The Man: Complete Recordings 1946-1959

~ Release by Ray Brown (see all versions of this release, 1 available)

Tracklist

| |
1CD
#TitleRatingLength
1For Hecklers Only
recorded in:
New York, New York, United States (on 1946-09-25)
producer:
Ozzie Cadena
alto saxophone:
John Brown (alto saxophone player) (on 1946-09-25)
double bass:
Ray Brown (jazz bassist) (on 1946-09-25)
drums (drum set):
Joe Harris (jazz drummer/percussionist) (on 1946-09-25)
piano:
Hank Jones (piano) (on 1946-09-25)
tenor saxophone:
James Moody (jazz saxophonist) (on 1946-09-25)
trumpet:
Dave Burns (trumpet) (on 1946-09-25) and Dizzy Gillespie (on 1946-09-25)
vibraphone:
Milt Jackson (on 1946-09-25)
arranger:
Gil Fuller (jazz composer & arranger)
recording of:
For Hecklers Only (on 1946-09-25)
writer:
Walter “Gil” Fuller (jazz composer & arranger)
composer:
Ray Brown (jazz bassist)
2:57
2Smokey Hollow Jump
recorded in:
New York, New York, United States (on 1946-09-25)
producer:
Ozzie Cadena
alto saxophone:
John Brown (alto saxophone player) (on 1946-09-25)
double bass:
Ray Brown (jazz bassist) (on 1946-09-25)
drums (drum set):
Joe Harris (jazz drummer/percussionist) (on 1946-09-25)
piano:
Hank Jones (piano) (on 1946-09-25)
tenor saxophone:
James Moody (jazz saxophonist) (on 1946-09-25)
trumpet:
Dave Burns (trumpet) (on 1946-09-25) and Dizzy Gillespie (on 1946-09-25)
vibraphone:
Milt Jackson (on 1946-09-25)
arranger:
Gil Fuller (jazz composer & arranger)
recording of:
Smokey Hollow Jump (on 1946-09-25)
composer:
Ray Brown (jazz bassist) and Walter “Gil” Fuller (jazz composer & arranger)
3:03
3Boppin' the Blues
double bass:
Ray Brown (jazz bassist) (on 1946-09-25)
3:07
4Moody Speaks
recorded in:
New York, New York, United States (on 1946-09-25)
producer:
Ozzie Cadena
alto saxophone:
John Brown (alto saxophone player) (on 1946-09-25)
double bass:
Ray Brown (jazz bassist) (on 1946-09-25)
drums (drum set):
Joe Harris (jazz drummer/percussionist) (on 1946-09-25)
piano:
Hank Jones (piano) (on 1946-09-25)
tenor saxophone:
James Moody (jazz saxophonist) (on 1946-09-25)
trumpet:
Dave Burns (trumpet) (on 1946-09-25) and Dizzy Gillespie (on 1946-09-25)
vibraphone:
Milt Jackson (on 1946-09-25)
arranger:
Gil Fuller (jazz composer & arranger)
recording of:
Moody Speaks (on 1946-09-25)
composer:
Dave Burns (trumpet) and James Moody (jazz saxophonist)
2:32
5Slow Down
double bass:
Ray Brown (jazz bassist) (on 1950-07-01)
drums (drum set):
Buddy Rich (on 1950-07-01)
piano:
Hank Jones (piano) (on 1950-07-01)
1:53
6Blue Lou
double bass:
Ray Brown (jazz bassist) (on 1950-07-01)
drums (drum set):
Buddy Rich (on 1950-07-01)
piano:
Hank Jones (piano) (on 1950-07-01)
recording of:
Blue Lou (on 1950-07-01)
composer:
Irving Mills and Edgar Sampson
2:17
7Song of the Volga Boatmen
double bass:
Ray Brown (jazz bassist) (on 1950-07-01)
drums (drum set):
Buddy Rich (on 1950-07-01)
piano:
Hank Jones (piano) (on 1950-07-01)
3:34
8Little Toe
alto saxophone:
Jack DuLong (on 1956-11-21) and Herb Geller (on 1956-11-21)
double bass:
Ray Brown (jazz bassist) (on 1956-11-21)
drums (drum set):
Alvin Stoller (on 1956-11-21)
guitar:
Herb Ellis (jazz guitarist) (on 1956-11-21)
piano:
Jimmy Rowles (on 1956-11-21)
reeds:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (on 1956-11-21)
tenor saxophone:
Bill Holman (on 1956-11-21)
trombone:
Herbie Harper (on 1956-11-21)
trumpet:
Pete Candoli (on 1956-11-21), Harry “Sweets” Edison (on 1956-11-21), Conrad Gozzo (on 1956-11-21) and Ray Linn (on 1956-11-21)
conductor:
Marty Paich (on 1956-11-21)
arranger:
Marty Paich (on 1956-11-21)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-11-21)
4:50
9All of You
alto saxophone:
Jack DuLong (on 1956-11-21) and Herb Geller (on 1956-11-21)
double bass:
Ray Brown (jazz bassist) (on 1956-11-21)
drums (drum set):
Alvin Stoller (on 1956-11-21)
guitar:
Herb Ellis (jazz guitarist) (on 1956-11-21)
piano:
Jimmy Rowles (on 1956-11-21)
reeds:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (on 1956-11-21)
tenor saxophone:
Bill Holman (on 1956-11-21)
trombone:
Herbie Harper (on 1956-11-21)
trumpet:
Pete Candoli (on 1956-11-21), Harry “Sweets” Edison (on 1956-11-21), Conrad Gozzo (on 1956-11-21) and Ray Linn (on 1956-11-21)
conductor:
Marty Paich (on 1956-11-21)
arranger:
Marty Paich (on 1956-11-21)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-11-21)
instrumental recording of:
All of You (Silk Stockings musical) (on 1956-11-21)
lyricist and composer:
Cole Porter (composer) (in 1954)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Chappell Music (UK)
part of:
Silk Stockings (1957 musical film)
3:58
10Everything I Have Is Yours
alto saxophone:
Jack DuLong (on 1956-11-21) and Herb Geller (on 1956-11-21)
double bass:
Ray Brown (jazz bassist) (on 1956-11-21)
drums (drum set):
Alvin Stoller (on 1956-11-21)
guitar:
Herb Ellis (jazz guitarist) (on 1956-11-21)
piano:
Jimmy Rowles (on 1956-11-21)
reeds:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (on 1956-11-21)
tenor saxophone:
Bill Holman (on 1956-11-21)
trombone:
Herbie Harper (on 1956-11-21)
trumpet:
Pete Candoli (on 1956-11-21), Harry “Sweets” Edison (on 1956-11-21), Conrad Gozzo (on 1956-11-21) and Ray Linn (on 1956-11-21)
conductor:
Marty Paich (on 1956-11-21)
arranger:
Marty Paich (on 1956-11-21)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-11-21)
instrumental recording of:
Everything I Have Is Yours (on 1956-11-21)
lyricist:
Harold Adamson
composer:
Burton Lane
4:26
11Alone Together
alto saxophone:
Jack DuLong (on 1956-11-21) and Herb Geller (on 1956-11-21)
double bass:
Ray Brown (jazz bassist) (on 1956-11-21)
drums (drum set):
Alvin Stoller (on 1956-11-21)
guitar:
Herb Ellis (jazz guitarist) (on 1956-11-21)
piano:
Jimmy Rowles (on 1956-11-21)
reeds:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (on 1956-11-21)
tenor saxophone:
Bill Holman (on 1956-11-21)
trombone:
Herbie Harper (on 1956-11-21)
trumpet:
Pete Candoli (on 1956-11-21), Harry “Sweets” Edison (on 1956-11-21), Conrad Gozzo (on 1956-11-21) and Ray Linn (on 1956-11-21)
conductor:
Marty Paich (on 1956-11-21)
arranger:
Marty Paich (on 1956-11-21)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-11-21)
instrumental recording of:
Alone Together (on 1956-11-21)
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Warner Bros. Music (publisher; do NOT use as release label) and Warner Bros., Inc. (Warner Bros. Music Division)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
4:45
12After You've Gone
alto saxophone:
Jack DuLong (on 1956-11-21) and Herb Geller (on 1956-11-21)
double bass:
Ray Brown (jazz bassist) (on 1956-11-21)
drums (drum set):
Alvin Stoller (on 1956-11-21)
guitar:
Herb Ellis (jazz guitarist) (on 1956-11-21)
piano:
Jimmy Rowles (on 1956-11-21)
reeds:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (on 1956-11-21)
tenor saxophone:
Bill Holman (on 1956-11-21)
trombone:
Herbie Harper (on 1956-11-21)
trumpet:
Pete Candoli (on 1956-11-21), Harry “Sweets” Edison (on 1956-11-21), Conrad Gozzo (on 1956-11-21) and Ray Linn (on 1956-11-21)
conductor:
Marty Paich (on 1956-11-21)
arranger:
Marty Paich (on 1956-11-21)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-11-21)
instrumental recording of:
After You’ve Gone (on 1956-11-21)
lyricist:
Henry Creamer (Lyricist) (in 1918)
composer:
Turner Layton (in 1918)
publisher:
Francis, Day & Hunter Ltd. and Morley Music Corp.
part of:
For Me and My Gal (1942 movie)
2:39
13Will You Still Be Mine?
alto saxophone:
Jack DuLong (on 1956-11-03) and Herb Geller (on 1956-11-03)
double bass:
Ray Brown (jazz bassist) (on 1956-11-03)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1956-11-03)
guitar:
Herb Ellis (jazz guitarist) (on 1956-11-03)
piano:
Jimmy Rowles (on 1956-11-03)
reeds:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (on 1956-11-03)
tenor saxophone:
Bill Holman (on 1956-11-03)
trombone:
Herbie Harper (on 1956-11-03)
trumpet:
Harry “Sweets” Edison (on 1956-11-03), Conrad Gozzo (on 1956-11-03) and Ray Linn (on 1956-11-03)
conductor:
Marty Paich (on 1956-11-03)
arranger:
Marty Paich (on 1956-11-03)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-11-03)
instrumental recording of:
Will You Still Be Mine? (on 1956-11-03)
lyricist:
Tom Adair
composer:
Matt Dennis (American singer, pianist, band leader)
3:41
14My Foolish Heart
alto saxophone:
Jack DuLong (on 1956-11-03) and Herb Geller (on 1956-11-03)
double bass:
Ray Brown (jazz bassist) (on 1956-11-03)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1956-11-03)
guitar:
Herb Ellis (jazz guitarist) (on 1956-11-03)
piano:
Jimmy Rowles (on 1956-11-03)
reeds:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (on 1956-11-03)
tenor saxophone:
Bill Holman (on 1956-11-03)
trombone:
Herbie Harper (on 1956-11-03)
trumpet:
Harry “Sweets” Edison (on 1956-11-03), Conrad Gozzo (on 1956-11-03) and Ray Linn (on 1956-11-03)
conductor:
Marty Paich (on 1956-11-03)
arranger:
Marty Paich (on 1956-11-03)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-11-03)
instrumental recording of:
My Foolish Heart (on 1956-11-03)
lyricist:
Ned Washington
composer:
Victor Young (American composer, arranger, violinist & conductor)
arranger:
Les Harris (Sr., arranger)
publisher:
Anne-Rachel Music, Catharine Hinen Music, Chappell & Co., Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Joy Music, Inc., Largo Music and Patti Washington Music
part of:
The 22nd Academy Award for Best Original Song (number: 2)
4:07
15Bass Introduction
alto saxophone:
Jack DuLong (on 1956-11-03) and Herb Geller (on 1956-11-03)
double bass:
Ray Brown (jazz bassist) (on 1956-11-03)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1956-11-03)
guitar:
Herb Ellis (jazz guitarist) (on 1956-11-03)
piano:
Jimmy Rowles (on 1956-11-03)
reeds:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (on 1956-11-03)
tenor saxophone:
Bill Holman (on 1956-11-03)
trombone:
Herbie Harper (on 1956-11-03)
trumpet:
Harry “Sweets” Edison (on 1956-11-03), Conrad Gozzo (on 1956-11-03) and Ray Linn (on 1956-11-03)
conductor:
Marty Paich (on 1956-11-03)
arranger:
Marty Paich (on 1956-11-03)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-11-03)
0:19
16Blues for Sylvia
alto saxophone:
Jack DuLong (on 1956-11-03) and Herb Geller (on 1956-11-03)
double bass:
Ray Brown (jazz bassist) (on 1956-11-03)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1956-11-03)
guitar:
Herb Ellis (jazz guitarist) (on 1956-11-03)
piano:
Jimmy Rowles (on 1956-11-03)
reeds:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (on 1956-11-03)
tenor saxophone:
Bill Holman (on 1956-11-03)
trombone:
Herbie Harper (on 1956-11-03)
trumpet:
Harry “Sweets” Edison (on 1956-11-03), Conrad Gozzo (on 1956-11-03) and Ray Linn (on 1956-11-03)
conductor:
Marty Paich (on 1956-11-03)
arranger:
Marty Paich (on 1956-11-03)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-11-03)
4:40
17Blues for Lorraine
alto saxophone:
Jack DuLong (on 1956-11-03) and Herb Geller (on 1956-11-03)
double bass:
Ray Brown (jazz bassist) (on 1956-11-03)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1956-11-03)
guitar:
Herb Ellis (jazz guitarist) (on 1956-11-03)
piano:
Jimmy Rowles (on 1956-11-03)
reeds:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (on 1956-11-03)
tenor saxophone:
Bill Holman (on 1956-11-03)
trombone:
Herbie Harper (on 1956-11-03)
trumpet:
Harry “Sweets” Edison (on 1956-11-03), Conrad Gozzo (on 1956-11-03) and Ray Linn (on 1956-11-03)
conductor:
Marty Paich (on 1956-11-03)
arranger:
Marty Paich (on 1956-11-03)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-11-03)
2:59
18Bass Conclusion
alto saxophone:
Jack DuLong (on 1956-11-03) and Herb Geller (on 1956-11-03)
double bass:
Ray Brown (jazz bassist) (on 1956-11-03)
drums (drum set):
Mel Lewis (American jazz drummer) (on 1956-11-03)
guitar:
Herb Ellis (jazz guitarist) (on 1956-11-03)
piano:
Jimmy Rowles (on 1956-11-03)
reeds:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (on 1956-11-03)
tenor saxophone:
Bill Holman (on 1956-11-03)
trombone:
Herbie Harper (on 1956-11-03)
trumpet:
Harry “Sweets” Edison (on 1956-11-03), Conrad Gozzo (on 1956-11-03) and Ray Linn (on 1956-11-03)
conductor:
Marty Paich (on 1956-11-03)
arranger:
Marty Paich (on 1956-11-03)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-11-03)
0:20
19Cat Without a Playmate
double bass:
Ray Brown (jazz bassist) (on 1956-11-23)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-11-23)
2:28
2CD
#TitleRatingLength
1Body and Soul
cello:
Oscar Pettiford (on 1956-08-30)
double bass:
Ray Brown (jazz bassist) (on 1956-08-30)
drums (drum set):
Connie Kay (on 1956-08-30)
flute:
Herbie Mann (on 1956-08-30)
piano:
Dick Katz (US jazz pianist, 1924-2009) (on 1956-08-30)
recorded at:
The Music Inn in Lenox, Massachusetts, United States (on 1956-08-30)
live instrumental recording of:
Body and Soul (on 1956-08-30)
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
12:10
2Bass Ball
double bass:
Ray Brown (jazz bassist) (on 1957-07-31)
drums (drum set):
Stan Levey (on 1957-07-31)
guitar:
Herb Ellis (jazz guitarist) (on 1957-07-31)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-07-31)
2:50
3Bric-A-Brac
double bass:
Ray Brown (jazz bassist) (in 1958-02)
drums (drum set):
Osie Johnson (in 1958-02)
flute:
Jerome Richardson (in 1958-02)
guitar:
Herb Ellis (jazz guitarist) (in 1958-02)
organ:
Oscar Peterson (Canadian jazz pianist and composer) (in 1958-02)
5:33
4Upstairs Blues
double bass:
Ray Brown (jazz bassist) (in 1958-02)
drums (drum set):
Osie Johnson (in 1958-02)
flute:
Jerome Richardson (in 1958-02)
guitar:
Herb Ellis (jazz guitarist) (in 1958-02)
organ:
Oscar Peterson (Canadian jazz pianist and composer) (in 1958-02)
6:39
5Indiana
double bass:
Ray Brown (jazz bassist) (in 1958-02)
drums (drum set):
Osie Johnson (in 1958-02)
flute:
Jerome Richardson (in 1958-02)
guitar:
Herb Ellis (jazz guitarist) (in 1958-02)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1958-02)
4:38
6The Nearness of You
double bass:
Ray Brown (jazz bassist) (in 1958-02)
drums (drum set):
Osie Johnson (in 1958-02)
flute:
Jerome Richardson (in 1958-02)
guitar:
Herb Ellis (jazz guitarist) (in 1958-02)
organ:
Oscar Peterson (Canadian jazz pianist and composer) (in 1958-02)
instrumental recording of:
The Nearness of You (in 1958-02)
lyricist:
Ned Washington (in 1938)
composer:
Hoagy Carmichael (in 1938)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony, Sony/ATV Harmony UK and Sony/ATV Music Publishing LLC (1995–2020)
6:15
7Take the 'A' Train
double bass:
Ray Brown (jazz bassist) (in 1958-02)
drums (drum set):
Osie Johnson (in 1958-02)
flute:
Jerome Richardson (in 1958-02)
guitar:
Herb Ellis (jazz guitarist) (in 1958-02)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1958-02)
recording of:
Take the “A” Train (original instrumental version) (in 1958-02)
composer:
Billy Strayhorn
part of:
The Real Book (compilation of jazz standards, volume I)
8:06
8Cool Walk
double bass:
Ray Brown (jazz bassist) (in 1958-02)
drums (drum set):
Osie Johnson (in 1958-02)
flute:
Jerome Richardson (in 1958-02)
guitar:
Herb Ellis (jazz guitarist) (in 1958-02)
organ:
Oscar Peterson (Canadian jazz pianist and composer) (in 1958-02)
6:31
9Jim
double bass:
Ray Brown (jazz bassist) (in 1958-02)
drums (drum set):
Osie Johnson (in 1958-02)
flute:
Jerome Richardson (in 1958-02)
guitar:
Herb Ellis (jazz guitarist) (in 1958-02)
organ:
Oscar Peterson (Canadian jazz pianist and composer) (in 1958-02)
recording of:
Jim (in 1958-02)
lyricist:
Nelson Shawn
composer:
Edward Ross and Caesar Petrillo
publisher:
MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996)
9:02
10Mighty Cool Penthouse
double bass:
Ray Brown (jazz bassist) (on 1959-07-10)
drums (drum set):
Ed Thigpen (on 1959-07-10)
piano:
Hank Jones (piano) (on 1959-07-10)
5:21