Dot Com Blues

~ Release by Jimmy Smith (see all versions of this release, 2 available)

Annotation

Recorded February 1 & 2, March 25, April 24 & 25 and June 5, 2000

Annotation last modified on 2019-07-09 06:08 UTC.

Tracklist

1▼CD
#TitleRatingLength
1Only in It for the Money
assistant engineer:
Bill Kinsley (in 2000), Mike Scotella (in 2000) and Katy Teasdale (in 2000)
engineer:
Rik Pekkonen (in 2000)
producer:
John Porter (producer and musician US and UK) (in 2000)
bass guitar:
Reggie McBride (in 2000)
bass trombone and trombone:
George Bohanon (in 2000) and Maurice Spears (in 2000)
drums (drum set) [drums]:
Harvey Mason (jazz drummer) (in 2000)
flugelhorn and trumpet:
Oscar Brashear (in 2000), Leslie Drayton (in 2000) and Darrell Leonard (in 2000)
guitar:
John Porter (producer and musician US and UK) (in 2000)
organ:
Jimmy Smith (US jazz organist) (in 2000)
percussion:
Lenny Castro (in 2000)
piano:
Dr. John (New Orleans blues pianist, singer and songwriter) (in 2000)
tenor saxophone [tenor sax]:
Herman Riley (American tenor saxophone jazz performer) (in 2000) and Joe Sublett (The Texacali Horns) (in 2000)
vocals:
Dr. John (New Orleans blues pianist, singer and songwriter) (in 2000)
horn arranger:
Darrell Leonard (in 2000)
recorded at:
Cello Recording in Hollywood, Los Angeles, California, United States (in 2000)
mixed at:
Cello Studios in Hollywood, Los Angeles, California, United States (from 2000-06-05 until 2000-06-09)
4:35
28 Counts for Rita
assistant engineer:
Bill Kinsley (in 2000), Mike Scotella (in 2000) and Katy Teasdale (in 2000)
engineer:
Rik Pekkonen (in 2000)
producer:
John Porter (producer and musician US and UK) (in 2000)
bass guitar:
Reggie McBride (in 2000)
drums (drum set) [drums]:
Harvey Mason (jazz drummer) (in 2000)
guitar:
Russell Malone (in 2000)
organ:
Jimmy Smith (US jazz organist) (in 2000)
percussion:
Lenny Castro (in 2000)
recorded at:
Cello Recording in Hollywood, Los Angeles, California, United States (in 2000)
mixed at:
Cello Studios in Hollywood, Los Angeles, California, United States (from 2000-06-05 until 2000-06-09)
recording of:
Eight Counts for Rita (in 2000)
composer:
Jimmy Smith (US jazz organist)
3:40
3Strut
assistant engineer:
Bill Kinsley (in 2000), Mike Scotella (in 2000) and Katy Teasdale (in 2000)
engineer:
Rik Pekkonen (in 2000)
producer:
John Porter (producer and musician US and UK) (in 2000)
bass guitar:
Reggie McBride (in 2000)
drums (drum set) [drums]:
Harvey Mason (jazz drummer) (in 2000)
guitar:
Taj Mahal (US blues musician) (in 2000)
organ:
Jimmy Smith (US jazz organist) (in 2000)
vocals:
Taj Mahal (US blues musician) (in 2000)
recorded at:
Cello Recording in Hollywood, Los Angeles, California, United States (in 2000)
mixed at:
Cello Studios in Hollywood, Los Angeles, California, United States (from 2000-06-05 until 2000-06-09)
recording of:
Strut (in 2000)
lyricist and composer:
Taj Mahal (US blues musician)
5:04
4C C Rider
assistant engineer:
Bill Kinsley (in 2000), Mike Scotella (in 2000) and Katy Teasdale (in 2000)
engineer:
Rik Pekkonen (in 2000)
producer:
John Porter (producer and musician US and UK) (in 2000)
bass guitar:
Reggie McBride (in 2000)
drums (drum set) [drums]:
Harvey Mason (jazz drummer) (in 2000)
guitar:
Russell Malone (in 2000)
organ:
Jimmy Smith (US jazz organist) (in 2000)
recorded at:
Cello Recording in Hollywood, Los Angeles, California, United States (in 2000)
mixed at:
Cello Studios in Hollywood, Los Angeles, California, United States (from 2000-06-05 until 2000-06-09)
recording of:
See See Rider Blues (in 2000)
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 10056)
7:09
5I Just Wanna Make Love to You
assistant engineer:
Bill Kinsley (in 2000), Mike Scotella (in 2000) and Katy Teasdale (in 2000)
engineer:
Rik Pekkonen (in 2000)
producer:
John Porter (producer and musician US and UK) (in 2000)
bass guitar:
Reggie McBride (in 2000) and John Porter (producer and musician US and UK) (in 2000)
bass trombone and trombone:
George Bohanon (in 2000) and Maurice Spears (in 2000)
drums (drum set) [drums]:
Harvey Mason (jazz drummer) (in 2000)
flugelhorn and trumpet:
Oscar Brashear (in 2000), Leslie Drayton (in 2000) and Darrell Leonard (in 2000)
guitar:
John Porter (producer and musician US and UK) (in 2000) and Phil Upchurch (in 2000)
organ:
Jimmy Smith (US jazz organist) (in 2000)
percussion:
Lenny Castro (in 2000)
tenor saxophone [tenor sax]:
Herman Riley (American tenor saxophone jazz performer) (in 2000) and Joe Sublett (The Texacali Horns) (in 2000)
Wurlitzer electric piano:
Dr. John (New Orleans blues pianist, singer and songwriter) (in 2000)
lead vocals:
Etta James (in 2000)
vocals:
'Sweet Pea' Atkinson (in 2000) and Sir Harry Bowens (in 2000)
horn arranger:
Darrell Leonard (in 2000)
recorded at:
Cello Recording in Hollywood, Los Angeles, California, United States (in 2000)
mixed at:
Cello Studios in Hollywood, Los Angeles, California, United States (from 2000-06-05 until 2000-06-09)
cover recording of:
I Just Wanna Make Love to You (in 2000)
lyricist and composer:
Willie Dixon
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Hoochie Coochie Music
3:56
6Mood Indigo
assistant engineer:
Bill Kinsley (in 2000), Mike Scotella (in 2000) and Katy Teasdale (in 2000)
engineer:
Rik Pekkonen (in 2000)
producer:
John Porter (producer and musician US and UK) (in 2000)
double bass [acoustic bass]:
John Clayton (US jazz and classical double bassist)
drums (drum set) [drums]:
Harvey Mason (jazz drummer) (in 2000)
guitar:
Russell Malone (in 2000)
organ:
Jimmy Smith (US jazz organist) (in 2000)
recorded at:
Cello Recording in Hollywood, Los Angeles, California, United States (in 2000)
mixed at:
Cello Studios in Hollywood, Los Angeles, California, United States (from 2000-06-05 until 2000-06-09)
cover recording of:
Mood Indigo (1930 jazz composition and song) (in 2000)
lyricist:
Irving Mills (in 1930)
composer:
Barney Bigard (in 1930) and Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
Duke Ellington Music, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Indigo Mood Music, Mills Music, Inc., EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
sub-publisher:
ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The Real Book (compilation of jazz standards, volume I)
8:49
7Over & Over
assistant engineer:
Bill Kinsley (in 2000), Mike Scotella (in 2000) and Katy Teasdale (in 2000)
engineer:
Rik Pekkonen (in 2000)
producer:
John Porter (producer and musician US and UK) (in 2000)
bass guitar:
Reggie McBride (in 2000)
bass trombone and trombone:
George Bohanon (in 2000) and Maurice Spears (in 2000)
drums (drum set) [drums]:
Harvey Mason (jazz drummer) (in 2000)
flugelhorn and trumpet:
Oscar Brashear (in 2000), Leslie Drayton (in 2000) and Darrell Leonard (in 2000)
guitar:
Keb’ Mo’ (in 2000) and Phil Upchurch (in 2000)
organ:
Jimmy Smith (US jazz organist) (in 2000)
percussion:
Lenny Castro (in 2000)
tenor saxophone [tenor sax]:
Joe Sublett (The Texacali Horns) (in 2000)
Wurlitzer electric piano:
Jon Cleary (US funk/R&B musician) (in 2000)
lead vocals:
Keb’ Mo’ (in 2000)
vocals:
'Sweet Pea' Atkinson (in 2000) and Sir Harry Bowens (in 2000)
horn arranger:
Darrell Leonard (in 2000)
recorded at:
Cello Recording in Hollywood, Los Angeles, California, United States (in 2000)
mixed at:
Cello Studios in Hollywood, Los Angeles, California, United States (from 2000-06-05 until 2000-06-09)
5:53
8Three O'Clock Blues
assistant engineer:
Bill Kinsley (in 2000), Mike Scotella (in 2000) and Katy Teasdale (in 2000)
engineer:
Rik Pekkonen (in 2000)
producer:
John Porter (producer and musician US and UK) (in 2000)
bass guitar:
Pino Palladino (in 2000)
drums (drum set):
Harvey Mason (jazz drummer) (in 2000)
guitar:
Neil Hubbard (in 2000), B.B. King (in 2000) and John Porter (producer and musician US and UK) (in 2000)
organ:
Jimmy Smith (US jazz organist) (in 2000)
piano:
Chris Stainton (keyboard player, session musician and songwriter) (in 2000)
vocals:
B.B. King (in 2000)
recorded at:
Cello Recording in Hollywood, Los Angeles, California, United States (in 2000)
mixed at:
Cello Studios in Hollywood, Los Angeles, California, United States (from 2000-06-05 until 2000-06-09)
recording of:
Three O’Clock Blues (First recorded in 1946) (in 2000)
writer:
Lowell Fulson
publisher:
Careers–BMG Music Publishing, Inc. and Powerforce Music
4:34
9Dot Com Blues
assistant engineer:
Bill Kinsley (in 2000), Mike Scotella (in 2000) and Katy Teasdale (in 2000)
engineer:
Rik Pekkonen (in 2000)
producer:
John Porter (producer and musician US and UK) (in 2000)
bass guitar:
Reggie McBride (in 2000)
drums (drum set) [drums]:
Harvey Mason (jazz drummer) (in 2000)
guitar:
Russell Malone (in 2000)
organ:
Jimmy Smith (US jazz organist) (in 2000)
recorded at:
Cello Recording in Hollywood, Los Angeles, California, United States (in 2000)
mixed at:
Cello Studios in Hollywood, Los Angeles, California, United States (from 2000-06-05 until 2000-06-09)
recording of:
Dot Com Blues (in 2000)
composer:
Jimmy Smith (US jazz organist)
5:23
10Mr. Johnson
assistant engineer:
Bill Kinsley (in 2000), Mike Scotella (in 2000) and Katy Teasdale (in 2000)
engineer:
Rik Pekkonen (in 2000)
producer:
John Porter (producer and musician US and UK) (in 2000)
bass guitar:
Reggie McBride (in 2000)
drums (drum set) [drums]:
Harvey Mason (jazz drummer) (in 2000)
flugelhorn:
Darrell Leonard (in 2000)
guitar:
John Porter (producer and musician US and UK) (in 2000) and Phil Upchurch (in 2000)
organ:
Jimmy Smith (US jazz organist) (in 2000)
percussion:
Lenny Castro (in 2000)
piano:
Dr. John (New Orleans blues pianist, singer and songwriter) (in 2000)
tenor saxophone [tenor sax]:
Herman Riley (American tenor saxophone jazz performer) (in 2000) and Joe Sublett (The Texacali Horns) (in 2000)
recorded at:
Cello Recording in Hollywood, Los Angeles, California, United States (in 2000)
mixed at:
Cello Studios in Hollywood, Los Angeles, California, United States (from 2000-06-05 until 2000-06-09)
5:48
11Tuition Blues
assistant engineer:
Bill Kinsley (in 2000), Mike Scotella (in 2000) and Katy Teasdale (in 2000)
engineer:
Rik Pekkonen (in 2000)
producer:
John Porter (producer and musician US and UK) (in 2000)
bass guitar:
Reggie McBride (in 2000)
drums (drum set) [drums]:
Harvey Mason (jazz drummer) (in 2000)
guitar:
Russell Malone (in 2000)
organ:
Jimmy Smith (US jazz organist) (in 2000)
recorded at:
Cello Recording in Hollywood, Los Angeles, California, United States (in 2000)
mixed at:
Cello Studios in Hollywood, Los Angeles, California, United States (from 2000-06-05 until 2000-06-09)
5:51

Credits

Release

art direction:Hollis King
photography:James Minchin III
executive producer:Ron Goldstein (producer, executive producer/director)
mastering:Bernie Grundman (on 2000-06-12)
design:David Riegel
mastered at:Bernie Grundman Mastering (Los Angeles) in Hollywood, Los Angeles, California, United States (on 2000-06-12)
Discogs:https://www.discogs.com/release/1485437 [info]
ASIN:US: B000050J47 [info]

Release group

Discogs:https://www.discogs.com/master/492351 [info]
Wikidata:Q19877947 [info]