History of Rock ’n’ Roll

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1CD
Nr.TitelKünstlerBewertungLänge
1Rubber Ball
recording of:
Rubber Ball
Texter und Komponist(in):
Gene Pitney und Aaron Schroeder (1950s~1960s US songwriter)
publisher:
J. Albert & Son Pty. Ltd.
Bobby Vee?:??
2He’s So Fine
recording of:
He’s So Fine (in 1962)
Texter und Komponist(in):
Ronnie Mack (1960s US songwriter)
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Chiffons3.35?:??
3Let’s Twist AgainChubby Checker?:??
4Hats Off to Larry
recording of:
Hats Off to Larry
Texter und Komponist(in):
Del Shannon
Del Shannon?:??
5It’s My Party
Produzent(in):
Quincy Jones
arranger:
Claus Ogerman
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 353)
recording of:
It’s My Party (am 1963-03-30)
Verfasser(in):
John Gluck, Jr., Wally Gold, Seymour Gottlieb und Herb Weiner
publisher:
A. Schroeder Music Ltd. und Chappell & Co., Inc. (USA)
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Lesley Gore4.35?:??
6Corinna, Corinna
cover recording of:
Corrine, Corrina
Texter:
[traditional] (special purpose artist), Armetia Chatman (blues musician, aka Bo Chatmon) (in 1929), J. Mayo ‘Ink’ Williams (in 1929) und Mitchell Parish (in 1932)
Komponist(in):
[traditional] (special purpose artist)
publisher:
Belwin-Mills Publishing Corp., EMI Music Publishing France und Gotham Music Service, Inc. (am 1932-03-18)
Ray Peterson3?:??
7Tutti Frutti
recording of:
Tutti Frutti
Texter:
Dorothy LaBostrie (American songwriter) und Richard Wayne Penniman
Komponist(in):
Dorothy LaBostrie (American songwriter), Joe Lubin und Richard Wayne Penniman
publisher:
ATV Music Ltd., Sony/ATV Songs LLC, Venice, Venice Music, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und Phonogram GmbH (in 1983)
Little Richard?:??
8Tiger
Fabian?:??
9Sugar Baby Love
recording of:
Sugar Baby Love (The Rubettes)
Texter:
Wayne Bickerton
Komponist(in):
Tony Waddington
uraufgeführt von:
The Rubettes (in 1974-01)
publisher:
Arlovol Music, Budde Music Inc. (US publisher) und WB Music Corp. (1929–2019)
The Rubettes?:??
10Single Girl
recording of:
Single Girl
Texter und Komponist(in):
Martha Sharp
Sandy Posey?:??
11Venus
recording of:
Venus
Texter und Komponist(in):
Ed Marshall
publisher:
EMI April Music Inc., Kirshner Songs, Inc., Larsdale, Rambed und Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Frankie Avalon?:??
12Little Deuce Coupe
cover recording of:
Little Deuce Coupe
Texter und Komponist(in):
Roger Christian (US radio personality and lyricist) und Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music, Inc. und Universal Music Careers
Jan & Dean?:??
13Mr Bass Man
cover recording of:
Mr. Bass Man
Texter und Komponist(in):
Johnny Cymbal
publisher:
Regent Music (BMI) und ロックンロール ミュージック (Rock ’n’ Roll Music)
Sha Na Na?:??
14Diamond Ring
recording of:
This Diamond Ring
Texter:
Bob Brass (American songwriter, collaborated with Irwin Levine, and also Al Kooper) und Irwin Levine
Komponist(in):
Al Kooper
publisher:
Warner/Chappell Music Ltd. (1996–2019)
Gary Lewis & the Playboys?:??
15Nut RockerB. Bumble & the Stingers3?:??
16Wild Thing
Produzent(in):
Colin Frechter (British pianist, arranger, music director, producer, vocalist)
E-Gitarre:
Chris Britton (The Troggs) (in 1966)
Okarina und Sologesang:
Reg Presley (in 1966)
Schlagzeug:
Ronnie Bond (The Troggs) (in 1966)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1966)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 257)
cover recording of:
Wild Thing (in 1966)
Texter und Komponist(in):
Chip Taylor (US singer/songwriter)
publisher:
EMI Blackwood Music Inc., EMI Songs, EMI Songs Australia Pty. Ltd., EMI Songs Musikverlag GmbH und April Music (in 1981)
The Troggs4.4?:??
2CD
Nr.TitelKünstlerBewertungLänge
1Wild One
recording of:
Wild One
Verfasser(in):
Dave Appell, Bernie Lowe und Kal Mann
Bobby Rydell?:??
2Poison IvyThe Coasters?:??
3Then He Kissed Me
Techniker(in):
Larry Levine (in 1963-07)
Produzent(in):
Phil Spector
Sologesang:
LaLa Brooks (in 1963-07)
arranger:
Jack Nitzsche (American musician and score composer) (in 1963-07)
aufgenommen bei:
Gold Star Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1963-07)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1963 (Nummer: 11), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 254) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 493)
recording of:
Then He Kissed Me (in 1963-07)
Verfasser(in):
Jeff Barry, Ellie Greenwich und Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Malt Shoppe Music, Mother Bertha Music Inc., Steeplechase Music, Trio Music Co., Inc. und Universal–Songs of PolyGram International, Inc.
The Crystals4.65?:??
4Poetry in Motion
cover recording of:
Poetry in Motion
Verfasser(in):
Mike Anthony (US songwriter) und Paul Kaufman (songwriter)
Johnny Tillotson4?:??
5My Guy
Bass:
James Jamerson (in 1964)
Gitarre:
Robert White (US funk/soul guitarist) (in 1964) und Eddie Willis (in 1964)
Instrumente:
The Funk Brothers (in 1964)
Klavier:
Johnny Griffith (in 1964)
Orgel:
Earl Van Dyke (in 1964)
Posaune:
George Bohanon (in 1964) und Paul Riser (in 1964)
Schlagzeug:
Benny Benjamin (US drummer) (in 1964)
Trompete:
Russell Conway (trumpet player) (in 1964) und Herbert Williams (trumpet player) (in 1964)
Vibraphon:
Dave Hamilton (US guitar/vibraphone player) (in 1964)
Hintergrundgesang:
The Andantes (in 1964), Marlene Barrow (in 1964), Louvain Demps (in 1964) und Jackie Hicks (in 1964)
Sologesang:
Mary Wells (Motown singer) (in 1964)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1964)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (in 1964)
recording of:
My Guy (in 1964)
Texter und Komponist(in):
Smokey Robinson
publisher:
Jobette Music (UK) Ltd.
Mary Wells4.2?:??
6The Great Pretender
recorded in:
Chicago, Illinois, Vereinigte Staaten (in 1955-09)
Sologesang:
Tony Williams (lead singer for The Platters)
phonographisches Urheberrecht (℗) von:
Elap Music Ltd. (a division of Pickwick Group Ltd. / a division of Carlton Home Entertainment (UK) Ltd.)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1955 (Nummer: 8) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 352)
recording of:
The Great Pretender (in 1955-09)
Texter und Komponist(in):
Buck Ram
publisher:
Panther Music Corp, Peermusic (UK) Ltd., Southern Music (publisher), Southern Music Publishing ((ASCAP) tradename Peermusic) und Southern Music Publishing Company Limited
The Platters5?:??
7Red River Rock
instrumental cover recording of:
Red River Rock
Komponist(in):
Tom King (50s & 60s songwriter), Ira Mack und Fred Mendelsohn
publisher:
Burlington Music Co., Ltd. und Mole Hole Music
basiert auf:
Red River Valley
cover recording of:
Red River Rock
Komponist(in):
Tom King (50s & 60s songwriter), Ira Mack und Fred Mendelsohn
publisher:
Burlington Music Co., Ltd. und Mole Hole Music
basiert auf:
Red River Valley
Johnny and the Hurricanes?:??
8Hold Me
cover recording of:
Hold Me
Verfasser(in):
Little Jack Little, David Oppenheim (songwriter, composer) und Ira Schuster
publisher:
Campbell Connelly & Co. Ltd.
P.J. Proby?:??
9Lil’ Red Riding Hood
recording of:
Li’l Red Riding Hood
Texter und Komponist(in):
Ronald Blackwell
Sam the Sham & the Pharaohs4?:??
10Leader of the PackThe Shangri‐Las4.5?:??
11Here Comes My Baby
recording of:
Here Comes My Baby
Texter und Komponist(in):
Cat Stevens (now known as Yusuf Islam)
publisher:
Angusa Music Ltd.
The Tremeloes?:??
12Will You Love Me Tomorrow
kettle drum:
Carole King (in 1960)
Klavier:
Paul Griffin (American pianist, session musician) (in 1960)
Schlagzeug [drums]:
Gary Chester (studio drummer and educator) (in 1960)
Sologesang:
Shirley Owens (in 1960)
vocals:
Doris Coley (in 1960), Addie Harris (in 1960) und Beverly Lee (singer for The Shirelles) (in 1960)
phonographisches Urheberrecht (℗) von:
HHO Licensing Ltd.
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1960 (Nummer: 4), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 33), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 125), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 151)
recording of:
Will You Love Me Tomorrow (Carole King song) (in 1960)
Texter:
Gerry Goffin
Komponist(in):
Carole King
publisher:
Lushmole Music, Pathe Publications (Far East) Limited, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Warner/Chappell Music Ltd. (1996–2019), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
The Shirelles3.8?:??
13Save the Last Dance for Me
recorded in:
New York, New York, Vereinigte Staaten (am 1960-05-19)
Produzent(in):
Leiber and Stoller (songwriting team)
Gitarre:
Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (am 1960-05-19)
Baritongesang:
Doc Green (am 1960-05-19)
Bass-Gesang:
Elsbeary Hobbs (am 1960-05-19)
Sologesang:
Benny Nelson (am 1960-05-19)
Tenor-Gesang:
Charlie Thomas (The Drifters) (am 1960-05-19) und Johnny Williams (soul/blues vocalist) (am 1960-05-19)
conductor:
Stan Applebaum (US composer, arranger and conductor) (am 1960-05-19)
arranger:
Stan Applebaum (US composer, arranger and conductor)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1960 (Nummer: 12) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 182)
recording of:
Save the Last Dance for Me (am 1960-05-19)
Verfasser(in):
Doc Pomus und Mort Shuman (US singer, pianist & songwriter)
publisher:
Hill and Range Southwind Mus S A (BMI-affiliated), Pomus Songs Inc., Progressive Music Publishing Company Inc., Rumbalero Music Inc., The Manor Music Co. Ltd., Trio Music Co., Inc., Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Hill and Range Songs, Inc. (publisher) (in 1974) und Trio Music (publisher) (in 1974)
The Drifters5?:??
14Pipeline
recording of:
Pipeline
Komponist(in):
Brian Carman und Bob Spickard
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Peter Maurice Music Co. Ltd., Regent Music (BMI) und Regent Music Corp.
The Chantays?:??
15Rockin’ Robin
phonographisches Urheberrecht (℗) von:
Class (1950s-1960s US) (in 1958)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 29)
recording of:
Rockin’ Robin
Texter und Komponist(in):
Jimmie Thomas
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), J. Albert & Son und Recordo Music Pub.
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Bobby Day3.1?:??
16Hawaii Five-O
Techniker(in):
Lanky Linstrot (US recording engineer)
Produzent(in):
Joe Saraceno
E-Bass:
Bob Bogle
E-Gitarre [lead guitar]:
Bob Bogle und Jerry McGee
E-Gitarre [rhythm guitar]:
Don Wilson (US guitarist, member or The Ventures)
Schlagzeug:
Mel Taylor (USA drummer)
arranger:
George Tipton (American composer, musical arranger and conductor, born 1932)
cover recording of:
Hawaii Five‐O
Komponist(in):
Morton Stevens
publisher:
EMI Songs und EMI Songs Ltd.
The Ventures4.25?:??
3CD
Nr.TitelKünstlerBewertungLänge
1Da Doo Ron Ron
recording of:
Da Doo Ron Ron
Verfasser(in):
Jeff Barry, Ellie Greenwich und Phil Spector
publisher:
Universal Music Publishing Group Japan (work publisher – do NOT use as a release label) (beendet), ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Intersong (publisher), Mother Bertha Music Inc., Trio Music Co., Inc., Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), 日本アブコ音楽出版 (ABKCO Japan Publishing), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31), イーエムアイ音楽出版 C・F事業部 (EMI Music Publishing Japan C.F. division) (bis 2021-06-30), フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
The Crystals?:??
2Shakin’ All Over
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 37)
cover recording of:
Shakin’ All Over
Texter und Komponist(in):
Frederick Heath und Johnny Kidd
publisher:
Belwin Mills Music Ltd., EMI Music Publishing (do not use as a release label!) und EMI Music Publishing Australia Pty Ltd (not for release label use!)
The Guess Who5?:??
3Yakety Yak
Techniker(in):
Tom Dowd
Akustikgitarre:
Allen Hanlon (jazz guitarist) (am 1958-03-17)
E-Gitarre:
Adolph Jacobs (am 1958-03-17)
Gitarre:
George Barnes (am 1958-03-17)
Klavier:
Mike Stoller (am 1958-03-17)
Kontrabass [bass]:
Wendell Marshall (am 1958-03-17)
Schlagzeug:
Joe Marshall (jazz drummer) (am 1958-03-17)
Tenorsaxophon:
King Curtis (saxophonist) (am 1958-03-17)
vocals:
Carl Gardner (am 1958-03-17), Cornell Gunter (am 1958-03-17), Billy Guy (r&b vocalist) (am 1958-03-17) und Will “Dub” Jones (US R&B/doo wop vocalist) (am 1958-03-17)
arranger:
Mike Stoller
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1958-03-17)
Teil von:
Billboard Hot 100: 1958-08-04 (Nummer: 7)
recording of:
Yakety Yak (am 1958-03-17)
Texter:
Jerry Leiber
Verfasser(in):
Jerry Leiber und Mike Stoller
Komponist(in):
Mike Stoller
publisher:
Sony/ATV Songs LLC
Teil von:
Twins (1988)
The Coasters4?:??
4Tobacco Road
recording of:
Tobacco Road
Texter und Komponist(in):
John D. Loudermilk
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
The Nashville Teens?:??
5Only You
recording of:
Only You
Texter und Komponist(in):
Buck Ram
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Hollis Music, Inc., Robert Mellin, Inc., Tro-Hollis Music, Inc., Wildwood Music und Sherwin Music (publisher) (in 1973)
The Platters?:??
6Sitting on the Dock of the Bay
recording of:
(Sittin’ on) the Dock of the Bay
Verfasser(in):
Steve Cropper und Otis Redding
publisher:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
The Drifters?:??
7Remember (Walking in the Sand)
Bearbeitung von:
Remember (Walkin’ in the Sand) von The Shangri‐Las
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 30) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 395)
recording of:
Remember (Walkin’ in the Sand) (in 1964-07)
Texter und Komponist(in):
George “Shadow” Morton
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Shangri‐Las4.4?:??
8Silence Is Golden
Produzent(in):
Mike Smith (60’s & 70’s UK Producer)
phonographisches Urheberrecht (℗) von:
Castle Copyrights Ltd. (in 1967) und CBS Records (manufacturer/distributor, not for release label use!) (in 1967)
cover recording of:
Silence Is Golden
Verfasser(in):
Bob Crewe und Bob Gaudio
publisher:
Ardmore and Beechwood Ltd., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing (do not use as a release label!), Gavadima Music Inc., Mushroom Music (Mushroom label’s publishing company), Saturday Music, Inc. und Windswept Pacific Music Ltd.
The Tremeloes3.65?:??
9Good Golly Miss Molly
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (am 1956-10-15)
Gitarre:
Edgar Blanchard (am 1956-10-15)
Kontrabass [bass]:
Frank Fields (am 1956-10-15)
Schlagzeug [drums]:
Earl Palmer (am 1956-10-15)
Tenorsaxophon:
Lee Allen (US jazz tenor saxophonist) (am 1956-10-15)
vocals:
Little Richard (am 1956-10-15)
aufgenommen bei:
J&M Music Shop in New Orleans, Louisiana, Vereinigte Staaten (am 1956-10-15)
Bearbeitung von:
Good Golly, Miss Molly (false start, chatter, announcement & take 9) von Little Richard
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 6), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 92) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 94)
recording of:
Good Golly Miss Molly (am 1956-10-15)
Verfasser(in):
Robert “Bumps” Blackwell und John Marascalco
publisher:
Cedos Music, Jondora Music, PeerMusic AB, Prestige Music ltd. und Robin Hood Music Co.
Little Richard3.5?:??
10Wooly Bully
recording of:
Wooly Bully
Texter und Komponist(in):
Domingo Samudio
publisher:
Beckie Publ. Co., Inc., Intersong GmbH (publisher; do NOT use as release label) und Melodie der Welt (publisher)
Sam the Sham & the Pharaohs?:??
11Hippy Hippy Shake
recording of:
Hippy Hippy Shake
Texter und Komponist(in):
Chan Romero
publisher:
Ardmore & Beechwood Music Ltd., Ardmore and Beechwood Ltd., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Jonware Music Co. (US publisher) und Universal Music Careers
The Swinging Blue Jeans?:??
12Teen Beat
recording of:
Teen Beat
Komponist(in):
Arthur Egnoian und Sandy Nelson
publisher:
Lovolar Music
Sandy Nelson?:??
13Speedy Gonzales
recording of:
Speedy Gonzales
Verfasser(in):
David Hess (actor/songwriter), David Hill (US songwriter), Buddy Kaye und Ethel Lee (songwriter)
publisher:
Budd Music Ltd. (publisher) (vom 1977 bis heute)
Pat Boone?:??
14Mashed Potato Time
recording of:
Mashed Potato Time
Texter und Komponist(in):
Kal Mann
Übersetzer:
Marco Rivera
Dee Dee Sharp?:??
15I Like It
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1963)
recording of:
I Like It (in 1963)
Texter und Komponist(in):
Mitch Murray
Gerry & the Pacemakers2?:??
16Love Is All Around
recording of:
Love Is All Around
Texter und Komponist(in):
Reg Presley
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc. und Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
The Troggs?:??
4CD
Nr.TitelKünstlerBewertungLänge
1Runaway
Solo-Clavioline [musitron]:
Max Crook
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1962)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1961 (Nummer: 5), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 100) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 466)
recording of:
Runaway (am 1961-01-24)
Verfasser(in):
Max Crook und Del Shannon
publisher:
Belinda Music, Bug Music (music publishing), Festival Music, Mole Hole Music, Noma Music Inc. und Vicki Music
Del Shannon4.4?:??
2Limbo Rock
cover recording of:
Limbo Rock
Texter:
Jon Sheldon
Komponist(in):
Billy Strange
Chubby Checker?:??
3Chapel of Love
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 18) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 279)
recording of:
Chapel of Love
Verfasser(in):
Jeff Barry, Ellie Greenwich und Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Mother Bertha Music Inc., Trio Music Company, Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), 日本アブコ音楽出版 (ABKCO Japan Publishing), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
The Dixie Cups4?:??
4I Get Around
cover recording of:
I Get Around
Texter:
Mike Love (Beach Boys) und Brian Wilson (Beach Boys co‐founder)
Komponist(in):
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music, Inc., Sea of Tunes, Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), Victor Music Arts, Yamaha Music Publishing (bis 2017-03-31) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (vom 2017-04-01 bis heute)
sub-publisher:
ビクターミュージックアーツ株式会社, ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Jan & Dean?:??
5Judy’s Turn to Cry
Produzent(in):
Quincy Jones
arranger:
Claus Ogerman
recording of:
Judy’s Turn to Cry
Verfasser(in):
Edna Lewis und Beverly Ross (musician (piano) and songwriter)
Lesley Gore?:??
6Western Movies
recording of:
Western Movies
Verfasser(in):
Cliff Goldsmith und Fred Smith (60s producer)
publisher:
Escort Music Company und Keymen Music (publisher)
The Olympics?:??
7Tell Laura I Love HerRay Peterson?:??
8Dedicated to the One I Love
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Dave Marsh: The Best of the Top 40 Singles: 1961 (Nummer: 39)
cover recording of:
Dedicated to the One I Love
Verfasser(in):
Ralph Bass und Lowman Pauling
publisher:
Carlin Music Corporation, Duchess Music Corporation (BMI-affiliated), Trousdale Music Pub., Inc., Universal Duchess Music Corp., Universal/MCA Music Ltd. (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Shirelles5?:??
9Along Came Jones
recorded in:
New York, New York, Vereinigte Staaten (am 1959-03-26)
Techniker(in):
Tom Dowd
Produzent(in):
Leiber and Stoller (songwriting team)
Gitarre:
George Barnes (am 1959-03-26), Allen Hanlon (jazz guitarist) (am 1959-03-26) und Tony Mottola (am 1959-03-26)
Klavier:
Mike Stoller (am 1959-03-26)
Kontrabass [bass]:
Abie Baker (am 1959-03-26)
Schlagzeug [drums]:
Sticks Evans (am 1959-03-26)
Tenorsaxophon:
King Curtis (saxophonist) (am 1959-03-26)
vocals:
The Coasters (am 1959-03-26), Carl Gardner (am 1959-03-26), Cornell Gunter (am 1959-03-26), Billy Guy (r&b vocalist) (am 1959-03-26) und Will “Dub” Jones (US R&B/doo wop vocalist) (am 1959-03-26)
arranger:
Mike Stoller
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1959-03-26)
recording of:
Along Came Jones (am 1959-03-26)
Texter:
Jerry Leiber
Komponist(in):
Mike Stoller
publisher:
Sony/ATV Songs LLC
The Coasters4?:??
10Surfin’ Bird
Sha Na Na?:??
11Turn Me Loose
recording of:
Turn Me Loose
Verfasser(in):
Doc Pomus und Mort Shuman (US singer, pianist & songwriter)
publisher:
Carlin Music Corporation
Fabian?:??
12He’s a Rebel
Techniker(in):
Larry Levine
Produzent(in):
Phil Spector
Hintergrundgesang:
Fanita James (soul singer) (in 1962-07) und Jean King (in 1962-07)
Sologesang:
Darlene Love (in 1962-07)
arranger:
Jack Nitzsche (American musician and score composer)
aufgenommen bei:
Gold Star Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1962-07)
recording of:
He’s a Rebel (in 1962-07)
Texter und Komponist(in):
Gene Pitney
publisher:
January Music Corp.
The Crystals5?:??
13Long Tall SallyLittle Richard?:??
14Count Me In
recording of:
Count Me In
Verfasser(in):
Glen D. Hardin
Gary Lewis & the Playboys?:??
15Rebel Rouser
recording of:
Rebel‐’Rouser
Komponist(in):
Duane Eddy und Lee Hazlewood
Duane Eddy?:??
16Walk Don’t Run
Techniker(in):
Joe Boles
Produzent(in):
Bob Reisdorff
E-Bass [bass]:
Nokie Edwards
E-Gitarre [lead guitar]:
Bob Bogle
E-Gitarre [rhythm guitar]:
Don Wilson (US guitarist, member or The Ventures)
Schlagzeug:
Skip Moore
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1960 (Nummer: 39)
cover recording of:
Walk, Don’t Run
Komponist(in):
Johnny Smith (jazz guitarist)
publisher:
Forshay Music, Inc., On Board Music (publisher), Peer Music (“Peermusic—the global independent”) und Windswept Pacific Music Ltd.
The Ventures4.25?:??