Aretha & Otis

~ Veröffentlichung von Aretha & Otis (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Anmerkung

Label: WEA International - Catalog #: 8847

Anmerkung zuletzt geändert am 2012-02-22 11:32 UTC.

Titelliste

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1▼CD
Nr.TitelKünstlerBewertungLänge
1(You Make Me Feel Like) A Natural Woman
recording engineer:
Tom Dowd (am 1967-02-16)
Produzent(in):
Jerry Wexler
Bassgitarre:
Tommy Cogbill (am 1967-02-16)
Klavier:
Spooner Oldham (am 1967-02-16)
Schlagzeug:
Gene Chrisman (am 1967-02-16)
Trompete:
Bernie Glow (am 1967-02-16), Melvin Lastie (am 1967-02-16) und Joe Newman (US jazz trumpeter) (am 1967-02-16)
Chorgesang:
Carolyn Franklin (am 1967-02-16), Erma Franklin (am 1967-02-16) und The Sweet Inspirations (am 1967-02-16)
vocals:
Aretha Franklin (am 1967-02-16)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1967-02-16)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 4) (Nummer: 10) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 90)
recording of:
(You Make Me Feel Like) A Natural Woman (am 1967-02-16)
Texter:
Gerry Goffin
zusätzliche(r) Verfasser(in):
Jerry Wexler
Komponist(in):
Carole King
publisher:
Screen Gems–Columbia Music, Inc. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
Screen Gems–EMI Music Ltd. und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Aretha Franklin4.22:43
2I Say a Little Prayer
recording engineer:
Tom Dowd (am 1968-04-17)
Produzent(in):
Jerry Wexler
Bass:
Jerry Jemmott (am 1968-04-17)
Gitarre:
Tommy Cogbill (am 1968-04-17)
Klavier und Sologesang:
Aretha Franklin (am 1968-04-17)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1968-04-17)
Hintergrundgesang:
The Sweet Inspirations (am 1968-04-17)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1968-04-17)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 117)
cover recording of:
I Say a Little Prayer (am 1968-04-17)
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
Blue Seas Music, Inc., Casa David Music, Jac Music, MCA Music Ltd., Rondor Music (Australia), Universal/MCA Music Ltd. (not for release label use!) und Windswept Pacific Music Ltd.
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Aretha Franklin4.33:33
3Think
recording engineer:
Tom Dowd
Produzent(in):
Jerry Wexler
baritone saxophone:
Willie Bridges (am 1968-04-15) und Floyd Newman (am 1968-04-15)
Bassgitarre:
Jerry Jemmott (am 1968-04-15)
Gitarre:
Tommy Cogbill (am 1968-04-15) und Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1968-04-15)
Klavier und Sologesang:
Aretha Franklin (am 1968-04-15)
Orgel:
Spooner Oldham (am 1968-04-15)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1968-04-15)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (am 1968-04-15) und Andrew Love (am 1968-04-15)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1968-04-15)
Hintergrundgesang:
The Sweet Inspirations (am 1968-04-15)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1968-04-15)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 6) (Nummer: 10)
recording of:
Think (am 1968-04-15)
Verfasser(in):
Aretha Franklin und Ted White (husband & co-songwriter of Aretha Franklin)
publisher:
14th Hour Music, EMI Songs Ltd., Fourteenth Hour Music, Inc., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31) und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute)
Aretha Franklin3.652:18
4Bridge Over Troubled Water
Techniker(in):
Gene Paul
Produzent(in):
Tom Dowd, Arif Mardin und Jerry Wexler
Mix:
Tom Dowd
E-Bass:
Chuck Rainey (American bassist) (am 1970-08-13)
Gitarre:
Cornell Dupree (am 1970-08-13)
Klavier:
Aretha Franklin (am 1970-08-13)
Orgel:
Billy Preston (am 1970-08-13)
Schlagzeug:
Ray Lucas (am 1970-08-13)
Tenorsaxophon:
King Curtis (saxophonist) (am 1970-08-13)
Hintergrundgesang:
Cissy Houston (am 1970-08-13), The Sweet Inspirations (am 1970-08-13) und The Sweethearts of Soul (am 1970-08-13)
vocals:
Aretha Franklin (am 1970-08-13)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1971) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1971)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten
cover recording of:
Bridge Over Troubled Water (am 1970-08-13)
Texter:
Paul Simon (of Simon & Garfunkel)
Komponist(in):
Paul Simon (of Simon & Garfunkel) (in 1969)
publisher:
Charing Cross Music (Paul Simon’s publishing company), Pattern Music Ltd (publisher), Paul Simon Music, Universal/MCA Music Ltd. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Aretha Franklin5:30
5Respect
recording engineer:
Tom Dowd (am 1967-02-14)
Produzent(in):
Jerry Wexler
baritone saxophone:
Willie Bridges (am 1967-02-14)
Bassgitarre:
Tommy Cogbill (am 1967-02-14)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1967-02-14)
Klavier:
Aretha Franklin (am 1967-02-14)
Kornett:
Melvin Lastie (am 1967-02-14)
Orgel:
Spooner Oldham (am 1967-02-14)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1967-02-14)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (am 1967-02-14) und King Curtis (saxophonist) (am 1967-02-14)
Hintergrundgesang:
Carolyn Franklin (am 1967-02-14) und Erma Franklin (am 1967-02-14)
vocals:
Aretha Franklin (am 1967-02-14)
conductor:
Tom Dowd (am 1967-02-14)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1967-02-14)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 1), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 21), New York Post: 100 Greatest Covers (2007) (Nummer: 52) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
cover recording of:
Respect (am 1967-02-14)
Texter und Komponist(in):
Otis Redding
publisher:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell und Warner/Chappell North America
Aretha Franklin3.92:28
6Let It Be
recording engineer:
Adrian Barber (producer/engineer) und Jerome Gasper
Produzent(in):
Tom Dowd, Arif Mardin und Jerry Wexler
Mix:
Tom Dowd
Klavier:
Aretha Franklin (in 1969-10)
vocals:
Aretha Franklin (in 1969-10)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1970) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1970)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (in 1969-10)
cover recording of:
Let It Be (in 1969-10)
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
EMI Music Publishing (do not use as a release label!), Maclen Music Ltd. (U.S. based publisher for Lennon–McCartney), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs, Sony/ATV Music Publishing (Germany) GmbH (1998–2002), Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Tunes LLC (ASCAP)
Aretha Franklin3.253:31
7Chain of Fools
recorded in:
New York, New York, Vereinigte Staaten
recording engineer und Mix:
Tom Dowd
Produzent(in):
Jerry Wexler
Bassgitarre:
Tommy Cogbill (am 1967-06-23)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1967-06-23) und Joe South (am 1967-06-23)
Hybrid-Piano:
Spooner Oldham (am 1967-06-23)
Klavier:
Aretha Franklin (am 1967-06-23)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1967-06-23)
Chorgesang:
Carolyn Franklin (am 1967-06-23), Erma Franklin (am 1967-06-23), Ellie Greenwich (am 1967-06-23) und The Sweet Inspirations (am 1967-06-23)
vocals:
Aretha Franklin (am 1967-06-23)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1967-06-23)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 249) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 306)
recording of:
Chain of Fools (am 1967-06-23)
Texter und Komponist(in):
Don Covay
publisher:
14th Hour Music, Fourteenth Hour Music, Inc., Pronto Music (publisher), Springtime Music, Inc., Warner Chappell, Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner-Tamerlane Publishing Co. (publisher; do NOT use as release label)
adaptations:
Verlga norih
Aretha Franklin4.252:46
8Angel
recording engineer:
Phil Schier (in 1972-04)
Produzent(in):
Aretha Franklin und Quincy Jones
Mix:
Phil Schier
Tenorsaxophon:
Joe Farrell (in 1972-04)
remixer:
Quincy Jones und Phil Schier
arranger:
Aretha Franklin und Quincy Jones
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1973) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1973)
aufgenommen bei:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1972-04)
remixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Angel (in 1972-04)
Verfasser(in):
Carolyn Franklin und Sonny Sanders
publisher:
Carlin Music Corporation und Springtime Music, Inc.
Aretha Franklin44:28
9Eleanor Rigby
Produzent(in):
Tom Dowd, Arif Mardin und Jerry Wexler
Bass [electric bass]:
David Hood (Muscle Shoals, AL guitarist and trombonist) (am 1969-10-03)
Gitarre:
Eddie Hinton (am 1969-10-03) und Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1969-10-03)
Keyboard [electric piano, organ]:
Barry Beckett (am 1969-10-03)
Klavier:
Aretha Franklin (am 1969-10-03)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1969-10-03)
vocals:
Aretha Franklin (am 1969-10-03)
aufgenommen bei:
Criteria Recording Studios in Miami, Florida, Vereinigte Staaten (am 1969-10-03)
cover recording of:
Eleanor Rigby (am 1969-10-03)
geschrieben in:
London (Greater London), England, Vereinigtes Königreich (in 1965) und Weybridge, Surrey, England, Vereinigtes Königreich (von 1965 bis 1966)
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), EMI Music Publishing (do not use as a release label!), Maclen Publishing Co. (U.S. based publisher for Lennon–McCartney), MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs LLC und Sony/ATV Tunes LLC (ASCAP)
geschrieben bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1966)
Aretha Franklin2:35
10Spanish Harlem
recording engineer:
Ron Albert (am 1971-02-16) und Chuck Kirkpatrick (am 1971-02-16)
Techniker(in):
Ron Albert und Chuck Kirkpatrick
Produzent(in):
Tom Dowd, Arif Mardin und Jerry Wexler
Mix:
Arif Mardin
Bass:
Chuck Rainey (American bassist) (am 1971-02-16)
Gitarre:
Cornell Dupree (am 1971-02-16)
Hybrid-Piano und Orgel:
Donny Hathaway (am 1971-02-16)
Klavier:
Aretha Franklin (am 1971-02-16)
Schlagzeug:
Bernard Purdie (am 1971-02-16)
Hintergrundgesang:
Carolyn Franklin (am 1971-02-16), Erma Franklin (am 1971-02-16) und The Sweethearts of Soul (am 1971-02-16)
vocals:
Aretha Franklin (am 1971-02-16)
flute arranger, Horn arranger, Saiteninstrumente arranger und Hintergrundgesang arranger:
Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1971) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1971)
aufgenommen bei:
Criteria Studios in Miami, Florida, Vereinigte Staaten (am 1971-02-16)
cover recording of:
Spanish Harlem (am 1971-02-16)
Texter:
Jerry Leiber
Komponist(in):
Phil Spector
publisher:
ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Carlin Music Corporation, Mother Bertha Music Inc., Sony/ATV Songs LLC, Trio Music Co., Inc. und Unichappell Music
Aretha Franklin23:30
11Spirit in the Dark
Techniker(in):
Ron Albert, Chuck Kirkpatrick und Lewis Hahn
Produzent(in):
Tom Dowd, Arif Mardin und Jerry Wexler
Mix:
Tom Dowd
Bass:
Tommy McClure (am 1970-03-10)
Gitarre:
Charlie Freeman (am 1970-03-10)
Keyboard:
Jim Dickinson (am 1970-03-10)
Klavier:
Aretha Franklin (am 1970-03-10)
Schlagzeug:
Sammy Creason (am 1970-03-10)
vocals:
Aretha Franklin (am 1970-03-10)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1970)
aufgenommen bei:
Criteria Studios in Miami, Florida, Vereinigte Staaten (am 1970-03-10)
recording of:
Spirit in the Dark (am 1970-03-10)
Texter und Komponist(in):
Aretha Franklin
publisher:
Springtime Music, Inc.
Aretha Franklin3.54:02
12Don't Play That Song
recording engineer:
Ron Albert und Chuck Kirkpatrick
Techniker(in):
Ron Albert, Chuck Kirkpatrick und Lewis Hahn
Produzent(in):
Tom Dowd, Arif Mardin und Jerry Wexler
Mix:
Arif Mardin
Bass:
Tommy McClure (am 1970-03-10)
Gitarre:
Charlie Freeman (am 1970-03-10)
Keyboard:
Jim Dickinson (am 1970-03-10)
Klavier:
Aretha Franklin (am 1970-03-10)
Schlagzeug:
Sammy Creason (am 1970-03-10)
Hintergrundgesang:
Margaret Branch (am 1970-03-10), Brenda Bryant (am 1970-03-10) und Almeda Lattimore (am 1970-03-10)
vocals:
Aretha Franklin (am 1970-03-10)
Horn arranger:
Tom Dowd
Saiteninstrumente arranger:
Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1970) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1970)
aufgenommen bei:
Criteria Studios in Miami, Florida, Vereinigte Staaten (am 1970-03-10)
cover recording of:
Don’t Play That Song (You Lied) (am 1970-03-10)
Verfasser(in):
Ahmet Ertegun (US songwriter/producer) und Betty Nelson
publisher:
Carlin Music Corporation und Unichappell Music, Inc.
Aretha Franklin42:59
13I Never Loved a Man (The Way I Love You)
recording engineer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
Produzent(in):
Jerry Wexler
Bassgitarre:
Tommy Cogbill (am 1967-01-24)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1967-01-24) und Chips Moman (am 1967-01-24)
Klavier:
Aretha Franklin (am 1967-01-24) und Spooner Oldham (am 1967-01-24)
Posaune:
David Hood (Muscle Shoals, AL guitarist and trombonist) (am 1967-01-24)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1967-01-24)
Tenorsaxophon:
Joe Arnold (am 1967-01-24) und Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (am 1967-01-24)
Trompete:
Ken Laxton (am 1967-01-24)
vocals:
Aretha Franklin (am 1967-01-24)
conductor:
Tom Dowd (am 1967-01-24)
Horn arranger:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
aufgenommen bei:
Muscle Shoals Sound Studio in Sheffield, Alabama, Vereinigte Staaten (am 1967-01-24)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 186)
recording of:
I Never Loved a Man (The Way I Love You) (am 1967-01-24)
Texter und Komponist(in):
Ronnie Shannon
publisher:
14th Hour Music, EMI Songs Ltd., Fourteenth Hour Music, Inc., Mijac Music und Pronto Music (publisher)
Aretha Franklin42:44
14The House That Jack Built
recording engineer:
Tom Dowd (am 1968-04-17)
Produzent(in):
Jerry Wexler
Bassgitarre:
Jerry Jemmott (am 1968-04-17)
Gitarre:
Tommy Cogbill (am 1968-04-17)
Klavier und Sologesang:
Aretha Franklin (am 1968-04-17)
Orgel:
Spooner Oldham (am 1968-04-17)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1968-04-17)
Hintergrundgesang:
The Sweet Inspirations (am 1968-04-17)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten
cover recording of:
The House That Jack Built (am 1968-04-17)
Verfasser(in):
Bob Lance und Fran Robins
publisher:
Cotillion und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Aretha Franklin52:18
2▼CD
Nr.TitelKünstlerBewertungLänge
1(Sittin' On) The Dock of the Bay
Produzent(in):
Jerry Bruckheimer, Steve Cropper und Don Simpson (American film producer, screenwriter, and actor)
Bassgitarre:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (von 1967-11-22 bis 1967-12-07)
Gitarre:
Steve Cropper (von 1967-11-22 bis 1967-12-07)
Keyboard:
Isaac Hayes (von 1967-11-22 bis 1967-12-07) und Booker T. Jones (von 1967-11-22 bis 1967-12-07)
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer) (von 1967-11-22 bis 1967-12-07)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (von 1967-11-22 bis 1967-12-07)
vocals:
Otis Redding (von 1967-11-22 bis 1967-12-07)
whistling:
Otis Redding (von 1967-11-22 bis 1967-12-07)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 44) und Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 45)
recording of:
(Sittin’ on) the Dock of the Bay (von 1967-11-22 bis 1967-12-07)
Verfasser(in):
Steve Cropper und Otis Redding
publisher:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
recording of:
(Sittin’ on) The Dock of the Bay (Oliver Lake/World Saxophone Quartet arrangement)
Komponist(in):
Steve Cropper und Otis Redding
arranger:
Oliver Lake
Arrangement von:
(Sittin’ on) the Dock of the Bay
Otis Redding4.32:39
2Wonderful World
recording engineer:
Tom Dowd
Produzent(in):
Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Floyd Newman (in 1965-07)
Bassgitarre:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1965-07)
Gitarre:
Steve Cropper (in 1965-07)
Keyboard:
Isaac Hayes (in 1965-07) und Booker T. Jones (in 1965-07)
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer) (in 1965-07)
Tenorsaxophon:
Andrew Love (in 1965-07)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1965-07) und Gene “Bowlegs” Miller (American trumpeter) (in 1965-07)
Hintergrundgesang:
Earl Sims (in 1965-07)
aufgenommen bei:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, Vereinigte Staaten (von 1965-07-09 bis 1965-07-10)
cover recording of:
Wonderful World (in 1965-07)
Verfasser(in):
Lou Adler, Herb Alpert und Sam Cooke (American singer and songwriter, “King of Soul”)
publisher:
ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Ardmore and Beechwood Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Ltd. und 日本アブコ音楽出版 (ABKCO Japan Publishing)
Otis Redding3.653:12
3Try a Little Tenderness
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1966-09-13)
Produzent(in):
Steve Cropper, Otis Redding und Jim Stewart (US producer, founder for Stax & Volt Records)
E-Bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (am 1966-09-13)
Gitarre:
Steve Cropper (am 1966-09-13)
Schlagzeug:
Al Jackson (Booker T & The MGs drummer) (am 1966-09-13)
Tenorsaxophon:
Gilbert Caples (am 1966-09-13) und Andrew Love (am 1966-09-13)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (am 1966-09-13)
vocals:
Otis Redding (am 1966-09-13)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 136) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 204)
cover recording of:
Try a Little Tenderness (am 1966-09-13)
Texter:
James Campbell (British songwriter and music publisher) und Reginald Connelly
Komponist(in):
Harry M. Woods (American 1920/30s songwriter)
publisher:
BMG Recordi ex Recordi G.&C., EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Warner Chappell und Campbell Connelly & Co. Ltd. (am 1932-11-04)
Otis Redding4.23:47
4My Girl
recording engineer:
Tom Dowd
Produzent(in):
Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Floyd Newman (in 1965-07)
Bassgitarre:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1965-07)
Gitarre:
Steve Cropper (in 1965-07)
Keyboard:
Isaac Hayes (in 1965-07) und Booker T. Jones (in 1965-07)
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer) (in 1965-07)
Tenorsaxophon:
Andrew Love (in 1965-07)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1965-07) und Gene “Bowlegs” Miller (American trumpeter) (in 1965-07)
Hintergrundgesang:
Earl Sims (in 1965-07)
aufgenommen bei:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, Vereinigte Staaten (von 1965-07-09 bis 1965-07-10)
cover recording of:
My Girl (in 1965-07)
Texter:
Smokey Robinson
Komponist(in):
Smokey Robinson und Ronald White (soul singer, founding member of The Miracles)
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Music for Africa (South Africa), Poochum, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Otis Redding3.82:55
5I've Been Loving You Too Long (To Stop Now)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 25)
recording of:
I’ve Been Loving You Too Long
Verfasser(in):
Jerry Butler (soul singer) (in 1965) und Otis Redding (in 1965)
publisher:
East (US publishing company affiliated with BMI), Time (US publishing entity affiliated with BMI) und Wildwood Music Ltd.
Otis Redding32:55
6I Can't Turn You Loose
recording of:
I Can’t Turn You Loose
Texter und Komponist(in):
Otis Redding
publisher:
Irving Music, Inc., Shapiro Bernstein & Co. Ltd., East/Memphis Music Corp. (vom 1969 bis ????) und Time Music (vom 1969 bis ????)
Otis Redding32:43
7Satisfaction
recording engineer:
Tom Dowd
Produzent(in):
Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Floyd Newman (in 1965-07)
Bassgitarre:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1965-07)
Gitarre:
Steve Cropper (in 1965-07)
Keyboard:
Isaac Hayes (in 1965-07) und Booker T. Jones (in 1965-07)
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer) (in 1965-07)
Tenorsaxophon:
Andrew Love (in 1965-07)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1965-07) und Gene “Bowlegs” Miller (American trumpeter) (in 1965-07)
Hintergrundgesang:
Earl Sims (in 1965-07)
aufgenommen bei:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, Vereinigte Staaten (von 1965-07-09 bis 1965-07-10)
cover recording of:
(I Can’t Get No) Satisfaction (in 1965-07)
Verfasser(in):
Mick Jagger (The Rolling Stones) und Keith Richards (Rolling Stones guitarist)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), BMG VM Music Ltd. und Essex Music International
Otis Redding3.52:46
8Shake
recording engineer:
Tom Dowd
Produzent(in):
Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Floyd Newman (in 1965-07)
Bassgitarre:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1965-07)
Gitarre:
Steve Cropper (in 1965-07)
Keyboard:
Isaac Hayes (in 1965-07) und Booker T. Jones (in 1965-07)
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer) (in 1965-07)
Tenorsaxophon:
Andrew Love (in 1965-07)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1965-07) und Gene “Bowlegs” Miller (American trumpeter) (in 1965-07)
Hintergrundgesang:
Earl Sims (in 1965-07)
aufgenommen bei:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, Vereinigte Staaten (von 1965-07-09 bis 1965-07-10)
cover recording of:
Shake (Sam Cooke song) (in 1965-07)
Texter und Komponist(in):
Sam Cooke (American singer and songwriter, “King of Soul”)
publisher:
ABKCO Music Ltd.
Otis Redding3.652:39
9These Arms of Mine
recorded in:
Memphis, Tennessee, Vereinigte Staaten (in 1962-10)
Produzent(in):
Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Floyd Newman (in 1962-10)
Bassgitarre:
Lewie Steinberg (in 1962-10)
Gitarre:
Steve Cropper (in 1962-10) und Johnny Jenkins (US blues guitarist) (in 1962-10)
Klavier:
Steve Cropper (in 1962-10)
Orgel:
Booker T. Jones (in 1962-10)
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer) (in 1962-10)
Tenorsaxophon:
Charles “Packy” Axton (in 1962-10)
vocals:
Otis Redding (in 1962-10)
recording of:
These Arms of Mine (in 1962-10)
Texter und Komponist(in):
Otis Redding
publisher:
Irving Music, Inc. und Regent Music Corp. (BMI)
Otis Redding3.52:33
10The Happy Song (Dum-Dum)
Produzent(in):
Steve Cropper
Bassgitarre:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter)
Gitarre:
Steve Cropper
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer)
vocals:
Otis Redding
recording of:
The Happy Song (Dum‐Dum)
Texter, Verfasser(in) und Komponist(in):
Steve Cropper und Otis Redding
publisher:
Irving Music, Inc.
Otis Redding2.352:42
11Amen
Produzent(in):
Steve Cropper
Bassgitarre:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter)
Gitarre:
Steve Cropper
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer)
vocals:
Otis Redding
recording of:
Amen
Verfasser(in):
[traditional] (special purpose artist)
arranger:
Otis Redding
Otis Redding33:06
12Fa-Fa-Fa-Fa-Fa (Sad Song)
recording of:
Fa‐Fa‐Fa‐Fa‐Fa (Sad Song)
Verfasser(in):
Steve Cropper und Otis Redding
Otis Redding32:42
13I've Got Dreams to Remember
recording of:
I’ve Got Dreams to Remember
Verfasser(in):
Otis Redding, Zelma Redding und Joe Rock (US songwriter/band manager)
publisher:
GMB Unlimited Publishing (ASCAP) und Irving Music, Inc.
Otis Redding33:15
14Papa's Got a Brand New Bag (live)
live cover recording of:
Papa’s Got a Brand New Bag
Texter und Komponist(in):
James Brown (The Godfather of Soul)
Teil von:
MJ: The Musical
Otis Redding5:00

Nennungen

Veröffentlichung

ASIN:JP: B00005LK1M [Info]

Veröffentlichungsgruppe

Discogs:https://www.discogs.com/master/412336 [Info]