Tracklist

| |
1CD
#TitleArtistRatingLength
1La sonnambula: Atto I, scena 1. “Tutto è gioia, tutto è festa…”
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Antonino Votto (conductor)
recording of:
La sonnambula: Atto I, scena 1. Cavatina “Tutto è gioia” (Coro, Lisa, Alessio)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini6:08
2La sonnambula: Atto I, scena 1. “In Elvezia non v’ha rosa”
recorded in:
Milano (Milan), Milano, Lombardia, Italy (in 1957-03)
bass vocals [Alessio]:
Giuseppe Morresi (operatic bass) (in 1957-03)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1957-03)
soprano vocals [Lisa]:
Eugenia Ratti (soprano) (in 1957-03)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1957-03)
conductor:
Antonino Votto (conductor) (in 1957-03)
recording of:
La sonnambula: Atto I, scena 1. “In Elvezia non v’ha rosa” (Coro, Lisa, Alessio) (in 1957-03)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini2:52
3La sonnambula: Atto I, scena 1. “Care compagne”
recorded in:
Milano (Milan), Milano, Lombardia, Italy
producer:
Walter Legge (British classical producer)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-03-03 until 1957-03-09)
soprano vocals [Amina]:
Maria Callas (soprano) (from 1957-03-03 until 1957-03-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-03-03 until 1957-03-09)
conductor:
Antonino Votto (conductor) (from 1957-03-03 until 1957-03-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Basilica di Sant’Eufemia in Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
recording of:
La sonnambula: Atto I, scena 1. Recitativo e cavatina “Care compagne, teneri amici… Come per me sereno” (Amina, Tutti) (from 1957-03-03 until 1957-03-09)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini2:10
4La sonnambula: Atto I, scena 1. “Come per me sereno…” … “Sempre, o felice Amina”
recorded in:
Milano (Milan), Milano, Lombardia, Italy
producer:
Walter Legge (British classical producer)
bass vocals [Alessio]:
Giuseppe Morresi (operatic bass) (from 1957-03-03 until 1957-03-09)
bass vocals [Il conte Rodolfo]:
Nicola Zaccaria (operatic bass) (from 1957-03-03 until 1957-03-09)
soprano vocals [Amina]:
Maria Callas (soprano) (from 1957-03-03 until 1957-03-09)
soprano vocals [Lisa]:
Eugenia Ratti (soprano) (from 1957-03-03 until 1957-03-09)
tenor vocals [Elvino]:
Nicola Monti (tenor) (from 1957-03-03 until 1957-03-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-03-03 until 1957-03-09)
conductor:
Antonino Votto (conductor) (from 1957-03-03 until 1957-03-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Basilica di Sant’Eufemia in Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
recording of:
La sonnambula: Atto I, scena 1. Recitativo e cavatina “Care compagne, teneri amici… Come per me sereno” (Amina, Tutti) (from 1957-03-03 until 1957-03-09)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini3:02
5La sonnambula: Atto I, scena 1. “Sovra il sen la man mi posa…”
recorded in:
Milano (Milan), Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
producer:
Walter Legge (British classical producer)
bass vocals [Alessio]:
Giuseppe Morresi (operatic bass) (from 1957-03-03 until 1957-03-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-03-03 until 1957-03-09)
mezzo-soprano vocals [Teresa]:
Fiorenza Cossotto (mezzo-soprano) (from 1957-03-03 until 1957-03-09)
soprano vocals [Amina]:
Maria Callas (soprano) (from 1957-03-03 until 1957-03-09)
soprano vocals [Lisa]:
Eugenia Ratti (soprano) (from 1957-03-03 until 1957-03-09)
tenor vocals [Un notaro]:
Franco Ricciardi (Italian tenor) (from 1957-03-03 until 1957-03-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-03-03 until 1957-03-09)
conductor:
Antonino Votto (conductor) (from 1957-03-03 until 1957-03-09)
chorus master:
Norberto Mola (chorus master) (from 1957-03-03 until 1957-03-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Basilica di Sant’Eufemia in Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
recording of:
La sonnambula: Atto I, scena 1. “Sovra il sen la man mi posa” (Amina) (from 1957-03-03 until 1957-03-09)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini2:37
6La sonnambula: Atto I, scena 1. “Io più di tutti, o Amina”
recorded in:
Milano (Milan), Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
producer:
Walter Legge (British classical producer)
bass vocals [Alessio]:
Giuseppe Morresi (operatic bass) (from 1957-03-03 until 1957-03-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-03-03 until 1957-03-09)
mezzo-soprano vocals [Teresa]:
Fiorenza Cossotto (mezzo-soprano) (from 1957-03-03 until 1957-03-09)
soprano vocals [Amina]:
Maria Callas (soprano) (from 1957-03-03 until 1957-03-09)
soprano vocals [Lisa]:
Eugenia Ratti (soprano) (from 1957-03-03 until 1957-03-09)
tenor vocals [Un notaro]:
Franco Ricciardi (Italian tenor) (from 1957-03-03 until 1957-03-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-03-03 until 1957-03-09)
conductor:
Antonino Votto (conductor) (from 1957-03-03 until 1957-03-09)
chorus master:
Norberto Mola (chorus master) (from 1957-03-03 until 1957-03-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Basilica di Sant’Eufemia in Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
recording of:
La sonnambula: Atto I, scena 1. Recitativo “Io più di tutti” (Alessio, Amina, Lisa, Teresa, Coro, Notaro) (from 1957-03-03 until 1957-03-09)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini2:18
7La sonnambula: Atto I, scena 1. “Perdona, o mia diletta”
recorded in:
Milano (Milan), Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
producer:
Walter Legge (British classical producer)
bass vocals [Alessio]:
Giuseppe Morresi (operatic bass) (from 1957-03-03 until 1957-03-09)
bass vocals [Il conte Rodolfo]:
Nicola Zaccaria (operatic bass) (from 1957-03-03 until 1957-03-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-03-03 until 1957-03-09)
mezzo-soprano vocals [Teresa]:
Fiorenza Cossotto (mezzo-soprano) (from 1957-03-03 until 1957-03-09)
soprano vocals [Amina]:
Maria Callas (soprano) (from 1957-03-03 until 1957-03-09)
soprano vocals [Lisa]:
Eugenia Ratti (soprano) (from 1957-03-03 until 1957-03-09)
tenor vocals [Elvino]:
Nicola Monti (tenor) (from 1957-03-03 until 1957-03-09)
tenor vocals [Un notaro]:
Franco Ricciardi (Italian tenor) (from 1957-03-03 until 1957-03-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-03-03 until 1957-03-09)
conductor:
Antonino Votto (conductor) (from 1957-03-03 until 1957-03-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Basilica di Sant’Eufemia in Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
recording of:
La sonnambula: Atto I, scena 1. “Perdona, o mia diletta” (Elvino, Amina, Notaro, Tutti) (from 1957-03-03 until 1957-03-09)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini2:45
8La sonnambula: Atto I, scena 1. “Prendi: l’anel ti dono”
recorded in:
Milano (Milan), Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
producer:
Walter Legge (British classical producer)
tenor vocals [Elvino]:
Nicola Monti (tenor) (from 1957-03-03 until 1957-03-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-03-03 until 1957-03-09)
conductor:
Antonino Votto (conductor) (from 1957-03-03 until 1957-03-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Basilica di Sant’Eufemia in Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
recording of:
La sonnambula: Atto I, scena 1. “Prendi: l’anel ti dono” (Elvino) (from 1957-03-03 until 1957-03-09)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini5:16
9La sonnambula: Atto I, scena 1. “Scritti nel ciel già sono…” … “Ah! vorrei trovar parole”
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Antonino Votto (conductor)
recording of:
La sonnambula: Atto I, scena 1. “Scritti nel ciel già sono” … “Ah! Vorrei trovar parole” (Tutti, Elvino, Amina, Lisa)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini4:00
10La sonnambula: Atto I, scena 1. “Come noioso e lungo il cammin”Vincenzo Bellini0:54
11La sonnambula: Atto I, scena 1. “Il mulino… il fonte… il bosco!…” … “Vi ravviso, o luoghi ameni” … “È gentil, leggiadra molto”Vincenzo Bellini5:10
12La sonnambula: Atto I, scena 1. “Contezza del paese”
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Antonino Votto (conductor)
recording of:
La sonnambula: Atto I, scena 1. Recitativo e coro “Contezza del paese avete voi?” (Elvino, Rodolfo, Teresa, Lisa, coro)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini3:05
13La sonnambula: Atto I, scena 1. “A fosco cielo, a notte bruna”
recorded in:
Milano (Milan), Milano, Lombardia, Italy (in 1957-03)
bass vocals [Rodolfo]:
Nicola Zaccaria (operatic bass) (in 1957-03)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1957-03)
mezzo-soprano vocals [Teresa]:
Fiorenza Cossotto (mezzo-soprano) (in 1957-03)
soprano vocals [Amina]:
Maria Callas (soprano) (in 1957-03)
tenor vocals [Elvino]:
Nicola Monti (tenor) (in 1957-03)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1957-03)
conductor:
Antonino Votto (conductor) (in 1957-03)
recording of:
La sonnambula: Atto I, scena 1. “A fosco cielo, a notte bruna” (Elvino, Rodolfo, Teresa, Lisa, Coro) (in 1957-03)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini4:10
14La sonnambula: Atto I, scena 1. “Basta così. Ciascuno si attenga”
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Antonino Votto (conductor)
recording of:
La sonnambula: Atto I, scena 1. “Basta così” (Rodolfo, Teresa, Elvino, Tutti)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini1:45
15La sonnambula: Atto I, scena 1. “Elvino! E me tu lasci”
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Antonino Votto (conductor)
recording of:
La sonnambula: Atto I, scena 1. “Elvino! E me tu lasci” (Amina, Elvino)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini2:16
16La sonnambula: Atto I, scena 1. “Son geloso del zefiro errante”
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Antonino Votto (conductor)
recording of:
La sonnambula: Atto I, scena 1. Duetto “Son geloso del zefiro errante” (Amina, Elvino)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini5:40
17La sonnambula: Atto I, scena 2. “Davver, non mi dispiace”
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Antonino Votto (conductor)
partial recording of:
La sonnambula: Atto I, scena 2: “Davver, non mi dispiace” (Rodolfo, Lisa)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini4:39
18La sonnambula: Atto I, scena 2. “Elvino… Elvino…”
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Antonino Votto (conductor)
partial recording of:
La sonnambula: Atto I, scena 2: “Davver, non mi dispiace” (Rodolfo, Lisa)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini1:57
2CD
#TitleArtistRatingLength
1La sonnambula: Atto I, scena 2. “O ciel! che tento?”
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Antonino Votto (conductor)
recording of:
La sonnambula: Atto I, scena 2. “O ciel! Che tento” (Rodolfo, Amina)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini4:06
2La sonnambula: Atto I, scena 2. “Osservate: l’uscio è aperto”
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Antonino Votto (conductor)
recording of:
La sonnambula: Atto I, scena 2. “Osservate: l’uscio è aperto” (Coro)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini3:30
3La sonnambula: Atto I, scena 2. “È menzongna”
recorded in:
Milano (Milan), Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
producer:
Walter Legge (British classical producer)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-03-03 until 1957-03-09)
soprano vocals [Amina]:
Maria Callas (soprano) (from 1957-03-03 until 1957-03-09)
soprano vocals [Lisa]:
Eugenia Ratti (soprano) (from 1957-03-03 until 1957-03-09)
tenor vocals [Elvino]:
Nicola Monti (tenor) (from 1957-03-03 until 1957-03-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-03-03 until 1957-03-09)
conductor:
Antonino Votto (conductor) (from 1957-03-03 until 1957-03-09)
chorus master:
Norberto Mola (chorus master) (from 1957-03-03 until 1957-03-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Basilica di Sant’Eufemia in Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
recording of:
La sonnambula: Atto I, scena 2. “È menzogna” … “Oh me, infelice” (Elvino, Coro, Lisa, Amina, Alessio, Teresa) (from 1957-03-03 until 1957-03-09)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
Vincenzo Bellini2:05
4La sonnambula: Atto I, scena 2. “D’un pensiero e d’un accento”
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Antonino Votto (conductor)
recording of:
La sonnambula: Atto I, scena 2. “D’un pensiero e d’un accento” (Amina, Elvino, Coro, Alessio, Teresa)
lyricist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
composer:
Vincenzo Bellini (Sicilian opera composer)
part of:
La sonnambula: Atto I
Vincenzo Bellini7:04
5La sonnambula: Atto II, scena 1. “Qui la selva è piu folta ed ombrosa”
recorded in:
Milano (Milan), Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
producer:
Walter Legge (British classical producer)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-03-03 until 1957-03-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-03-03 until 1957-03-09)
conductor:
Antonino Votto (conductor) (from 1957-03-03 until 1957-03-09)
chorus master:
Norberto Mola (chorus master) (from 1957-03-03 until 1957-03-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Basilica di Sant’Eufemia in Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
recording of:
La sonnambula: Atto II, scena 1: Coro d’introduzione “Qui la selva” (from 1957-03-03 until 1957-03-09)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto II
Vincenzo Bellini5:52
6La sonnambula: Atto II, scena 1. “Reggimi, o buona madre”
recorded in:
Milano (Milan), Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals [Teresa]:
Fiorenza Cossotto (mezzo-soprano) (from 1957-03-03 until 1957-03-09)
soprano vocals [Amina]:
Maria Callas (soprano) (from 1957-03-03 until 1957-03-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-03-03 until 1957-03-09)
conductor:
Antonino Votto (conductor) (from 1957-03-03 until 1957-03-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Basilica di Sant’Eufemia in Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
recording of:
La sonnambula: Atto II, scena 1: Scena ed aria “Reggimi, o buona madre” (Amina, Teresa) (from 1957-03-03 until 1957-03-09)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto II
Vincenzo Bellini4:35
7La sonnambula: Atto II, scena 1. “Vedi, o madre… è afflitto e mesto…”
recorded in:
Milano (Milan), Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
producer:
Walter Legge (British classical producer)
soprano vocals [Amina]:
Maria Callas (soprano) (from 1957-03-03 until 1957-03-09)
tenor vocals [Elvino]:
Nicola Monti (tenor) (from 1957-03-03 until 1957-03-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-03-03 until 1957-03-09)
conductor:
Antonino Votto (conductor) (from 1957-03-03 until 1957-03-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Basilica di Sant’Eufemia in Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
recording of:
La sonnambula: Atto II, scena 1. “Vedi, oh madre… E afflitto e mesto” (Amina, Elvino) (from 1957-03-03 until 1957-03-09)
lyricist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
composer:
Vincenzo Bellini (Sicilian opera composer)
part of:
La sonnambula: Atto II
Vincenzo Bellini3:25
8La sonnambula: Atto II, scena 1. “Viva il Conte!”
recorded in:
Milano (Milan), Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
producer:
Walter Legge (British classical producer)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-03-03 until 1957-03-09)
mezzo-soprano vocals [Teresa]:
Fiorenza Cossotto (mezzo-soprano) (from 1957-03-03 until 1957-03-09)
soprano vocals:
Eugenia Ratti (soprano) (from 1957-03-03 until 1957-03-09)
soprano vocals [Amina]:
Maria Callas (soprano) (from 1957-03-03 until 1957-03-09)
tenor vocals [Elvino]:
Nicola Monti (tenor) (from 1957-03-03 until 1957-03-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-03-03 until 1957-03-09)
conductor:
Antonino Votto (conductor) (from 1957-03-03 until 1957-03-09)
chorus master:
Norberto Mola (chorus master) (from 1957-03-03 until 1957-03-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Basilica di Sant’Eufemia in Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
recording of:
La sonnambula: Atto II, scena 1. “Viva il Conte!” (Voci lontane, Elvino, Amina, Teresa, Coro) (from 1957-03-03 until 1957-03-09)
lyricist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
composer:
Vincenzo Bellini (Sicilian opera composer)
part of:
La sonnambula: Atto II
Vincenzo Bellini1:27
9La sonnambula: Atto II, scena 1. “Ah! perchè non posso odiarti”
recorded in:
Milano (Milan), Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
producer:
Walter Legge (British classical producer)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-03-03 until 1957-03-09)
mezzo-soprano vocals [Teresa]:
Fiorenza Cossotto (mezzo-soprano) (from 1957-03-03 until 1957-03-09)
tenor vocals [Elvino]:
Nicola Monti (tenor) (from 1957-03-03 until 1957-03-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-03-03 until 1957-03-09)
conductor:
Antonino Votto (conductor) (from 1957-03-03 until 1957-03-09)
chorus master:
Norberto Mola (chorus master) (from 1957-03-03 until 1957-03-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Basilica di Sant’Eufemia in Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
recording of:
La sonnambula: Atto II, scena 1. “Ah! Perché non posso odiarti” (Elvino, Teresa, Coro) (from 1957-03-03 until 1957-03-09)
lyricist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
composer:
Vincenzo Bellini (Sicilian opera composer)
part of:
La sonnambula: Atto II
Vincenzo Bellini1:55
10La sonnambula: Atto II, scena 2. “E fia pur vero, Elvino”
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Antonino Votto (conductor)
recording of:
La sonnambula: Atto II, scena 2. Quartetto “E fia pur vero, Elvino” (Lisa, Elvino, Rodolfo, Alessio)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto II
Vincenzo Bellini2:03
11La sonnambula: Atto II, scena 2. “Signor Conte, agli occhi miei”
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Antonino Votto (conductor)
recording of:
La sonnambula: Atto II, scena 2. “Signor Conte, agli occhi miei” (Elvino, Rodolfo, Coro, Lisa, Teresa)
lyricist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
composer:
Vincenzo Bellini (Sicilian opera composer)
part of:
La sonnambula: Atto II
Vincenzo Bellini4:25
12La sonnambula: Atto II, scena 2. “Signor?… che creder deggio?”
recorded in:
Milano (Milan), Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
producer:
Walter Legge (British classical producer)
bass vocals [Il conte Rodolfo]:
Nicola Zaccaria (operatic bass) (from 1957-03-03 until 1957-03-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-03-03 until 1957-03-09)
mezzo-soprano vocals [Teresa]:
Fiorenza Cossotto (mezzo-soprano) (from 1957-03-03 until 1957-03-09)
tenor vocals [Elvino]:
Nicola Monti (tenor) (from 1957-03-03 until 1957-03-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-03-03 until 1957-03-09)
conductor:
Antonino Votto (conductor) (from 1957-03-03 until 1957-03-09)
chorus master:
Norberto Mola (chorus master) (from 1957-03-03 until 1957-03-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Basilica di Sant’Eufemia in Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
recording of:
La sonnambula: Atto II, scena 2: Scena ed aria, finale “Signor? Che creder deggio?” (Elvino, Rodolfo, Teresa, Coro) (from 1957-03-03 until 1957-03-09)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto II
Vincenzo Bellini2:46
13La sonnambula: Atto II, scena 2. “Oh! se una volta sola”
recorded in:
Milano (Milan), Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
producer:
Walter Legge (British classical producer)
bass vocals [Alessio]:
Giuseppe Morresi (operatic bass) (from 1957-03-03 until 1957-03-09)
bass vocals [Il conte Rodolfo]:
Nicola Zaccaria (operatic bass) (from 1957-03-03 until 1957-03-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-03-03 until 1957-03-09)
mezzo-soprano vocals [Teresa]:
Fiorenza Cossotto (mezzo-soprano) (from 1957-03-03 until 1957-03-09)
soprano vocals [Amina]:
Maria Callas (soprano) (from 1957-03-03 until 1957-03-09)
soprano vocals [Lisa]:
Eugenia Ratti (soprano) (from 1957-03-03 until 1957-03-09)
tenor vocals [Elvino]:
Nicola Monti (tenor) (from 1957-03-03 until 1957-03-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-03-03 until 1957-03-09)
conductor:
Antonino Votto (conductor) (from 1957-03-03 until 1957-03-09)
chorus master:
Norberto Mola (chorus master) (from 1957-03-03 until 1957-03-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Basilica di Sant’Eufemia in Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
recording of:
La sonnambula: Atto II, scena 2. “Ah! Se una volta solo rivederlo potessi” (Amina, Rodolfo, Teresa, Tutti) (from 1957-03-03 until 1957-03-09)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto II
Vincenzo Bellini5:32
14La sonnambula: Atto II, scena 2. “Ah! non credea mirarti”
recorded in:
Milano (Milan), Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
producer:
Walter Legge (British classical producer)
other vocals and tenor vocals [Elvino]:
Nicola Monti (tenor) (from 1957-03-03 until 1957-03-09)
soprano vocals [Amina]:
Maria Callas (soprano) (from 1957-03-03 until 1957-03-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-03-03 until 1957-03-09)
conductor:
Antonino Votto (conductor) (from 1957-03-03 until 1957-03-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Basilica di Sant’Eufemia in Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
recording of:
La sonnambula: Atto II, scena 2. “Ah! Non credea mirarti” (Amina, Elvino) (from 1957-03-03 until 1957-03-09)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto II
Vincenzo Bellini4:43
15La sonnambula: Atto II, scena 2. “No, più non reggo”
recorded in:
Milano (Milan), Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
producer:
Walter Legge (British classical producer)
bass vocals [Il conte Rodolfo]:
Nicola Zaccaria (operatic bass) (from 1957-03-03 until 1957-03-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-03-03 until 1957-03-09)
soprano vocals [Amina]:
Maria Callas (soprano) (from 1957-03-03 until 1957-03-09)
tenor vocals [Elvino]:
Nicola Monti (tenor) (from 1957-03-03 until 1957-03-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-03-03 until 1957-03-09)
conductor:
Antonino Votto (conductor) (from 1957-03-03 until 1957-03-09)
chorus master:
Norberto Mola (chorus master) (from 1957-03-03 until 1957-03-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Basilica di Sant’Eufemia in Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
recording of:
La sonnambula: Atto II, scena 2. “No, più non reggo” (Elvino, Amina, Rodolfo, Coro) (from 1957-03-03 until 1957-03-09)
lyricist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
composer:
Vincenzo Bellini (Sicilian opera composer)
part of:
La sonnambula: Atto II
Vincenzo Bellini2:15
16La sonnambula: Atto II, scena 2. “Ah! non giunge uman pensiero…”
recorded in:
Milano (Milan), Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
producer:
Walter Legge (British classical producer)
bass vocals [Alessio]:
Giuseppe Morresi (operatic bass) (from 1957-03-03 until 1957-03-09)
bass vocals [Il conte Rodolfo]:
Nicola Zaccaria (operatic bass) (from 1957-03-03 until 1957-03-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1957-03-03 until 1957-03-09)
mezzo-soprano vocals [Teresa]:
Fiorenza Cossotto (mezzo-soprano) (from 1957-03-03 until 1957-03-09)
soprano vocals [Amina]:
Maria Callas (soprano) (from 1957-03-03 until 1957-03-09)
soprano vocals [Lisa]:
Eugenia Ratti (soprano) (from 1957-03-03 until 1957-03-09)
tenor vocals [Elvino]:
Nicola Monti (tenor) (from 1957-03-03 until 1957-03-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1957-03-03 until 1957-03-09)
conductor:
Antonino Votto (conductor) (from 1957-03-03 until 1957-03-09)
chorus master:
Norberto Mola (chorus master) (from 1957-03-03 until 1957-03-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Basilica di Sant’Eufemia in Milano, Lombardia, Italy (from 1957-03-03 until 1957-03-09)
recording of:
La sonnambula: Atto II, scena 2. “Ah! Non giunge uman pensiero” (Amina, tutti) (from 1957-03-03 until 1957-03-09)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto II
Vincenzo Bellini4:06