| # | Title | Artist | Rating | Length |
|---|
| 1 | Girls Like You (Cardi B version)- phonographic copyright (℗) by:
- Interscope Records (222 Records) (in 2018)
- part of:
- Billboard Year-End Hot 100 singles of 2019 (number: 22), Billboard: Greatest of All Time Hot 100 Songs (number: 30) and Grammy Award: Best Pop Duo/Group Performance nominees (number: 2019)
- recording of:
- Girls Like You
- writer:
- Belcalis Almanzar , Jason Evigan, Gian Michael Stone, Henry Walter, Jorden Thorpe, Adam Levine and Starrah
- publisher:
- Bad Robot Music, BMG Platinum Songs US, Chimi Songs, Family Stone Music , Hipgnosis Side A, KMR Music Royalties II SCSp, Kobalt Songs Music Publishing , People Over Planes, Prescription Songs, Songs of Influence, Sony/ATV Allegro, Sony/ATV Ballad, Sudgee 2 Music, These Are Songs of Pulse and Universal Music Corporation
| Maroon 5 & Cardi B | 3 | 3:56 |
| 2 | Starboy- engineer:
- Cirkut, Doc McKinney , Florian Lagatta and Josh Smith
- co-producer:
- Abel "The Weeknd" Tesfaye , Cirkut and Doc McKinney
- producer:
- Daft Punk
- mixer:
- Serban Ghenea and John Hanes
- vocals:
- The Weeknd
- performer:
- Daft Punk
- phonographic copyright (℗) by:
- The Weeknd XO, Inc. (in 2016)
- recorded at:
- Conway Recording Studios in Hollywood, Los Angeles, California, United States and Gang Studios in Paris, Île-de-France, France
- mixed at:
- MixStar Studios in Virginia Beach, Virginia, United States
- music videos:
- Starboy by The Weeknd feat. Daft Punk and Starboy by The Weeknd feat. Daft Punk
- part of:
- Billboard Year-End Hot 100 singles of 2017 (number: 20), Billboard Decade End Chart: Streaming Songs (number: 48), Billboard Year-End Hot 100 singles of 2016 (number: 58), TheNeedleDrop: Top 100 Songs of the 2010s (number: 84) and BILLIONS CLUB
- recording of:
- Starboy
- writer:
- Abel “The Weeknd” Tesfaye , Thomas Bangalter, Henry Russell Walter, Guy‐Manuel de Homem‐Christo, Jason Quenneville and Martin “Doc” McKinney
- publisher:
- Cirkut Breaker LLC, Daft Music, Kobalt Music Group, Mykai Music, Prescription Songs, SAL&CO, Songs Music Publishing LLC, Songs of SMP and Universal Music Corp.
| The Weeknd & Daft Punk | 4.45 | 3:50 |
| 3 | Summertime Sadness | Lana Del Rey | 4.15 | 4:24 |
| 4 | Do You Hear What I Hear? (remastered 2006) | Bing Crosby | 5 | 2:46 |
| 5 | Wake Me Up (radio edit)- recording engineer:
- Chris Cheney and Kyle VandeKerkhoff
- additional engineer:
- Mike Einziger
- producer and mixer:
- Tim Bergling
- guitar:
- Mike Einziger
- keyboard [keys]:
- Peter Dyer
- vocals:
- Aloe Blacc
- phonographic copyright (℗) by:
- Avicii Music AB (in 2013)
- recorded at:
- Interscope Studios in Santa Monica, California, United States
- additionally engineered at:
- Casa Chica in Malibu, California, United States
- part of:
- Billboard Year-End Hot 100 singles of 2013 (number: 19), Billboard Year-End Hot 100 singles of 2014 (number: 22) and BILLIONS CLUB
- recording of:
- Wake Me Up
- writer:
- Aloe Blacc, Mike Einziger and Tim Bergling
- publisher:
- Aloe Blacc Publishing Inc., Elementary Particle Music, EMI Blackwood Music Inc., EMI Music Publishing Scandinavia AB, Kobalt Music Group Ltd. and Sony/ATV Music Publishing
| Avicii | 3.65 | 4:07 |
| 6 | Dark Horse- programming and producer:
- Cirkut, Dr. Luke and Max Martin
- assistant engineer:
- Cory Bice, Eric Eylands, Rachael Findlen , Justin Fox and Elliott Lanam
- engineer:
- Peter Carlsson , Clint Gibbs, John Hanes , Sam Holland , Michael Ilbert and Mike Foster
- additional assistant producer:
- Irene Richter
- mixer:
- Serban Ghenea
- alto saxophone:
- Alex Foster
- instruments:
- Cirkut, Dr. Luke and Max Martin
- additional vocals:
- Ava James
- background vocals:
- Max Martin and Katy Perry
- vocals:
- Juicy J and Katy Perry
- phonographic copyright (℗) by:
- Capitol Records, LLC (in 2013)
- recorded at:
- Conway Recording Studios in Hollywood, Los Angeles, California, United States, Luke’s in the Boo in Malibu, California, United States, MXM Studios in Stockholm, Stockholms län , Sweden, Playback Recording Studio in Santa Barbara, California, United States and Secret Garden Studios in Montecito, California, United States
- mixed at:
- MixStar Studios in Virginia Beach, Virginia, United States
- music videos:
- Dark Horse by Katy Perry feat. Juicy J
- part of:
- Billboard Year-End Hot 100 singles of 2014 (number: 2), Billboard Decade End Chart: Streaming Songs (number: 9), Grammy Award: Best Pop Duo/Group Performance nominees (number: 2015) and BILLIONS CLUB
- recording of:
- Dark Horse
- writer:
- Łukasz Gottwald, Henry Walter, Sarah Hudson, Jordan Houston , Madison Love, Max Martin and Katy Perry
- publisher:
- DeeEtta Music (in 2013), Italians Do It Better (in 2013), Kasz Money Publishing (in 2013), MXM (in 2013), Oneirology Publishing (in 2013), Prescription Songs (in 2013) and When I’m Rich You’ll Be My Bitch (in 2013)
| Katy Perry & Juicy J | 3.95 | 3:36 |
| 7 | Young and Beautiful | Lana Del Rey | 5 | 3:56 |
| 8 | Blinding Lights- programming and producer:
- Oscar Holter, Max Martin and The Weeknd
- assistant engineer:
- Cory Bice, Sean Klein and Jeremy Lertola
- engineer:
- Shin Kamiyama
- assistant mixer:
- John Hanes
- mixer:
- Serban Ghenea
- bass, drums (drum set), guitar and keyboard [keyboards]:
- Oscar Holter, Max Martin and The Weeknd
- background vocals:
- Abel Tesfaye
- phonographic copyright (℗) by:
- The Weeknd XO, Inc. (in 2019)
- produced for:
- MXM Productions and Wolf Cousins Productions
- recorded at:
- Jungle City Studios in New York, New York, United States and MXM Studios in Los Angeles, California, United States
- mixed at:
- MixStar Studios in Virginia Beach, Virginia, United States
- music videos:
- Blinding Lights by The Weeknd
- part of:
- Billboard Year-End Hot 100 singles of 2020 (number: 1), Billboard: Greatest of All Time Hot 100 Songs (number: 1), Billboard Year-End Hot 100 singles of 2021 (number: 3), Stereogum Readers’ Top 10 Songs of 2020 (number: 6), iHeartRadio Music Awards: Song of the Year nominees (number: 2021 winner), BILLIONS CLUB, Helsingin Sanomat: 100 maailman parasta laulua (number: 51), Top Songs of 2024: Global (number: 65) and Billboard: The 500 Best Pop Songs (number: 79)
- recording of:
- Blinding Lights (from 2019-06 until 2019-11)
- writer:
- Abel “The Weeknd” Tesfaye , Ahmad Balshe , Oscar Holter, Jason “DaHeala” Quenneville and Karl Martin Sandberg
- publisher:
- BOTA Publishing II, HiFi Music IP Issuer, L.P., KMR Music Royalties II SCSp, MXM, SAL&CO, Songs of Wolf Cousins, Universal Music Corp. , Warner Chappell Music Scand , WB Music Corp. , WC Music Corp. and Wolf Cousins
- sub-publisher:
- Kobalt Music Publishing Ltd. , Neue Welt Musikverlag GmbH and Universal/MCA Music Publishing GmbH
- part of:
- Prix de l’œuvre internationale de l’année (number: 2021)
| The Weeknd | 4.2 | 3:22 |
| 9 | Pompeii | Bastille | 3.4 | 3:37 |
| 10 | Thunder- programming:
- Alex da Kid
- engineer:
- Travis Ference
- producer:
- Alex da Kid and Jayson DeZuzio
- mixer:
- Manny Marroquin
- phonographic copyright (℗) by:
- Interscope Records (in 2017) and KIDinaKORNER (in 2017)
- recorded at:
- Capitol Studios in Hollywood, Los Angeles, California, United States
- part of:
- Billboard Year-End Hot 100 singles of 2018 (number: 22), Grammy Award: Best Pop Duo/Group Performance nominees (number: 2018) and Billboard Year-End Hot 100 singles of 2017 (number: 51)
- recording of:
- Thunder
- publisher:
- Alexander Grant
- writer:
- A. Grant , Jayson Dezuzio, Ben McKee , Daniel Platzman, Dan Reynolds and Wayne Sermon
- publisher:
- Have a Nice Jay, Imagine Dragons Publishing, KIDinaKORNER, Songs of Universal, Inc. , Universal and Universal, Inc.
| Imagine Dragons | 3.4 | 3:07 |
| 11 | California Gurls- programming:
- benny blanco (in 2010), Dr. Luke (in 2010) and Max Martin (in 2010)
- assistant engineer:
- Aniela Gottwald and Tim Roberts
- engineer:
- John Hanes , Sam Holland and Emily Wright
- producer:
- benny blanco , Dr. Luke and Max Martin
- mixer:
- Serban Ghenea
- drums (drum set) and keyboard:
- benny blanco (in 2010), Dr. Luke (in 2010) and Max Martin (in 2010)
- other instruments:
- Tamra Natisin (in 2010)
- guest vocals:
- Snoop Dogg (in 2010)
- vocals:
- Katy Perry (in 2010)
- phonographic copyright (℗) by:
- Capitol Records, LLC (in 2012)
- recorded at:
- Conway Recording Studios in Hollywood, Los Angeles, California, United States (in 2010)
- mixed at:
- MixStar Studios in Virginia Beach, Virginia, United States
- part of:
- Billboard Year-End Hot 100 singles of 2010 (number: 4) and BILLIONS CLUB
- recording of:
- California Gurls (in 2010)
- writer:
- Benjamin Levin , Calvin Broadus , Łukasz Gottwald, Max Martin , Bonnie McKee and Katy Perry
- publisher:
- Copyright Control , Irving Music, Inc., Kobalt Music Copyrights SARL, MXM Music AB, My Own Chit Publishing, Prescription Songs, Bonnie McKee Music (in 2010), CYP Two Publishing (in 2010), EMI Blackwood Music Inc. (in 2010), Kasz Money Publishing (in 2010), Maratone AB (in 2010), Matza Ball Music (in 2010), When I’m Rich You’ll Be My Bitch (in 2010) and Where da Kasz At (in 2010)
| Katy Perry & Snoop Dogg | 4 | 3:55 |
| 12 | Arcade | Duncan Laurence | 2.9 | 3:05 |
| 13 | Latch- programming:
- Howard Lawrence
- producer and mixer:
- Guy Lawrence and Howard Lawrence
- vocals:
- Sam Smith
- phonographic copyright (℗) by:
- Universal Island Records (in 2012)
- samples:
- Fairplay by Zed Bias feat. Jenna G (lead vocals)
- part of:
- Billboard Year-End Hot 100 singles of 2014 (number: 28), Pitchfork: The 200 Best Songs of the 2010s (number: 54), Stereogum: The 200 Best Songs of the 2010s (number: 57), Rolling Stone: The 100 Best Songs of the 2010s (number: 88) and Billboard: The 500 Best Pop Songs (number: 255)
- recording of:
- Latch
- writer:
- Guy Lawrence , Howard Lawrence , Jimmy Napes and Sam Smith
- publisher:
- Naughty Words Limited 301, Salli Isaak Songs Ltd. , Stellar Songs Limited , Universal Music Publishing Ltd. , エイベックス・ミュージック・パブリッシング 第7出版事業部 , シンコーミュージック・エンタテイメント , ソニー・ミュージックパブリッシング A事業部 , ユニバーサル・ミュージック・パブリッシング Synch事業部 , イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
| Disclosure & Sam Smith | 3.4 | 4:16 |
| 14 | Señorita- recording engineer:
- Paul LaMalfa
- programming:
- benny blanco , Cashmere Cat and Andrew Watt
- engineer:
- Nathaniel Alford (lead vocals [Camila Cabello vocals]), John Hanes and Zubin Thakkar (lead vocals [vocals])
- additional producer:
- Cashmere Cat
- producer:
- benny blanco and Andrew Watt
- mixer:
- Serban Ghenea
- bass and background vocals:
- Andrew Watt
- guitar:
- Shawn Mendes and Andrew Watt
- instruments:
- benny blanco , Cashmere Cat and Andrew Watt
- keyboard [keyboards]:
- benny blanco and Cashmere Cat
- vocals:
- Camila Cabello and Shawn Mendes
- phonographic copyright (℗) by:
- Island Records (in 2019) and Simco Ltd. (in 2019)
- recorded at:
- Birmingham Arena in Birmingham, West Midlands, England, United Kingdom, Gold Tooth Music in Beverly Hills, California, United States and Manchester Arena in Manchester, Greater Manchester, England, United Kingdom
- mixed at:
- MixStar Studios in Virginia Beach, Virginia, United States
- engineered at:
- Birmingham Arena in Birmingham, West Midlands, England, United Kingdom (lead vocals [vocals]), Gold Tooth Music in Beverly Hills, California, United States (lead vocals [vocals]) and Manchester Arena in Manchester, Greater Manchester, England, United Kingdom (lead vocals [vocals])
- music videos:
- Señorita by Shawn Mendes & Camila Cabello
- part of:
- Spotify: Top Hits of 2019 (number: 3), Billboard Year-End Hot 100 singles of 2019 (number: 15), Grammy Award: Best Pop Duo/Group Performance nominees (number: 2020) and Billboard Year-End Hot 100 singles of 2020 (number: 44)
- recording of:
- Señorita
- writer:
- Andrew Wotman , Benjamin Levin , Camila Cabello, Charlotte Emma Aitchison , Magnus August Höiberg, Shawn Mendes, Jack Patterson and Ali Tamposi
- publisher:
- Ali Tamposi, Andrew Watt Music, Back Hair Music Publishing, EMI Blackwood Music Inc., EMI Foray Music, EMI Music Publishing Ltd. , Hipgnosis Side B, Infinite Stripes, Maidmetal Limited, Mendes Music, Milamoon Songs, No One Ever Reads These Anyway, Please Don't Forget to Pay Me Music, Reservoir 416, Reservoir Media Management, Inc., Songs of Kobalt Music Publishing, Songs of Universal, Inc. , Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Songs LLC, Stellar Songs Ltd., Stellar Sun Songs, Universal Music Publishing and Universal Music Works
| Shawn Mendes & Camila Cabello | 3.7 | 3:11 |
| 15 | Baby- assistant recording engineer:
- Luis Navarro and Kevin Porter
- recording engineer:
- Kuk Harrell (lead vocals), Joshua monroy (lead vocals), Kelly Sheehan , Brian “B‐Luv” Thomas and Andrew Wuepper
- additional engineer:
- Pat Thrall
- executive producer:
- L.A. Reid and USHER
- producer:
- Kuk Harrell (lead vocals), Christopher Stewart and The‐Dream
- assistant mixer:
- Giancarlo Lino
- mixer:
- Jaycen Joshua
- instruments:
- Monte Neuble
- vocals:
- Justin Bieber and Ludacris
- guest performer:
- Ludacris
- part of:
- Billboard Hot 100: 2026-05-02 (number: 39), Billboard Year-End Hot 100 singles of 2010 (number: 44), Billboard Hot 100: 2026-04-25 (number: 47) and Billboard: The 500 Best Pop Songs (number: 89)
- recording of:
- Baby
- writer:
- Justin Bieber, Christopher Bridges , Christine Flores, Christopher Stewart and Terius Nash
- publisher:
- 2082 Music Publishing, Bieber Time Publishing, Havana Brown Publishing, Ludacris Worldwide Publishing, RZE Music Publishing, Songs of Universal, Inc. , Universal Music Corp. and WB Music Corp.
| Justin Bieber & Ludacris | 3.4 | 3:37 |
| 16 | It Wasn't Me | Shaggy & Ricardo Ducent | 3.55 | 3:49 |
| 17 | I Gotta Feeling | Black Eyed Peas | 3.75 | 4:49 |
| 18 | Love Story (Taylor’s version)- additional recording engineer:
- Christopher Rowe
- assistant recording engineer:
- Sean Badum
- recording engineer:
- Sam Holland (lead vocals) and David Payne
- engineer:
- John Hanes
- producer:
- Christopher Rowe and Taylor Swift
- mixer:
- Serban Ghenea
- acoustic guitar, banjo and mandolin:
- Mike Meadows
- bass guitar:
- Amos Heller
- drums (drum set):
- Matt Billingslea
- electric guitar:
- Max Bernstein and Paul Sidoti
- fiddle:
- Jonathan Yudkin
- background vocals:
- Caitlin Evanson, Mike Meadows and Paul Sidoti
- lead vocals:
- Taylor Swift
- phonographic copyright (℗) by:
- Taylor Swift (in 2021)
- additionally recorded at:
- Prime Recording in Nashville, Tennessee, United States and Studio 13 in Nashville, Tennessee, United States
- recorded at:
- Black Bird Studios in Nashville, Tennessee, United States, Conway Studios in Hollywood, Los Angeles, California, United States (lead vocals), Kitty Committee Studio in Camden , London , England, United Kingdom (lead vocals) and Prime Recording in Nashville, Tennessee, United States
- mixed at:
- MixStar Studios in Virginia Beach, Virginia, United States
- music videos:
- Love Story (Taylor’s version) by Taylor Swift
- part of:
- BILLIONS CLUB
- recording of:
- Love Story
- lyricist and composer:
- Taylor Alison Swift
- publisher:
- Universal Music Publishing Limited , Sony/ATV Tree Publishing (from 2008 to present), Taylor Swift Music (from 2008 to present) and Sony Music Publishing (Hong Kong) Limited (from 2021 to present)
| Taylor Swift | 3.75 | 3:56 |
| 19 | Mr. Jones- recorded in:
- Los Angeles, California, United States
- recording engineer:
- Pat McCarthy
- additional engineer:
- Robert Hart , Steve Holroyd and Howard Willing
- assistant engineer:
- Mark Guilbeault and Brant Scott
- executive producer:
- Gary Gersh
- producer:
- T‐Bone Burnett
- mixer:
- Scott Litt and Pat McCarthy
- accordion, chamberlin and Hammond organ:
- Charlie Gillingham
- additional drums (drum set) and additional percussion:
- Denny Fongheiser
- additional guitar:
- T‐Bone Burnett , Bill Dillon and David Immerglück
- additional guitorgan:
- Bill Dillon
- additional mandocello, additional mandolin, additional pedal steel guitar and additional vocals:
- David Immerglück
- bass guitar:
- Matt Malley
- guitar:
- David Bryson and Matt Malley
- harmonica and lead vocals:
- Adam Duritz
- piano:
- Adam Duritz and Charlie Gillingham
- additional background vocals:
- Gary Louris, Maria McKee and Mark Olson
- vocals:
- Steve Bowman, David Bryson, Charlie Gillingham and Matt Malley
- additionally recorded at:
- Conway Recording Studios in Hollywood, Los Angeles, California, United States, Kiva West Recording Studios in Los Angeles, California, United States, Sunset Sound in Hollywood, Los Angeles, California, United States and The Village Recorders in Los Angeles, California, United States
- mixed at:
- Ocean Way Recording in Hollywood, Los Angeles, California, United States
- music videos:
- Mr. Jones by Counting Crows
- part of:
- Indie 88: Top 500 Indie Rock Songs (number: 474)
- recording of:
- Mr. Jones
- lyricist:
- Adam Duritz
- composer:
- David Bryson and Adam Duritz
| Counting Crows | 3.9 | 4:33 |
| 20 | Hot n Cold- miscellaneous support:
- Gary "G" Silver (task: production coordinated)
- programming:
- benny blanco and Dr. Luke
- engineer:
- Nick Banns, Tatiana Gottwald, John Hanes , Sam Holland , Tina Kennedy and Emily Wright
- additional producer:
- benny blanco
- producer:
- Dr. Luke
- assistant mixer:
- Tim Roberts
- mixer:
- Serban Ghenea
- bass guitar [bass]:
- Dr. Luke
- drums (drum set) [drums]:
- benny blanco and Dr. Luke
- guitar [guitars]:
- Dr. Luke and Max Martin
- lead vocals:
- Katy Perry
- phonographic copyright (℗) by:
- Capitol Music Group (in 2008)
- produced for:
- Kasz Money Productions, Inc.
- recorded at:
- Conway Recording Studios in Hollywood, Los Angeles, California, United States, Dr. Luke's in New York, New York, United States and Legacy Recording Studio in Manhattan, New York, New York, United States
- mixed at:
- MixStar Studios in Virginia Beach, Virginia, United States
- part of:
- Billboard Year-End Hot 100 singles of 2009 (number: 25), Billboard Year-End Hot 100 singles of 2008 (number: 36), BILLIONS CLUB and Billboard: The 500 Best Pop Songs (number: 321)
- recording of:
- Hot n Cold
- writer:
- Łukasz Gottwald, Max Martin and Katy Perry
- publisher:
- Kasz Money Publishing , Maratone, Maratone AB and When I’m Rich You’ll Be My Bitch
| Katy Perry | 4.15 | 3:40 |
| 21 | Sorry | Justin Bieber | 4 | 3:21 |
| 22 | Super Freak- recording engineer and mixer:
- Tom "Super" Flye
- assistant engineer:
- Rick "Port Hole" Sanchez
- engineer:
- Bobby Brooks , Rick "Port Hole" Sanchez and Tom "Super" Flye
- executive producer:
- Alonzo Miller
- producer:
- Rick James
- bass:
- Oscar Alston
- drums (drum set):
- Lanise Hughes
- electric piano and synthesizer [Crumar]:
- Levi Ruffin, Jr.
- guitar:
- Tom McDermott
- handclaps and percussion:
- Oscar Alston, Rick James and Tom McDermott
- other instruments [flexatone] and vibraslap:
- Rick James
- tenor saxophone:
- Daniel LeMelle
- background vocals:
- Dennis Edwards , Melvin Franklin, Taborah Johnson, Glenn Leonard, Richard Street and Otis Williams
- horn arranger:
- Daniel LeMelle and Rick James
- arranger:
- Rick James
- recorded at:
- Motown Studios - Hitsville West in West Hollywood, California, United States (background vocals) and The Plant Studios in Sausalito, California, United States
- mixed at:
- Westlake Studios in West Hollywood, California, United States
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 71), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 153) and Rolling Stone: 500 Greatest Songs of All Time (number: 477)
- recording of:
- Super Freak
- orchestrator:
- Bruce Fowler
- lyricist and composer:
- Alonzo Miller and Rick James
- publisher:
- Jobete Music Co., Inc. and Stone Diamond Music Corporation
| Rick James | 4.15 | 3:25 |
| 23 | What's Up?- recording engineer:
- David Tickle (in 1992) and Mark Hensley (in 1992)
- additional engineer:
- Jessie Kanner , Kent Mactke, Laurent Tardy and Paul Dieter
- producer and mixer:
- David Tickle
- acoustic guitar and electric guitar:
- Linda Perry (in 1992)
- bass and background vocals:
- Christa Hillhouse (in 1992)
- drums (drum set):
- Dawn Richardson (in 1992)
- guitar:
- Louis Metoyer (in 1992) and Roger Rocha (in 1992)
- piano:
- Laurent Tardy (in 1992)
- lead vocals:
- Linda Perry (in 1992)
- phonographic copyright (℗) by:
- Interscope Records (in 1992)
- recorded at:
- Groove Masters in Santa Monica, California, United States (in 1992), The Bunker (in 1992) and The Plant Studios in Sausalito, California, United States (in 1992)
- mixed at:
- The Bunker
- music videos:
- What’s Up? by 4 Non Blondes
- part of:
- Paste: The 50 Greatest One-Hit Wonders of All Time (number: 46), BILLIONS CLUB and Indie 88: Top 500 Indie Rock Songs (number: 486)
- recording of:
- What’s Up? (in 1992)
- lyricist and composer:
- Linda Perry
- publisher:
- Famous Music Corporation , Famous Music Publishing Germany GmbH & Co. KG, Sony Music Publishing (US) LLC , Sony/ATV Harmony, Sony/ATV Harmony UK, Stuck in the Throat and Stuck in the Throat Music
| 4 Non Blondes | 3.9 | 4:56 |
| 24 | Bitter Sweet Symphony (remastered 2016) | The Verve | 4.3 | 5:57 |
| 25 | Apologize | OneRepublic | 4.2 | 3:28 |
| 26 | She Will Be Loved (radio mix) | Maroon 5 | 4 | 4:18 |
| 27 | Despacito | Luis Fonsi & Daddy Yankee | 4.25 | 3:50 |
| 28 | You're Still the One | Shania Twain | | 3:33 |
| 29 | No Lie- engineer:
- Paul Bailey
- co-producer:
- Philip Kembo
- producer:
- Jamie Sanderson
- mixer:
- James Royo
- phonographic copyright (℗) by:
- SPJ Productions Ltd (in 2016)
- miscellaneous support:
- Island Records (task: under exclusive licence to)
- part of:
- BILLIONS CLUB
- recording of:
- No Lie
- writer:
- Andrew Jackson , Philip Kembo, Jamie Sanderson , Sean Paul Henriques and Emily Warren
- publisher:
- Artist 101 Publishing Group, Artist Publishing Group West, EMI Music Publishing Ltd. , HiFi Music IP Issuer, L.P., Kobalt Music Services America II, Inc. and Where da Kasz At
- sub-publisher:
- Artist Publishing Group LLC, EMI Music Publishing Germany GmbH , Kobalt Music Publishing Ltd. , Kobalt Music Services America Inc. and Prescription Songs, LLC
| Sean Paul & Dua Lipa | 2.6 | 3:41 |
| 30 | Angel- recording engineer, producer and mixer:
- Shaun Pizzonia
- drums (drum set) [drums]:
- Shaun Pizzonia
- guitar:
- P. Henry and R. Zapata
- keyboard [keyboards]:
- C. Sanchez
- background vocals:
- Gordon Dukes
- performer:
- Rayvon
- phonographic copyright (℗) by:
- MCA Records (in 2000, in 2001)
- produced for:
- Big Yard Music Group
- recorded at:
- Big Yard Studios in Kingston , Jamaica, HC&F Studio in Freeport, Hempstead, New York, United States and Ranch Recording Studios in New York, United States
- mixed at:
- Ranch Recording Studio in New York, United States
- samples:
- Angel of the Morning by Chip Taylor and The Joker by Steve Miller Band
- music videos:
- Angel by Shaggy feat. Rayvon
- recording of:
- Angel
- writer:
- Eddie Curtis , Ahmet Ertegun , Steve Miller and Chip Taylor
- publisher:
- Cotillion Music Inc. and EMI Blackwood Music Inc.
| Shaggy & Rayvon | 4.2 | 3:55 |
| 31 | (I Just) Died in Your Arms | Cutting Crew | 4.1 | 4:29 |
| 32 | Big Girls Don't Cry (Personal) | Fergie | 3.9 | 4:28 |
| 33 | Love Me Again | John Newman | 3.6 | 4:00 |
| 34 | She Will Be Loved | Maroon 5 | 3.35 | 4:18 |
| 35 | Red Red Wine | UB40 | 4.1 | 5:21 |
| 36 | Buttons | The Pussycat Dolls | 2.5 | 3:46 |
| 37 | Super Trouper- engineer:
- Michael B. Tretow
- producer:
- Benny Andersson and Björn Ulvaeus
- acoustic guitar:
- Björn Ulvaeus (on 1980-10-03)
- bass guitar:
- Mike Watson (on 1980-10-03)
- drums (drum set):
- Per Lindvall (on 1980-10-03)
- guitar:
- Janne Schaffer (on 1980-10-03)
- keyboard and synthesizer:
- Benny Andersson (on 1980-10-03)
- percussion:
- Åke Sundqvist (on 1980-10-03)
- background vocals:
- Agnetha Fältskog (in 1980)
- lead vocals:
- Frida (on 1980-10-03)
- arranger:
- Benny Andersson and Björn Ulvaeus
- phonographic copyright (℗) by:
- Polar Music International AB (in 1980)
- recorded at:
- Polar Studios in Stockholm, Stockholms län , Sweden (on 1980-10-03, on 1980-10-14)
- mixed at:
- Polar Studios in Stockholm, Stockholms län , Sweden (in 1980-10)
- recording of:
- Super Trouper (in 1980-10)
- writer:
- Benny Andersson and Björn Ulvaeus
- publisher:
- Bocu Music Ltd., EMI Grove Park Music, Inc., EMI Music Publishing , Union Songs Music, Universal Music Publishing Group, Universal–Songs of PolyGram International, Inc., Artwork Music Co., Inc. (from 1980 to ????), Countless Songs, Ltd. (from 1980 to ????), EMI Waterford Music (from 1980 to present), Universal PolyGram International Publishing, Inc. (from 1980 to present), Universal/Union Songs Musikförlag AB (from 1980 to present) and Union Songs AB (in 1980)
- part of:
- Mamma Mia!
| ABBA | 3.55 | 4:12 |
| 38 | Right Now (Na Na Na) | Akon | 3.65 | 4:05 |
| 39 | Mad | Ne‐Yo | 3.6 | 4:15 |
| 40 | Stickwitu | The Pussycat Dolls | 2.8 | 3:28 |
| 41 | Boom, Boom, Boom, Boom!! | Vengaboys | 2.9 | 3:23 |
| 42 | Endless Love | Lionel Richie & Diana Ross | 3.5 | 4:26 |
| 43 | The Winner Takes It All- engineer:
- Michael B. Tretow
- producer:
- Benny Andersson and Björn Ulvaeus
- bass guitar:
- Mike Watson (on 1980-06-06)
- cello:
- Olle Gustafsson (on 1980-06-16) and Åke Olofsson (on 1980-06-16)
- drums (drum set):
- Ola Brunkert (on 1980-06-06)
- guitar:
- Lasse Wellander (on 1980-06-06)
- keyboard and synthesizer:
- Benny Andersson (on 1980-06-06)
- percussion:
- Åke Sundqvist (on 1980-06-06)
- viola:
- Nils Heie (on 1980-06-16), Håkan Roos (on 1980-06-16) and Bo Söderström (on 1980-06-16)
- violin:
- Martin Bylund (on 1980-06-16), Anders Dahl (on 1980-06-16), Lars Stegenberg (on 1980-06-16), Gunnar Michols (on 1980-06-16), Bernt Nylund (on 1980-06-16), Bertil Orsin (on 1980-06-16), Sixten Strömvall (on 1980-06-16) and Harry Teike (on 1980-06-16)
- background vocals:
- Frida (on 1980-06-06)
- lead vocals:
- Agnetha Fältskog (on 1980-06-06)
- cello, viola and violin arranger:
- Rutger Gunnarsson (in 1980)
- arranger:
- Benny Andersson and Björn Ulvaeus
- phonographic copyright (℗) by:
- Polar Music International AB (in 1980)
- recorded at:
- Polar Studios in Stockholm, Stockholms län , Sweden (on 1980-06-06, on 1980-06-16)
- mixed at:
- Polar Studios in Stockholm, Stockholms län , Sweden (on 1980-06-18)
- part of:
- The Downloader’s Music Source Book (number: 66)
- recording of:
- The Winner Takes It All (in 1980-06)
- writer:
- Benny Andersson and Björn Ulvaeus
- publisher:
- EMI Music Publishing (ended), Universal Music Publishing Group (ended), Universal/Union Songs Musikförlag AB (ended), Bocu Music, EMI Waterford Music, Union Songs AB , Universal PolyGram International Publishing, Inc. , Artwork Music Co., Inc. (from 1980 to ????) and Countless Songs, Ltd. (from 1980 to ????)
- part of:
- Mamma Mia!
| ABBA | 3.9 | 4:55 |
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