Anthems: Electronic 80s 2 (Sony DADC Austria)

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

Annotazione

Packaging is a 4-section Gatefold Digipak in a card slip-case.

Matrix (CD 1): Sony DADC A0101690368-0103 23 A01
Mastering SID (CD 1): IFPI L553
Mould SID (CD 1): IFPI 94Y5
DiscID (CD1): 48OfWZ9S4oerYGgWgQY26VCR0Vc-
Matrix (CD 2): Sony DADC A0101691609-0203 23 A04
Mastering SID (CD 2): IFPI L553
Mould SID (CD 2): IFPI 94U8
DiscID (CD2): zkT1vJ54z1TE.GwK6.6MAIy1wsg-
Matrix (CD 3): Sony DADC A0101690370-0303 25 A00
Mastering SID (CD 3): IFPI L555
Mould SID (CD 3): IFPI 94Z1
DiscID (CD3): 8YisK27xlBELnJJJbOiOKDdLCtE-

Annotazione modificata l'ultima volta il 2024-12-15 16:02 UTC.

Elenco tracce

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1▼CD
#TitoloArtistaValutazioneDurata
1Don’t You Want Me
assistente alla programmazione:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) (nel 1981)
programmazione:
Martin Rushent (nel 1981)
assistente tecnico:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth)
produttore:
The Human League e Martin Rushent
sintetizzatore :
Ian Burden (nel 1981), Jo Callis (nel 1981) e Philip Oakey (nel 1981)
voce di accompagnamento:
Joanne Catherall (nel 1981) e Susan Ann Sulley (nel 1981)
voce principale:
Philip Oakey (nel 1981) e Susan Ann Sulley (nel 1981)
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only)
registrata presso:
Genetic Studios in West Berkshire, England, Regno Unito (nel 1981)
video musicali:
Don’t You Want Me di The Human League
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 1), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 79) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 82)
registrazione di:
Don’t You Want Me (Human League song) (nel 1981)
paroliere:
Philip Oakey
compositore:
Jo Callis, Philip Oakey e Philip Adrian Wright (Human League)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Human League3.93:59
2Sweet Dreams (Are Made of This)
tecnico:
A. Williams, D. A. Stewart (UK guitarist/singer for Eurythmics) e R. Crash
produttore:
David A. Stewart (UK guitarist/singer for Eurythmics)
esecutore:
Eurythmics
diritti fonografici (℗) detenuti da:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (nel 1983) e RCA Ltd. (UK arm of RCA) (nel 1983)
video musicali:
Sweet Dreams di Eurythmics
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 50), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 141), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 353) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 357)
registrazione di:
Sweet Dreams (Are Made of This)
paroliere:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) e Dave Stewart (UK guitarist/singer for Eurythmics)
compositore:
Eurythmics, Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) e Dave Stewart (UK guitarist/singer for Eurythmics)
arrangiatore:
Miriama Young
editore:
BMG Music, BMG Music Publishing Ltd., D’n’A Ltd., Sunbury Music Ltd. e Universal Music–MGB Songs
Eurythmics4.23:35
3The Model (2009 digital remaster)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1978)
registrazione di:
The Model (Kraftwerk)
paroliere:
Ralf Hütter e Emil Schult
compositore:
Karl Bartos e Ralf Hütter
traduttore aggiunto:
Ralf Hütter e Emil Schult
editore:
Edition Positive Songs (publisher), Kling Klang Musik GmbH (Germany-based licensing and publishing entity controlled by Ralf Hütter), No Hassle Music, Sony/ATV Music Publishing (UK) Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
versione tradotta di:
Das Modell
Kraftwerk4.153:40
4Souvenir
produttore:
M. Howlett
voce:
Paul Humphreys (Orchestral Manoeuvres in the Dark)
diritti fonografici (℗) detenuti da:
Virgin Records (worldwide imprint of Virgin Records Ltd. and all its subsidiaries) (nel 1981)
registrazione di:
Souvenir
autore:
Martin Cooper (OMD and The Listening Pool) e Paul Humphreys (Orchestral Manoeuvres in the Dark)
editore:
Dinsong Music e Virgin Music (Publishers) Ltd.
Orchestral Manoeuvres in the Dark33:31
5Only You
tecnico:
John Fryer (British producer and engineer) e Eric Radcliffe (UK producer / engineer / musician)
produttore:
Eric Radcliffe (UK producer / engineer / musician) e Yazoo (80s British synthpop duo, aka Yaz)
produttore aggiunto:
Daniel Miller (British music producer and founder of Mute Records)
sintetizzatore e tastiera :
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
voce:
Alison Moyet
diritti fonografici (℗) detenuti da:
Mute Records Ltd. (not for release label use! original company behind the Mute label) (nel 1982)
registrazione di:
Only You
paroliere e compositore:
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
editore:
Musical Moments Ltd., SM Publishing (UK) Limited (Sony Music, 2009–2020), Sonet Publishing e Sony/ATV Music Publishing (UK) Ltd.
Yazoo4.43:10
6It’s My Life
programmazione e produttore:
Tim Friese‐Greene
basso senza tasti :
Paul Webb (UK bassist for Talk Talk/O.rang, aka Rustin Man)
batteria :
Tim Friese‐Greene e Lee Harris (singer-songwriter & musician)
chitarra :
Robbie McIntosh (English guitarist for The Pretenders)
chitarra acustica :
Mark Hollis
drum machine e sintetizzatore :
Tim Friese‐Greene
percussione :
Morris Pert
pianoforte :
Tim Friese‐Greene e Phil Ramocon (soul/R&B/reggae songwriter)
tastiera :
Ian Curnow
voce:
Mark Hollis
voce di accompagnamento:
Mark Hollis e Paul Webb (Video game music composer)
diritti fonografici (℗) detenuti da:
EMI Records (UK) Ltd. (company credits only; do NOT use as release label) (nel 1984) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1984)
registrazione di:
It’s My Life
autore:
Tim Friese‐Greene e Mark Hollis
editore:
F‐Sharp Productions Ltd., Hollis Songs Ltd., Universal Music (plain logo: “Universal Music”), Universal–Songs of PolyGram International, Inc., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Zomba Enterprises, Inc., Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) e Zomba Music Publishing (music publisher – add no releases here!)
Talk Talk3.853:52
7Girls on Film
tecnico e produttore:
Colin Thurston
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1981, nel 1998)
registrazione di:
Girls on Film
autore:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) e Roger Taylor (Duran Duran drummer)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Publishing Scandinavia AB e Gloucester Place Music Ltd.
versione di:
Girls on Film (Pre-Le Bon version)
Duran Duran3.753:27
8Instinction (edit)
registrazione di:
Instinction
paroliere e compositore:
Gary Kemp
editore:
Reformation Publishing Co. Ltd.
Spandau Ballet3:38
9Ghosts (edit)
registrazione di:
Ghosts
paroliere e compositore:
David Sylvian
editore:
Chadwick-Nomis Ltd e Virgin Music (Publishers) Ltd.
Japan4:30
10The Word Girl
tecnico di registrazione e tecnico di missaggio:
Howard Gray (UK producer, engineer, and electronic musician)
produttore:
David Gamson, Green Gartside e Fred Maher
batteria :
Fred Maher
chitarra :
Nick Moroch (US guitarist)
tastiera :
David Gamson
voce:
Green
voce di accompagnamento:
B.J. Nelson (backing singer)
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1985)
registrazione di:
The Word Girl
autore:
David Gamson e Green Gartside
editore:
Jouissance Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019), Chrysalis Music Ltd. (music publisher, affiliated with PRS) (nel 1985), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (nel 1985) e Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) (nel 1985)
Scritti Politti4:24
11Let Me Go
produttore:
B.E.F. e Greg Walsh (producer and engineer)
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1982)
registrazione di:
Let Me Go!
autore:
Glenn Gregory, Ian Craig Marsh e Martyn Ware
editore:
EMI Virgin Music Ltd. (do not use this as a release label!), Sound Diagrams (publisher), Virgin Music (Publishers) Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Heaven 1754:18
12Golden Brown
co-produttore:
Steve Churchyard
produttore:
Steve Churchyard e The Stranglers
tecnico di missaggio:
Tony Visconti
esecutore:
The Stranglers
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1981)
registrazione di:
Golden Brown
autore:
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) e Dave Greenfield
editore:
Complete Music, Complete Music Ltd., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd. e Plumbshaft-Ltd.
The Stranglers4.453:28
13Glittering Prize (2001 digital remaster)
produttore:
Keith Forsey (drummer, producer and songwriter) e Peter Walsh (UK producer)
registrazione di:
Glittering Prize
autore:
Charlie Burchill, Derek Forbes, Jim Kerr (of Simple Minds) e Michael MacNeil
editore:
EMI Publishing Ltd.
Simple Minds3:58
14No Regrets
registrazione cover di:
No Regrets
paroliere e compositore:
Tom Rush
editore:
BMG Bumblebee (BMI) (a BMI‐affiliated publishing entity of BMG Rights Management), Essex International, Tubbs Hill Music e Westminster Music Ltd.
Midge Ure34:01
15Dr. Mabuse
registrazione di:
Dr. Mabuse
paroliere:
Ralf Dörper
compositore:
Ralf Dörper, Michael Mertens (German musician & producer) e Andreas Thein
editore:
Perfect Songs Ltd. (UK publisher, affiliated with PRS)
Propaganda4:55
16Europe After the Rain
produttore:
John Foxx
esecutore:
John Foxx
registrata presso:
The Garden (John Foxx's studio in London) in Shoreditch, Hackney, London (Greater London), England, Regno Unito
registrazione di:
Europe After the Rain
compositore:
John Foxx
John Foxx3:37
17Forbidden Colours
produttore:
坂本龍一 (Ryūichi Sakamoto, Japanese composer, pianist, singer, songwriter)
tastiera :
坂本龍一 (Ryūichi Sakamoto, Japanese composer, pianist, singer, songwriter) (nel 1983)
voce principale ospite:
David Sylvian (nel 1983)
registrazione di:
Forbidden Colours
paroliere:
David Sylvian
compositore:
坂本龍一 (Ryūichi Sakamoto, Japanese composer, pianist, singer, songwriter)
editore:
Chadwick Nomis Ltd., KAB America, Opium (Arts) Ltd. e やのミュージック (Yano Music)
arrangiamento di:
Merry Christmas, Mr. Lawrence (Merry Christmas, Mr. Lawrence, Main Theme)
parte di:
Merry Christmas, Mr. Lawrence
Ryuichi Sakamoto / David Sylvian4.354:38
18We Are Glass
produttore:
Gary Numan
batteria :
Cedric Sharpley
chitarra , tastiera e voce principale:
Gary Numan
chitarra basso :
Paul Gardiner
percussione :
John Webb (Gary Numan’s brother)
pianoforte :
Denis Haines
sintetizzatore :
Rrussell Bell
viola :
Chris Payne (UK keyboards/viola for Gary Numan/Visage/Dramatis)
registrazione di:
We Are Glass
paroliere e compositore:
Gary Numan
editore:
Numan Music Ltd.
Gary Numan4:46
19Love on a Real Train
registrazione di:
Love on a Real Train (Risky Business)
compositore:
Christopher Franke (German musician, formerly with Tangerine Dream), Edgar Froese e Johannes Schmoelling
parte di:
Risky Business (film soundtrack)
Tangerine Dream3:51
20Welcome to the Pleasuredome
basso :
Mark O’Toole (former bassist of Frankie Goes to Hollywood) (dal 1983-07 al 1984)
batteria :
Peter Gill (UK drummer for Frankie Goes to Hollywood) (dal 1983-07 al 1984)
chitarra :
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) (dal 1983-07 al 1984)
voce di accompagnamento:
Paul Rutherford (member of Frankie Goes to Hollywood) (dal 1983-07 al 1984)
voce principale:
Holly Johnson (dal 1983-07 al 1984)
registrazione di:
Welcome to the Pleasuredome
compositore:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson, Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) e Mark O’Toole (former bassist of Frankie Goes to Hollywood)
Frankie Goes to Hollywood3:41
2▼CD
#TitoloArtistaValutazioneDurata
1Relax
tecnico:
Stephen Lipson
produttore:
Trevor Horn
produttore aggiunto:
Stephen Lipson
batteria :
Peter Gill (UK drummer for Frankie Goes to Hollywood) (nel 1983)
chitarra :
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) (nel 1983)
chitarra basso :
Mark O’Toole (former bassist of Frankie Goes to Hollywood) (nel 1983)
percussione ospite :
Luís Jardim (nel 1983)
tastiera ospite :
Andrew Richards (Strawbs keyboard player/record producer) (nel 1983) e Anne Dudley (English score composer) (nel 1983)
voce principale:
Holly Johnson (nel 1983), Mark O’Toole (former bassist of Frankie Goes to Hollywood) (nel 1983) e Paul Rutherford (member of Frankie Goes to Hollywood) (nel 1983)
diritti fonografici (℗) detenuti da:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (nel 1983) e Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (nel 1984)
registrata presso:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Regno Unito (nel 1983)
versione karaoke di:
Epic Relax (Sandro Silva & Quintino vs. Frankie Goes to Hollywood) (extended version) di DJ Schmolli
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 10) e Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 44)
registrazione di:
Relax (nel 1983)
paroliere:
Holly Johnson
compositore:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson e Mark O’Toole (former bassist of Frankie Goes to Hollywood)
editore:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) e SPZ Music, Inc. (BMI affiliated)
Frankie Goes to Hollywood4.053:58
2Gold
produttore:
Steve Jolley, Spandau Ballet e Tony Swain (songwriter, producer)
basso :
Martin Kemp (UK actor, musician, bassist for Spandau Ballet) (nel 1982)
batteria :
John Keeble (nel 1982)
chitarra :
Gary Kemp (nel 1982)
percussione e sassofono :
Steve Norman (UK saxophonist/percussionist for Spandau Ballet) (nel 1982)
tastiera :
Jess Bailey (nel 1982)
voce principale:
Tony Hadley (nel 1982)
esecutore:
Spandau Ballet (nel 1982)
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1983)
registrazione di:
Gold (nel 1982)
paroliere e compositore:
Gary Kemp
editore:
Reformation Publishing Co. Ltd.
Spandau Ballet3.53:53
3Pearl in the Shell
registrata a:
High Wycombe, Buckinghamshire, England, Regno Unito (nel 1984)
tecnico:
Stephen W. Tayler (UK engineer)
produttore:
Rupert Hine
voce principale:
Howard Jones (English singer, songwriter) (nel 1984)
registrazione di:
Pearl in the Shell
paroliere e compositore:
Howard Jones (English singer, songwriter)
Howard Jones2.54:00
4A Little Respect
tecnico:
Bob Kraushaar
produttore:
Stephen Hague
registrazione di:
A Little Respect
autore:
Andy Bell (singer / songwriter for Erasure) e Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
editore:
Sony/ATV Music Publishing
Erasure43:28
5I Could Be Happy
registrazione di:
I Could Be Happy
paroliere e compositore:
Tich Anderson, Clare Grogan, Tony McDaid, Johnny McElhone e Jim McKinven
Altered Images53:31
6Don’t Leave Me This Way
esecutore:
Sarah Jane Morris e The Communards (nel 1986)
registrazione cover di:
Don’t Leave Me This Way (Harold Melvin & The Blue Notes song) (nel 1986)
autore:
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Communards With Sarah Jane Morris34:49
7Living in a Box
co-produttore:
Tom Lord Alge
produttore:
Richard James Burgess
diritti fonografici (℗) detenuti da:
BMG Ariola München GmbH (nel 1987)
è stato produttore per:
The Burgess Worldco
registrazione di:
Living in a Box
paroliere e compositore:
Steve Piggott e Marcus Vere
editore:
Brampton Music International, Brampton Music Ltd. (publisher) e Empire Music Ltd.
Living in a Box3.353:03
8Call Me
produttore:
Gary Stevenson
registrazione di:
Call Me
autore:
Peter Cox (Artist and songwriter) e Richard Drummie
Go West3.654:10
9The Politics of Dancing
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1983, nel 1984)
registrazione di:
The Politics of Dancing
paroliere e compositore:
Paul Fishman (UK musician, songwriter and producer. One half of Goldfish Productions.)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Jambo Music Limited e Metric Music Ltd.
Re‐Flex3.353:46
10Hold Me Now
tecnico di registrazione, tecnico e tecnico di missaggio:
Phil Thornalley
programmazione degli strumenti:
Tom Bailey (Thompson Twins)
produttore:
Tom Bailey (Thompson Twins) e Alex Sadkin
armonica (a bocca) , chitarra , contrabbasso [contrabass] , pianoforte e sintetizzatore :
Tom Bailey (Thompson Twins)
batteria , marimba , percussione e xilofono :
Alannah Currie
congas e sintetizzatore [Prophet V] :
Joe Leeway
voce:
Tom Bailey (Thompson Twins)
voce di accompagnamento:
Alannah Currie e Joe Leeway
diritti fonografici (℗) detenuti da:
Arista Records Ltd. (not for release label use!) (nel 1983), BMG Arista Records Ltd. (nel 1983), BMG Eurodisc Ltd. (nel 1983), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1983), Arista Records Ltd. (not for release label use!) (nel 1984) e Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1984)
video musicali:
Hold Me Now di Thompson Twins
registrazione di:
Hold Me Now (Thompson Twins song)
autore:
Alannah Joy Currie, Joseph Martin Leeway e Thomas Alexander Bailey (Thompson Twins)
arrangiatore voci:
Tom Bailey (Thompson Twins), Alannah Currie e Joe Leeway
editore:
BMG Music Publishing Ltd., BMG Songs, Inc., Point Music (publisher) e Point Music Ltd.
Thompson Twins4.54:45
11She Blinded Me With Science
programmazione degli strumenti:
Thomas Dolby
produttore:
Thomas Dolby e Tim Friese‐Greene
moog [Moog bass] ospite :
Matthew Seligman (nel 1982-08)
violino :
Simon House (nel 1982-08)
voce:
Thomas Dolby (nel 1982-08)
voce di accompagnamento:
Robert John “Mutt” Lange (Robert John Lange) (nel 1982-08) e Miriam Stockley (nel 1982-08)
voce parlata:
Magnus Pyke (nel 1982-08)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1982) e Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1983)
registrata presso:
Odyssey Studio (London) in London (Greater London), England, Regno Unito (nel 1982-08)
mixata presso:
Odyssey Studio (London) in London (Greater London), England, Regno Unito
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 76)
registrazione di:
She Blinded Me With Science (nel 1982-08)
paroliere:
Thomas Dolby e Tim Kerr (songwriter working with Thomas Dolby)
compositore:
Thomas Dolby
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Participation Music Inc.
Thomas Dolby43:42
12Open Your Heart
assistente alla programmazione e assistente tecnico:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth)
programmazione:
Martin Rushent
produttore:
The Human League e Martin Rushent
sintetizzatore :
Ian Burden (nel 1981), Jo Callis (nel 1981) e Philip Oakey (nel 1981)
voce di accompagnamento:
Joanne Catherall (nel 1981) e Susan Ann Sulley (nel 1981)
voce principale:
Philip Oakey (nel 1981)
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1988)
registrata presso:
Genetic Studios in West Berkshire, England, Regno Unito (nel 1981)
registrazione di:
Open Your Heart (nel 1981)
paroliere:
Philip Oakey
compositore:
Jo Callis e Philip Oakey
The Human League3.53:56
13King in a Catholic Style (Wake Up)
produttore:
Walter Becker
registrazione di:
King in a Catholic Style
autore:
Gary Daly, Gazza Johnson e Eddie Lundon (China Crisis)
China Crisis4:18
14Living by Numbers
produttore:
Tony Mansfield (producer & songwriter)
diritti fonografici (℗) detenuti da:
GTO Records Ltd. (holding company - file no releases here!) (nel 1980) e Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1980)
registrata presso:
TMC Studios (Recording studio, active in the 1970s and 80s in Tooting, London) in Tooting, Wandsworth, London (Greater London), England, Regno Unito (dal 1979 al 1980-03)
registrazione di:
Living by Numbers (dal 1979 al 1980-03)
paroliere e compositore:
Tony Mansfield (producer & songwriter)
editore:
April Music Ltd. e Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
New Musik4.53:26
15Wood Beez (Pray Like Aretha Franklin)
registrazione di:
Wood Beez (Pray Like Aretha Franklin)
paroliere e compositore:
Green Gartside
editore:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Jouissance Music e WB Music Corp. (1929–2019)
Scritti Politti3:34
16Sunset Now
registrazione di:
Sunset Now
autore:
Glenn Gregory, Ian Craig Marsh e Martyn Ware
editore:
Sound Diagrams Ltd. (publisher), Virgin Music (publisher and label, only for releases with Virgin MUSIC logo), Virgin Music (Publishers) Ltd., Warner Bros. Music (publisher; do NOT use as release label) e Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23)
Heaven 173:40
17No.1 Song in Heaven
registrazione di:
The Number One Song in Heaven
autore:
Ron Mael, Russell Mael e Giorgio Moroder
Sparks3:30
18Dancing With Tears in My Eyes (2009 digital remaster)
tecnico:
Rik Walton
produttore:
Ultravox
tecnico di missaggio:
John Hudson (producer, recording and mixing engineer) (il 1984-03-19)
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1984, nel 2025)
registrata presso:
Musicfest Studio (recording studio, located in Chiswick, London, UK) in Chiswick, Hounslow, London (Greater London), England, Regno Unito (il 1983-08-08)
mixata presso:
Mayfair Studios (England) in London (Greater London), England, Regno Unito (il 1984-03-19)
video musicali:
Dancing With Tears in My Eyes di Ultravox
registrazione di:
Dancing With Tears in My Eyes (il 1983-08-08)
autore:
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie e Midge Ure
editore:
Hot Food Publishing Ltd., Jump Jet Music Ltd., Mood Music Ltd. (publisher), Sing Sing Songs Ltd. e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Ultravox44:05
19Beat Box
edit di:
Beat Box (Diversion One) di Art of Noise
registrazione di:
Beatbox
compositore:
Anne Dudley (English score composer), Trevor Horn, J.J. Jeczalik, Gary Langan e Paul Morley
Art of Noise3:58
20Nobody’s Diary
produttore:
Daniel Miller (British music producer and founder of Mute Records), Eric Radcliffe (UK producer / engineer / musician) e Yazoo (80s British synthpop duo, aka Yaz)
registrazione di:
Nobody’s Diary
paroliere e compositore:
Alison Moyet
Yazoo4.54:31
3▼CD
#TitoloArtistaValutazioneDurata
1Let’s Dance
tecnico e tecnico di missaggio:
Bob Clearmountain
produttore:
David Bowie (English singer‐songwriter) e Nile Rodgers
assistente tecnico di missaggio:
David Bowie (English singer‐songwriter) e Nile Rodgers
chitarra solista :
Stevie Ray Vaughan
voce principale:
David Bowie (English singer‐songwriter)
diritti fonografici (℗) detenuti da:
David Bowie (English singer‐songwriter) (nel 1983)
registrata presso:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti (dal 1982-12 al 1983-01)
registrazione di:
Let’s Dance (dal 1982-12 al 1983-01)
paroliere e compositore:
David Bowie (English singer‐songwriter)
editore:
Essex (publisher), Jones Music (publishers associated with David Bowie), Jones Music America, RZO Music Ltd e Watanabe Music Publishing CM division
David Bowie44:08
2Don’t You (Forget About Me)
produttore:
Keith Forsey (drummer, producer and songwriter)
tecnico di missaggio:
Jez Coad
esecutore:
Simple Minds (Scottish rock band) (il 1984-07-10)
diritti fonografici (℗) detenuti da:
Simple Minds Ltd, Virgin Records Ltd. (not for release label use! for company relationships only) (nel 2001), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 25) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 340)
registrazione di:
Don’t You (Forget About Me) (il 1984-07-10)
autore:
Keith Forsey (drummer, producer and songwriter) e Steve Schiff
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Ltd. e Universal Music (plain logo: “Universal Music”)
Simple Minds4.254:20
3Hungry Like the Wolf
tecnico e produttore:
Colin Thurston
esecutore:
Duran Duran (English rock band) (nel 1982)
diritti fonografici (℗) detenuti da:
Tritec Music Ltd. (publisher and copyrights holder) (nel 1982) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1998)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 398)
registrazione di:
Hungry Like the Wolf
autore:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) e Roger Taylor (Duran Duran drummer)
editore:
EMI Songs, EMI Songs Australia Pty. Ltd. e Tritec Music Ltd. (publisher and copyrights holder)
adattamenti:
Hungry Like a Pig
Duran Duran3.353:25
4Everything She Wants
assistente tecnico:
Paul Gomersau
tecnico:
Chris Porter (engineer and producer)
produttore:
George Michael
chitarra elettrica :
Andrew Ridgeley (nel 1984)
sassofono :
David Baptiste (U.K. Saxophonist, flutist, percussionist, vocalist, & backing vocalist)
tastiera :
George Michael
voce di accompagnamento e voce principale:
George Michael (nel 1984)
esecutore:
Wham! (British pop-duo) (nel 1984)
arrangiatore:
George Michael
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1984)
registrazione di:
Everything She Wants
paroliere e compositore:
George Michael
editore:
Chappell Music (UK)
Wham!4.45:04
5And She Was
tecnico di registrazione e tecnico di missaggio:
Eric “E.T.” Thorngren
assistente tecnico:
Melanie West (engineer) (incarico: second engineer)
produttore:
Talking Heads
batteria :
Chris Frantz
chitarra :
David Byrne (Talking Heads) e Jerry Harrison (Talking Heads & producer)
chitarra basso e sintetizzatore basso [synth bass] :
Tina Weymouth
voce di accompagnamento:
Jerry Harrison (Talking Heads & producer) e Tina Weymouth
voce principale:
David Byrne (Talking Heads)
arrangiatore:
David Byrne (Talking Heads), Chris Frantz, Jerry Harrison (Talking Heads & producer) e Tina Weymouth
diritti fonografici (℗) detenuti da:
Sire Records Company (not for release label use!) (nel 1985) e Talking Heads Tours Inc. (nel 1985)
registrata presso e mixata presso:
Sigma Sound (New York) in New York, New York, Stati Uniti
video musicali:
And She Was (video) di Talking Heads
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 453)
registrazione di:
And She Was
paroliere e compositore:
David Byrne (Talking Heads)
editore:
Bleu Disque Music Co., Inc. (publisher), Index Music, Inc. e Warner/Chappell Music Ltd. (1996–2019)
Talking Heads4.153:39
6Locomotion
tecnico:
Steve Jackson (recording engineer), Ronald Prent (Dutch sound engineer and producer) e Brian Tench
produttore:
Orchestral Manoeuvres in the Dark e Brian Tench
pianoforte :
Gordian Troeller (band manager)
esecutore:
Orchestral Manoeuvres in the Dark
arrangiatore ottoni :
Tony Visconti
registrazione di:
Locomotion (OMD)
autore:
Paul Humphreys (Orchestral Manoeuvres in the Dark), Andy McCluskey e Gordian Troeller (band manager)
editore:
Virgin Music, Inc. (US arm of Virgin’s publishing company)
Orchestral Manoeuvres in the Dark3:44
7You Spin Me Round (Like a Record)
produttore:
Pete Waterman
esecutore:
Dead or Alive (UK new wave band) (nel 1984)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1985)
video musicali:
You Spin Me Round (Like a Record) (On 'Blue Peter') (TX 10/01/2003) di Dead or Alive (UK new wave band)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 52)
registrazione di:
You Spin Me Round (Like a Record)
autore:
Pete Burns, Steve Coy, Tim Lever e Mike Percy
editore:
Burning Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Métisse Music, Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996) e Westbury Music Ltd.
parte di:
American Psycho
Dead or Alive4.153:15
8I.O.U.
registrata a:
New York, New York, Stati Uniti (nel 1983)
produttore:
Arthur Baker (American record producer and DJ)
esecutore:
Freeez (1980s English electronic music group) (nel 1983)
registrata presso:
Unique Recording Studios in Manhattan, New York, New York, Stati Uniti (nel 1983)
registrazione di:
I.O.U.
autore:
Arthur Baker (American record producer and DJ) e John Robie
editore:
Shakin’ Baker Music
Freeez4.653:49
9Atomic
tecnico:
Peter Coleman (British engineer & producer) e David Tickle
produttore:
Mike Chapman (Australian producer and songwriter)
batteria :
Clem Burke (dal 1979-05 al 1979-06)
chitarra :
Frank Infante (dal 1979-05 al 1979-06) e Chris Stein (dal 1979-05 al 1979-06)
chitarra basso :
Nigel Harrison (dal 1979-05 al 1979-06)
tastiera :
Jimmy Destri (dal 1979-05 al 1979-06)
voce di accompagnamento ospite:
Ellie Greenwich (dal 1979-05 al 1979-06)
voce principale:
Deborah Harry (dal 1979-05 al 1979-06)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1979), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1979), Chrysalis Records, Inc. (not for release label use!) (nel 1979) e Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1980)
registrata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti (dal 1979-05 al 1979-06), Mediasound Studios in New York, New York, Stati Uniti (dal 1979-05 al 1979-06) e Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti (dal 1979-05 al 1979-06)
mixata presso:
MCA Whitney Recording Studios in Glendale, California, Stati Uniti
parte di:
Songs banned by the BBC (numero: Gulf War ban)
registrazione di:
Atomic (dal 1979-05 al 1979-06)
autore:
Jimmy Destri e Deborah Harry
editore:
Chrysalis Music (music publisher, ASCAP-affiliated) (conclusa), Monster Island Music Publishing Corporation (conclusa), BMG Monarch, Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), EMI Music Publishing Ltd. (PRS‐affiliated) e Rare Blue Music Inc
Blondie43:47
10White Wedding
assistente tecnico:
Steve Bates (engineer)
tecnico:
Brian Reeves
produttore:
Keith Forsey (drummer, producer and songwriter)
batteria :
Steve Missal
chitarra :
Billy Idol (English rock singer‐songwriter) e Steve Stevens (US guitarist and songwriter)
chitarra basso :
Phil Feit
voce principale:
Billy Idol (English rock singer‐songwriter)
arrangiatore:
Billy Idol (English rock singer‐songwriter) e Steve Stevens (US guitarist and songwriter)
diritti fonografici (℗) detenuti da:
Capitol Records (imprint of Capitol Records, Inc.) (nel 1982), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1982), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1982) e Chrysalis Records, Inc. (not for release label use!) (nel 1982, nel 2002)
registrata presso e mixata presso:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, Stati Uniti
video musicali:
White Wedding, Pt. 1 di Billy Idol (English rock singer‐songwriter)
registrazione di:
White Wedding
paroliere e compositore:
Billy Idol (English rock singer‐songwriter)
editore:
Boneidol Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Group Inc., Chrysalis Music Holdings GmbH (DE subsidiary of Chrysalis Group PLC), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Rare Blue Music Inc
Billy Idol4.154:12
11Jerkin’ Back ’n’ Forth
produttore:
DEVO (new wave/rock band)
registrazione di:
Jerkin’ Back ’n’ Forth (Devo)
autore:
Gerald Casale e Mark Mothersbaugh
DEVO43:04
12I Ran
tecnico:
Mike Shipley (audio engineer, mixer, producer)
produttore:
Mike Howlett
batteria :
Ali Score
chitarra :
Paul Reynolds (UK guitarist, in A Flock of Seagulls) e Mike Score
chitarra basso e voce di accompagnamento:
Frank Maudsley
tastiera e voce principale:
Mike Score
esecutore:
A Flock of Seagulls (nel 1982)
diritti fonografici (℗) detenuti da:
Zomba Productions Limited (nel 1982) e Zomba Records Limited (not strictly a label - avoid adding releases here) (nel 1986)
registrata presso:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Regno Unito
video musicali:
I Ran di A Flock of Seagulls
registrazione di:
I Ran
autore:
Frank Maudsley, Paul Reynolds (UK guitarist, in A Flock of Seagulls), Ali Score e Mike Score
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
A Flock of Seagulls43:41
13True Faith
produttore:
Stephen Hague e New Order (UK synth pop band)
diritti fonografici (℗) detenuti da:
Factory Communications Ltd. (holding company – file no releases here!) (nel 1987)
registrazione di:
True Faith
autore:
Gillian Gilbert, Stephen Hague, Peter Hook, Stephen Morris (New Order) e Bernard Sumner
editore:
Be Music (New Order’s own publishing company), Cut Music (UK publisher), MCA Music Inc. (US-based music publishers), Notting Hill Music (publisher) e Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23)
parte di:
American Psycho
New Order3.755:53
14Getting Away With It
video musicali:
Getting Away With It (US version, 1990) di Electronic e Getting Away With It (European version, 1989) di Electronic
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 34)
registrazione di:
Getting Away With It
compositore:
Johnny Marr, Bernard Sumner e Neil Tennant
Electronic4:13
15White Horse
produttore:
The Dwarfs
esecutore:
Laid Back (Danish electronic music duo, famous for hits like “Sunshine Reggae” and “Bakerman”) (nel 1983)
diritti fonografici (℗) detenuti da:
Parlophone Music Denmark (nel 1983)
registrazione di:
White Horse (nel 1983)
paroliere e compositore:
John Guldberg e Tim Stahl
editore:
PolyGram Music Publishing
Laid Back3.853:55
16When Love Breaks Down
produttore:
Phil Thornalley
basso :
Martin McAloon
batteria :
Neil Conti
chitarra :
Paddy McAloon
tastiera e sintetizzatore ospite :
Thomas Dolby
voce:
Paddy McAloon e Wendy Smith (British musician, formerly with Prefab Sprout)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1984)
edit di:
When Love Breaks Down di Prefab Sprout
registrazione di:
When Love Breaks Down
paroliere e compositore:
Paddy McAloon
editore:
EMI Songs Ltd.
Prefab Sprout3:47
17I Second That Emotion
produttore:
John Punter
diritti fonografici (℗) detenuti da:
BMG Records (U.K.) Ltd. (1987–1996) (nel 1981) e Hansa Productions Ltd. (nel 1982)
registrazione cover di:
I Second That Emotion
autore:
Al Cleveland (songwriter 1930-1996) e Smokey Robinson
editore:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobete Music Ltd e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Japan3.653:44
18Bette Davis Eyes
tecnico di registrazione:
Val Garay (nel 1981-01)
produttore:
Val Garay
chitarra elettrica :
Waddy Wachtel (nel 1981-01)
voce principale:
Kim Carnes (nel 1981-01)
diritti fonografici (℗) detenuti da:
Capitol Records (imprint of Capitol Records, Inc.) (nel 1981), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1981), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1981), EMI America Records, Inc. (holding – file NO releases here!) (nel 1981), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1981), EMI USA (renamed EMI Records USA in the beginning of the 1990s) (nel 1981), EMI–Manhattan Records (company credits only; do NOT use as release label) (nel 1981) e Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1997)
registrata presso:
Record One in Sherman Oaks, Los Angeles, California, Stati Uniti (nel 1981-01)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 18) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 425)
registrazione cover di:
Bette Davis Eyes (nel 1981-01)
autore:
Jackie DeShannon e Donna Weiss
editore:
Donna Weiss Music Inc., Mothfrog Publishing, Plain and Simple Music, PolyGram Music Publishing Ltd., Warner Brothers Inc., Warner Chappell Music, Inc. e Warner/Chappell Music Ltd. (1996–2019)
Kim Carnes3.953:44
19This Is Not America
tecnico:
Marcellus Frank e David Richards (Swiss-based producer and engineer)
produttore:
David Bowie (English singer‐songwriter) e Pat Metheny
tecnico di missaggio:
Bob Clearmountain
basso elettrico :
Steve Rodby (dal 1984-09 al 1984-10)
batteria :
Paul Wertico (dal 1984-09 al 1984-10)
chitarra elettrica, chitarra synth [Roland GR-300 guitar synthesizer] e synclavier :
Pat Metheny (dal 1984-09 al 1984-10)
marimba , sintetizzatore analogico [Oberheim] , sintetizzatore analogico [Prophet-5] e tastiera [Kurzweil] :
Lyle Mays (dal 1984-09 al 1984-10)
voce di accompagnamento e voce principale:
David Bowie (English singer‐songwriter) (dal 1984-09 al 1984-10)
esecutore:
Pat Metheny Group (dal 1984-09 al 1984-10)
diritti fonografici (℗) detenuti da:
David Bowie (English singer‐songwriter) (nel 1985)
diritti fonografici (℗) detenuti da:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1985)
registrata presso:
Mountain Recording Studios (original Montreux location, 1975–2002) in Montreux, Vaud (Canton Vaud), Svizzera (dal 1984-09 al 1984-10)
registrazione di:
This Is Not America (dal 1984-09 al 1984-10)
paroliere e autore:
David Bowie (English singer‐songwriter)
compositore:
Lyle Mays e Pat Metheny
editore:
CBS Songs Ltd., Donna Dijon Music Publications, Jones Music (publishers associated with David Bowie), Jones Music America, OPC Music Publishing, Inc., Pat Meth Music Corp (Pat Meth Music Corporation), Pat‐Meth Music, RZO Music Ltd, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing France, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division)
David Bowie & Pat Metheny Group3.453:49
20Avalon
produttore:
Rhett Davies e Roxy Music
tecnico di missaggio:
Bob Clearmountain
batteria :
Andy Newmark (dal 1981 al 1982)
chitarra :
Neil Hubbard (dal 1981 al 1982) e Phil Manzanera (dal 1981 al 1982)
chitarra basso :
Alan Spenner (dal 1981 al 1982)
percussione :
Jimmy Maelen (percussion) (dal 1981 al 1982)
sassofono :
Andy Mackay (of Roxy Music) (dal 1981 al 1982)
tastiera e voce principale:
Bryan Ferry (dal 1981 al 1982)
voce di accompagnamento:
Yannick Etienne (dal 1981 al 1982) e Fonzi Thornton (dal 1981 al 1982)
esecutore:
Roxy Music (dal 1981 al 1982)
diritti fonografici (℗) detenuti da:
E.G. Records Ltd. (company credits only; do NOT use as release label) (dal 1982 a oggi, nel 1982), Virgin EG Records Ltd. (nel 1982) e Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1982, nel 1999, nel 2003)
registrata presso:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti (dal 1981 al 1982)
registrazione di:
Avalon (dal 1981 al 1982)
paroliere e compositore:
Bryan Ferry
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), E.G. Music Inc., EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Songs, Inc., Virgin Songs, Inc. e E.G. Music Ltd. (publisher) (nel 1982)
Roxy Music4.154:16

Accreditamenti

Pubblicazione

società di diritti:MCPS (UK rights society; do not use this as a label or work publisher!)
distribuito da:Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK)
copyright (©) detenuto da e diritti fonografici (℗) detenuti da:EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2010)
Ministry of Sound Recordings Ltd. (copyrights use only, for its imprint use "Ministry of Sound") (nel 2010)
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 2010)
master in vetro creato da:Sony DADC
Discogs:https://www.discogs.com/release/32573355 [info]