100 80’er Hits

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1Beat It
tecnico di registrazione:
Donn Landee e Bruce Swedien
programmazione degli strumenti:
Steve Porcaro
co-produttore:
Michael Jackson (“King of Pop”)
produttore:
Quincy Jones
tecnico di missaggio:
Bruce Swedien
basso elettrico e chitarra elettrica :
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
batteria :
Jeff Porcaro
chitarra :
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
chitarra elettrica solista :
Edward Van Halen
percussione [drum case beater] , voce di accompagnamento e voce principale:
Michael Jackson (“King of Pop”)
piano Rhodes e sintetizzatore :
Greg Phillinganes
sintetizzatore :
Steve Porcaro
sintetizzatore [Synergy synthesizer] :
Greg Smith (Producer/Keyboards)
synclavier :
Tom Bahler
tastiera :
Bill Wolfer (record producer, songwriter, musician and synthesizer programmer from USA)
vibraslap :
Chris Shepard
arrangiatore percussione :
Michael Jackson (“King of Pop”) e Quincy Jones
arrangiatore:
Rod Temperton
diritti fonografici (℗) detenuti da:
MJJ Productions Inc. (rights holder, not an imprint) (nel 1982)
registrata presso:
Westlake Recording Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, Stati Uniti (nel 1982)
campionamenti:
Untitled (side A) di Denny Jaeger
video musicali:
Beat It di Michael Jackson (“King of Pop”)
parte di:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (numero: 12), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (numero: 18), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 21), Billboard Hot 100: 2026-05-23 (numero: 29), Billboard Hot 100: 2026-05-16 (numero: 32), Billboard Hot 100: 2026-05-30 (numero: 47), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 185), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 209) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 337)
registrazione di:
Beat It
paroliere e compositore:
Michael Jackson (“King of Pop”)
editore:
Mijac Music e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
parte di:
MJ: The Musical
Michael Jackson4.354:17
2Eternal Flame
tecnico di registrazione:
John Beverly Jones
tecnico aggiunto:
Ken Felton
produttore:
Davitt Sigerson
tecnico di missaggio:
Frank Filipetti
basso elettrico [bass] :
Michael Steele (American bassist, guitarist, songwriter, and singer)
batteria :
Debbi Peterson (drummer for The Bangles)
chitarra [lead guitar] :
Vicki Peterson
chitarra [rhythm guitar] :
Susanna Hoffs
diritti fonografici (℗) detenuti da:
The Bangles (nel 1988)
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1988), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1988), Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (nel 1988), Sony BMG Music Entertainment Inc. (nel 1988) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1988)
mixata presso:
Studio 55 in Los Angeles, California, Stati Uniti
video musicali:
Eternal Flame di Bangles
registrazione di:
Eternal Flame
autore:
Susanna Hoffs, Tom Kelly (songwriter) e Billy Steinberg
editore:
Bangophile Music, Billy Steinberg Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Denise Barry Music, EMI Songs, Mushroom Music (Mushroom label’s publishing company), SBK Blackwood Music Inc. (1987-12-30–1989-07-14), Songs of Universal, Inc. (BMI), Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Tunes LLC (ASCAP) e Universal/MCA Music Ltd. (not for release label use!)
sub-editore:
EMI Songs Ltd., Shinko Music Entertainment Co., Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing Ltd., Universal Music Publishing Group Japan (work publisher – do NOT use as a release label) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Bangles3.753:50
3Time After Time
assistente tecnico:
John Agnello (engineer & producer)
tecnico:
William Wittman
tecnico aggiunto:
John Jansen (US recording engineer and producer) e Rod O’Brien
produttore:
Rick Chertoff
produttore associato:
William Wittman
voce principale:
Cyndi Lauper
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1983), Sony BMG Music Entertainment Inc. (nel 1983), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1983), Sony Music Entertainment (Holland) B.V. (Sony Music Entertainment's NL subsidiary until 2004) (nel 1983) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1983, nel 1984)
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti
versioni a cappella:
Time After Time di Forte A Cappella (Centerville High School)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 19), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 116) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 494)
registrazione di:
Time After Time
autore:
Rob Hyman e Cyndi Lauper
editore:
Sony Songs Inc. (conclusa, ), CBS Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dub Notes Music (publisher) (, nel 1984), Gray Matter Music, Human Boy Music, Reilla Music Company, Rella Music Co. (publisher) (, nel 1984), Rellla Music Corp., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America, WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Warner Brothers Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Cyndi Lauper4.254:01
4My Girl and Me
Gangway3:46
5Total Eclipse of the Heart
voce:
Bonnie Tyler (nel 1983)
esecutore:
Rory Dodd (nel 1983)
diritti fonografici (℗) detenuti da:
CBS Records (manufacturer/distributor, not for release label use!) (nel 1983), CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (nel 1983) e Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1983)
registrazione di:
Total Eclipse of the Heart (nel 1983)
paroliere e compositore:
Jim Steinman
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), BMG VM Music Ltd., EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), Lost Boys (BMI affiliated) e Virgin Music (Publishers) Ltd.
Bonnie Tyler4.154:25
6Africa
tecnico di registrazione:
David Leonard (US producer and engineer), Greg Ladanyi, Jamie Ledner, Jim Horn (saxophonist, hornist, flutist and oboist), Lon LeMaster, Niko Bolas, Peggy McCreary, Al Schmitt, Terry Christian (US recording and mixing engineer) e Tom Knox
tecnico:
Al Schmitt, Bruce Heigh, David Paich, Dick Gall (engineer/guitar technician), Greg Ladanyi, Steve Porcaro e Tom Knox
tecnico aggiunto:
Bruce Heigh (incarico: additional recording), David Paich (incarico: additional recording), Dick Gall (engineer/guitar technician) (incarico: additional recording) e Steve Porcaro (incarico: additional recording)
produttore:
Bruce Dickinson (engineer and producer) e Toto (US rock group)
tecnico di missaggio:
Elliot Scheiner (incarico: for 5.1 surround sound) e Greg Ladanyi
basso :
David Hungate e Michael Porcaro
batteria e gong :
Jeff Porcaro
chitarra e chitarra elettrica :
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
chitarra acustica :
Timothy B. Schmit
chitarra basso :
David Hungate
congas :
Lenny Castro
flauto dolce :
Jim Horn (saxophonist, hornist, flutist and oboist)
marimba :
Joe Porcaro
percussione :
Lenny Castro, Jeff Porcaro e Joe Porcaro
sintetizzatore :
Steve Porcaro
strumenti:
Lenny Castro
tastiera :
David Paich e Steve Porcaro
tastiera e pianoforte :
David Paich
voce:
Bobby Kimball, David Paich, Steve Lukather (guitarist, vocalist, composer, producer and arranger) e Steve Porcaro
voce di accompagnamento:
Bobby Kimball, Steve Lukather (guitarist, vocalist, composer, producer and arranger), David Paich e Timothy B. Schmit
voce principale:
Jean-Michel Byron, Bobby Kimball e David Paich
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1982), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1982), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1982) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1982, nel 1983)
video musicali:
Africa di Toto (US rock group)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 105) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 452)
registrazione di:
Africa (Toto)
autore:
Jeffrey Porcaro e David Paich
editore:
Kobalt Music Publishing Ltd. (UK), Rising Storm Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Spirit Two Music, Cowbella Music (US work publisher) (nel 1982) e Hudmar Publishing Co. Inc. (nel 1982)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Toto44:55
7Footloose
produttore:
Lee DeCarlo e Kenny Loggins
batteria :
Tris Imboden
chitarra :
Buzz Feiten
chitarra basso :
Nathan East
percussione :
Michael Boddicker e Paulinho da Costa (Brazilian percussionist)
sintetizzatore basso :
Michael Boddicker
strumenti:
Michael Boddicker
tastiera :
Neil Larsen e Steven Wood (US soundtrack composer, member of Honk)
voce di accompagnamento:
Marilyn Dorman, Richey Washington e Steven Wood (US soundtrack composer, member of Honk)
voce principale:
Kenny Loggins
remixer:
Humberto Gatica
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1984), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1984), Sony BMG Music Entertainment Inc. (nel 1984) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1984)
registrazione di:
Footloose
paroliere:
Dean Pitchford
compositore:
Kenny Loggins
editore:
BMG Music Ltd., BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Ensign Music LLC, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Island Music (Island Music Ltd.), Milk Money Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Harmony, Sony/ATV Melody, Sony/ATV Music Publishing Ltd. e Universal Music Publishers MGB Australia Pty Ltd
parte di:
The 57th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1984 nominee)
Kenny Loggins4.13:49
8Stand and Deliver
tecnico:
Alan Douglas (Scottish born engineer)
produttore:
Chris Hughes (producer, aka “Merrick”)
batteria :
Chris Hughes (producer, aka “Merrick”) e Terry Lee Miall
chitarra :
Marco Pirroni (British musician and producer)
chitarra basso e voce principale:
Adam Ant (English new wave singer and actor)
diritti fonografici (℗) detenuti da:
CBS Records (manufacturer/distributor, not for release label use!) (nel 1981) e Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1981)
parte di:
The Downloader’s Music Source Book (numero: 145)
registrazione di:
Stand and Deliver
autore:
Adam Ant (English new wave singer and actor) e Marco Pirroni (British musician and producer)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Adam & the Ants43:07
9Open Arms
assistente tecnico:
Wally Buck
tecnico:
Kevin Elson
produttore:
Kevin Elson e Mike Stone (producer and engineer, 1960s–80s)
batteria e percussione :
Steve Smith (US drummer most associated with Journey) (dal 1981-04 al 1981-06)
chitarra :
Neal Schon (dal 1981-04 al 1981-06)
chitarra basso :
Ross Valory (dal 1981-04 al 1981-06)
tastiera e pianoforte :
Jonathan Cain (dal 1981-04 al 1981-06)
voce di accompagnamento:
Jonathan Cain (dal 1981-04 al 1981-06), Neal Schon (dal 1981-04 al 1981-06) e Ross Valory (dal 1981-04 al 1981-06)
voce principale:
Steve Perry (former lead singer of Journey) (dal 1981-04 al 1981-06)
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1981), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1981), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1981), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1981) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1981)
registrata presso:
Fantasy Studios (Berkeley) in Berkeley, California, Stati Uniti (dal 1981-04 al 1981-06)
mixata presso:
Fantasy Studios (Berkeley) in Berkeley, California, Stati Uniti
registrazione di:
Open Arms (dal 1981-04 al 1981-06)
autore:
Jonathan Cain e Steve Perry (former lead singer of Journey)
editore:
Lacey Boulevard Music e Weed High Nightmare Publishing
Journey3.83:20
10Just Around the Corner
produttore:
Don Gehman
registrazione di:
Just Around the Corner
paroliere e compositore:
Peter Kingsbery
editore:
Edwin Ellis Music (publisher) e Nurk Twins Music (publisher)
Cock Robin3.654:15
11You Spin Me Round (Like a Record)
produttore:
Pete Waterman
esecutore:
Dead or Alive (UK new wave band) (nel 1984)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1985)
video musicali:
You Spin Me Round (Like a Record) (On 'Blue Peter') (TX 10/01/2003) di Dead or Alive (UK new wave band)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 52)
registrazione di:
You Spin Me Round (Like a Record)
autore:
Pete Burns, Steve Coy, Tim Lever e Mike Percy
editore:
Burning Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Métisse Music, Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996) e Westbury Music Ltd.
parte di:
American Psycho
Dead or Alive4.153:13
12Should I Stay or Should I Go
tecnico:
Bob Clearmountain
produttore:
Guy Stevens
tecnico di missaggio:
Glyn Johns
batteria :
Topper Headon
chitarra :
Mick Jones (The Clash/Big Audio Dynamite) e Joe Strummer
chitarra basso :
Paul Simonon
voce:
Mick Jones (The Clash/Big Audio Dynamite) e Joe Strummer
voce ospite:
Joe Ely
remixer:
Mick Jones (The Clash/Big Audio Dynamite)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1982)
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 42), Indie 88: Top 500 Indie Rock Songs (numero: 183) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 228)
registrazione di:
Should I Stay or Should I Go
autore:
Mick Jones (The Clash/Big Audio Dynamite) e Joe Strummer
editore:
Nineden Ltd. e Universal Music Publishing GmbH (Universal Music Publishing Group Germany)
The Clash4.43:09
13You’re My Heart, You’re My Soul
registrazione di:
You’re My Heart, You’re My Soul
paroliere e compositore:
Steve Benson (German songwriter Dieter Bohlen)
editore:
Arabella Musikverlag GmbH, Blue Obsession, Hansa Musikverlag, Hanseatic Musikverlag (German music publishing company owned by Warner Chappell Music), Hanseatic Musikverlag GmbH (since 2017) e Warner Chappell
Modern Talking53:20
14Let’s Hear It for the Boy
registrazione di:
Let’s Hear It for the Boy
paroliere:
Dean Pitchford
compositore:
Thomas Snow (US keyboardist/songwriter)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation e Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
parte di:
The 57th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1984 nominee)
Deniece Williams4:07
15The Power of Love
produttore:
Wolfgang Detmann (aka Candy de Rouge) e Gunther Mende
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (nel 1984) e Sony Music Entertainment Germany GmbH (not for use as release label! © & ℗ holders or distributors since 2009/01/14) (nel 1984)
registrazione di:
The Power of Love (Jennifer Rush song)
autore:
Mary Applegate, Wolfgang Detmann (aka Candy de Rouge), Gunther Mende e Jennifer Rush
editore:
CBS Songs Ltd., EMI April Music Inc., EMI Songs Australia Pty. Ltd., EMI Songs Ltd., EMI Songs Musikverlag GmbH, Libra Phone Music Verlag GmbH, フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (fino al 2014-12-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (fino al 2015-01-01), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Jennifer Rush2.54:22
16Love & Pride
produttore:
Richard James Burgess
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1984) e Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1984)
registrazione di:
Love & Pride
autore:
Paul King (British-Irish singer/musician/VJ) e Mick Roberts
editore:
EMI Songs Ltd. e King Songs
King43:24
17Poison
tecnico di registrazione:
Sir Arthur Payson (dal 1988 al 1989)
programmazione degli strumenti:
Steve Deutsch
assistente tecnico:
George Cowan (US engineer), Ben Fowler, Lolly Grodner, Robert Hart (engineer), John Herman (engineer), Don Peterkofsky, Duane Seykora, Brian Sterber e Mark Tanzer
produttore:
Desmond Child
tecnico di missaggio:
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson) e Steve Thompson (producer)
altri strumenti [special effects] aggiunto:
Gregg Mangiafico (dal 1988 al 1989)
batteria :
Bobby Chouinard (dal 1988 al 1989)
chitarra :
John McCurry (dal 1988 al 1989)
chitarra basso :
Hugh McDonald (bassist) (dal 1988 al 1989)
tastiera :
Alan St. John (dal 1988 al 1989)
tastiera aggiunto:
Paul Chiten (songwriter and producer) (dal 1988 al 1989) e Gregg Mangiafico (dal 1988 al 1989)
voce di accompagnamento:
Alan St. John (dal 1988 al 1989), Michael Anthony (US bassist, formerly of Van Halen) (dal 1988 al 1989), Desmond Child (dal 1988 al 1989), Diana Grasselli (dal 1988 al 1989), Jango (backing vocalist on “Trash” by Alice Cooper) (dal 1988 al 1989), Louie Merlino (dal 1988 al 1989), Hugh McDonald (bassist) (dal 1988 al 1989), Jamie Sever (dal 1988 al 1989), Bernie Shanahan (dal 1988 al 1989), Stiv Bator (dal 1988 al 1989), Tom Teeley (dal 1988 al 1989), Joe Turano (singer, multi-instrumentalist, composer/arranger, jazz) (dal 1988 al 1989), Myriam Valle (dal 1988 al 1989) e Maria Vidal (American singer-songwriter) (dal 1988 al 1989)
voce principale:
Alice Cooper (the singer, active as a solo artist 1975–present) (dal 1988 al 1989)
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1989), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1989), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1989), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1989) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1989)
registrata presso:
Bearsville Studios in Bearsville, New York, Stati Uniti (dal 1988 al 1989), Blue Jay Recording Studios in Carlisle, Massachusetts, Stati Uniti (dal 1988 al 1989), Grog Kill Studio in Woodstock, New York, Stati Uniti (dal 1988 al 1989), Mediasound Studios in New York, New York, Stati Uniti (dal 1988 al 1989), Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti (dal 1988 al 1989), Right Track Recording in Manhattan, New York, New York, Stati Uniti (dal 1988 al 1989), Sigma Sound Studios (New York) in New York, New York, Stati Uniti (dal 1988 al 1989), The Complex Studios in Los Angeles, California, Stati Uniti (dal 1988 al 1989), The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Stati Uniti (dal 1988 al 1989) e The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, Stati Uniti (dal 1988 al 1989)
registrazione di:
Poison (dal 1988 al 1989)
autore:
Desmond Child, Alice Cooper (the singer, active as a solo artist 1975–present) e John McCurry
editore:
Desmobile Inc., Desmobile Music Co., Inc. (publisher), EMI April Music Inc., EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Songs Ltd., Ezra Music, Kat and Mouse Music (, dal 1989 a oggi), MCA Music Ltd., Primary Wave Music Publishing, SBK April Music Inc. (, dal 1989 al ????), SBK Songs Ltd., Songs of Universal, Inc. (BMI), Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Music Publishing Scandinavia, Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Group, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing Pty Ltd, Universal/MCA Music Publishing Scandinavia AB (Universal MCA Music Scandinavia AB), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Ezra Music Corp. (dal 1989 a oggi)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper4.44:29
18When the Going Gets Tough, the Tough Get Going
produttore:
Barry J. Eastmond e Wayne Brathwaite
produttore esecutivo:
Robert John “Mutt” Lange (Robert John Lange)
tecnico di missaggio:
Nigel Green (engineer)
diritti fonografici (℗) detenuti da:
Zomba Records Limited (not strictly a label - avoid adding releases here) (nel 1986)
video musicali:
When the Going Gets Tough, the Tough Get Going di Billy Ocean
registrazione di:
When the Going Gets Tough, the Tough Get Going
autore:
Wayne Brathwaite, Barry Eastmond, Robert John “Mutt” Lange (Robert John Lange) e Billy Ocean
editore:
Aqua Music (Billy Ocean's recording & publishing label), Aqua Music Ltd., BMG Music Publishing Ltd., Imagem London Ltd., Universal Music Publishers MGB Australia Pty Ltd, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Zomba Enterprises, Inc. e Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Billy Ocean3.254:09
19Heartbreaker
tecnico:
Karl Richardson
produttore:
Albhy Galuten, Barry Gibb e Karl Richardson
batteria :
Steve Gadd (drummer) (nel 1982)
chitarra acustica e voce di accompagnamento:
Barry Gibb (nel 1982)
chitarra basso :
George “Chocolate” Perry (bassist aka "Chocolate") (nel 1982)
chitarra elettrica :
George Terry (guitar player with Clapton in 70's) (nel 1982)
voce principale:
Dionne Warwick (nel 1982)
direttore d'orchestra:
Albhy Galuten (nel 1982)
arrangiatore archi :
Albhy Galuten e Barry Gibb
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1982)
è stato produttore per:
Karlbhy Productions
registrata in aggiunta presso:
Mediasound Studios in New York, New York, Stati Uniti (nel 1982)
registrata presso:
Middle Ear Studio in Miami Beach, Florida, Stati Uniti (nel 1982)
registrazione di:
Heartbreaker (Dionne Warwick song) (nel 1982)
autore:
Barry Gibb, Maurice Gibb e Robin Gibb
editore:
BMG Music, BMG Music Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Unichappell Music, Inc. e Universal Music Publishing International MGB Ltd.
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Dionne Warwick3.54:17
20Afrika
[unknown]5:16
2CD
#TitoloArtistaValutazioneDurata
1Den Jeg Elsker, Elsker Jeg
produttore:
Poul Halberg, Mads Kærså e Morten Kærså (Danish composer, pianist, singer and producer)
batteria :
Kent Hansen
chitarra :
Aske Jacoby
percussione :
Jacob Andersen (Danish percussionist)
tastiera :
Frank Stangerup
voce:
Søs Fenger (Danish singer, guitarist and songwriter) e Thomas Helmig (Danish rock singer and musician)
voce di accompagnamento:
Hanne Boel (Danish singer), Anne Linnet (Danish singer, musician and composer), Lis Dam e Sanne Salomonsen (Danish rock mama)
esecutore:
Søs Fenger (Danish singer, guitarist and songwriter), Thomas Helmig (Danish rock singer and musician), Anne Linnet (Danish singer, musician and composer) e Sanne Salomonsen (Danish rock mama)
registrazione di:
Den jeg elsker, elsker jeg
paroliere:
Anne Linnet (Danish singer, musician and composer)
compositore:
Sanne Salomonsen (Danish rock mama)
editore:
Linnet Songs
Søs Fenger & Thomas Helmig4:35
2Let’s GrooveEarth, Wind & Fire4:03
3Manic Monday
produttore:
David Kahne
tecnico di missaggio:
David Leonard (US producer and engineer)
batteria :
Debbi Peterson (drummer for The Bangles)
chitarra :
Susanna Hoffs e Vicki Peterson
chitarra basso :
Michael Steele (American bassist, guitarist, songwriter, and singer)
voce principale:
Susanna Hoffs
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1985) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1985)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 208)
registrazione di:
Manic Monday
paroliere e compositore:
Christopher (Prince, “The Artist Formerly Known as…”)
editore:
Bangophile Music, Controversy Music, EMI Music Publishing Taiwan (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) e WB Music Corp. (1929–2019)
Bangles43:06
4Thorn in My Side
tecnico di registrazione:
Jon Bavin
assistente tecnico:
Fred Defaye e Serge Pauchard
tecnico:
Jon Bavin e Emmanuel Guiot (sound engineer)
produttore:
Dave A. Stewart (UK guitarist/singer for Eurythmics)
tecnico di missaggio:
Jon Bavin e Manu Guiot (sound engineer)
armonica (a bocca) e sassofono :
Jimmy Z (harmonica & sax player James Zavala)
batteria :
Clem Burke
chitarra :
Dave A. Stewart (UK guitarist/singer for Eurythmics)
chitarra basso :
John McKenzie (English blues bassist)
tastiera :
Patrick Seymour (UK producer, arranger, keyboardist, flutist & composer)
voce di accompagnamento:
Bernita Turner
voce principale:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1986), RCA/Ariola Ltd. (nel 1986) e BMG Records (UK) Limited (1987–1996) (nel 1991)
mixata presso:
Studio de la Grande Armée in Paris, Île-de-France, Francia
registrazione di:
Thorn in My Side
autore:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) e Dave Stewart (UK guitarist/singer for Eurythmics)
editore:
RCA Music Ltd. (publisher) e Universal Music Publishers MGB Australia Pty Ltd
Eurythmics3.54:09
5All Cried Out
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1984)
edit di:
All Cried Out (album version) di Alison Moyet
registrazione di:
All Cried Out
autore:
Steve Jolley, Alison Moyet e Tony Swain (songwriter, producer)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), J&S Music, Mega Music Ltd., Rondor Music (London) Ltd., Sonet Publishing Ltd. e Sony/ATV Music Publishing Ltd.
Alison Moyet43:40
6I Drove All Night
voce principale:
Cyndi Lauper
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1989) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1989)
registrazione di:
I Drove All Night
autore:
Tom Kelly (songwriter) e Billy Steinberg
editore:
Billy Steinberg Music, Denise Barry Music, Sony/ATV Music Publishing Ltd. e Warner Chappell Music Ltd.
Cyndi Lauper4.354:11
7When Will I Be Famous?
tecnico di registrazione:
John Brand (engineer), Simon Humphrey e Robin Sellers
assistente tecnico:
Richard Edwards (sound engineer) e Alex Osman
tecnico:
Christopher Marc Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
produttore e tecnico di missaggio:
Nicky Graham
diritti fonografici (℗) detenuti da:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment)
registrata presso:
Hot Nights Studio in London (Greater London), England, Regno Unito
mixata presso:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Regno Unito
registrazione di:
When Will I Be Famous?
autore:
Nicky Graham e Thomas Watkins
editore:
Alderzone Ltd., BMG Platinum Songs US, BMG VM Music Ltd., EMI Virgin Music Australia Pty Ltd, Maximum Music Limited e Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Bros34:01
8Kærester
Gnags4:15
9The Promise You Made
produttore e tecnico di missaggio:
Steve Hillage
batteria e percussione :
Louis Molino
voce principale:
Peter Kingsbery e Anna LaCazio
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1985), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1985) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1985)
mixata presso:
Kendun Recorders in Burbank, California, Stati Uniti
registrazione di:
The Promise You Made
paroliere e compositore:
Peter Kingsbery
editore:
31, Edwin Ellis Music (publisher), EMI Music Publishing Taiwan (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), Intersong (publisher), Nurk Twins Music (publisher), Strictly Confidential France, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
sub-editore:
Nichion Synch Division (NICHION, INC. Synch Division) e Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division)
Cock Robin4.53:54
10Everytime You Go Away
produttore:
Laurie Latham
voce:
Paul Young (English pop singer and musician)
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (nel 1985) e Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1985)
registrazione cover di:
Everytime You Go Away
paroliere e compositore:
Daryl Hall
editore:
Bright Music Ltd. (publisher), Hot Cha Music Co., Intersong Music Ltd., Six Continents Music Publishing, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Paul Young4.54:23
11As the Days Go By
registrazione cover di:
As the Days Go By
paroliere e compositore:
Ian Thomas (Canadian singer/songwriter)
editore:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) e Peer Music
Daryl Braithwaite3:59
12Dream to Sleep
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (dal 1983 a oggi)
registrazione di:
Dream to Sleep
autore:
Ross Alcock, Ian Donaldson (vocalist of H₂O), Kenny Dorman, Colin Ferguson (bassist of H₂O), Colin Gavigan e Pete Keane (guitarist of H₂O)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated)
H₂O23:53
13Hold On Tight
tecnico:
Mack (German rock producer/engineer Reinhold Mack)
produttore:
Jeff Lynne
basso :
Kelly Groucutt (nel 1981)
batteria e percussione :
Bev Bevan (English rock drummer) (nel 1981)
chitarra , pianoforte e sintetizzatore :
Jeff Lynne (nel 1981) e Richard Tandy (keyboardist for Electric Light Orchestra) (nel 1981)
pianoforte elettrico :
Richard Tandy (keyboardist for Electric Light Orchestra) (nel 1981)
voce principale:
Jeff Lynne (nel 1981)
direttore d'orchestra:
Rainer Pietsch (musician, songwriter and arranger) (nel 1981)
diritti fonografici (℗) detenuti da:
Jet Records (nel 1981), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1981, nel 2005), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1981) e Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1981)
registrata presso:
Musicland Studios (Munich) in München (Munich), Bayern (Baviera), Germania (nel 1981)
registrazione di:
Hold On Tight (nel 1981)
paroliere e compositore:
Jeff Lynne
editore:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs, EMI Songs Ltd., Jet Music Ltd. (British branch), Polygon Publishing Ltd., EMI Music Publishing Japan Ltd., Sony Division (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Electric Light Orchestra4.153:08
14Go Wild in the Country
registrazione di:
Go Wild in the Country
autore:
Matthew Ashman, Dave Barbarossa, Leigh Gorman (English rock musician, record producer & composer) e Malcolm McLaren
editore:
EMI Songs Ltd.
Bow Wow Wow33:00
15Waiting for a Star to Fall
programmazione degli strumenti:
George Merrill
produttore:
Arif Mardin
assistente tecnico di missaggio:
Jim Dineen
tecnico di missaggio:
David Leonard (US producer and engineer)
batteria :
Denny Fongheiser e Michael Jochum
chitarra :
John Goux
chitarra basso , pianoforte e sintetizzatore :
George Merrill
sassofono contralto :
Andy Snitzer
sintetizzatore [Crowning touch] :
Joe Mardin
voce:
George Merrill e Shannon Rubicam
voce aggiuntiva:
Susan Boyd
diritti fonografici (℗) detenuti da:
BMG Music (nel 1988) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1988)
mixata presso:
The Grey Room in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Waiting for a Star to Fall
autore:
George Merrill e Shannon Rubicam
editore:
Irving Music, Inc., Rondor Music (London) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Boy Meets Girl Music (dal 1987 a oggi) e Irving Music (BMI) (dal 1987 a oggi)
Boy Meets Girl3.44:28
16Helst Om Kærlighed
Nanna3:24
17Ooa Hela Natten
registrazione di:
Ooa hela natten
autore:
Åke Eriksson (drums) e Björn Uhr
Attack4:15
18Out of Touch
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1984)
registrazione di:
Out of Touch
paroliere e compositore:
Daryl Hall e John Oates
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Gelfand, Rennert & Feldman, Hot Cha Music Co., Intersong Music, Unichappell Music, Inc., Warner Chappell North America Limited (UK-registered publishing company, affiliated with PRS), Warner/Chappell Music, Inc. e Warner/Chappell North America
Daryl Hall & John Oates4.654:05
19Holding Out for a Hero
registrazione di:
Holding Out for a Hero
paroliere:
Dean Pitchford
compositore:
Jim Steinman
editore:
BMG Music Publishing Ltd., Ensign Music Corp., Famous Chappell, Famous Chappell Ltd. (UK-based music publishing company.), Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Harmony UK, Sony/ATV Melody e Sony/ATV Music Publishing LLC (1995–2020)
si basa su:
Stark Raving Love
Bonnie Tyler4:11
20Carrie
tecnico di registrazione e tecnico di missaggio:
Wally Buck e Kevin Elson
produttore:
Kevin Elson
batteria [drums] :
Ian Haugland
chitarra :
John Norum
chitarra basso [bass] :
John Levén
tastiera :
Mic Michaeli
voce di accompagnamento:
Ian Haugland, Mic Michaeli e John Norum
voce principale:
Joey Tempest (Swedish singer)
diritti fonografici (℗) detenuti da:
CBS Records AB (SE subsidiary of CBS Records, renamed Sony Music Entertainment (Sweden) AB in 1991) (nel 1986), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1986) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1986)
è stato produttore per:
Elson Music Vision, Inc.
registrata presso e mixata presso:
Fantasy Studios (Berkeley) in Berkeley, California, Stati Uniti, Powerplay Studios in Maur, Zürich (Canton Zurigo), Svizzera e Soundtrade Studios in Solna City, Stockholms län (Stockholm county), Svezia
registrazione di:
Carrie (Europe song)
autore:
Mic Michaeli e Joey Tempest (Swedish singer)
editore:
EMI Music Sweden AB (not for release label use! SE subsidiary of EMI), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Seven Doors Music
Europe3.94:32
3CD
#TitoloArtistaValutazioneDurata
1Sweet Dreams (Are Made of This)
tecnico:
A. Williams, D. A. Stewart (UK guitarist/singer for Eurythmics) e R. Crash
produttore:
David A. Stewart (UK guitarist/singer for Eurythmics)
esecutore:
Eurythmics
diritti fonografici (℗) detenuti da:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (nel 1983) e RCA Ltd. (UK arm of RCA) (nel 1983)
video musicali:
Sweet Dreams di Eurythmics
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 50), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 141), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 353) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 357)
registrazione di:
Sweet Dreams (Are Made of This)
paroliere:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) e Dave Stewart (UK guitarist/singer for Eurythmics)
compositore:
Eurythmics, Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) e Dave Stewart (UK guitarist/singer for Eurythmics)
arrangiatore:
Miriama Young
editore:
BMG Music, BMG Music Publishing Ltd., D’n’A Ltd., Sunbury Music Ltd. e Universal Music–MGB Songs
Eurythmics4.23:31
2Midnat I Europa
registrazione di:
Midnat i Europa
paroliere e compositore:
Thomas Helmig (Danish rock singer and musician)
Thomas Helmig4:40
3Maneater
assistente tecnico:
Bruce Buckhalter (Engineer), Barry Harris (engineer) e Michael Somer-Abbott
tecnico:
Neil Kernon
co-produttore:
Neil Kernon
produttore:
Daryl Hall e John Oates
tecnico di missaggio:
Hugh Padgham
diritti fonografici (℗) detenuti da:
BMG Ariola Hamburg GmbH (nel 1982), BMG Music (nel 1982), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1982), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1982) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1982)
registrazione di:
Maneater (nel 1981-12)
paroliere:
Sara Allen, Daryl Hall e John Oates
compositore:
Daryl Hall e John Oates
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Fust Buzza Inc., Hot Cha Music Co., Irving Music, Inc., Primary Wave Brian, Rondor Music (Australia) Pty Ltd, Rondor Music Pty. Ltd., Unichappell Music, Inc., Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) e Warner/Chappell Music Ltd. (1996–2019)
Daryl Hall & John Oates4.44:29
4Perfect
produttore:
Fairground Attraction e Kevin Moloney
assistente tecnico di missaggio:
Alistair Johnson (engineering)
tecnico di missaggio:
Kevin Moloney
voce principale:
Eddi Reader
diritti fonografici (℗) detenuti da:
BMG Records (UK) Limited (1987–1996) (nel 1988), BMG UK & Ireland Limited (holding company, do not add releases here) (nel 1988) e Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1988)
registrata presso:
Chipping Norton Studios in Chipping Norton, Oxfordshire, England, Regno Unito
video musicali:
Perfect di Fairground Attraction
registrazione di:
Perfect
paroliere e compositore:
Mark Nevin
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Ltd., Universal Music Limited (UK sound recording / publishing company) e Universal/MCA Music Ltd. (not for release label use!)
Fairground Attraction4.253:36
5Anything for You
registrazione di:
Anything for You
paroliere e compositore:
Gloria M. Estefan
Gloria Estefan3:39
6Der Kommissar
tecnico:
Robert Ponger
produttore:
Falco (Austrian pop & rock musician) e Robert Ponger
diritti fonografici (℗) detenuti da:
GiG Records (Austrian label) (nel 1982)
registrazione di:
Der Kommissar (nel 1981)
paroliere:
Johann Hölzel (Austrian pop & rock musician)
compositore:
Robert Ponger
editore:
PS Music Wien e Warner/Chappell Music Australia Pty. Ltd.
Falco4.13:44
7(Feels Like) Heaven
produttore:
Peter Wilson (UK Producer)
arrangiatore:
Chic Medley e Kevin Patterson (songwriter)
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (nel 1983), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1983) e Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1983)
registrazione di:
(Feels Like) Heaven
paroliere e compositore:
Eddie Jordan (songwriter) e Kevin Patterson (songwriter)
editore:
Carlin Music Corp.
Fiction Factory43:31
8Cars and Girls
produttore:
Jon Kelly (engineer at Air London Studios) e Paddy McAloon
tecnico di missaggio:
Richard Moakes
percussione :
Luís Jardim
tastiera :
Gary Moberley, Prefab Sprout e Paul Wickens
voce principale:
Paddy McAloon
diritti fonografici (℗) detenuti da:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1988)
parte di:
Cachitos Nochevieja 2022 (numero: 53)
registrazione di:
Cars and Girls
paroliere e compositore:
Paddy McAloon
editore:
EMI Songs Ltd.
Prefab Sprout44:27
9Spiller et Spil
Halberg Larsen3:27
10Brilliant Mind
tecnico:
John Brough, Renny Hill (engineer) e Seb (Engineer)
produttore:
Mick Glossop (producer & engineer)
archi :
Tim Beaton e Charlie Buchannon
basso :
Sally Still
batteria e percussione :
Hamilton Lee
chitarra e voce di accompagnamento:
Tim Whelan
sassofono :
Larry Whelan (Saxophonist)
tastiera :
Maya Gilder (Keyboardist)
voce principale:
Jim Irvin
diritti fonografici (℗) detenuti da:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1986)
registrata presso:
Townhouse 3 in Battersea, Wandsworth, London (Greater London), England, Regno Unito
mixata presso:
Sarm East (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Regno Unito
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 86)
registrazione di:
Brilliant Mind
autore:
Jim Irvin, Hamilton Lee, Sally Still e Tim Whelan
editore:
Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16)
Furniture3.353:43
11I Like Chopin
diritti fonografici (℗) detenuti da:
BMG Music (nel 1983)
registrazione di:
I Like Chopin
paroliere:
Gazebo (80s Italian synth‐pop artist Paul Mazzolini “I Like Chopin”)
compositore:
Pierluigi Giombini (arranger ,composer and producer)
editore:
Abramo Allione Ed Mus SRL, Shinko Music Entertainment Co., Ltd., Televis Edizioni Musicali S.R.L. (publisher), Universal Music Publishing Group Japan (work publisher – do NOT use as a release label) e 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
Gazebo3.54:08
12Do What You Do
registrazione di:
Do What You Do
autore:
Ralph Dino e Larry Di Tomaso
editore:
MCA Music Ltd.
Jermaine Jackson4:15
13The First Picture of You
diritti fonografici (℗) detenuti da:
Arista Records, LLC (holding company - file NO releases here!) (nel 1983)
registrazione di:
The First Picture of You
autore:
Jeremy Kelly, Peter Coyle e Ged Quinn (Keyboardist)
editore:
Warner/Chappell Music Ltd. (1996–2019) e Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Lotus Eaters33:41
14Eye in the Sky
tecnico di registrazione aggiunto e produttore aggiunto:
Chris Blair (senior mastering engineer at Abbey Road Studios, London, UK)
assistente tecnico:
Tony Richards (recording engineer)
tecnico e produttore:
Alan Parsons (of The Alan Parsons Project)
produttore esecutivo:
Eric Woolfson
batteria e percussione :
Stuart Elliott (session drummer, member of Cockney Rebel)
chitarra acustica e chitarra elettrica :
Ian Bairnson
chitarra basso :
David Paton (of Pilot)
pianoforte elettrico e voce principale:
Eric Woolfson
sassofono :
Mel Collins
sintetizzatore :
Alan Parsons (of The Alan Parsons Project)
tastiera :
Alan Parsons (of The Alan Parsons Project) e Eric Woolfson
voce di accompagnamento:
Chris Rainbow
direttore d'orchestra:
Andrew Powell (known for contributions to Alan Parsons Project)
maestro del coro:
Bob Howes (percussionist)
orchestratore:
Andrew Powell (known for contributions to Alan Parsons Project)
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1982), Arista Records, LLC (holding company - file NO releases here!) (nel 1982) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1982, nel 2007)
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 21)
registrazione di:
Eye in the Sky
autore e compositore:
Alan Parsons (of The Alan Parsons Project) e Eric Woolfson
editore:
Careers Music, Inc., Careers–BMG Music Publishing, Inc., Universal Music Publishing International MGB Ltd. e Woolfsongs Ltd.
The Alan Parsons Project4.34:34
15Break My Stride
programmazione degli strumenti:
John Gilston (nel 1983)
produttore:
Peter Bunetta, Rick Chudacoff e Bill Elliott (keyboardist/composer)
batteria , drum machine [Oberheim DMX] e percussione :
Peter Bunetta (nel 1983)
chitarra :
Dennis Herring (nel 1983)
sintetizzatore analogico [Prophet-5] :
Bill Elliott (keyboardist/composer) (nel 1983) e Matthew Wilder (nel 1983)
voce di accompagnamento:
Greg Prestopino (nel 1983), Joe Turano (singer, multi-instrumentalist, composer/arranger, jazz) (nel 1983) e Matthew Wilder (nel 1983)
voce principale:
Matthew Wilder (nel 1983)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1983), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1983), Sony BMG Music Entertainment Inc. (nel 1983) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1983)
registrata presso:
Pasha Studios in Hollywood, Los Angeles, California, Stati Uniti (nel 1983)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 39)
registrazione di:
Break My Stride (nel 1983)
autore:
Greg Prestopino e Matthew Wilder
editore:
Buchu Music, Bug Music, Inc., Bughouse, MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Music of Windswept, Universal Studios, Inc. (formerly known as MCA Inc.), WB Music Corp. (1929–2019), Wilder Kingdom Music, Big Ears Music (publisher) (nel 1983), No Ears Music (nel 1983) e Streetwise Music (US publisher) (nel 1983)
Matthew Wilder3.43:02
16Doctor! Doctor!
tecnico di registrazione, tecnico e tecnico di missaggio:
Phil Thornalley
programmazione degli strumenti:
Tom Bailey (Thompson Twins)
produttore:
Tom Bailey (Thompson Twins) e Alex Sadkin
armonica (a bocca) , chitarra , contrabbasso [contrabass] , pianoforte e sintetizzatore :
Tom Bailey (Thompson Twins)
batteria , marimba , percussione e xilofono :
Alannah Currie
congas e sintetizzatore [Prophet V] :
Joe Leeway
voce:
Tom Bailey (Thompson Twins)
voce di accompagnamento:
Alannah Currie e Joe Leeway
diritti fonografici (℗) detenuti da:
Arista Records Ltd. (not for release label use!) (nel 1984) e Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1984)
video musicali:
Doctor! Doctor! di Thompson Twins
registrazione di:
Doctor! Doctor!
autore e arrangiatore voci:
Tom Bailey (Thompson Twins), Alannah Currie e Joe Leeway
editore:
Point Music Ltd.
Thompson Twins2.54:38
17Down Under
tecnico:
Jim Barbour e Peter McIan
tecnico aggiunto:
Paul Ray (70s/80s US engineer)
produttore:
Peter McIan
basso :
John Rees
batteria :
Jerry Speiser (drummer for Men at Work)
chitarra :
Ron Strykert
legni e tastiera :
Greg Ham (member of Men at Work)
voce:
Colin Hay
diritti fonografici (℗) detenuti da:
CBS Records Australia Limited (do not use as a release label! for copyrights use only) (nel 1981), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1981), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (nel 1981), Sony Music Entertainment (Australia) Pty. Ltd. (not for release label use! AU subsidiary of SME since 2009) (nel 1981), Sony Music Productions Pty. Ltd. (for copyrights use only) (nel 1981, nel 1982), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1982), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1982) e Diski CBS AEBE (Greek CBS affiliate, preceded by CBS Records of Greece S.A.) (nel 1986)
registrata presso:
Richmond Recorders in Melbourne, Victoria, Australia
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 21) e VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 96)
registrazione di:
Down Under (Men at Work song, “Do you come from a land down under?”)
paroliere:
Colin Hay
compositore:
Colin Hay e Ron Strykert
editore:
April Music Pty. Ltd., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Music Australia Pty. Limited (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (fino al 2014-12-31) e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (dal 2015-01-01 a oggi)
Men at Work3.953:38
18Toy Soldiers
diritti fonografici (℗) detenuti da:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1988)
edit di:
Toy Soldiers di Martika (American singer‐songwriter and actress)
registrazione di:
Toy Soldiers
autore:
Martika (American singer‐songwriter and actress) e Michael Jay (producer/engineer)
editore:
Sony/ATV Harmony UK, Curley Top Music (nel 1988), Ensign Music Corp. (nel 1988), Famous Chappell (nel 1988), Famous Music Corp. (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (nel 1988) e Tika Tunes (publisher) (nel 1988)
Martika34:17
19Never Too Much
tecnico di registrazione e tecnico di missaggio:
Michael H. Brauer (engineer)
assistente tecnico:
Lincoln Clapp (engineer), Gregg Mann (engineer), Andy Hoffman (engineer), Nicky Kalliongos (engineer) e Don Wershba (engineer)
tecnico:
Carl Beatty (engineer)
produttore:
Luther Vandross
produttore esecutivo:
Larkin Arnold
archi e corno [horns] :
Paul Riser
basso :
Marcus Miller (jazz musician)
batteria :
Buddy Williams (drummer)
chitarra :
Georg Wadenius (guitarist, bassist, keyboardist, singer, composer, producer)
congas :
Bashiri Johnson
percussione :
Crusher Bennett
tastiera [keyboards] :
Nat Adderley, Jr.
voce di accompagnamento [female backup vocals]:
Tawatha Agee, Brenda White, Michelle Cobbs, Cissy Houston, Yvonne Lewis e Sybil Thomas
voce di accompagnamento [male backup vocals] e voce principale:
Luther Vandross
arrangiatore:
Nat Adderley, Jr. e Paul Riser
arrangiatore voci:
Luther Vandross
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1981), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1981), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1981) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1981)
registrata presso:
Mediasound Studios in New York, New York, Stati Uniti
video musicali:
Never Too Much di Luther Vandross
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 468) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 466)
registrazione di:
Never Too Much
paroliere e compositore:
Luther Vandross
editore:
April Music Ltd., Barry Platnick, CBS Songs Ltd., EMI April Music Inc., EMI Songs Ltd., MCA Music Ltd., SBK Songs (publisher), SBK Songs Ltd. e Uncle Ronnie’s Music Company Inc.
Luther Vandross3.93:50
20How Am I Supposed to Live Without You
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1989)
registrazione di:
How Am I Supposed to Live Without You
autore:
Michael Bolton e Doug James (Songwriter / Composer / Keyboards)
editore:
EMI Blackwood Music Inc., EMI Songs Ltd. e Is Hot Music Ltd.
sub-editore:
フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (fino al 2014-12-31) e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (dal 2015-01-01 a oggi)
Michael Bolton44:16
4CD
#TitoloArtistaValutazioneDurata
1Venus
Marquis de Sade4:04
2I’m So Excited
produttore:
Richard Perry (producer)
batteria :
John “JR” Robinson (session drummer)
chitarra :
George Doering e Lee Ritenour
chitarra basso :
Nathan East
pianoforte :
William D. “Smitty” Smith (organist/keyboardist)
sintetizzatore e tastiera [keyboards] :
Michael Boddicker e Greg Phillinganes
voce di accompagnamento:
June Pointer e Ruth Pointer
voce principale:
Anita Pointer
diritti fonografici (℗) detenuti da:
BMG Music (nel 1982)
parte di:
RuPaul’s Drag Race Lip Sync Performances (season 5) (numero: 6) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 258)
registrazione di:
I’m So Excited
autore:
Anita Pointer, June Pointer, Ruth Pointer e Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
editore:
’Til Dawn Music, Braintree Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), EMI Songs, EMI Songs Ltd. e SBK Blackwood Music Inc. (1987-12-30–1989-07-14)
sub-editore:
Fujipacific Music Inc. SBK Division (fino al 2014-12-31), EMI Music Publishing Japan Ltd., Sony Division (fino al 2021-06-30), Fuji Pacific Music SBK Department (Fujipacific Music SBK Department) (dal 2015-01-01 a oggi) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
The Pointer Sisters4.83:49
3If You Let Me Stay
tecnico di registrazione e tecnico di missaggio:
Phil Legg
tecnico aggiunto:
Michael Brauer (engineer)
produttore:
Howard Gray (UK producer, engineer, and electronic musician)
basso :
Sean Oliver
batteria :
Bruce Smith (UK drummer & producer for Pop Group, Slits, P.I.L., etc.)
chitarra :
Pete Glenister
percussione :
Terence Trent D’Arby (now known as Sananda Maitreya) e Frank Ricotti (percussionist)
tastiera :
Nick Plytas
voce di accompagnamento:
Lance Ellington (Strictly Come Dancing) e Tony Jackson (British funk / soul musician, singer / songwriter, producer and arranger)
voce di accompagnamento e voce principale:
Terence Trent D’Arby (now known as Sananda Maitreya)
remixer:
Michael Brauer (engineer)
arrangiatore:
Terence Trent D’Arby (now known as Sananda Maitreya)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1987)
registrazione di:
If You Let Me Stay
paroliere e compositore:
Terence Trent D’Arby (now known as Sananda Maitreya)
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Virgin Music Ltd. (do not use this as a release label!), Virgin Music (Publishers) Ltd. e Young Terence Music (Publisher)
Terence Trent D’Arby3.153:10
4Dr. Beat
voce principale:
Gloria Estefan
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1984) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1984)
registrazione di:
Dr. Beat
paroliere e compositore:
Enrique Garcia (Miami Sound Machine)
editore:
EMI Songs Ltd. e Foreign Imported Productions & Publishing, Inc.
Miami Sound Machine3.854:24
5Come Back and Stay
produttore:
Laurie Latham
chitarra :
Paul Young (English pop singer and musician)
chitarra basso :
Pino Palladino
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1983) e Sony Music Entertainment (Germany) GmbH & Co. KG (not for release label use! for copyrights use only, existed from 2001/06/08–2004/09/23) (nel 2002)
registrazione cover di:
Come Back and Stay
paroliere e compositore:
Jack Lee (US songwriter and musician)
editore:
Chrysalis Music Ltd. (music publisher, affiliated with PRS) e Chrysalis Songs
Paul Young4.654:17
6Soul Provider
registrazione di:
Soul Provider
autore:
Michael Bolton e Andy Goldmark
Michael Bolton4:26
7It’s Raining Men
tecnico di missaggio:
Randy Tominaga
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1982)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 36)
registrazione di:
It’s Raining Men
autore:
Paul Jabara e Paul Shaffer (pianist, bandleader, Dave Letterman's sidekick)
editore:
EMI Songs Ltd., Olga Music, Postvalda Music, Songs of Manhattan Island Music Co., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16)
The Weather Girls3.553:32
8Whenever You Need Somebody
registrazione cover di:
Whenever You Need Somebody (O'Chi Brown/ Rick Astley Song)
paroliere e compositore:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) e Pete Waterman
editore:
All Boys Music Ltd., Hammer Music (German publisher) e Terrace Music (nel 1986)
Rick Astley3:27
9Cheri Cheri Lady
voce:
Thomas Anders
diritti fonografici (℗) detenuti da:
Ariola Eurodisc GmbH (not for release label use!) (nel 1985)
registrazione di:
Cheri, Cheri Lady
paroliere e compositore:
Dieter Bohlen
Modern Talking43:46
10Kyrie
tecnico:
Paul DeVilliers e Lois Oki
produttore:
Paul DeVilliers e Mr. Mister (American pop rock band)
tecnico di missaggio:
Mick Guzauski
batteria :
Pat Mastelotto
chitarra :
Steve Farris (US session guitarist, member of Mr. Mister)
chitarra basso e voce principale:
Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
tastiera :
Steve George (US keyboardist for Mr. Mister & Pages)
voce:
Steve George (US keyboardist for Mr. Mister & Pages)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1985), BMG Music (nel 1985), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1985) e Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1985)
registrazione di:
Kyrie
paroliere:
John Lang (US songwriter for Mr. Mister & Pages)
compositore:
Steve George (US keyboardist for Mr. Mister & Pages) e Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
editore:
Ali‐Aja Music, Entente Music (publisher; do NOT use as release label), Indolent Sloth Music, Panola Park Music, Poppy‐Due Music (publisher; do NOT use as release label), Stemwa Famo Music (publisher; do NOT use as release label), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Mr. Mister4.24:25
11I Ran
tecnico:
Mike Shipley (audio engineer, mixer, producer)
produttore:
Mike Howlett
batteria :
Ali Score
chitarra :
Paul Reynolds (UK guitarist, in A Flock of Seagulls) e Mike Score
chitarra basso e voce di accompagnamento:
Frank Maudsley
tastiera e voce principale:
Mike Score
esecutore:
A Flock of Seagulls (nel 1982)
diritti fonografici (℗) detenuti da:
Zomba Productions Limited (nel 1982) e Zomba Records Limited (not strictly a label - avoid adding releases here) (nel 1986)
registrata presso:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Regno Unito
video musicali:
I Ran di A Flock of Seagulls
registrazione di:
I Ran
autore:
Frank Maudsley, Paul Reynolds (UK guitarist, in A Flock of Seagulls), Ali Score e Mike Score
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
A Flock of Seagulls43:41
12Shake You Down
produttore:
Gregory Abbott
basso :
T.M. Stevens (US bass player Thomas Michael Stevens)
membranofono :
David Beal
voce di accompagnamento:
Gregory Abbott, Robert Deadmon e Aida Foreman
voce principale:
Gregory Abbott
arrangiatore:
Gregory Abbott
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1986) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1986)
parte di:
The Downloader’s Music Source Book (numero: 69)
registrazione di:
Shake You Down
paroliere e compositore:
Gregory Abbott
editore:
EMI Songs Ltd. e Grabbitt Music (publisher)
Gregory Abbott3.34:00
13Lover Come Back (to Me)Dead or Alive3:06
14Rosanna
produttore:
Toto (US rock group)
basso :
David Hungate
batteria e percussione :
Jeff Procaro
chitarra :
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
tastiera :
David Paich e Steve Porcaro
voce:
Bobby Kimball, David Paich, Steve Lukather (guitarist, vocalist, composer, producer and arranger) e Steve Porcaro
arrangiatore:
David Paich e Jerry Hey
diritti fonografici (℗) detenuti da:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1982), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1982), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1982) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1982)
registrazione di:
Rosanna
paroliere e compositore:
D. Paich
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Spirit Two Music e Hudmar Publishing Co. Inc. (nel 1982)
sub-editore:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division)
Toto3.84:00
15European Female
registrazione di:
European Female (In Celebration Of)
paroliere e compositore:
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) e Dave Greenfield
editore:
Colgems-EMI Music Inc., Complete Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) e Plugshaft Ltd.
The Stranglers3:54
16Sitting in the Park
Gangway3:27
17Hold Me Now
tecnico di registrazione, tecnico e tecnico di missaggio:
Phil Thornalley
programmazione degli strumenti:
Tom Bailey (Thompson Twins)
produttore:
Tom Bailey (Thompson Twins) e Alex Sadkin
armonica (a bocca) , chitarra , contrabbasso [contrabass] , pianoforte e sintetizzatore :
Tom Bailey (Thompson Twins)
batteria , marimba , percussione e xilofono :
Alannah Currie
congas e sintetizzatore [Prophet V] :
Joe Leeway
voce:
Tom Bailey (Thompson Twins)
voce di accompagnamento:
Alannah Currie e Joe Leeway
diritti fonografici (℗) detenuti da:
Arista Records Ltd. (not for release label use!) (nel 1983), BMG Arista Records Ltd. (nel 1983), BMG Eurodisc Ltd. (nel 1983), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1983), Arista Records Ltd. (not for release label use!) (nel 1984) e Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1984)
video musicali:
Hold Me Now di Thompson Twins
registrazione di:
Hold Me Now (Thompson Twins song)
autore:
Alannah Joy Currie, Joseph Martin Leeway e Thomas Alexander Bailey (Thompson Twins)
arrangiatore voci:
Tom Bailey (Thompson Twins), Alannah Currie e Joe Leeway
editore:
BMG Music Publishing Ltd., BMG Songs, Inc., Point Music (publisher) e Point Music Ltd.
Thompson Twins4.54:45
18Making Love Out of Nothing at All
produttore:
Jim Steinman
basso :
Steve Buslowe
batteria :
Max Weinberg
chitarra acustica :
Sid McGinnis (American musician and guitarist)
chitarra elettrica :
Rick Derringer
pianoforte :
Roy Bittan e Bill Linnane
sintetizzatore [synthesizers] :
Roy Bittan
voce di accompagnamento:
Roy Bittan, Rory Dodd, Graham Russell (Air Supply), Holly Sherwood e Eric Troyer
voce principale:
Russell Hitchcock
diritti fonografici (℗) detenuti da:
Arista Records, LLC (holding company - file NO releases here!) (nel 1983)
registrazione di:
Making Love out of Nothing at All
paroliere e compositore:
Jim Steinman
editore:
BMG Platinum Songs US, BMG VM Music Ltd., Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), EMI Virgin Songs, Inc. e Lost Boys Music (BMI affiliated)
Air Supply55:41
19Tilfældigvis Forbi
Rugsted & Kreutzfeldt3:53
2099 Luftballons
tecnico:
Imre Sereg (nel 1982)
produttore:
Reinhold Heil (nel 1982) e Manfred Praeker (nel 1982)
tecnico di missaggio:
Udo Arndt (nel 1982)
basso elettrico :
Jürgen Dehmel (nel 1982)
batteria :
Rolf Brendel (nel 1982)
chitarra elettrica :
Carlo Karges (nel 1982)
tastiera :
Jörn‐Uwe Fahrenkrog‐Petersen (nel 1982)
voce principale:
Nena Kerner (the person, performing solo since 1987) (nel 1982)
diritti fonografici (℗) detenuti da:
CBS Schallplatten GmbH (nel 1983), Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (nel 1983) e Sony Music Entertainment Germany GmbH (not for use as release label! © & ℗ holders or distributors since 2009/01/14) (nel 1983)
registrata presso:
Spliff in Berlin, Germania (nel 1982)
mixata presso:
Audio-Studio in Berlin, Germania (nel 1982)
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 3), VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 16), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 73) e Cachitos Nochevieja 2022 (numero: 105)
registrazione di:
99 Luftballons (nel 1982)
paroliere:
Carlo Karges (nel 1982)
compositore:
Uwe Fahrenkrog-Petersen (nel 1982)
editore:
Edition Hate Music (publisher), EMI Songs Australia Pty. Ltd. e EMI Songs Musikverlag GmbH
sub-editore:
EMI Songs France (27, rue de Berri)
Nena4.13:51
5CD
#TitoloArtistaValutazioneDurata
1I’m Your Man
produttore:
George Michael
arrangiatore:
George Michael
video musicali:
I’m Your Man di Wham! (British pop-duo) e I’m Your Man di Wham! (British pop-duo)
parte di:
RuPaul’s Drag Race UK Lip Sync Performances (season 1) (numero: 8)
registrazione di:
I'm Your Man
paroliere e compositore:
George Michael
Wham!44:06
2Magi I Luften
Halberg Larsen3:31
3She Wants to Dance With Me
programmazione:
Ian Curnow
programmazione degli strumenti:
Ian Curnow
tecnico:
Phil Harding (engineer, producer and remixer)
produttore:
Rick Astley (English singer, songwriter and radio personality), Ian Curnow e Phil Harding (engineer, producer and remixer)
chitarra :
Robert Ahwai
sassofono :
Phil Todd (UK flautist/saxophonist)
tastiera :
Ian Curnow
registrazione di:
She Wants to Dance With Me (nel 1988)
paroliere e compositore:
Rick Astley (English singer, songwriter and radio personality)
editore:
All Boys Music Ltd.
Rick Astley43:16
4The Final Countdown
produttore:
Kevin Elson
diritti fonografici (℗) detenuti da:
CBS Records AB (SE subsidiary of CBS Records, renamed Sony Music Entertainment (Sweden) AB in 1991) (nel 1986), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1986), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1986), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1987) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1987)
registrazione di:
The Final Countdown
paroliere e compositore:
Joey Tempest (Swedish singer)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Sweden AB (not for release label use! SE subsidiary of EMI), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Seven Doors Music
Europe4.054:00
5When Love Breaks Down
produttore:
Phil Thornalley
remixer:
Thomas Dolby
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1985)
video musicali:
When Love Breaks Down di Prefab Sprout
registrazione di:
When Love Breaks Down
paroliere e compositore:
Paddy McAloon
editore:
EMI Songs Ltd.
Prefab Sprout3.54:07
6Can’t Fight This Feeling
produttore:
Kevin Cronin (guitarist, singer and songwriter), Alan Gratzer (drummer) e Gary Richards
arrangiatore:
Kevin Cronin (guitarist, singer and songwriter) e REO Speedwagon
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1984) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1984)
registrazione di:
Can’t Fight This Feeling (nel 1984-08)
paroliere e compositore:
Kevin Cronin (guitarist, singer and songwriter)
editore:
Bucks Music Group Ltd. (Bucks Music Group), Fate Music, The International Music Network Ltd e Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23)
sub-editore:
大洋音楽 (Taiyō Music)
REO Speedwagon3.94:51
7Theme From S’Express
produttore:
Pascal Gabriel (Belgian-born, UK based producer, musician, songwriter) e Mark Moore (DJ, producer, member of S’Express)
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (nel 1988)
campionamenti:
Is It Love You’re After di Rose Royce, Stacey’s Dream (a cappella) di Stacey Q e The Bottle di Gil Scott‐Heron & Brian Jackson (American keyboardist, flautist, singer, composer & producer)
registrazione di:
Theme From S’Express
paroliere e compositore:
Pascal Gabriel (Belgian-born, UK based producer, musician, songwriter) e Mark Moore (DJ, producer, member of S’Express)
autore:
Pascal Gabriel (Belgian-born, UK based producer, musician, songwriter), Miles Gregory e Mark Moore (DJ, producer, member of S’Express)
editore:
Edition Intro (publisher) e Rhythm King Music (Publishing arm of Rhythm King Records)
si basa su:
Is It Love You’re After
S’Express43:55
8Boys (Summertime Love)
produttore:
Claudio Cecchetto (Italian record producer & talent scout)
registrazione di:
Boys (Summertime Love)
paroliere:
Claudio Cecchetto (Italian record producer & talent scout) e Malcolm Charlton
compositore:
Matteo Bonsanto e Roberto Rossi (composer)
editore:
Budde Music France, Canale 5 Music, D.J.'s Gang, Melmax, RTI SpA (not for release label use!), Sony Music Publishing (Japan) Inc. (song publisher, never a release label) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Sabrina33:44
9Liberator
registrazione di:
Liberator
paroliere e compositore:
Kirk Brandon
Spear of Destiny3:41
10Precious Little DiamondFox the Fox53:56
11Nothing’s Gonna Stop Us Now
esecutore:
Starship (continuation of Jefferson Starship) (nel 1987)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1985, nel 1987), BMG Entertainment (nel 1987) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1987)
registrazione di:
Nothing’s Gonna Stop Us Now (nel 1987)
autore:
Albert Hammond e Diane Warren (US songwriter)
arrangiatore:
Narada Michael Walden
editore:
BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), WB Music Corp. (1929–2019) e Windswept Pacific Music Ltd. (publishing company)
parte di:
The 60th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1987 nominee)
registrazione cover di:
Nothing’s Gonna Stop Us Now
autore:
Albert Hammond e Diane Warren (US songwriter)
arrangiatore:
Narada Michael Walden
editore:
BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), WB Music Corp. (1929–2019) e Windswept Pacific Music Ltd. (publishing company)
parte di:
The 60th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1987 nominee)
Starship3.754:23
12Twilight Café
registrazione di:
Twilight Café
autore:
Susan Fassbender e Kay Russell
Susan Fassbender3:20
13Japanese Boy
produttore:
Neil Ross (UK based Music Engineer)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1981)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 26)
registrazione di:
Japanese Boy
paroliere e compositore:
Bobby Heatlie (songwriter)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e EMI (EMI Records, or EMI Music only if there is no other imprint) (nel 1981)
Aneka3.353:55
14Talking in Your Sleep
tecnico:
Hal Hansford e Jim Sessody
produttore:
Peter Solley (English pianist, songwriter and producer)
tecnico di missaggio:
Neil Kernon e Peter Solley (English pianist, songwriter and producer)
diritti fonografici (℗) detenuti da:
Nemperor Records, Inc. (nel 1983)
registrata presso:
Criteria Studios in Miami, Florida, Stati Uniti
registrazione di:
Talking in Your Sleep
autore:
Coz Canler (Guitarist, vocals, songwriter), Jimmy Marinos (American drummer), Wally Palmar (guitarist and songwriter), Mike Skill (Singer, bassist, guitarist, songwriter) e Peter Solley (English pianist, songwriter and producer)
editore:
ForeverEndeavor Music, Inc. (publisher) e Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23)
The Romantics3.93:56
15Wishing Well
tecnico di registrazione e tecnico di missaggio:
Phil Legg
produttore:
Terence Trent D’Arby (now known as Sananda Maitreya) e Martyn Ware
basso :
Phil Spalding
batteria :
Preston Heyman
charleston [Wicked Hi-Hat] :
Clive Mngaza
chitarra :
Pete Glenister
sassofono baritono, tastiera e percussione e voce di accompagnamento e voce principale:
Terence Trent D’Arby (now known as Sananda Maitreya)
arrangiatore:
Terence Trent D’Arby (now known as Sananda Maitreya)
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment), CBS Records (2006–2021) (nel 1987) e Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1987)
registrazione di:
Wishing Well
paroliere:
Terence Trent D’Arby (now known as Sananda Maitreya)
compositore:
Terence Trent D’Arby (now known as Sananda Maitreya) e Sean Oliver
editore:
Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), Virgin Music Publishers Ltd. e Young Terence Music (Publisher)
Terence Trent D’Arby3.153:33
16Baby, I Love Your Way/ Freebird
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1987) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1988)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 97)
registrazione cover di:
Baby, I Love Your Way
paroliere e compositore:
Peter Frampton
editore:
Almo Music Corp. (USA, affiliated with ASCAP), EMI U Catalog Inc. (publisher; do NOT use as release label), Nuages Artists Music Ltd., Rondor Music (London) Ltd., Universal Music Publishing, Synch Division e Yamaha Music EH(CM)
registrazione di:
Baby, I Love Your Way
paroliere e compositore:
Peter Frampton
editore:
Almo Music Corp. (USA, affiliated with ASCAP), EMI U Catalog Inc. (publisher; do NOT use as release label), Nuages Artists Music Ltd., Rondor Music (London) Ltd., Universal Music Publishing, Synch Division e Yamaha Music EH(CM)
registrazione di:
Baby, I Love Your Way / Freebird
paroliere e compositore:
Allen Collins, Peter Frampton e Ronnie Van Zant
editore:
Anidraks Music (publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Duchess Music Corporation (BMI-affiliated), Hustler Inc. e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
medley di:
Baby, I Love Your Way
medley di:
Free Bird
Will to Power44:08
17Dig Og Mig
registrazione di:
Dig og Mig
paroliere e compositore:
Johan Gerup (Danish guitarist)
Dieters Lieder4:18
18Tell It to My Heart
produttore:
Ric Wake
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1987) e Arista Records, LLC (holding company - file NO releases here!) (nel 1987)
registrazione di:
Tell It to My Heart
autore:
Ernie Gold e Seth Swirsky
editore:
Chappell Music, Inc. (publisher), Goldpoint e Intersong Music
Taylor Dayne3.753:37
19Mine Øjne de Skal Se
registrazione di:
Mine øjne de skal se
autore:
Anne Linnet (Danish singer, musician and composer)
Lis Sørensen4:11
20Take My Breath Away (Love Theme From "Top Gun")
registrazione di:
Take My Breath Away (song from the 1986 film Top Gun)
paroliere:
Tom Whitlock
compositore:
Giorgio Moroder
editore:
Famous Music Publishing Germany GmbH & Co. KG (conclusa), Jastian Music Inc. (conclusa), BMG Ariola Belgium, BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neue Welt Musikverlag GmbH & Co. KG (– 2017), Sony/ATV Harmony, Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (fino al 2019-05-28), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (nel 1986), GMPC (nel 1986) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) (conclusa), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
parte di:
The 59th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1986 winner)
Berlin4:02

Accreditamenti