Soul Music 2

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Think
tecnico di registrazione:
Tom Dowd
produttore:
Jerry Wexler
batteria :
Roger Hawkins (drummer and producer) (il 1968-04-15)
chitarra :
Tommy Cogbill (il 1968-04-15) e Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (il 1968-04-15)
chitarra basso :
Jerry Jemmott (il 1968-04-15)
organo :
Spooner Oldham (il 1968-04-15)
pianoforte e voce principale:
Aretha Franklin (il 1968-04-15)
sassofono baritono :
Willie Bridges (il 1968-04-15) e Floyd Newman (il 1968-04-15)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (il 1968-04-15) e Andrew Love (il 1968-04-15)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (il 1968-04-15)
voce di accompagnamento:
The Sweet Inspirations (il 1968-04-15)
arrangiatore:
Tom Dowd e Arif Mardin
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1968) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1968)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1968-04-15)
parte di:
RuPaul’s Drag Race Lip Sync Performances (season 6) (numero: 10)
registrazione di:
Think (il 1968-04-15)
autore:
Aretha Franklin e Ted White (husband & co-songwriter of Aretha Franklin)
editore:
14th Hour Music, EMI Songs Ltd., Fourteenth Hour Music, Inc., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (fino al 2014-12-31) e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (dal 2015-01-01 a oggi)
Aretha Franklin3.652:17
2Shake, Rattle and Roll
Big Joe Turner2:59
3Land of 1000 Dances
produttore:
Jerry Wexler
batteria :
Roger Hawkins (drummer and producer) (dal 1966-05-08 al 1966-05-11)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (dal 1966-05-08 al 1966-05-11) e Chips Moman (dal 1966-05-08 al 1966-05-11)
chitarra basso [bass] :
Tommy Cogbill (dal 1966-05-08 al 1966-05-11)
pianoforte :
Spooner Oldham (dal 1966-05-08 al 1966-05-11)
sassofono baritono :
Floyd Newman (dal 1966-05-08 al 1966-05-11)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (dal 1966-05-08 al 1966-05-11) e Andrew Love (dal 1966-05-08 al 1966-05-11)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (dal 1966-05-08 al 1966-05-11)
voce:
Wilson Pickett (dal 1966-05-08 al 1966-05-11)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1992) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1992)
registrata presso:
Fame Studios in Muscle Shoals, Alabama, Stati Uniti (dal 1966-05-08 al 1966-05-11)
registrazione cover di:
Land of 1000 Dances (dal 1966-05-08 al 1966-05-11)
paroliere e compositore:
Chris Kenner
autore aggiunto:
Antoine Domino (Fats Domino)
editore:
Anatole, EMI Longitude Music, J. Albert & Son Pty. Ltd., Thursday Music Corp. e Tune-Kel
registrazione di:
Land of 1000 Dances
paroliere e compositore:
Chris Kenner
autore aggiunto:
Antoine Domino (Fats Domino)
editore:
Anatole, EMI Longitude Music, J. Albert & Son Pty. Ltd., Thursday Music Corp. e Tune-Kel
Wilson Pickett42:25
4Satisfaction
tecnico di registrazione:
Tom Dowd
produttore:
Jim Stewart (US producer, founder for Stax & Volt Records)
batteria :
Al Jackson, Jr. (Booker T & The MGs drummer) (nel 1965-07)
chitarra :
Steve Cropper (nel 1965-07)
chitarra basso :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (nel 1965-07)
sassofono baritono :
Floyd Newman (nel 1965-07)
sassofono tenore :
Andrew Love (nel 1965-07)
tastiera :
Isaac Hayes (nel 1965-07) e Booker T. Jones (nel 1965-07)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (nel 1965-07) e Gene “Bowlegs” Miller (American trumpeter) (nel 1965-07)
voce di accompagnamento:
Earl Sims (nel 1965-07)
registrata presso:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, Stati Uniti (dal 1965-07-09 al 1965-07-10)
registrazione cover di:
(I Can’t Get No) Satisfaction (nel 1965-07)
autore:
Mick Jagger (The Rolling Stones) e Keith Richards (Rolling Stones guitarist)
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), BMG VM Music Ltd. e Essex Music International
Otis Redding3.52:46
5C.C. Rider
registrata a:
New York, New York, Stati Uniti (il 1957-01-31)
produttore:
Ahmet Ertegun (US songwriter/producer) e Jerry Wexler
batteria [drums] :
Panama Francis (US swing jazz drummer) (il 1957-01-31)
chitarra :
Al Caiola (il 1957-01-31) e Roy Gaines (il 1957-01-31)
contrabbasso [bass] :
Lloyd Trotman (US jazz bassist) (il 1957-01-31)
marimba :
Phil Kraus (il 1957-01-31)
pianoforte :
James Harris (piano) (il 1957-01-31)
sassofono tenore :
Gene Barge (il 1957-01-31) e Sam Taylor (US jazz/blues saxophonist 1916-1990) (il 1957-01-31)
voce:
Chuck Willis (American blues, rhythm and blues, and rock and roll singer and songwriter) (il 1957-01-31)
voce di accompagnamento:
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (il 1957-01-31)
direttore d'orchestra:
Jesse Stone (il 1957-01-31)
arrangiatore:
Jesse Stone
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1957 (numero: 12) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
C. C. Rider (Chuck Willis version) (il 1957-01-31)
paroliere e compositore:
Chuck Willis (American blues, rhythm and blues, and rock and roll singer and songwriter)
editore:
Chuck Willis Music Co., Tideland Music Publishing Corporation e Unichappell Music, Inc.
versione di:
See See Rider Blues
Chuck Willis42:35
6Everybody Needs Somebody to Love
tecnico:
Tom Dowd e Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
produttore:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”) e Jerry Wexler
basso [electric bass] :
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (il 1966-10-12)
batteria :
Roger Hawkins (drummer and producer) (il 1966-10-12)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (il 1966-10-12)
chitarra [lead guitar] :
Lincoln "Chips" Moman (il 1966-10-12)
sassofono tenore :
Gilbert Caples (il 1966-10-12), Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (il 1966-10-12) e Eddie Logan (il 1966-10-12)
tastiera [piano, organ] :
Dewey "Spooner" Oldham (il 1966-10-12)
tromba :
Gene “Bowlegs” Miller (American trumpeter) (il 1966-10-12)
voce:
Wilson Pickett (il 1966-10-12)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1992) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1992)
registrata presso:
Fame Studios in Muscle Shoals, Alabama, Stati Uniti (il 1966-10-12)
registrazione cover di:
Everybody Needs Somebody to Love (il 1966-10-12)
autore:
Bert Russell Berns, Solomon Burke e Jerry Wexler
editore:
BERT RUSSELL MUSIC L L C 301, EMI Music Publishing Ltd. (PRS‐affiliated), Franco London Music Publishing Corp., Fujipacific Music, Inc., KEETCH CAESAR AND DINO MUSIC INC e Musical Lights Tokyo
Wilson Pickett32:20
7Don't Play That Song
tecnico di registrazione:
Ron Albert e Chuck Kirkpatrick
tecnico:
Ron Albert, Chuck Kirkpatrick e Lewis Hahn
produttore:
Tom Dowd, Arif Mardin e Jerry Wexler
tecnico di missaggio:
Arif Mardin
basso :
Tommy McClure (il 1970-03-10)
batteria :
Sammy Creason (il 1970-03-10)
chitarra :
Charlie Freeman (il 1970-03-10)
pianoforte :
Aretha Franklin (il 1970-03-10)
tastiera :
Jim Dickinson (il 1970-03-10)
voce:
Aretha Franklin (il 1970-03-10)
voce di accompagnamento:
Margaret Branch (il 1970-03-10), Brenda Bryant (il 1970-03-10) e Almeda Lattimore (il 1970-03-10)
arrangiatore archi :
Arif Mardin
arrangiatore corno :
Tom Dowd
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1970) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1970)
registrata presso:
Criteria Studios in Miami, Florida, Stati Uniti (il 1970-03-10)
registrazione cover di:
Don’t Play That Song (You Lied) (il 1970-03-10)
autore:
Ahmet Ertegun (US songwriter/producer) e Betty Nelson
editore:
Carlin Music Corporation e Unichappell Music, Inc.
Aretha Franklin42:58
8Love Me Tender
registrazione cover di:
Love Me Tender
paroliere:
Ken Darby (nel 1956)
autore aggiunto:
Vera Matson (nel 1956) e Elvis Presley (“The King of Rock and Roll”) (nel 1956)
compositore:
George R. Poulton (nel 1861)
editore:
Aberbach Musikverlag (German publisher), ABG Elvis Songs, Carlin Music Corporation, Chrysalis Songs, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, R&H Music, Songs of Kobalt Music Publishing, Williamson Music Company e Elvis Presley Music (dal 1956 a oggi)
sub-editore:
フジパシフィックミュージック (Fujipacific Music, Inc.) e 日音 Synch事業部 (NICHION, INC. Synch Division)
si basa su:
Aura Lea
Percy Sledge43:06
9(Sittin' on) The Dock of the Bay
produttore:
Jerry Bruckheimer, Steve Cropper e Don Simpson (American film producer, screenwriter, and actor)
batteria :
Al Jackson, Jr. (Booker T & The MGs drummer) (dal 1967-11-22 al 1967-12-07)
chitarra :
Steve Cropper (dal 1967-11-22 al 1967-12-07)
chitarra basso :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (dal 1967-11-22 al 1967-12-07)
tastiera :
Isaac Hayes (dal 1967-11-22 al 1967-12-07) e Booker T. Jones (dal 1967-11-22 al 1967-12-07)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (dal 1967-11-22 al 1967-12-07)
fischio:
Otis Redding (dal 1967-11-22 al 1967-12-07)
voce:
Otis Redding (dal 1967-11-22 al 1967-12-07)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1968)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 44) e Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 45)
registrazione di:
(Sittin’ on) the Dock of the Bay (dal 1967-11-22 al 1967-12-07)
autore:
Steve Cropper e Otis Redding
editore:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
registrazione di:
(Sittin’ on) The Dock of the Bay (Oliver Lake/World Saxophone Quartet arrangement)
compositore:
Steve Cropper e Otis Redding
arrangiatore:
Oliver Lake
arrangiamento di:
(Sittin’ on) the Dock of the Bay
Otis Redding4.32:42
10Mustang Sally
registrata a:
Muscle Shoals, Alabama, Stati Uniti (il 1966-10-13)
tecnico:
Tom Dowd e Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
produttore:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”) e Jerry Wexler
basso elettrico [electric bass] :
Tommy Cogbill (dal 1966-10-13 al 1966-10-14)
batteria :
Roger Hawkins (drummer and producer) (dal 1966-10-13 al 1966-10-14)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (dal 1966-10-13 al 1966-10-14)
chitarra [lead guitar] :
Lincoln "Chips" Moman (dal 1966-10-13 al 1966-10-14)
sassofono tenore :
Gilbert Caples (dal 1966-10-13 al 1966-10-14), Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (dal 1966-10-13 al 1966-10-14) e Eddie Logan (dal 1966-10-13 al 1966-10-14)
tastiera [piano, organ] :
Dewey "Spooner" Oldham (dal 1966-10-13 al 1966-10-14)
tromba :
Gene “Bowlegs” Miller (American trumpeter) (dal 1966-10-13 al 1966-10-14)
voce:
Wilson Pickett (dal 1966-10-13 al 1966-10-14)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1992) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1992)
registrata presso:
Fame Studios in Muscle Shoals, Alabama, Stati Uniti (dal 1966-10-13 al 1966-10-14)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 434)
registrazione cover di:
Mustang Sally (dal 1966-10-13 al 1966-10-14)
paroliere e compositore:
Sir Mack Rice
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia Pty. Ltd., Fourteenth Hour Music, Inc., Springtime Music, Inc. e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Wilson Pickett43:05
11Young Blood
registrata a:
Los Angeles, California, Stati Uniti (il 1957-02-15)
tecnico:
Bunny Robyn (incarico: recording) e Tom Dowd
produttore:
Leiber and Stoller (songwriting team)
batteria [drums] :
Jesse Sailes (il 1957-02-15)
chitarra :
Barney Kessel (fino al 1957-02-15) e Adolph Jacobs (il 1957-02-15)
contrabbasso [bass] :
Ralph Hamilton (US jazz/R&B bassist) (il 1957-02-15)
pianoforte :
Mike Stoller (il 1957-02-15)
sassofono tenore :
Gil Bernal (il 1957-02-15)
voce:
The Coasters (il 1957-02-15), Carl Gardner (il 1957-02-15), Billy Guy (r&b vocalist) (il 1957-02-15), Bobby Nunn (US doo‐wop/R&B bass vocalist) (il 1957-02-15) e Young Jessie (il 1957-02-15)
arrangiatore:
Mike Stoller
registrata presso:
Master Recorders in Hollywood, Los Angeles, California, Stati Uniti (il 1957-02-15)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 414)
registrazione di:
Young Blood (il 1957-02-15)
paroliere:
Jerry Leiber e Doc Pomus
compositore:
Mike Stoller
editore:
Carlin Music Corporation, Copyright Records, EMI Broadcast Music, Jerry Leiber Music, Mike Stoller Music (ASCAP), Pomus Songs Inc. e Sony/ATV Songs LLC
The Coasters2.52:20
12Sweet Soul Music
tecnico:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section)
produttore:
Otis Redding
chitarra :
Moses Dillard (il 1967-01-20)
voce:
Arthur Conley (il 1967-01-20)
registrata presso:
FAME Studios in Muscle Shoals, Alabama, Stati Uniti (il 1967-01-20)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 351)
registrazione di:
Sweet Soul Music (il 1967-01-20)
autore:
Arthur Conley, Sam Cooke (American singer and songwriter, “King of Soul”) e Otis Redding
editore:
ABKCO Music e Rondor
si basa su:
Yeah Man
Arthur Conley42:21
13Sweet Home Chicago
registrazione cover di:
Sweet Home Chicago
paroliere e compositore:
Robert Johnson (1930s blues legend)
editore:
Paul Rodriguez Music Ltd., Standing Ovation and Encore Music, The Bicycle Music Company (part of Concord Bicycle Music since 2015/04/01, overseeing publishing and rights management) e Horoscope Music (nel 1982)
Blues Brothers7:47
14Hold on I'm Comin'
registrazione di:
Hold On, I’m Comin’
autore:
Isaac Hayes, Hayes, Porter e David Porter (US soul musician, producer & songwriter)
editore:
Cotillion Music Inc. (BMI), East/Memphis Music, Irving Music, Inc., Pronto Music, Inc. (publisher) e Warner Bros. Music (publisher; do NOT use as release label)
sub-editore:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Sam & Dave2:30
15Memphis Soul Stew
registrata a:
Memphis, Tennessee, Stati Uniti (il 1967-07-05)
produttore:
King Curtis (saxophonist)
batteria [drums] :
Gene Chrisman (il 1967-07-05)
chitarra :
R.F. Taylor (guitarist) (il 1967-07-05) e Reggie Young (guitarist and songwriter) (il 1967-07-05)
chitarra basso [bass] :
Tommy Cogbill (il 1967-07-05)
organo :
Bobby Emmons (il 1967-07-05)
pianoforte :
Bobby Wood (American pianist, keyboard player and songwriter) (il 1967-07-05)
sassofono baritono :
Floyd Newman (il 1967-07-05)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (il 1967-07-05), King Curtis (saxophonist) (il 1967-07-05) e Jimmy Mitchell (saxophone) (il 1967-07-05)
tromba :
Bowlegs Miller (American trumpeter) (il 1967-07-05)
voce:
King Curtis (saxophonist) (il 1967-07-05)
registrazione di:
Memphis Soul Stew (il 1967-07-05)
autore:
Curtis Ousley
editore:
Kilynn Music Publishing, Inc. e Pronto Music (publisher)
King Curtis2:57
16Try a Little Tenderness
registrazione di:
Try a Little Tenderness
paroliere:
James Campbell (British songwriter and music publisher) e Reginald Connelly
compositore:
Harry M. Woods (American 1920/30s songwriter)
editore:
BMG Recordi ex Recordi G.&C., EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Warner Chappell e Campbell Connelly & Co. Ltd. (il 1932-11-04)
Otis Redding3:49
17Save Me
tecnico di registrazione:
Tom Dowd e Arif Mardin
produttore:
Jerry Wexler
batteria :
Roger Hawkins (drummer and producer) (il 1967-02-08)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (il 1967-02-08) e Chips Moman (il 1967-02-08)
chitarra basso :
Tommy Cogbill (il 1967-02-08)
sassofono baritono :
Willie Bridges (il 1967-02-08)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (il 1967-02-08) e King Curtis (saxophonist) (il 1967-02-08)
tromba :
Melvin Lastie (il 1967-02-08)
voce:
Aretha Franklin (il 1967-02-08)
direttore d'orchestra:
Tom Dowd (il 1967-02-08)
arrangiatore:
Tom Dowd
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1967)
registrazione di:
Save Me (Aretha Franklin song) (il 1967-02-08)
autore:
Aretha Franklin, Carolyn Franklin e Curtis Ousley
editore:
Kilynn Music e Pronto Music (publisher)
Aretha Franklin4.52:17
18Can Your Monkey Do the Dog
registrazione di:
Can Your Monkey Do the Dog
autore:
Steve Cropper e Rufus Thomas (US blues & funk singer & songwriter)
editore:
Irving Music, Inc.
Rufus Thomas1:55
19I Got a Woman
registrazione di:
I Got a Woman
autore:
Ray Charles (soul musician, singer and songwriter) e Renald Richard
editore:
Campbell Connelly & Co. Ltd., Mijac Music, Progressive Music Pub. Co., Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Warner/Chappell (Warner/Chappell Music, Inc.)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Ray Charles2:51
20Shake
registrazione cover di:
Shake (Sam Cooke song)
paroliere e compositore:
Sam Cooke (American singer and songwriter, “King of Soul”)
editore:
ABKCO Music Ltd.
Otis Redding2:37