Summer Cool

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
#TitleArtistRatingLength
1L‐O‐V‐E
engineer:
Ryan Robinson (engineer)
mixer:
Joel Iwataki
assistant editor:
Sam Zeines
vocals:
Nat King Cole (on 1964-06-03)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1964-06-03)
recording of:
L‐O‐V‐E (on 1964-06-03)
lyricist:
Milton Gabler
composer:
Bert Kaempfert (German orchestra leader, producer and songwriter)
publisher:
Bert Kaempfert Music Publishing GmbH, Edition Doma Bert Kaempfert (publisher) and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Nat King Cole52:34
2Ain’t That a Kick in the Head
producer:
Lee Gillette
vocals:
Dean Martin (American singer/actor)
recording of:
Ain’t That a Kick in the Head (on 1960-05-10)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Maraville Music Corp.
Dean Martin4.52:26
3More
recording of:
More (English translation)
lyricist:
Marcello Ciorciolini (Italian screenwriter, director, playwright, television/radio author & lyricist)
composer:
Nino Oliviero (Italian musician and composer) and Riz Ortolani (songwriter, film music composer and music director)
translator:
Norman Newell
publisher:
C.A.M. Creazioni Artistiche Musicali (company, do not use as label), Ortolani Creative Team Inc. and Sugar Song Publications, Inc.
part of:
The 36th Academy Award for Best Original Song (number: 2)
translated version of:
Ti guarderò nel cuore
Bobby Darin42:26
4Banana Split for My Baby
producer:
Voyle Gilmore
tenor saxophone:
Sam Butera (on 1956-09-13)
trumpet:
Louis Prima (on 1956-09-13)
vocals:
Louis Prima (on 1956-09-13)
orchestra:
The Witnesses (on 1956-09-13)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-09-13)
recording of:
Banana Split for My Baby (on 1956-09-13)
writer:
Stan Irwin and Louis Prima
Louis Prima42:32
5Fever
double bass [bass]:
Joe Mondragon (on 1958-05-19)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1958-05-19)
finger snaps:
Peggy Lee (jazz vocalist) (on 1958-05-19) and Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1958-05-19)
vocals:
Peggy Lee (jazz vocalist) (on 1958-05-19)
conductor:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (on 1958-05-19)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1958)
cover recording of:
Fever (on 1958-05-19)
writer:
Eddie Cooley and John Davenport (songwriter Otis Blackwell)
publisher:
Carlin Music Corp., Chrysalis Songs, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Jay & Cee Music, Lark Music Ltd., Trio Music (publisher), Trio Music Co., Inc. and Trio Music Company
part of:
The Adjustment Bureau
Peggy Lee4.23:23
6Witchcraft
producer:
Dave Cavanaugh
bass:
Joe Comfort (on 1957-05-20)
bass trombone:
George Roberts (american bass trombone) (on 1957-05-20)
cello:
Cy Bernard (on 1957-05-20), Edgar Lustgarten (on 1957-05-20) and Eleanor Slatkin (US cellist, b. Aller) (on 1957-05-20)
drums (drum set):
Frank DeVito (american jazz drummer) (on 1957-05-20)
guitar:
Nick Bonney (guitarist) (on 1957-05-20)
harp:
Kathryn Julye (on 1957-05-20)
piano:
Bill Miller (pianist) (on 1957-05-20)
reeds:
Buddy Collette (on 1957-05-20), Harry Klee (on 1957-05-20), Joe Koch (on 1957-05-20), Wilbur Schwartz (on 1957-05-20) and Warren Webbe (on 1957-05-20)
trombone:
Jim Priddy (on 1957-05-20), Dick Noel (trombone) (on 1957-05-20) and Juan Tizol (on 1957-05-20)
trumpet:
Clarence "Shorty" Sherock (on 1957-05-20), Harry “Sweets” Edison (on 1957-05-20), Conrad Gozzo (on 1957-05-20) and Vito "Mickey" Mangano (on 1957-05-20)
viola:
Maxine Johnson (on 1957-05-20) and Barbara Simons (on 1957-05-20)
violin:
Alex Beller (on 1957-05-20), Harry Bluestone (on 1957-05-20), Robert Cross (violinist) (on 1957-05-20), Walter Edelstein (on 1957-05-20), Ben Gill (on 1957-05-20), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1957-05-20), Mischa Russell (violinist) (on 1957-05-20), Marshall Sosson (on 1957-05-20) and Gerald Vinci (American violinist and strings conductor) (on 1957-05-20)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1957-05-20)
orchestra:
The Nelson Riddle Orchestra (on 1957-05-20)
conductor:
Nelson Riddle (on 1957-05-20)
arranger:
Nelson Riddle
publisher:
Morley Music Corp. and Notable Music Co., Inc.
recording of:
Witchcraft (on 1957-05-20)
lyricist:
Carolyn Leigh
composer:
Cy Coleman
publisher:
Morley Music Co. Inc., Notable Music, Sony/ATV Songs LLC and WB Music Corp. (1929–2019)
Frank Sinatra12:54
7With Plenty of Money and You
producer:
Teddy Reig
alto saxophone:
Marshall Royal (in 1959-01) and Frank Wess (in 1959-01)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (in 1959-01)
double bass:
Eddie Jones (US jazz double bassist) (in 1959-01)
drums (drum set):
Sonny Payne (in 1959-01)
guitar:
Freddie Green (in 1959-01)
piano:
Count Basie (pianist) (in 1959-01) and Ralph Sharon (in 1959-01)
tenor saxophone:
Frank Foster (saxophonist) (in 1959-01) and Billy Mitchell (US jazz saxophonist) (in 1959-01)
trombone:
Henry Coker (jazz trombonist) (in 1959-01), Al Grey (trombone) (in 1959-01) and Benny Powell (jazz trombonist) (in 1959-01)
trumpet:
Wendell Culley (jazz trumpeter) (in 1959-01), Thad Jones (American jazz trumpeter) (in 1959-01), Joe Newman (US jazz trumpeter) (in 1959-01) and Snooky Young (in 1959-01)
vocals:
Tony Bennett (US jazz/standards vocalist) (in 1959-01)
performer:
Tony Bennett (US jazz/standards vocalist) (in 1959-01) and Count Basie and His Orchestra (in 1959-01)
arranger:
Ralph Sharon
cover recording of:
With Plenty of Money and You (in 1959-01)
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist)
part of:
42nd Street (full musical)
Count Basie & Tony Bennett1:36
8It Don’t Mean a Thing
recording engineer:
Ray Hall (engineer) (on 1961-04-03)
producer:
Bob Thiele (producer & songwriter)
clarinet:
Barney Bigard (on 1961-04-03)
double bass:
Mort Herbert (on 1961-04-03)
drums (drum set):
Danny Barcelona (on 1961-04-03)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1961-04-03)
trombone:
Trummy Young (on 1961-04-03)
trumpet:
Louis Armstrong (on 1961-04-03)
vocals:
Louis Armstrong (on 1961-04-03)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1961-04-03)
recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing) (on 1961-04-03)
lyricist:
Irving Mills (in 1931)
composer:
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music and EMI Mills Music (ASCAP-affiliated)
part of:
The Real Book (compilation of jazz standards, volume I)
Louis Armstrong & Duke Ellington & His Orchestra44:01
9It’s Been a Long Long Time
cover recording of:
It’s Been a Long, Long Time
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Chappell/Morris Ltd.
Keely Smith2:06
10I Ain’t Got Nobody
Sammy Davis Jr.2:25
11You’re Nobody ’til Somebody Loves You
cover recording of:
You’re Nobody ’til Somebody Loves You (2013 James Arthur song)
writer:
James Arthur (British winner of X Factor), Thomas Barnes (UK songwriter and drummer), Peter Kelleher (multi-instrumentalist) and Ben Kohn (songwriter and producer)
cover recording of:
You’re Nobody Till Somebody Loves You
writer:
James Cavanaugh, Russ Morgan (Big Band orchestra leader) and Larry Stock
publisher:
Capitol Records (imprint of Capitol Records, Inc.), Shapiro, Bernstein & Co., Inc. and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
part of:
The Real Book (compilation of jazz standards, volume I)
Dinah Washington2:48
12Hallelujah, I Love Her So
Joe Williams2:39

Credits

Release

ASIN:US: B0009K3PEE [info]