Eight Classic Albums

~ Release by The Modern Jazz Quartet (see all versions of this release, 1 available)

Tracklist

| |
1▼CD: Sonny Rollins With The Modern Jazz Quartet / An Exeptional Encounter (With Ben Webster)
#TitleArtistRatingLength
1Mambo Bounce
miscellaneous support:
Ira Gitler (task: supervised by)
bass and double bass:
Percy Heath (on 1951-12-17)
drums (drum set):
Art Blakey (on 1951-12-17)
piano:
Kenny Drew (on 1951-12-17)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1951-12-17)
recording of:
Mambo Bounce (on 1951-12-17)
composer:
Sonny Rollins (American saxophonist)
Modern Jazz Quartet2:23
2Time On My Hands
miscellaneous support:
Ira Gitler (task: supervised by)
bass and double bass:
Percy Heath (on 1951-12-17)
drums (drum set):
Percy Heath and Art Blakey (on 1951-12-17)
piano:
Kenny Drew (on 1951-12-17)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1951-12-17)
instrumental recording of:
Time on My Hands (on 1951-12-17)
lyricist:
Harold Adamson (in 1930) and Mack Gordon (in 1930)
composer:
Vincent Youmans (in 1930)
publisher:
Campbell Connelly, Warner/Chappell (Warner/Chappell Music, Inc.), Harold Adamson Music (in 1930, in 1956, in 1986), Miller Music Corp. (in 1930, in 1956) and WB Music Corp. (1929–2019) (in 1930, in 1956)
Modern Jazz Quartet2:41
3This Love of Mine
miscellaneous support:
Ira Gitler (task: supervised by)
bass and double bass:
Percy Heath (on 1951-12-17)
drums (drum set):
Percy Heath and Art Blakey (on 1951-12-17)
piano:
Kenny Drew (on 1951-12-17)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1951-12-17)
instrumental recording of:
This Love of Mine (on 1951-12-17)
lyricist:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
composer:
Sol Parker (songwriter) and Henry Sanicola
publisher:
Embassy Music Corporation and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Modern Jazz Quartet2:25
4Shadrock
Modern Jazz Quartet2:33
5On a Slow Boat to China
miscellaneous support:
Ira Gitler (task: supervised by)
bass and double bass:
Percy Heath (on 1951-12-17)
drums (drum set):
Percy Heath and Art Blakey (on 1951-12-17)
piano:
Kenny Drew (on 1951-12-17)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1951-12-17)
instrumental cover recording of:
On a Slow Boat to China (on 1951-12-17)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp., MPL UK Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Modern Jazz Quartet2:40
6Scoops
miscellaneous support:
Ira Gitler (task: supervised by)
bass and double bass:
Percy Heath (on 1951-12-17)
drums (drum set):
Kenny Clarke, Percy Heath and Art Blakey (on 1951-12-17)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) and Kenny Drew (on 1951-12-17)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1951-12-17)
vibraphone:
Milt Jackson
recording of:
Scoops
composer:
Sonny Rollins (American saxophonist)
Modern Jazz Quartet2:14
7With a Song in My Heart
miscellaneous support:
Ira Gitler (task: supervised by)
bass and double bass:
Percy Heath (on 1951-12-17)
drums (drum set):
Kenny Clarke, Percy Heath and Art Blakey (on 1951-12-17)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) and Kenny Drew (on 1951-12-17)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1951-12-17)
vibraphone:
Milt Jackson
instrumental recording of:
With a Song in My Heart (on 1951-12-17)
lyricist:
Lorenz Hart (in 1929)
composer:
Richard Rodgers (composer) (in 1929)
publisher:
Chappell Music Ltd., Harms, Inc., Imagen Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Modern Jazz Quartet3:07
8Newk's Fadeaway
miscellaneous support:
Ira Gitler (task: supervised by)
bass and double bass:
Percy Heath (on 1951-12-17)
drums (drum set):
Percy Heath and Art Blakey (on 1951-12-17)
piano:
Kenny Drew (on 1951-12-17)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1951-12-17)
Modern Jazz Quartet3:11
9I Knew
Modern Jazz Quartet2:32
10The Stopper
miscellaneous support:
Ira Gitler (task: supervised by)
bass:
Percy Heath (on 1953-10-07)
drums (drum set):
Kenny Clarke (on 1953-10-07)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1953-10-07)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1953-10-07)
vibraphone:
Milt Jackson (on 1953-10-07)
recording of:
The Stopper (on 1953-10-07)
composer:
Sonny Rollins (American saxophonist)
Modern Jazz Quartet2:57
11In a Sentimental Mood
miscellaneous support:
Ira Gitler (task: supervised by)
bass:
Percy Heath (on 1953-10-07)
drums (drum set):
Kenny Clarke (on 1953-10-07)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1953-10-07)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1953-10-07)
vibraphone:
Milt Jackson (on 1953-10-07)
recording of:
In a Sentimental Mood (on 1953-10-07)
lyricist:
Manny Kurtz and Irving Mills
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1935)
publisher:
American Academy of Music, Inc., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), J. R. Lafleur & Son Ltd., Lafleur Music Ltd., Mills Music and Sony/ATV Harmony
instrumental recording of:
In a Sentimental Mood (on 1953-10-07)
lyricist:
Manny Kurtz and Irving Mills
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1935)
publisher:
American Academy of Music, Inc., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), J. R. Lafleur & Son Ltd., Lafleur Music Ltd., Mills Music and Sony/ATV Harmony
Modern Jazz Quartet3:19
12No Moe
recorded in:
New York, New York, United States (on 1953-10-07)
miscellaneous support:
Ira Gitler (task: supervised by)
bass:
Percy Heath (on 1953-10-07)
drums (drum set):
Kenny Clarke (on 1953-10-07)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1953-10-07)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1953-10-07)
vibraphone:
Milt Jackson (on 1953-10-07)
recording of:
No Moe (on 1953-10-07)
composer:
Sonny Rollins (American saxophonist)
Modern Jazz Quartet3:30
13Almost Like Being in Love
recorded in:
New York, New York, United States (on 1953-10-07)
miscellaneous support:
Ira Gitler (task: supervised by)
bass:
Percy Heath (on 1953-10-07)
drums (drum set):
Kenny Clarke (on 1953-10-07)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1953-10-07)
tenor saxophone:
Sonny Rollins (American saxophonist) (on 1953-10-07)
vibraphone:
Milt Jackson (on 1953-10-07)
instrumental recording of:
Almost Like Being in Love (from “Brigadoon”) (on 1953-10-07)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., Sam Fox Publishing Co. (London) Ltd., Sam Fox Publishing Company (publisher; do NOT use as release label), WC Music Corp., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
Brigadoon (complete musical)
Modern Jazz Quartet3:24
14Confirmation
double bass:
Percy Heath (in 1953-02)
drums (drum set):
Kenny Clarke (in 1953-02)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (in 1953-02)
tenor saxophone:
Ben Webster (in 1953-02)
vibraphone:
Milt Jackson (in 1953-02)
recording of:
Confirmation (in 1953-02)
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
publisher:
Atlantic Music/BMI (BMI)
Modern Jazz Quartet5:26
15You Are Too Beautiful
double bass:
Percy Heath (in 1953-02)
drums (drum set):
Kenny Clarke (in 1953-02)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (in 1953-02)
tenor saxophone:
Ben Webster (in 1953-02)
vibraphone:
Milt Jackson (in 1953-02)
instrumental recording of:
You Are Too Beautiful (in 1953-02)
lyricist:
Lorenz Hart
composer:
Richard Rodgers (composer)
publisher:
Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Williamson Music Company, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
Modern Jazz Quartet3:51
16Lady Be Good
double bass:
Percy Heath (in 1953-02)
drums (drum set):
Kenny Clarke (in 1953-02)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (in 1953-02)
tenor saxophone:
Ben Webster (in 1953-02)
vibraphone:
Milt Jackson (in 1953-02)
instrumental recording of:
Oh, Lady Be Good! (in 1953-02)
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., George Gershwin Music, Ira Gershwin Music and WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
American Splendor
part of:
Lady, Be Good (full musical)
Modern Jazz Quartet5:25
17The Nearness of You
double bass:
Percy Heath (in 1953-02)
drums (drum set):
Kenny Clarke (in 1953-02)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (in 1953-02)
tenor saxophone:
Ben Webster (in 1953-02)
vibraphone:
Milt Jackson (in 1953-02)
instrumental recording of:
The Nearness of You (in 1953-02)
lyricist:
Ned Washington (in 1938)
composer:
Hoagy Carmichael (in 1938)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony, Sony/ATV Harmony UK and Sony/ATV Music Publishing LLC (1995–2020)
Modern Jazz Quartet5:39
18Poutin
double bass:
Percy Heath (in 1953-02)
drums (drum set):
Kenny Clarke (in 1953-02)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (in 1953-02)
tenor saxophone:
Ben Webster (in 1953-02)
vibraphone:
Milt Jackson (in 1953-02)
Modern Jazz Quartet4:57
19Danny Boy
double bass:
Percy Heath (in 1953-02)
drums (drum set):
Kenny Clarke (in 1953-02)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (in 1953-02)
tenor saxophone:
Ben Webster (in 1953-02)
vibraphone:
Milt Jackson (in 1953-02)
instrumental recording of:
Danny Boy (in 1953-02)
publisher:
Alfred Music (publisher of sheet music for music education)
lyricist:
Frederick Edward Weatherly (from 1910 until 1913)
composer:
[traditional] (special purpose artist)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label) and Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label)
sub-publisher:
Public Music AB
is based on:
Londonderry Air
Modern Jazz Quartet4:37
20Billies Bounce
double bass:
Percy Heath (in 1953-02)
drums (drum set):
Kenny Clarke (in 1953-02)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (in 1953-02)
tenor saxophone:
Ben Webster (in 1953-02)
vibraphone:
Milt Jackson (in 1953-02)
recording of:
Billie’s Bounce (in 1953-02)
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
Modern Jazz Quartet4:27
21Cotton Tail
double bass:
Percy Heath (in 1953-02)
drums (drum set):
Kenny Clarke (in 1953-01)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (in 1953-02)
tenor saxophone:
Ben Webster (in 1953-02)
vibraphone:
Milt Jackson (in 1953-02)
recording of:
Cotton Tail (in 1953-02)
lyricist and composer:
Duke Ellington (US composer, pianist & jazz bandleader)
Modern Jazz Quartet5:39
2▼CD: Django / Concorde
#TitleArtistRatingLength
1Django
recording of:
Django (on 1954-12-23)
composer:
John Lewis (pianist, member of Modern Jazz Quartet) (in 1954)
publisher:
MJQ Music, Inc.
Modern Jazz Quartet7:05
2One Bass Hit
recorded in:
New York, New York, United States (on 1954-12-23)
recording engineer:
Rudy van Gelder
producer:
Bob Weinstock
bass:
Percy Heath (on 1954-12-23)
drums (drum set):
Kenny Clarke (on 1954-12-23)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1954-12-23)
vibraphone:
Milt Jackson (on 1954-12-23)
recording of:
One Bass Hit (on 1954-12-23)
composer:
Ray Brown (jazz bassist), Walter “Gil” Fuller (jazz composer & arranger) and Dizzy Gillespie
Modern Jazz Quartet3:01
3La Ronde Suite
recorded in:
New York, New York, United States (on 1955-01-09)
producer:
Bob Weinstock
bass:
Percy Heath (on 1955-01-09)
drums (drum set):
Kenny Clarke (on 1955-01-09)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1955-01-09)
vibraphone:
Milt Jackson (on 1955-01-09)
recording of:
La Ronde Suite (on 1955-01-09)
composer:
John Lewis (pianist, member of Modern Jazz Quartet)
Modern Jazz Quartet9:39
4The Queen's Fancy
recorded in:
New York, New York, United States (on 1953-06-25)
producer:
Ira Gitler
bass and double bass:
Percy Heath (on 1953-06-25)
drums (drum set):
Kenny Clarke (on 1953-06-25)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1953-06-25)
vibraphone:
Milt Jackson (on 1953-06-25)
recording of:
The Queen's Fancy (on 1953-06-25)
composer:
John Lewis (pianist, member of Modern Jazz Quartet)
Modern Jazz Quartet3:15
5Delaunay's Dilemma
recorded in:
New York, New York, United States (on 1953-06-25)
producer:
Ira Gitler
bass:
Percy Heath (on 1953-06-25)
drums (drum set):
Kenny Clarke (on 1953-06-25)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1953-06-25)
vibraphone:
Milt Jackson (on 1953-06-25)
recording of:
Delaunay's Dilemma (on 1953-06-25)
composer:
John Lewis (pianist, member of Modern Jazz Quartet)
Modern Jazz Quartet4:00
6Autumn In New York
recorded in:
New York, New York, United States (on 1953-06-25)
producer:
Ira Gitler
bass:
Percy Heath (on 1953-06-25)
drums (drum set):
Kenny Clarke (on 1953-06-25)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1953-06-25)
vibraphone:
Milt Jackson (on 1953-06-25)
instrumental recording of:
Autumn in New York (1934) (on 1953-06-25)
lyricist and composer:
Vernon Duke
publisher:
Chappell & Co. and Warner Bros., Inc. (not for release label use!)
Modern Jazz Quartet3:42
7But Not For Me
recorded in:
New York, New York, United States (on 1953-06-25)
producer:
Ira Gitler
bass:
Percy Heath (on 1953-06-25)
drums (drum set):
Kenny Clarke (on 1953-06-25)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1953-06-25)
vibraphone:
Milt Jackson (on 1953-06-25)
instrumental recording of:
But Not for Me (on 1953-06-25)
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
WB Music Corp. (1929–2019) (until 2019-05-28), New World Music Co. (in 1930) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
included in:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
Modern Jazz Quartet3:46
8Milano
recorded in:
New York, New York, United States (on 1954-12-23)
producer:
Bob Weinstock
bass:
Percy Heath (on 1954-12-23)
drums (drum set):
Kenny Clarke (on 1954-12-23)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1954-12-23)
vibraphone:
Milt Jackson (on 1954-12-23)
recording of:
Milano (on 1954-12-23)
composer:
John Lewis (pianist, member of Modern Jazz Quartet)
publisher:
MJQ Music, Inc.
Modern Jazz Quartet4:24
9Ralph's New Blues
Modern Jazz Quartet7:58
10All Of You
Modern Jazz Quartet7:09
11I'll Remember April
Modern Jazz Quartet4:30
12Gershwin Medley: Soon / For You, For Me, Forevermore / Love Walked In / Our Love Is Here to Stay
Modern Jazz Quartet5:08
13Softly, As In A Morning Sunrise
Modern Jazz Quartet7:56
14Concorde
Modern Jazz Quartet3:39
3▼CD: Fontessa / Third Stream Music
#TitleArtistRatingLength
1Versailles
recorded in:
New York, New York, United States (on 1956-01-22)
recording engineer:
John Kraus (1950s US engineer) (on 1956-01-22)
producer:
Nesuhi Ertegun
double bass [bass]:
Percy Heath (on 1956-01-22)
drums (drum set):
Connie Kay (on 1956-01-22)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1956-01-22)
vibraphone:
Milt Jackson (on 1956-01-22)
Modern Jazz Quartet3:25
2Angel Eyes
recorded in:
New York, New York, United States (on 1956-01-22)
recording engineer:
John Kraus (1950s US engineer) (on 1956-01-22)
producer:
Nesuhi Ertegun
double bass [bass]:
Percy Heath (on 1956-01-22)
drums (drum set):
Connie Kay (on 1956-01-22)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1956-01-22)
vibraphone:
Milt Jackson (on 1956-01-22)
instrumental recording of:
Angel Eyes (1946 jazz standard) (on 1956-01-22)
lyricist:
Earl Brent (in 1946)
composer:
Matt Dennis (American singer, pianist, band leader) (in 1946)
publisher:
Bradshaw Music, Inc., Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent), Music Sales Corporation (American copyright holder in both popular and classical music) and Onyx Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Modern Jazz Quartet3:50
3Fontessa
recorded in:
New York, New York, United States (on 1956-01-22)
recording engineer:
John Kraus (1950s US engineer) (on 1956-01-22)
producer:
Nesuhi Ertegun
double bass [bass]:
Percy Heath (on 1956-01-22)
drums (drum set):
Connie Kay (on 1956-01-22)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1956-01-22)
vibraphone:
Milt Jackson (on 1956-01-22)
Modern Jazz Quartet11:15
4Over the Rainbow
recorded in:
New York, New York, United States (on 1956-01-22)
recording engineer:
John Kraus (1950s US engineer) (on 1956-01-22)
producer:
Nesuhi Ertegun
double bass [bass]:
Percy Heath (on 1956-01-22)
drums (drum set):
Connie Kay (on 1956-01-22)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1956-01-22)
vibraphone:
Milt Jackson (on 1956-01-22)
instrumental recording of:
Over the Rainbow (The Wizard of Oz) (on 1956-01-22)
lyricist:
Yip Harburg (in 1938)
composer:
Harold Arlen (in 1938)
premiered by:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. and Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The 12th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1939 winner)
part of:
The Wizard of Oz (1942 Arlen/Harburg musical)
part of:
The Wizard of Oz (1939 film soundtrack)
Modern Jazz Quartet3:54
5Bluesology
recording engineer:
Rudy van Gelder (on 1956-02-14)
producer:
Nesuhi Ertegun
double bass [bass]:
Percy Heath (on 1956-02-14)
drums (drum set):
Connie Kay (on 1956-02-14)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1956-02-14)
vibraphone:
Milt Jackson (on 1956-02-14)
recorded at:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, United States (on 1956-02-14)
recording of:
Bluesology (on 1956-02-14)
writer:
Milt Jackson
Modern Jazz Quartet5:06
6Willow Weep for Me
recorded in:
New York, New York, United States (on 1956-01-22)
recording engineer:
John Kraus (1950s US engineer) (on 1956-01-22)
producer:
Nesuhi Ertegun
double bass [bass]:
Percy Heath (on 1956-01-22)
drums (drum set):
Connie Kay (on 1956-01-22)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1956-01-22)
vibraphone:
Milt Jackson (on 1956-01-22)
instrumental recording of:
Willow Weep for Me (on 1956-01-22)
lyricist and composer:
Ann Ronell (in 1932)
publisher:
Ann Ronell Music and Bourne Co. (not for release label use, this is a music publisher)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
Modern Jazz Quartet4:49
7Woody 'n' You
recorded in:
New York, New York, United States (on 1956-01-22)
recording engineer:
John Kraus (1950s US engineer) (on 1956-01-22)
producer:
Nesuhi Ertegun
double bass [bass]:
Percy Heath (on 1956-01-22)
drums (drum set):
Connie Kay (on 1956-01-22)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1956-01-22)
vibraphone:
Milt Jackson (on 1956-01-22)
recording of:
Woody ’n’ You (on 1956-01-22)
composer:
Dizzy Gillespie
Modern Jazz Quartet4:26
8De Capo
Modern Jazz Quartet4:08
9Fine
Modern Jazz Quartet5:38
10Exposure
Modern Jazz Quartet9:50
11Sketch
recorded in:
New York, New York, United States (on 1959-09-23)
double bass [bass]:
Percy Heath (on 1959-09-23)
drums (drum set):
Connie Kay (on 1959-09-23)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1959-09-23)
vibraphone:
Milt Jackson (on 1959-09-23)
violin:
Gerald Tarack (on 1959-09-23)
Modern Jazz Quartet5:33
12Conversation
Modern Jazz Quartet10:47
4▼CD: Odds Against Tomorrow / Pyramid
#TitleArtistRatingLength
1Skating In Central Park
recording engineer:
Dick Olmsted (on 1959-10-09)
producer:
Jack Lewis (jazz producer) (on 1959-10-09)
double bass [bass]:
Percy Heath (on 1959-10-09)
drums (drum set):
Connie Kay (on 1959-10-09)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1959-10-09)
vibraphone:
Milt Jackson (on 1959-10-09)
remixer:
Malcolm Addey (in 1989-05)
recorded at:
Olmstead Sound Studios in New York, New York, United States (on 1959-10-09)
recording of:
Skating in Central Park (on 1959-10-09)
composer and arranger:
John Lewis (pianist, member of Modern Jazz Quartet)
Modern Jazz Quartet6:13
2No Happiness for Slater
recording engineer:
Dick Olmsted (on 1959-10-09)
producer:
Jack Lewis (jazz producer) (on 1959-10-09)
double bass [bass]:
Percy Heath (on 1959-10-09)
drums (drum set):
Connie Kay (on 1959-10-09)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1959-10-09)
vibraphone:
Milt Jackson (on 1959-10-09)
remixer:
Malcolm Addey (in 1989-05)
recorded at:
Olmstead Sound Studios in New York, New York, United States (on 1959-10-09)
recording of:
No Happiness for Slater (on 1959-10-09)
composer and arranger:
John Lewis (pianist, member of Modern Jazz Quartet)
Modern Jazz Quartet5:25
3A Social Call
recording engineer:
Dick Olmsted (on 1959-10-09)
producer:
Jack Lewis (jazz producer) (on 1959-10-09)
double bass [bass]:
Percy Heath (on 1959-10-09)
drums (drum set):
Connie Kay (on 1959-10-09)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1959-10-09)
vibraphone:
Milt Jackson (on 1959-10-09)
remixer:
Malcolm Addey (in 1989-05)
recorded at:
Olmstead Sound Studios in New York, New York, United States (on 1959-10-09)
recording of:
A Social Call (on 1959-10-09)
composer and arranger:
John Lewis (pianist, member of Modern Jazz Quartet)
Modern Jazz Quartet4:50
4Cue No.9
recording engineer:
Dick Olmsted (on 1959-10-09)
producer:
Jack Lewis (jazz producer) (on 1959-10-09)
double bass [bass]:
Percy Heath (on 1959-10-09)
drums (drum set):
Connie Kay (on 1959-10-09)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1959-10-09)
vibraphone:
Milt Jackson (on 1959-10-09)
remixer:
Malcolm Addey (in 1989-05)
recorded at:
Olmstead Sound Studios in New York, New York, United States (on 1959-10-09)
recording of:
Cue No. 9 (on 1959-10-09)
composer and arranger:
John Lewis (pianist, member of Modern Jazz Quartet)
Modern Jazz Quartet5:03
5A Cold Wind Is Blowing
recording engineer:
Dick Olmsted (on 1959-10-09)
producer:
Jack Lewis (jazz producer) (on 1959-10-09)
double bass [bass]:
Percy Heath (on 1959-10-09)
drums (drum set):
Connie Kay (on 1959-10-09)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1959-10-09)
vibraphone:
Milt Jackson (on 1959-10-09)
remixer:
Malcolm Addey (in 1989-05)
recorded at:
Olmstead Sound Studios in New York, New York, United States (on 1959-10-09)
recording of:
A Cold Wind Is Blowing (on 1959-10-09)
composer and arranger:
John Lewis (pianist, member of Modern Jazz Quartet)
Modern Jazz Quartet7:37
6Odds Against Tomorrow
recording engineer:
Dick Olmsted (on 1959-10-09)
producer:
Jack Lewis (jazz producer) (on 1959-10-09)
double bass [bass]:
Percy Heath (on 1959-10-09)
drums (drum set):
Connie Kay (on 1959-10-09)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1959-10-09)
vibraphone:
Milt Jackson (on 1959-10-09)
remixer:
Malcolm Addey (in 1989-05)
recorded at:
Olmstead Sound Studios in New York, New York, United States (on 1959-10-09)
recording of:
Odds Against Tomorrow (on 1959-10-09)
composer and arranger:
John Lewis (pianist, member of Modern Jazz Quartet)
Modern Jazz Quartet3:37
7Vendome
Modern Jazz Quartet2:33
8Pyramid (Blues For Junior)
Modern Jazz Quartet10:55
9It Don't Mean a Thing
double bass [bass]:
Percy Heath (on 1959-12-21)
drums (drum set):
Connie Kay (on 1959-12-21)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1959-12-21)
vibraphone:
Milt Jackson (on 1959-12-21)
instrumental recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing) (on 1959-12-21)
lyricist:
Irving Mills (in 1931)
composer:
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music and EMI Mills Music (ASCAP-affiliated)
part of:
The Real Book (compilation of jazz standards, volume I)
Modern Jazz Quartet5:04
10Django
Modern Jazz Quartet4:37
11How High the Moon
double bass [bass]:
Percy Heath (on 1960-01-15)
drums (drum set):
Connie Kay (on 1960-01-15)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1960-01-15)
vibraphone:
Milt Jackson (on 1960-01-15)
instrumental recording of:
How High the Moon (on 1960-01-15)
lyricist:
Nancy Hamilton (in 1940)
composer:
Morgan Lewis (in 1940)
publisher:
Chappell (library/production music), Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Modern Jazz Quartet6:19
12Romaine
Modern Jazz Quartet7:22