The Lark Ascending Collection

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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1▼Digital Media
#TitleArtistRatingLength
1The Lark Ascending
recording engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
violin:
Hugh Bean (violinist) (on 1967-03-01)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1967-03-01)
conductor:
Sir Adrian Boult (conductor) (on 1967-03-01)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1967-03-01)
recording of:
The Lark Ascending (for violin and orchestra) (on 1967-03-01)
composer:
Ralph Vaughan Williams (English composer) (in 1914)
premiered at:
[concert] (1921-06-14)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1921-06-14)
arrangement of:
The Lark Ascending (for violin and piano)
Ralph Vaughan Williams14:42
2Introduction and Allegro for Strings, op. 47
strings:
Allegri String Quartet (in 1962-05)
orchestra:
Sinfonia of London (John Wilson’s session orchestra) (in 1962-05)
conductor:
Sir John Barbirolli (conductor and cellist) (in 1962-05)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1962-05)
recording of:
Introduction and Allegro for Strings, op. 47 (in 1962-05)
composer:
Edward Elgar (composer) (in 1905)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1905-03-08)
part of:
Works of Edward Elgar by opus number (number: op. 47)
Edward Elgar13:59
3A Shropshire Lad (Rhapsody for Orchestra)
orchestra:
English Sinfonia
conductor:
Neville Dilkes
recording of:
A Shropshire Lad (orchestral rhapsody)
composer:
George Butterworth (composer)
publisher:
Novello & Co. Ltd.
George Butterworth8:56
4Two Aquarelles (1987 remaster): I. Slow (Lento, ma non troppo)
producer:
Christopher Bishop (conductor/producer)
orchestra:
Academy of St Martin in the Fields (from 1971-07-21 until 1971-07-22)
conductor:
Sir Neville Marriner (conductor) (from 1971-07-21 until 1971-07-22)
balance engineer:
Neville Boyling (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1971-07-21 until 1971-07-22)
recording of:
Two Aquarelles: I. Lento, ma non troppo (from 1971-07-21 until 1971-07-22)
composer:
Frederick Delius (English composer)
arranger:
Eric Fenby (in 1932)
version of:
To Be Sung of a Summer Night on the Water, RT iv/5: I. Slow, but not dragging
part of:
Two Aquarelles
Frederick Delius2:13
5Two Aquarelles (1987 remaster): II. Gaily, but not quick
producer:
Christopher Bishop (conductor/producer)
orchestra:
Academy of St Martin in the Fields (from 1971-07-21 until 1971-07-22)
conductor:
Sir Neville Marriner (conductor) (from 1971-07-21 until 1971-07-22)
balance engineer:
Neville Boyling (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1971-07-21 until 1971-07-22)
recording of:
Two Aquarelles: II. Gaily, but not quick (from 1971-07-21 until 1971-07-22)
composer:
Frederick Delius (English composer)
arranger:
Eric Fenby (in 1932)
version of:
To Be Sung of a Summer Night on the Water, RT iv/5: II. Gaily but not quick
part of:
Two Aquarelles
Frederick Delius2:04
6Capriol Suite for Strings: I. Basse-Danse. Allegro moderato
orchestra:
English Sinfonia (in 1972)
conductor:
Neville Dilkes (in 1972)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1994)
recording of:
Capriol Suite: I. Basse-danse (for orchestra)
composer:
Peter Warlock (British composer)
publisher:
Public Domain (refers to works that are in the public domain)
orchestration of:
Capriol Suite: I. Basse-danse (for piano duet)
part of:
Capriol Suite (for orchestra)
Peter Warlock1:37
7Capriol Suite for Strings: II. Pavane. Allegretto ma un poco lento
orchestra:
English Sinfonia
conductor:
Neville Dilkes
recording of:
Capriol Suite: II. Pavanne (for orchestra)
composer:
Peter Warlock (British composer)
publisher:
Public Domain (refers to works that are in the public domain)
orchestration of:
Capriol Suite: II. Pavanne (for piano duet)
part of:
Capriol Suite (for orchestra)
Peter Warlock2:00
8Capriol Suite for Strings: III. Tordion. Con moto
orchestra:
English Sinfonia
conductor:
Neville Dilkes
recording of:
Capriol Suite: III. Tordion (for orchestra)
composer:
Peter Warlock (British composer)
publisher:
Public Domain (refers to works that are in the public domain)
orchestration of:
Capriol Suite: III. Tordion (for piano duet)
part of:
Capriol Suite (for orchestra)
Peter Warlock0:54
9Capriol Suite for Strings: IV. Bransles. Presto
orchestra:
English Sinfonia
conductor:
Neville Dilkes
recording of:
Capriol Suite: IV. Bransles (for orchestra)
composer:
Peter Warlock (British composer)
publisher:
Public Domain (refers to works that are in the public domain)
orchestration of:
Capriol Suite: IV. Bransles (for piano duet)
part of:
Capriol Suite (for orchestra)
Peter Warlock2:00
10Capriol Suite for Strings: V. Pieds-en-l'air. Andante tranquillo
orchestra:
English Sinfonia
conductor:
Neville Dilkes
recording of:
Capriol Suite: V. Pieds‐en‐l’air (for orchestra)
composer:
Peter Warlock (British composer)
publisher:
Public Domain (refers to works that are in the public domain)
orchestration of:
Capriol Suite: V. Pieds-en-l’air (for piano duet)
part of:
Capriol Suite (for orchestra)
Peter Warlock2:35
11Capriol Suite for Strings: VI. Mattachins (Sword Dance). Allegro con brio
orchestra:
English Sinfonia
conductor:
Neville Dilkes
recording of:
Capriol Suite: VI. Mattachins (Sword Dance) (for orchestra)
composer:
Peter Warlock (British composer)
publisher:
Public Domain (refers to works that are in the public domain)
orchestration of:
Capriol Suite: VI. Mattachins (Sword Dance) (for piano duet)
part of:
Capriol Suite (for orchestra)
Peter Warlock0:57
123 Preludes Founded on Welsh Hymn Tunes: No. 2, Rhosymedre (orch. Foster)
producer:
Christopher Bishop (conductor/producer)
orchestra:
Academy of St Martin in the Fields (from 1971-07-21 until 1971-07-22)
conductor:
Sir Neville Marriner (conductor) (from 1971-07-21 until 1971-07-22)
balance engineer:
Neville Boyling (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1971-07-21 until 1971-07-22)
recording of:
Rhosymedre (orchestrated by Foster) (from 1971-07-21 until 1971-07-22)
orchestrator:
Arnold Foster
composer:
Ralph Vaughan Williams (English composer)
orchestration of:
Organ Prelude on Rhosymedre
Ralph Vaughan Williams3:59
13Koanga: La Calinda
producer:
Christopher Bishop (conductor/producer)
orchestra:
Hallé Orchestra (from 1968-08-06 until 1968-08-08, from 1968-08-06 until 1968-08-09)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1968-08-06 until 1968-08-08, from 1968-08-06 until 1968-08-09)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-08-06 until 1968-08-08)
recording of:
Koanga, RT I/4: La Calinda (from 1968-08-06 until 1968-08-08)
composer:
Frederick Delius (English composer) (from 1896 until 1897)
part of:
Koanga, RT I/4
recording of:
Koanga, RT I/4: La Calinda (from 1968-08-06 until 1968-08-09)
composer:
Frederick Delius (English composer) (from 1896 until 1897)
part of:
Koanga, RT I/4
Frederick Delius4:34
14Henry V - Two pieces for Strings: 1. Passacaglia: The Death of Falstaff
producer:
Christopher Bishop (conductor/producer)
orchestra:
Academy of St Martin in the Fields (from 1971-07-21 until 1971-07-22)
conductor:
Sir Neville Marriner (conductor) (from 1971-07-21 until 1971-07-22)
balance engineer:
Neville Boyling (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1971-07-21 until 1971-07-22)
recording of:
Two Pieces for Strings from “Henry V”: Passacaglia: Death of Falstaff (for string orchestra, Walton) (from 1971-07-21 until 1971-07-22)
composer:
William Walton (British composer and conductor)
part of:
Two Pieces for Strings from “Henry V” (for string orchestra, Walton)
Ralph Vaughan Williams2:56
15Henry V - Two pieces for Strings: 2. Touch her soft lips and Pt.
producer:
Christopher Bishop (conductor/producer)
orchestra:
Academy of St Martin in the Fields (from 1971-07-21 until 1971-07-22)
conductor:
Sir Neville Marriner (conductor) (from 1971-07-21 until 1971-07-22)
balance engineer:
Neville Boyling (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1971-07-21 until 1971-07-22)
recording of:
Two Pieces for Strings from “Henry V”: Touch her soft lips and part (for string orchestra, Walton) (from 1971-07-21 until 1971-07-22)
composer:
William Walton (British composer and conductor)
part of:
Two Pieces for Strings from “Henry V” (for string orchestra, Walton)
Ralph Vaughan Williams1:47
16Five Variants of Dives and Lazarus
orchestra:
Jacques Orchestra
conductor:
Sir David Willcocks (UK composer, organist, choral conductor)
recording of:
Five Variants of "Dives and Lazarus"
composer:
Ralph Vaughan Williams (English composer)
is based on:
Dives and Lazarus
Sir David Willcocks11:25
2▼Digital Media
#TitleArtistRatingLength
1Fantasia on a Theme by Thomas Tallis
producer:
Victor Olof
orchestra:
Sinfonia of London (original Gordon Walker formed orchestra) and Sinfonia of London (John Wilson’s session orchestra) (on 1962-06-17)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1962-06-17)
balance engineer:
Neville Boyling (engineer)
recorded at:
Temple Church in London (Greater London), England, United Kingdom (on 1962-06-17)
recording of:
Fantasia on a Theme by Thomas Tallis (on 1962-06-17)
composer:
Ralph Vaughan Williams (English composer) (in 1910)
is based on:
Nine Psalm Tunes for Archbishop Parker’s Psalter: No. 3 “Why Fum’th in Fight” (Psalm 2)
Ralph Vaughan Williams16:20
2English Folk Song Suite: I. March. Seventeen Come Sunday (orch. Jacob)
recording engineer:
Michael Gray (UK classical recording engineer)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (on 1970-08-08)
conductor:
Sir Adrian Boult (conductor) (on 1970-08-08)
arranger:
Gordon Jacob (composer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1970-08-08)
recording of:
English Folk Song Suite: I. March “Seventeen Come Sunday” (orchestrated by Jacob) (on 1970-08-08)
orchestrator:
Gordon Jacob (composer) (in 1924)
composer:
Ralph Vaughan Williams (English composer) (in 1923)
publisher:
Boosey & Hawkes Music Publishers, Ltd
arrangement of:
English Folk Song Suite: I. March “Seventeen Come Sunday” (for military band)
part of:
English Folk Song Suite (orch. Jacob)
Ralph Vaughan Williams2:56
3English Folk Song Suite: II. Intermezzo. My Bonny Boy (orch. Jacob)
recording engineer:
Michael Gray (UK classical recording engineer)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (on 1970-08-08)
conductor:
Sir Adrian Boult (conductor) (on 1970-08-08)
arranger:
Gordon Jacob (composer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1970-08-08)
recording of:
English Folk Song Suite: II. Intermezzo “My Bonny Boy” (orchestrated by Jacob) (on 1970-08-08)
orchestrator:
Gordon Jacob (composer) (in 1924)
composer:
Ralph Vaughan Williams (English composer) (in 1923)
publisher:
Boosey & Hawkes Music Publishers, Ltd
arrangement of:
English Folk Song Suite: II. Intermezzo “My Bonny Boy” (for military band)
part of:
English Folk Song Suite (orch. Jacob)
Ralph Vaughan Williams2:53
4English Folk Song Suite: III. March. Folk Songs from Somerset (orch. Jacob)
recording engineer:
Michael Gray (UK classical recording engineer)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (on 1970-08-08)
conductor:
Sir Adrian Boult (conductor) (on 1970-08-08)
arranger:
Gordon Jacob (composer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1970-08-08)
recording of:
English Folk Song Suite: III. March “Folk Songs From Somerset” (orchestrated by Jacob) (on 1970-08-08)
orchestrator:
Gordon Jacob (composer) (in 1924)
composer:
Ralph Vaughan Williams (English composer) (in 1923)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
English Folk Song Suite (orch. Jacob)
Ralph Vaughan Williams3:03
5Fantasia on Greensleeves
producer:
Victor Olof
orchestra:
Sinfonia of London (original Gordon Walker formed orchestra) and Sinfonia of London (John Wilson’s session orchestra) (from 1962-05-10 until 1962-05-11)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1962-05-10 until 1962-05-11)
arranger:
Ralph Greaves (in 1934)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-05-10 until 1962-05-11)
recording of:
Fantasia on “Greensleeves” (from 1962-05-10 until 1962-05-11)
composer:
Ralph Vaughan Williams (English composer) (from 1924 until 1928)
arranger:
Ralph Greaves (in 1934)
publisher:
Oxford University Press (in 1936)
is based on:
Greensleeves (generic entry for traditional and unknown arrangements)
is based on:
Lovely Joan (traditional English folk song)
is based on:
Sir John in Love
Ralph Vaughan Williams4:40
6Serenade for Strings, op. 20: I. Allegro piacevole
producer:
Victor Olof
orchestra:
Sinfonia of London (original Gordon Walker formed orchestra) and Sinfonia of London (John Wilson’s session orchestra) (from 1962-05-10 until 1962-05-11)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1962-05-10 until 1962-05-11)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) and Howard Davidson (engineer) (from 1962-05-10 until 1962-05-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-05-10 until 1962-05-11)
recording of:
Serenade for Strings in E minor, op. 20: I. Allegro piacevole (from 1962-05-10 until 1962-05-11)
composer:
Edward Elgar (composer) (in 1892)
part of:
Serenade for Strings in E minor, op. 20
Edward Elgar3:59
7Serenade for Strings, op. 20: II. Larghetto
producer:
Victor Olof
orchestra:
Sinfonia of London (original Gordon Walker formed orchestra) and Sinfonia of London (John Wilson’s session orchestra) (from 1962-05-10 until 1962-05-11)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1962-05-10 until 1962-05-11)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) and Howard Davidson (engineer) (from 1962-05-10 until 1962-05-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-05-10 until 1962-05-11)
recording of:
Serenade for Strings in E minor, op. 20: II. Larghetto (from 1962-05-10 until 1962-05-11)
composer:
Edward Elgar (composer) (in 1892)
part of:
Serenade for Strings in E minor, op. 20
Edward Elgar6:03
8Serenade for Strings, op. 20: III. Allegretto
producer:
Victor Olof
orchestra:
Sinfonia of London (John Wilson’s session orchestra) (from 1962-05-10 until 1962-05-11)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1962-05-10 until 1962-05-11)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) and Howard Davidson (engineer) (from 1962-05-10 until 1962-05-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-05-10 until 1962-05-11)
recording of:
Serenade for Strings in E minor, op. 20: III. Allegretto (from 1962-05-10 until 1962-05-11)
composer:
Edward Elgar (composer) (in 1892)
part of:
Serenade for Strings in E minor, op. 20
Edward Elgar3:06
9The Banks of Green Willow - Idyll for orchestra
producer:
Suvi Raj Grubb
orchestra:
London Symphony Orchestra (from 1976-12-15 until 1976-12-16)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1976-12-15 until 1976-12-16)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (from 1976-12-15 until 1976-12-16)
recorded at:
No. 1 Studio, Abbey Road in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1976-12-15 until 1976-12-16)
recording of:
The Banks of Green Willow, Idyll (from 1976-12-15 until 1976-12-16)
composer:
George Butterworth (composer) (in 1913)
George Butterworth5:47
102 Pieces for Small Orchestra, RT VI/19: II. Summer Night on the River (Very quietly)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Vernon Handley (conductor)
recording of:
Summer Night on the River, RT VI/19 no. 2
composer:
Frederick Delius (English composer) (in 1911)
part of:
2 Pieces for Small Orchestra, RT VI/19
Frederick Delius6:32
11Sospiri, op. 70
producer:
Christopher Bishop (conductor/producer)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1966-06-16)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1966-06-16)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (on 1966-06-16)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1966-06-16)
recording of:
Sospiri, op. 70 (for strings, harp (or piano) and organ (or harmonium)) (on 1966-06-16)
composer:
Edward Elgar (composer) (in 1914)
dedicated to:
William Henry Reed
publisher:
Breitkopf & Härtel
part of:
Works of Edward Elgar by opus number (number: op. 70)
Edward Elgar5:08
122 Pieces for Small Orchestra: No. 1, On Hearing the First Cuckoo in Spring
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Vernon Handley (conductor)
recording of:
On Hearing the First Cuckoo in Spring, RT VI/19 no. 1
composer:
Frederick Delius (English composer) (in 1912)
dedicated to:
Balfour Gardiner
part of:
2 Pieces for Small Orchestra, RT VI/19
Frederick Delius5:50
13St Paul's Suite, op. 29 no. 2: IV. Finale. The Dargason
producer:
Christopher Bishop (conductor/producer)
orchestra:
Academy of St Martin in the Fields (from 1971-07-21 until 1971-07-22)
conductor:
Sir Neville Marriner (conductor) (from 1971-07-21 until 1971-07-22)
balance engineer:
Neville Boyling (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1971-07-21 until 1971-07-22)
recording of:
St. Paul’s Suite for String Orchestra, op. 29 no. 2: IV. Finale (The Dargason). Allegro (from 1971-07-21 until 1971-07-22)
composer:
Gustav Holst (composer) (in 1912)
part of:
St. Paul’s Suite for String Orchestra, op. 29 no. 2
Gustav Holst3:23
14The Wasps, an Aristophanic Suite: Overture
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1978-11-27 until 1978-11-28)
conductor:
André Previn (pianist, conductor, composer, arranger) (from 1978-11-27 until 1978-11-28)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1978-11-27 until 1978-11-28)
recording of:
Aristophanic Suite “The Wasps”: I. Overture (from 1978-11-27 until 1978-11-28)
composer:
Ralph Vaughan Williams (English composer) (in 1912)
part of:
Aristophanic Suite “The Wasps”
Ralph Vaughan Williams9:07