| Nr. | Titel | Künstler | Bewertung | Länge |
|---|
| 1 | Only the Lonely | Roy Orbison | | 2:27 |
| 2 | See You Later Alligator | Bill Haley & His Comets | | 2:45 |
| 3 | Blue Moon- Produzent(in):
- Danny und Stu
- phonographisches Urheberrecht (℗) von:
- EMI Records Ltd. (in 1961, in 2004)
- cover recording of:
- Blue Moon
- Texter:
- Lorenz Hart (in 1934)
- Komponist(in):
- Richard Rodgers (in 1934)
- publisher:
- EMI Catalogue Partnership, EMI Music Publishing , EMI Robbins Catalog Inc. , EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 und ヤマハミュージックエンタテインメントホールディングス
- sub-publisher:
- EMI Music Publishing Belgium NV und Francis Day Editions
- Teil von:
- New York, New York
| The Marcels | 3 | 2:14 |
| 4 | Honey Don't | Carl Perkins | | 2:50 |
| 5 | The Diary | Neil Sedaka | | 2:17 |
| 6 | I Walk the Line- Produzent(in):
- Sam Phillips
- Akustikgitarre und Sologesang:
- Johnny Cash (am 1956-04-02)
- E-Gitarre:
- Luther Perkins (am 1956-04-02)
- Kontrabass:
- Marshall Grant (am 1956-04-02)
- phonographisches Urheberrecht (℗) von:
- Sun Entertainment Corporation (in 1956) und Sun Record Company (in 1956)
- aufgenommen bei:
- Sun Studio in Memphis, Tennessee, Vereinigte Staaten (am 1956-04-02)
- Teil von:
- Rolling Stone: 500 Greatest Songs of All Time (Nummer: 30), Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 33) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 76)
- recording of:
- I Walk the Line (am 1956-04-02)
- Texter und Komponist(in):
- John R. Cash (in 1956)
- publisher:
- Aberbach (London) , Bug Music, Inc., Carlin Music Corporation, Hill and Range Songs, Inc. , Hill and Range Southwind Mus S A und House of Cash, Inc.
| Johnny Cash | 4.15 | 2:44 |
| 7 | Only You | The Platters | | 2:36 |
| 8 | Blue Suede Shoes- Gitarre:
- Carl Perkins (in 1955-12) und Jay Perkins (in 1955-12)
- Kontrabass:
- Clayton Perkins (in 1955-12)
- Schlagzeug:
- W.S. Holland (in 1955-12)
- vocals:
- Carl Perkins (in 1955-12)
- phonographisches Urheberrecht (℗) von:
- Sun (in 1955, vom 1956 bis heute)
- Teil von:
- Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 5) und Rolling Stone: 500 Greatest Songs of All Time (Nummer: 95)
- recording of:
- Blue Suede Shoes (in 1955-12)
- Texter und Komponist(in):
- Carl Perkins (in 1955)
- publisher:
- Aberbach (London) , Carl Perkins Music Inc., Carlin Music Corp., EMI Music Publishing , Hi Lo Music, Hill and Range Songs, Inc. , Unichappell Music, Unichappell Music, Inc. und Wren Music Co.
- Teil von:
- Million Dollar Quartet
| Carl Perkins | 4 | 2:13 |
| 9 | Rock Around the Clock | Bill Haley & His Comets | 4 | 2:12 |
| 10 | Diana | Paul Anka | 4.2 | 2:20 |
| 11 | Stagger Lee | Lloyd Price | 5 | 2:21 |
| 12 | Blueberry Hill | Fats Domino | | 2:26 |
| 13 | Be Bop a Lula | Gene Vincent | 4.35 | 2:36 |
| 14 | Johnny B. Goode- Produzent(in):
- Leonard & Phil Chess
- Gitarre und Sologesang:
- Chuck Berry (am 1958-01-06)
- Klavier:
- Johnnie Johnson (am 1958-01-06)
- Kontrabass:
- Willie Dixon (am 1958-01-06)
- Schlagzeug:
- Jasper Thomas (am 1958-01-06)
- aufgenommen bei:
- Sheldon Recording Studios, Inc. in Chicago, Illinois, Vereinigte Staaten (am 1958-01-06)
- Teil von:
- Dave Marsh: The Best of the Top 40 Singles: 1958 (Nummer: 1), NME: 50 Greatest Guitar Riffs of All Time (Nummer: 3), Rolling Stone: The 100 Greatest Guitar Solos of All Time (Nummer: 6), Rolling Stone: 500 Greatest Songs of All Time (Nummer: 7), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 33), Helsingin Sanomat: 100 maailman parasta laulua (Nummer: 53) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
- recording of:
- Johnny B. Goode (am 1958-01-06)
- Texter und Komponist(in):
- Chuck Berry (in 1955)
- publisher:
- Arc Music , Arc Music Corp. , Isalee Music, Jewel Music Publishing Co. Ltd. und ロックンロール ミュージック
- Teil von:
- Back to the Future: the Musical
| Chuck Berry | 4.25 | 2:40 |
| 15 | Tutti Frutti- recorded in:
- New Orleans, Louisiana, Vereinigte Staaten (am 1955-09-14)
- Produzent(in):
- Robert Blackwell
- baritone saxophone:
- Alvin “Red” Tyler (am 1955-09-14)
- Gitarre:
- Justin Adams (am 1955-09-14)
- Klavier:
- Melvin Dowden (am 1955-09-14)
- Kontrabass:
- Frank Fields (am 1955-09-14)
- Schlagzeug:
- Earl Palmer (am 1955-09-14)
- Tenorsaxophon:
- Lee Allen (am 1955-09-14)
- Sologesang:
- Little Richard (am 1955-09-14)
- aufgenommen bei:
- J&M Music Shop in New Orleans, Louisiana, Vereinigte Staaten (am 1955-09-14)
- Teil von:
- Dave Marsh: The Best of the Top 40 Singles: 1955 (Nummer: 1), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 35) und Rolling Stone: 500 Greatest Songs of All Time (Nummer: 43)
- recording of:
- Tutti Frutti (am 1955-09-14)
- Texter:
- Dorothy LaBostrie und Richard Wayne Penniman
- Komponist(in):
- Dorothy LaBostrie , Joe Lubin und Richard Wayne Penniman
- publisher:
- ATV Music Ltd., Sony/ATV Songs LLC, Venice, Venice Music, ソニー・ミュージックパブリッシング A事業部 und Phonogram GmbH (in 1983)
| Little Richard | 4.1 | 2:24 |
| 16 | Great Balls of Fire | Jerry Lee Lewis | | 1:53 |
| 17 | Red River Rock | Johnny and the Hurricanes | 3 | 2:12 |
| 18 | Donna | Ritchie Valens | | 2:27 |
| 19 | Blue Velvet | Bobby Vinton | 4.35 | 2:50 |
| 20 | Don't Forbid Me | Pat Boone | | 2:12 |
| 21 | Stupid Cupid | Connie Francis | | 2:13 |
| 22 | Yes Tonight, Josephine | Johnnie Ray | | 2:31 |
| 23 | That'll Be the Day- Produzent(in):
- Norman Petty
- Bass:
- Joe B. Mauldin
- Gitarre:
- Niki Sullivan
- Gitarre [lead guitar] und Sologesang:
- Buddy Holly (am 1957-02-25)
- Gitarre [rhythm guitar]:
- Buddy Holly (am 1957-02-25) und Niki Sullivan (am 1957-02-25)
- Kontrabass:
- Larry Welborn (am 1957-02-25)
- Schlagzeug:
- Jerry Allison (am 1957-02-25)
- Hintergrundgesang:
- June Clark (am 1957-02-25), Gary Tollett (am 1957-02-25), Niki Sullivan (am 1957-02-25) und Ramona Tollett (am 1957-02-25)
- Sprecher [dialogue]:
- Wolfman Jack
- phonographisches Urheberrecht (℗) von:
- Geffen Records (in 1957) und MCA Records, Inc. (in 1957)
- aufgenommen bei:
- Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1957-02-25)
- recording of:
- That’ll Be the Day (am 1957-02-25)
- Verfasser(in):
- Jerry Allison, Buddy Holly und Norman Petty
- publisher:
- MPL Communications Inc. , Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music , Wren Music Co. und MPL Communications (in 1976)
| Buddy Holly | 4.6 | 2:16 |
| 24 | Island in the Sun- Produzent(in):
- Joe Carlton
- Bongos:
- Noah Rodriguez (am 1957-01-27)
- Conga:
- Daniel Barrajanos (am 1957-01-27)
- flute:
- James N. DeMeo (am 1957-01-27) und Harold M. Jones (am 1957-01-27)
- Gitarre:
- Frantz Casséus (am 1957-01-27), Victor Messer (am 1957-01-27) und Millard Thomas (am 1957-01-27)
- Kontrabass:
- Norman Keenan (am 1957-01-27)
- Marimba:
- Joe Venuto (am 1957-01-27)
- Trompete:
- Joseph B. Wilder (am 1957-01-27)
- Chorgesang:
- Gilbert E. Adkins (am 1957-01-27), Irving D. Barnes (am 1957-01-27), Leon Bibb (am 1957-01-27), Charles Colman (am 1957-01-27), Stephen Harbachick (am 1957-01-27), Marvin Hayes (am 1957-01-27), Herbert L. Stubbs (am 1957-01-27), Irving Burgie (am 1957-01-27), Joe N. Kenyon (am 1957-01-27), Leroy B. Thompson (am 1957-01-27), Samuel R. McCurry (am 1957-01-27), John Nielsen (am 1957-01-27), Brock Peters (am 1957-01-27), Howard A. Roberts (am 1957-01-27), Rodester Timmons (am 1957-01-27) und William Stewart (am 1957-01-27)
- Sologesang:
- Harry Belafonte (am 1957-01-27)
- vocals:
- Harry Belafonte
- conductor:
- Robert DeCormier (am 1957-01-27)
- aufgenommen bei:
- Webster Hall in East Village, New York, New York, Vereinigte Staaten (am 1957-01-27)
- recording of:
- Island in the Sun (am 1957-01-27)
- Verfasser(in):
- Harry Belafonte und Lord Burgess
- publisher:
- Caribe Music Corp., Cherry Lane Music Publishing und Clara Music Publ. Corp.
| Harry Belafonte | 2 | 3:22 |
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