (the song from “Casablanca”)
Texter und Komponist(in):
Herman Hupfeld
publisher:
WB Music Corp. (1929–2019) (beendet), Chappell (library/production music), Redwood Music, Redwood Music Ltd. (Carlin), Warner Bros., Inc. (Warner Bros. Music Division) und Warner Bros., Inc. (not for release label use!) (in 1931)
sub-publisher:
香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch)
Teil von:
Casablanca (original soundtrack of the 1942 American film)
recording of:
Beer Barrel Polka
Komponist(in):
Jaromír Vejvoda (in 1927)
arranger:
Eduard Ingriš (von 1927 bis 1934)
Übersetzer:
Lew Brown (in 1939) und Wladimir A. Timm (Wladimir Timm) (in 1939)
Teil von:
Roud Folk Song Index (Nummer: 25648)
übersetzte Version von:
Škoda lásky (Schade um die Liebe, see also "Rosamunde" and "Beer Barrel Polka")
recording of:
Bless ’em All (1917 song)
Verfasser(in):
Fred Godfrey (early 20th century songwriter)
Teil von:
Roud Folk Song Index (Nummer: 8402)
recording of:
Boogie Woogie Bugle Boy
Verfasser(in):
Hughie Prince und Don Raye
publisher:
A4V Digital, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 14th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1941 nominee)
recording of:
Comin’ In on a Wing and a Prayer
Texter:
Harold Adamson
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Robbins Music Corp. (in 1943)
recording of:
Don’t Sit Under the Apple Tree (With Anyone Else but Me)
Texter:
Lew Brown
Komponist(in):
Sam H. Stept und Charles Tobias (Tin Pan Alley songwriter)
publisher:
Ched Music Corp., EMI Robbins Catalog Inc. (ASCAP), J. Tobias Music, Jer Nor, Mark Steve, Robbins Music Corp. und Robert Lane Music
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
recording of:
Down in the Maginot Line
Verfasser(in):
Frederic Cliffe, George Formby (Junior, musical film star 1904–1961) und Harry Gifford
recording of:
Flotsam and Jetsam War Monologue No. 1
Verfasser(in):
Bentley Hilliam und Malcolm McEachern (Australian bass singer)
recording of:
Guarding the Home of the Home Guard
Verfasser(in):
Eddie Latta und George Formby (Junior, musical film star 1904–1961)
recording of:
I Left My Heart at the Stage Door Canteen
Texter und Komponist(in):
Irving Berlin
recording of:
I’ll Walk Alone (from “Follow the Boys”)
Texter:
Sammy Cahn
Komponist(in):
Jule Styne
Teil von:
The 17th Academy Award for Best Original Song (Nummer: 2)
recording of:
Land of Hope and Glory
Nationalhymne von:
England, Vereinigtes Königreich (beendet)
Texter:
Arthur Christopher Benson
Komponist(in):
Edward Elgar (composer) (in 1902)
basiert auf:
Coronation Ode, op. 44: VI. Finale: “Land of Hope and Glory” (contralto soloist, with chorus)
recording of:
Maybe It’s Because I’m a Londoner
Texter und Komponist(in):
Hubert Gregg
Teil von:
Roud Folk Song Index (Nummer: 32458)
recording of:
Much Binding in the Marsh
Verfasser(in):
Kenneth Horne (Comedian and businessman), Richard Murdoch (actor) und Sidney Torch
recording of:
Over the Rainbow (The Wizard of Oz)
Texter:
Yip Harburg (in 1938)
Komponist(in):
Harold Arlen (in 1938)
uraufgeführt von:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. und Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
The 12th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1939 winner)
Teil von:
The Wizard of Oz (1942 Arlen/Harburg musical)
Teil von:
The Wizard of Oz (1939 film soundtrack)
recording of:
Paper Doll
Texter und Komponist(in):
Johnny S. Black (in 1915)
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
recording of:
Round the Back of the Arches
Verfasser(in):
Desmond O’Connor und Kennedy Russell
publisher:
Victoria Music Publishing Co. Ltd.
recording of:
Run Rabbit Run
Texter:
Ralph Butler und Noel Gay
Komponist(in):
Noel Gay
publisher:
Campbell Connelly & Co. Ltd. und Noel Gay Music Co. Ltd.
recording of:
Sally (Sally In Our Alley)
Verfasser(in):
Will E. Haines, Harry Leon und Leo Towers (songwriter)
recording of:
San Fernando Valley
Texter und Komponist(in):
Gordon Jenkins
recording of:
Thanks for the Memory
Texter:
Leo Robin (US composer, lyricist & songwriter)
Komponist(in):
Ralph Rainger
publisher:
BMG Music Publishing Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) und Paramount Music Corporation
Teil von:
The 11th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1938 winner)
recording of:
The Lambeth Walk
Texter:
Douglas Furber (in 1937) und L. Arthur Rose (playwright and lyricist) (in 1937)
Komponist(in):
Noel Gay (in 1937)
publisher:
Cinephonic Music Co., Ltd. und Richard Armitage Ltd
Teil von:
Roud Folk Song Index (Nummer: 25672)
recording of:
The Last Time I Saw Paris
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Jerome Kern
Teil von:
The 14th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1941 winner)
recording of:
The Umbrella Man
Texter:
James Cavanaugh
Komponist(in):
Vincent Rose (early-20th century violinist, pianist, composer & bandleader) und Larry Stock
recording of:
There’ll Always Be an England
Verfasser(in):
Hugh Charles und Ross Parker
publisher:
Dash Music Co. Ltd.
recording of:
We’re Going to Hang out the Washing on the Siegfried Line
Texter:
Jimmy Kennedy (Irish songwriter)
Komponist(in):
Michael Carr (songwriter)
publisher:
Keith Prowse Music Publishing Co. Ltd. und Peter Maurice Music Co. Ltd.
recording of:
When the Lights Go On Again (All Over the World)
Verfasser(in):
Bennie Benjamin (in 1942), Sol Marcus (in 1942) und Eddie Seiler (in 1942)
recording of:
Wish Me Luck as You Wave Me Goodbye
Texter:
Phil Park
Komponist(in):
Harry Parr-Davies
publisher:
Chappell & Co Ltd.
recording of:
Yours (1931 version of "Quiéreme mucho")
Texter und Übersetzer:
Albert Gamse und Jack Sherr
Komponist(in):
Gonzalo Roig
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) und Peter Maurice Music Co. Ltd.
basiert auf:
Quiéreme mucho
Vera Lynn1:06:58

Nennungen

Veröffentlichung

urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Decca (WARNING: NOT FOR RELEASE LABEL USE!!!!!!!!!! A division of Universal Music Operations Limited) (in 2009)
Discogs:https://www.discogs.com/release/3487400 [Info]
ASIN:UK: B002OQNU3C [Info]

Veröffentlichungsgruppe

enthält:Songs That Won the War (original 1994 release) von Dame Vera Lynn presents