A Compilation

~ Release by Natalie MacMaster (see all versions of this release, 2 available)

Tracklist

1▼CD
#	Title	Rating	Length
1	Spey in Spate engineer: Harold Tsistinas bass, guitar and mandolin: Dave MacIsaac fiddle: Natalie MacMaster arranger: Natalie MacMaster recorded at: Solar Audio Studios in Halifax, Nova Scotia, Canada (in 1989) medley including a recording of: Spey in Spate composer: [traditional] (special purpose artist) medley including a recording of: The Forth Bridge composer: [traditional] (special purpose artist) medley including a recording of: The Fox Hunter composer: [traditional] (special purpose artist)		2:31
2	Mountain Road engineer: Tom O’Keefe bass, guitar and mandolin: Dave MacIsaac fiddle: Natalie MacMaster arranger: Natalie MacMaster recorded at: Overtom Productions in Cape Breton, Nova Scotia, Canada (in 1991) medley including a recording of: Back of the Change House composer: [traditional] (special purpose artist) medley including a recording of: Bob Steele’s (Irish reel) composer: [traditional] (special purpose artist) medley including a recording of: The Earl of Dalhousies Happy Return to Scotland composer: [traditional] (special purpose artist) medley including a recording of: The Mountain Road (reel) composer: Michael Gorman previously attributed to: [traditional] (special purpose artist)		4:47
3	Mahone Bay Jig engineer: Tom O’Keefe bass, guitar and mandolin: Dave MacIsaac fiddle: Natalie MacMaster arranger: Natalie MacMaster recorded at: Overtom Productions in Cape Breton, Nova Scotia, Canada (in 1991) medley including a recording of: [unknown] (jig from Natalie MacMaster's "Mahone Bay Jig" medley) composer: [traditional] (special purpose artist) medley including a recording of: Fraser's composer: Dan Hughie MacEachern medley including a recording of: Mahone Bay composer: Robert Joudrey medley including a recording of: Oh Dear What Can The Matter Be lyricist and composer: [traditional] (special purpose artist) part of: Roud Folk Song Index (number: 1279)		4:27
4	Amelia’s Waltz engineer: Harold Tsistinas bass, guitar and mandolin: Dave MacIsaac fiddle: Natalie MacMaster arranger: Natalie MacMaster recorded at: Solar Audio Studios in Halifax, Nova Scotia, Canada (in 1989) medley including a recording of: Amelia’s Waltz composer: Bob McQuillen medley including a recording of: Miss Gordon of Fochabers (strathspey) composed in: Scotland, United Kingdom composer: William Marshall (Scottish composer) medley including a recording of: The Fir Tree composer: [traditional] (special purpose artist) medley including a recording of: The Pondville composer: Dan R. MacDonald		5:46
5	Happy Go Lucky engineer: Harold Tsistinas bass: Dave MacIsaac and John Morris Rankin fiddle: Natalie MacMaster guitar and mandolin: Dave MacIsaac piano: Betty Lou Beaton and John Morris Rankin synthesizer: John Morris Rankin arranger: Natalie MacMaster recorded at: Solar Audio Studios in Halifax, Nova Scotia, Canada (in 1989) medley including a recording of: Carnie’s Canter composer: [traditional] (special purpose artist) medley including a recording of: Fisher’s Hornpipe composer: [traditional] (special purpose artist) medley including a recording of: Fred Wilson’s composer: [traditional] (special purpose artist) medley including a recording of: Happy Go Lucky composer: Donald MacLean medley including a recording of: Saratoga (Reel) composer: [traditional] (special purpose artist)		5:54
6	King of the Clans engineer: Tom O’Keefe bass, guitar and mandolin: Dave MacIsaac fiddle: Natalie MacMaster arranger: Natalie MacMaster recorded at: Overtom Productions in Cape Breton, Nova Scotia, Canada (in 1991) medley including a recording of: [unknown] (strathspey from Natalie MacMaster's "King of the Clans" medley) composer: [traditional] (special purpose artist) medley including a recording of: Cameron’s One Legged Hen composer: [traditional] (special purpose artist) medley including a recording of: Johnny’s Made a Wedding O’T composer: [traditional] (special purpose artist) medley including a recording of: King of the Clans composer: [traditional] (special purpose artist)		3:04
7	Buttermilk Mary Jigs engineer: Harold Tsistinas bass, guitar and mandolin: Dave MacIsaac fiddle: Natalie MacMaster arranger: Natalie MacMaster recorded at: Solar Audio Studios in Halifax, Nova Scotia, Canada (in 1989) medley including a recording of: [unknown] (jig from Natalie MacMaster's "Buttermilk Mary Jigs" medley) composer: [traditional] (special purpose artist) medley including a recording of: Buttermilk Mary composer: [traditional] (special purpose artist) medley including a recording of: Cronin’s Favorite composer: [traditional] (special purpose artist)		3:05
8	The Kings Set engineer: Harold Tsistinas bass: Dave MacIsaac and John Morris Rankin fiddle: Natalie MacMaster guitar and mandolin: Dave MacIsaac piano: Betty Lou Beaton and John Morris Rankin synthesizer: John Morris Rankin arranger: Natalie MacMaster recorded at: Solar Audio Studios in Halifax, Nova Scotia, Canada (in 1989) medley including a recording of: Callum Breugach composer: [traditional] (special purpose artist) medley including a recording of: Captain Campbell composer: [traditional] (special purpose artist) medley including a recording of: King George composer: [traditional] (special purpose artist) medley including a recording of: O’er the Isles to America (reel) composer: [traditional] (special purpose artist) medley including a recording of: Sandy Cameron (Reel) composer: [traditional] (special purpose artist) medley including a recording of: The Cape Breton Fiddler’s Welcome to the Shetlands composer: Willie Hunter (Scottish fiddler) medley including a recording of: The Headlands composer: [traditional] (special purpose artist) medley including a recording of: The King’s (reel) composer: [traditional] (special purpose artist)		7:22
9	Newcastle Hornpipes engineer: Tom O’Keefe bass, guitar and mandolin: Dave MacIsaac fiddle: Natalie MacMaster arranger: Natalie MacMaster recorded at: Overtom Productions in Cape Breton, Nova Scotia, Canada (in 1991) medley including a recording of: Jabe Meadow composer: [traditional] (special purpose artist) medley including a recording of: Mary Claire composer: Jerry Holland medley including a recording of: Mrs. Forbes Leith composer: [traditional] (special purpose artist) medley including a recording of: Newcastle (hornpipe) writer: James Hill (Scottish born fiddler) composer: [traditional] (special purpose artist) medley including a recording of: The Second Star composer: [traditional] (special purpose artist)		5:06
10	One for the Record engineer: Harold Tsistinas bass, guitar and mandolin: Dave MacIsaac fiddle: Natalie MacMaster arranger: Natalie MacMaster recorded at: Solar Audio Studios in Halifax, Nova Scotia, Canada (in 1989) medley including a recording of: One for the Record composer: Natalie MacMaster medley including a recording of: Shandon Bells composer: [traditional] (special purpose artist) medley including a recording of: The Eavesdropper composer: [traditional] (special purpose artist) medley including a recording of: The Knights of St. Patrick (jig) composed in: Ireland composer: [traditional] (special purpose artist)		4:07
11	Road to the Isle engineer: Tom O’Keefe bass, guitar and mandolin: Dave MacIsaac fiddle: Natalie MacMaster arranger: Natalie MacMaster recorded at: Overtom Productions in Cape Breton, Nova Scotia, Canada (in 1991) medley including a recording of: Homeward Bound composer: [traditional] (special purpose artist) medley including a recording of: Road to the Isle composer: [traditional] (special purpose artist) medley including a recording of: Scourdiness composer: [traditional] (special purpose artist)		4:04
12	Capers Jigs engineer: Harold Tsistinas bass: Dave MacIsaac and John Morris Rankin fiddle: Natalie MacMaster guitar and mandolin: Dave MacIsaac piano: Betty Lou Beaton and John Morris Rankin synthesizer: John Morris Rankin arranger: Natalie MacMaster recorded at: Solar Audio Studios in Halifax, Nova Scotia, Canada (in 1989) medley including a recording of: [unknown] (jig from Natalie MacMaster's "Capers Jigs" medley) composer: [traditional] (special purpose artist) medley including a recording of: Doug MacPhee’s Visit composer: Jerry Holland medley including a recording of: Short Grass composer: [traditional] (special purpose artist)		3:03
13	Blackberry Blossom engineer: Harold Tsistinas bass, guitar and mandolin: Dave MacIsaac fiddle: Natalie MacMaster arranger: Natalie MacMaster recorded at: Solar Audio Studios in Halifax, Nova Scotia, Canada (in 1989) medley including a recording of: Blackberry Blossom composer: [traditional] (special purpose artist) medley including a recording of: Paddy O’Brien’s composer: [traditional] (special purpose artist) medley including a recording of: The Dawn (reel) composer: [traditional] (special purpose artist) medley including a recording of: The Red Haired Lass composer: [traditional] (special purpose artist)		3:45
14	A Buddy Jig engineer: Tom O’Keefe bass, guitar and mandolin: Dave MacIsaac fiddle: Natalie MacMaster arranger: Natalie MacMaster recorded at: Overtom Productions in Cape Breton, Nova Scotia, Canada (in 1991) medley including a recording of: A Buddy MacMaster Jig composer: [traditional] (special purpose artist) medley including a recording of: Connaughtman’s Rambles (jig) composer: [traditional] (special purpose artist) medley including a recording of: Jimmy's composer: [traditional] (special purpose artist)		3:04
15	Glen of Thickets engineer: Tom O’Keefe bass, guitar and mandolin: Dave MacIsaac fiddle: Natalie MacMaster arranger: Natalie MacMaster recorded at: Overtom Productions in Cape Breton, Nova Scotia, Canada (in 1991) recording of: Airidh nam badam composer: [traditional] (special purpose artist)		3:14
16	Johnny Wilmot’s Fiddles engineer: Tom O’Keefe bass, guitar and mandolin: Dave MacIsaac fiddle: Natalie MacMaster arranger: Natalie MacMaster recorded at: Overtom Productions in Cape Breton, Nova Scotia, Canada (in 1991) medley including a recording of: Cameron Chisholm’s composer: Maybelle C. MacQueen medley including a recording of: Fermoy Lasses composer: [traditional] (special purpose artist) medley including a recording of: Haughs of Cromdale composer: [traditional] (special purpose artist) medley including a recording of: Johnny Wilmot’s Fiddle composer: Elmer Briand medley including a recording of: Mrs. Kennedy of Greenam composer: [traditional] (special purpose artist) medley including a recording of: To Daun’t on Me composer: [traditional] (special purpose artist)		6:05

Credits

Release

manufactured in:	United States

mastering:	Paul MacDonald Toby Mountain (American musician and mastering engineer)
compiler:	Paul MacDonald

copyrighted (©) by:	Rounder Records Corp. (not for release label use!) (in 1998)
phonographic copyright (℗) by:	Natalie MacMaster Music Inc. (in 1996)

mastered at:	Northeastern Digital in Southborough, Massachusetts, United States

ASIN:	US: B0000003EN [info]
Allmusic:	https://www.allmusic.com/album/release/mr0001186263 [info]

Release group

other databases:	https://rateyourmusic.com/release/comp/natalie-macmaster/a-compilation-from-four-on-the-floor-and-road-to-the-isle/ [info] https://thesession.org/recordings/434 [info]
Allmusic:	https://www.allmusic.com/album/mw0000033016 [info]
Wikidata:	Q4656048 [info]

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Release information

Barcode:: 011661702127
Format:: CD
Length:: 1:09:25

Additional details

Type:: Album + Compilation
Packaging:: Jewel Case
Status:: Official
Language:: English
Script:: Latin
Data quality:: Normal

Labels

Rounder
CD 7021

Release events

United States
1998-02-10

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Last updated on 2020-08-14 20:00 UTC