Hollywood Film Classics

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Alfred Scholz related Release. Conductors and artists are – if available at all – possibly wrong. In many cases the names are simply appropriated.

Annotation last modified on 2021-03-23 00:25 UTC.

Tracklist

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1▼CD
#TitleArtistRatingLength
1Thus Spoke Zoroaster (2001 - A Space Odyssey: Main Theme)
orchestra:
Pretoria Philharmonic Orchestra
conductor:
Maurice F. Henschel (conductor)
recording of:
Also sprach Zarathustra, op. 30: I. Einleitung (Sonnenaufgang)
composer:
Richard Strauss (German composer) (in 1896)
publisher:
Peters Edition Ltd.
part of:
Also sprach Zarathustra, op. 30 (TrV 176)
Richard Strauss1:25
2The Force of Destiny: Overture (E la nave va)
orchestra:
Slovenská filharmónia (Slovak Philharmonic)
conductor:
Bystrík Režucha (conductor)
recording of:
La forza del destino: Sinfonia
composer:
Giuseppe Verdi (Italian opera composer)
part of:
La forza del destino
Giuseppe Verdi8:00
3String Quintet op. 13: Minuet in A major (The Ladykillers)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra)
conductor:
Bernhard Güller (German conductor)
recording of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto)
composer:
Luigi Boccherini (Italian composer) (in 1771)
part of:
Quintet in E major, G. 275, op. 11 no. 5
Luigi Boccherini3:47
4Carmen: Habanera (Carmen Jones)
orchestra:
Orchestre radio symphonique de Paris
conductor:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Carmen Suite no. 2: II. Habanera
composer:
Georges Bizet (French composer)
arranger:
Ernest Guiraud (French composer)
is based on:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur)
part of:
Carmen Suite no. 2
Georges Bizet2:09
5Carmen: Chant des toréadors (Carmen Jones)
orchestra:
Orchestre radio symphonique de Paris
conductor:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Carmen Suite no. 2: IV. Chanson du toréador
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Escamillo, Mercédès, Frasquita, Carmen, Moralès, Zuniga, Lillas Pastia, chœur d’hommes) (“Chanson du toréador”)
part of:
Carmen Suite no. 2
Georges Bizet2:42
6The Abduction from the Seraglio: Overture (Amadeus)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Alfred Scholz
recording of:
Die Entführung aus dem Serail, K. 384: Ouvertüre (Die Entführung aus dem Serail, K. 384: Overture)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1782)
part of:
Die Entführung aus dem Serail, K. 384 (The Abduction from the Seraglio, K. 384)
Wolfgang Amadeus Mozart5:39
7La Gioconda: Dance of the Hours (Fantasia)
orchestra:
Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Carlos Ungar (conductor, probably a pseudonym for Alfred Scholz)
recording of:
La Gioconda: Atto III, scena 2. Danza delle ore
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto III. Cà d'Oro
Amilcare Ponchielli7:35
8Piano Concerto in D minor KV 466: Romanza (Amadeus)
solo grand piano:
Svetlana Stanceva (pianist, an Alfred Scholz pseudonym)
orchestra:
Mozart Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Concerto for Piano no. 20 in D minor, K. 466: II. Romanze
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1785)
part of:
Concerto for Piano no. 20 in D minor, K. 466
Wolfgang Amadeus Mozart8:47
9Twilight of the Gods: Funeral March (Excalibur)
orchestra:
Südwest-Studioorchester (an Alfred Scholz pseudonym)
conductor:
Hans Swarowsky (conductor - do not confuse with the Alfred Scholz pseudonym)
recording of:
Excerpt from Götterdämmerung, WWV 86D: Akt III, Scene II. Trauermusik beim Tode Siegfrieds (Funeral March)
composer:
Richard Wagner (composer) (from 1869 until 1874, from 1872-01-04 until 1874-11-21)
part of:
Götterdämmerung, WWV 86D: Akt III, Scene II "Hoiho?" - "Hoiho!"
Richard Wagner7:31
10William Tell Overture (A Clockwork Orange)
orchestra:
Philharmonic Orchestra London (Alfred Scholz pseudonym)
conductor:
Alfred Scholz
recording of:
Guillaume Tell : Ouverture (William Tell: Overture)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
part of:
Guglielmo Tell (italian version by Calisto Bassi)
part of:
Guillaume Tell
Gioachino Rossini12:14
11Boléro (Ten)
orchestra:
Ljubljana Radio Symphony Orchestra (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
conductor:
Samo Hubad (conductor)
recording of:
Boléro
composer:
Maurice Ravel (French composer) (in 1928)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
premiered at:
Palais Garnier in Paris, Île-de-France, France (on 1928-11-22)
part of:
Classic 100: Music of France (2012) (number: 9) and Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 81)
Maurice Ravel13:47
2▼CD
#TitleArtistRatingLength
1Piano Concerto no. 21 K 467: Andante (Elvira Madigan)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart5:39
2Turandot: Nessun dorma (The Witches of Eastwick)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf)
composer:
Giacomo Puccini (Italian composer) (from 1921-03 until 1924-03)
librettist:
Giuseppe Adami and Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. and Ed. G. Ricordi & Cia. SpA (Italian publisher)
part of:
Turandot: Atto III (Turandot: Act III)
Giacomo Puccini3:03
3Symphony no. 5: Adagietto (Death in Venice)
orchestra:
Radio Symphony Orchestra Ljubjana (RTV Slovenia Symphony Orchestra)
recording of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler9:06
4The Valkyrie: Ride of the Valkyries (Apocalypse Now)
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (The Valkyrie: Ride of the Valkyries)
composer:
Richard Wagner (composer) (from 1854 until 1856)
publisher:
Schott Music International (publisher; do not use as label)
part of:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
Richard Wagner5:23
5Romance (Jeux interdits)
classical guitar:
Pedro Ibañez
recording of:
Romance (Romance anónimo, guitar piece, sometimes "Jeux interdits")
composer:
[anonymous] (special purpose artist) and [unknown] (Special Purpose Artist – Do not add releases here, if possible.)
previously attributed to:
Vicente Gómez (guitarist and composer), Fernando Sor (Ferdinand Sor, Spanish composer) and Narciso Yepes (classical guitarist)
arrangement of:
Romance de Amor
Pedro Ibanez2:39
6Lohengrin: Prelude (Ludwig)
recording of:
Lohengrin, WWV 75: Vorspiel (prelude to Act I)
composer:
Richard Wagner (composer) (from 1846 until 1848)
part of:
Lohengrin, WWV 75
Richard Wagner8:37
7Cavalleria rusticana: Symphonic Intermezzo (Raging Bull)
recording of:
Cavalleria rusticana: Intermezzo
composer:
Pietro Mascagni (composer & conductor) (in 1888)
publisher:
Ascherberg Hopwood & Crew
part of:
Cavalleria rusticana
part of:
Cavalleria rusticana (German lyrics)
Pietro Mascagni3:25
8Manon Lescaut: In quelle trine morbide (Hannah and Her Sisters)
recording of:
Manon Lescaut: Atto II. “In quelle trine morbide” (Manon)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi
part of:
Manon Lescaut: Atto II
Giacomo Puccini2:21
9Symphony no. 25 K 183: Allegro con brio (Amadeus)
recording of:
Symphony no. 25 in G minor, K. 173dB/183 "Little G Minor": I. Allegro con brio
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1773 until 1773-10-05)
part of:
Symphony no. 25 in G minor, K. 173dB/183 "Little G Minor"
Wolfgang Amadeus Mozart9:43
10Idomeneo: Overture (Barry Lyndon)
recording of:
Idomeneo, rè di Creta, K. 366: Ouverture
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1781)
part of:
Idomeneo, rè di Creta, K. 366
Wolfgang Amadeus Mozart5:19
11Prélude à l'après-midi d'un faune (Nijinsky)
recording of:
Prélude à l’après‐midi d’un faune, L. 86, CD 87 (Prelude to the Afternoon of a Faun, L. 86, CD 87, original version for orchestra)
composer:
Claude Debussy (French composer) (from 1891 until 1894-09)
dedicated to:
Raymond Bonheur (composer, 1861-1939)
premiered at:
[concert] (1894-12-22)
publisher:
Eugène Fromont (in 1895-10)
part of:
Classic 100: Music of France (2012) (number: 6), Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 86) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 87)
Claude Debussy10:10
3▼CD
#TitleArtistRatingLength
1Symphony no. 4 "Italian": Saltarello: Presto (Breaking Away)
orchestra:
Bamberger Symphoniker (Bamberg Symphony), London Festival Orchestra (Alfred Scholz pseudonym), London Symphony Orchestra, London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO), ORF Radio‐Symphonieorchester Wien (Vienna Radio Symphony Orchestra, previously ORF-Symphonieorchester) and Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Milan Horvat (Croatian conductor, 1919-2014), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Alfred Scholz and Hans Swarowsky (conductor - do not confuse with the Alfred Scholz pseudonym)
recording of:
Symphony no. 4 in A major, op. 90 “Italian”: IV. Saltarello. Presto
composer:
Felix Mendelssohn (composer) (in 1833)
part of:
Symphony no. 4 in A major, op. 90 “Italian”
Felix Mendelssohn Bartholdy5:59
2Un bel di vedremo (Fatal Attraction)
recording engineer:
Jack Law (engineer) (on 1974-01-31), James Lock (James Locke, engineer) (on 1974-01-31) and Gordon Parry (engineer) (on 1974-01-31)
assistant producer:
Michael Woolcock (producer)
producer:
Christopher Raeburn (producer)
soprano vocals [Butterfly]:
Mirella Freni (soprano) (on 1974-01-31)
orchestra:
Vienna Philharmonic Orchestra (Vienna Philharmonic) (on 1974-01-31)
conductor:
Herbert von Karajan (conductor) (on 1974-01-31)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (on 1974-01-31)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly) (on 1974-01-31)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini4:41
3Adagio in G minor (Gallipoli)
recording of:
Adagio for Strings and Organ in G minor
composer:
Remo Giazotto
previously attributed to:
Tomaso Giovanni Albinoni (Italian Baroque composer)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music) and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tomaso Albinoni / Giazotto8:04
4Clarinet Concerto K 622: Adagio (Out of Africa)
clarinet:
Jozé Ostrac (clarinettist, an Alfred Scholz pseudonym)
orchestra:
Mozart Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
performer:
Joze Ostrack
recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio (Concerto for Clarinet and Orchestra in A major, K. 622: II. Adagio)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
Wolfgang Amadeus Mozart7:24
5The Thieving Magpie: Overture (A Clockwork Orange)
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym), Philharmonia Slavonica (Alfred Scholz pseudonym) and Symphonic Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) and Alfred Scholz
phonographic copyright (℗) by:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1989)
recording of:
La gazza ladra: Ouverture (The Thieving Magpie: Overture)
composer:
Gioachino Rossini (composer) (in 1817)
librettist:
Giovanni Gherardini
part of:
La gazza ladra
part of:
The Thieving Magpie (English version by Sams)
Gioachino Rossini10:37
6Symphony no. 9 op. 129: Molto vivace (A Clockwork Orange)
orchestra:
Festivalový orchestr Praha (Prague Festival Orchestra), Great Festival Orchestra (an Alfred Scholz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym) and Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Eugen Duvier (conductor, an Alfred Scholz pseudonym) and Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: II. Scherzo. Molto vivace – Presto
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven11:43
7La Bohème: Che gelida manina (Moonstruck)
recording of:
La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo)
composer:
Giacomo Puccini (Italian composer) (in 1896)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini4:12
8Symphony no. 6 in B minor op. 74 "Pathétique": Finale: Adagio lamentoso (The Music Lovers)
recording of:
Symphony no. 6 in B minor, op. 74 “Pathétique”: IV. Finale. Adagio lamentoso
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (from 1893-02 until 1893-08)
part of:
Symphony no. 6 in B minor, op. 74 “Pathétique”
Peter I. Tchaikovsky9:11
9Concerto for 2 Violins and Orchestra BWV 1043: Largo ma non tanto (Children of a Lesser God)
violin:
Joseph Brezina (violinist), Feliz Elias (violinist), Alberto Tozzi and Tomasco Vecchi
orchestra:
Camerata Romana (an Alfred Scholz pseudonym) and Musici di San Marco (an Alfred Scholz pseudonym)
conductor:
Eugen Duvier (conductor, an Alfred Scholz pseudonym), Francesco Macci (an Alfred Scholz pseudonym) and Alfred Scholz
recording of:
Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731)
part of:
Concerto for 2 Violins in D minor, BWV 1043
Johann Sebastian Bach7:17
10Mandoline Concerto R 425: Allegro - Largo - Allegro (Kramer vs. Kramer)
orchestra:
Musici di San Marco (an Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
partial recording of:
Concerto for Mandolin in C major, RV 425
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Catalogo numerico-tematico delle opere strumentali (Fanna Catalogue, Antonio Vivaldi) (number: F. V/1) and Ryom-Verzeichnis (number: RV 425)
Antonio Vivaldi8:38

Credits

Release

manufactured in:Canada
distributed by:Madacy Music Group, Inc. (not for release label use!)
copyrighted (©) by:Madacy Music Group, Inc. (not for release label use!) (in 1994)
phonographic copyright (℗) by and licensed from:Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH)
ASIN:US: B000000LOD [info]