Mass in B minor

~ Release by J.S. Bach; New Philharmonia Orchestra, Agnes Giebel, Janet Baker, Nicolai Gedda, Hermann Prey, Franz Crass, BBC Chorus, New Philharmonia Orchestra (see all versions of this release, 3 available)

Annotation

Recording: 18-20, 23-26, 30, 31.X & 6, 7, 9, 10.XI.1967, Kingsway Hall, London
Digital remastering at Abbey Road Studios in 2002

Annotation last modified on 2022-12-15 12:00 UTC.

Tracklist

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1▼CD
#TitleArtistRatingLength
1Mass in B minor BWV 232 I. Kyrie: No 1 Chorus: Kyrie eleison
alto vocals:
Janet Baker (mezzo‐soprano and alto)
baritone vocals:
Hermann Prey (baritone)
bass vocals:
Franz Crass (operatic bass)
choir vocals:
BBC Chorus (42-strong professional chorus abolished in 1961) and BBC Singers (professional chamber choir of the BBC) (from 1967-10-18 until 1967-10-20)
soprano vocals:
Agnes Giebel (soprano) and Janet Baker (mezzo‐soprano and alto)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1967-10-18 until 1967-10-20)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1967-10-18 until 1967-10-20)
chorus master:
Peter Gellhorn (conductor/composer/pianist)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-10-18 until 1967-10-20)
recording of:
h-Moll-Messe, BWV 232: I. Missa: I. Kyrie eleison (Mass in B minor, BWV 232: Ia. Kyrie: Chorus "Kyrie eleison") (from 1967-10-18 until 1967-10-20)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach13:40
2Mass in B minor BWV 232 I. Kyrie: No 2. Duet: Christe eleison
alto vocals:
Janet Baker (mezzo‐soprano and alto)
baritone vocals:
Hermann Prey (baritone)
bass vocals:
Franz Crass (operatic bass)
choir vocals:
BBC Chorus (42-strong professional chorus abolished in 1961)
soprano vocals [soprano 1]:
Agnes Giebel (soprano) (from 1967-10-18 until 1967-10-20)
soprano vocals [soprano 2]:
Janet Baker (mezzo‐soprano and alto) (from 1967-10-18 until 1967-10-20)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1967-10-18 until 1967-10-20)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1967-10-18 until 1967-10-20)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-10-18 until 1967-10-20)
recording of:
h-Moll-Messe, BWV 232: I. Missa: II. Christe eleison (Mass in B minor, BWV 232: Ib. Kyrie: Duet "Christe eleison") (from 1967-10-18 until 1967-10-20)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach6:03
3Mass in B minor BWV 232 I. Kyrie: No 3 Chorus: Kyrie eleison
alto vocals:
Janet Baker (mezzo‐soprano and alto)
baritone vocals:
Hermann Prey (baritone)
bass vocals:
Franz Crass (operatic bass)
choir vocals:
BBC Chorus (42-strong professional chorus abolished in 1961) and BBC Singers (professional chamber choir of the BBC) (from 1967-10-18 until 1967-10-20)
soprano vocals [soprano 1]:
Agnes Giebel (soprano) (from 1967-10-18 until 1967-10-20)
soprano vocals [soprano 2]:
Janet Baker (mezzo‐soprano and alto) (from 1967-10-18 until 1967-10-20)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1967-10-18 until 1967-10-20)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1967-10-18 until 1967-10-20)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-10-18 until 1967-10-20)
recording of:
h-Moll-Messe, BWV 232: I. Missa: III. Kyrie eleison (Mass in B minor, BWV 232: Ic. Kyrie: Chorus "Kyrie eleison") (from 1967-10-18 until 1967-10-20)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:18
4Mass in B minor BWV 232 II. Gloria: No 4 Chorus: Gloria in excelsis Deo
alto vocals:
Janet Baker (mezzo‐soprano and alto)
baritone vocals:
Hermann Prey (baritone)
bass vocals:
Franz Crass (operatic bass)
choir vocals:
BBC Chorus (42-strong professional chorus abolished in 1961) and BBC Singers (professional chamber choir of the BBC) (from 1967-10-18 until 1967-10-20)
soprano vocals:
Agnes Giebel (soprano) and Janet Baker (mezzo‐soprano and alto)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1967-10-18 until 1967-10-20)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1967-10-18 until 1967-10-20)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-10-18 until 1967-10-20)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (Mass in B minor, BWV 232: IIa. Gloria: Chorus "Gloria in excelsis Deo") (from 1967-10-18 until 1967-10-20)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach7:41
5Mass in B minor BWV 232 II. Gloria: No 5 Aria: Laudamus te
alto vocals:
Janet Baker (mezzo‐soprano and alto)
baritone vocals:
Hermann Prey (baritone)
bass vocals:
Franz Crass (operatic bass)
choir vocals:
BBC Chorus (42-strong professional chorus abolished in 1961)
soprano vocals:
Agnes Giebel (soprano)
soprano vocals [soprano 2]:
Janet Baker (mezzo‐soprano and alto) (from 1967-10-18 until 1967-10-20)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1967-10-18 until 1967-10-20)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1967-10-18 until 1967-10-20)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-10-18 until 1967-10-20)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VI. Laudamus te (Mass in B minor, BWV 232: IIc. Gloria: Aria "Laudamus te") (from 1967-10-18 until 1967-10-20)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:22
6Mass in B minor BWV 232 II. Gloria: No 6 Chorus: Gratias agimus tibi
alto vocals:
Janet Baker (mezzo‐soprano and alto)
baritone vocals:
Hermann Prey (baritone)
bass vocals:
Franz Crass (operatic bass)
choir vocals:
BBC Chorus (42-strong professional chorus abolished in 1961) and BBC Singers (professional chamber choir of the BBC) (from 1967-10-18 until 1967-10-20)
soprano vocals:
Agnes Giebel (soprano) and Janet Baker (mezzo‐soprano and alto)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1967-10-18 until 1967-10-20)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1967-10-18 until 1967-10-20)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-10-18 until 1967-10-20)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VII. Gratias agimus tibi (Mass in B minor, BWV 232: IId. Gloria: Chorus "Gratias agimus tibi") (from 1967-10-18 until 1967-10-20)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": II. Coro "Wir danken dir, Gott, wir danken dir"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:14
7Mass in B minor BWV 232 II. Gloria: No 7 Duet: Domine Deus
alto vocals:
Janet Baker (mezzo‐soprano and alto)
baritone vocals:
Hermann Prey (baritone)
bass vocals:
Franz Crass (operatic bass)
choir vocals:
BBC Chorus (42-strong professional chorus abolished in 1961)
soprano vocals:
Janet Baker (mezzo‐soprano and alto) and Agnes Giebel (soprano) (from 1967-10-18 until 1967-10-20)
tenor vocals:
Nicolai Gedda (tenor) (from 1967-10-18 until 1967-10-20)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1967-10-18 until 1967-10-20)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1967-10-18 until 1967-10-20)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-10-18 until 1967-10-20)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus (Mass in B minor, BWV 232: IIe. Gloria: Duet "Domine Deus") (from 1967-10-18 until 1967-10-20)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach6:33
8Mass in B minor BWV 232 II. Gloria: No 8 Chorus: Qui tollis peccata mundi
alto vocals:
Janet Baker (mezzo‐soprano and alto)
baritone vocals:
Hermann Prey (baritone)
bass vocals:
Franz Crass (operatic bass)
choir vocals:
BBC Chorus (42-strong professional chorus abolished in 1961) and BBC Singers (professional chamber choir of the BBC) (from 1967-10-18 until 1967-10-20)
soprano vocals:
Agnes Giebel (soprano) and Janet Baker (mezzo‐soprano and alto)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1967-10-18 until 1967-10-20)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1967-10-18 until 1967-10-20)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-10-18 until 1967-10-20)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IX. Qui tollis peccata mundi (Mass in B minor, BWV 232: IIf. Gloria: Chorus "Qui tollis peccata mundi") (from 1967-10-18 until 1967-10-20)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": I. Coro "Schauet doch und sehet, ob irgendein Schmerz sei"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:30
9Mass in B minor BWV 232 II. Gloria: No 9 Aria: Qui sedes ad dextram Patris
alto vocals:
Janet Baker (mezzo‐soprano and alto)
baritone vocals:
Hermann Prey (baritone)
bass vocals:
Franz Crass (operatic bass)
choir vocals:
BBC Chorus (42-strong professional chorus abolished in 1961)
solo alto vocals:
Janet Baker (mezzo‐soprano and alto) (from 1967-10-18 until 1967-10-20)
soprano vocals:
Agnes Giebel (soprano) and Janet Baker (mezzo‐soprano and alto)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1967-10-18 until 1967-10-20)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1967-10-18 until 1967-10-20)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-10-18 until 1967-10-20)
recording of:
h-Moll-Messe, BWV 232: I. Missa: X. Qui sedes ad dextram Patris (Mass in B minor, BWV 232: IIg. Gloria: Aria "Qui sedes ad dextram Patris") (from 1967-10-18 until 1967-10-20)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach6:18
10Mass in B minor BWV 232 II. Gloria: No 10 Aria: Quoniam tu solus sanctus
alto vocals:
Janet Baker (mezzo‐soprano and alto)
baritone vocals:
Hermann Prey (baritone)
bass vocals:
Franz Crass (operatic bass)
choir vocals:
BBC Chorus (42-strong professional chorus abolished in 1961)
solo bass vocals:
Franz Crass (operatic bass) (from 1967-10-18 until 1967-10-20)
soprano vocals:
Agnes Giebel (soprano) and Janet Baker (mezzo‐soprano and alto)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1967-10-18 until 1967-10-20)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1967-10-18 until 1967-10-20)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-10-18 until 1967-10-20)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XI. Quoniam tu solus Sanctus (Mass in B minor, BWV 232: IIh. Gloria: Aria "Quoniam tu solus Sanctus") (from 1967-10-18 until 1967-10-20)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:50
11Mass in B minor BWV 232 II. Gloria: No 11 Chorus: Cum Sancto Spiritu
alto vocals:
Janet Baker (mezzo‐soprano and alto)
baritone vocals:
Hermann Prey (baritone)
bass vocals:
Franz Crass (operatic bass)
choir vocals:
BBC Chorus (42-strong professional chorus abolished in 1961) and BBC Singers (professional chamber choir of the BBC) (from 1967-10-18 until 1967-10-20)
soprano vocals:
Agnes Giebel (soprano) and Janet Baker (mezzo‐soprano and alto)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1967-10-18 until 1967-10-20)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1967-10-18 until 1967-10-20)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-10-18 until 1967-10-20)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu (Mass in B minor, BWV 232: IIi. Gloria: Chorus "Cum Sancto Spiritu") (from 1967-10-18 until 1967-10-20)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:55
2▼CD
#TitleArtistRatingLength
1Mass in B minor BWV 232 III Credo (Symbolicum Nicenum): No. 12 Chorus: Credo in unum Deum
alto vocals:
Janet Baker (mezzo‐soprano and alto)
baritone vocals:
Hermann Prey (baritone)
bass vocals:
Franz Crass (operatic bass)
choir vocals:
BBC Chorus (42-strong professional chorus abolished in 1961) and BBC Singers (professional chamber choir of the BBC) (from 1967-10-18 until 1967-10-20)
soprano vocals:
Agnes Giebel (soprano) and Janet Baker (mezzo‐soprano and alto)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1967-10-18 until 1967-10-20)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1967-10-18 until 1967-10-20)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-10-18 until 1967-10-20)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (Mass in B minor, BWV 232: IIIa. Symbolum nicenum: Chorus "Credo in unum Deum") (from 1967-10-18 until 1967-10-20)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:25
2Mass in B minor BWV 232 III Credo (Symbolicum Nicenum): No. 13 Chorus: Patrem omnipotentem
alto vocals:
Janet Baker (mezzo‐soprano and alto)
baritone vocals:
Hermann Prey (baritone)
bass vocals:
Franz Crass (operatic bass)
choir vocals:
BBC Chorus (42-strong professional chorus abolished in 1961) and BBC Singers (professional chamber choir of the BBC) (from 1967-10-18 until 1967-10-20)
soprano vocals:
Agnes Giebel (soprano) and Janet Baker (mezzo‐soprano and alto)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1967-10-18 until 1967-10-20)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1967-10-18 until 1967-10-20)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-10-18 until 1967-10-20)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (Mass in B minor, BWV 232: IIIb. Symbolum nicenum: Chorus "Patrem omnipotentem") (from 1967-10-18 until 1967-10-20)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:09
3Mass in B minor BWV 232 III Credo (Symbolicum Nicenum): No 14 Duet: Et in unum Dominum
alto vocals:
Janet Baker (mezzo‐soprano and alto) (from 1967-10-18 until 1967-10-20)
baritone vocals:
Hermann Prey (baritone)
bass vocals:
Franz Crass (operatic bass)
choir vocals:
BBC Chorus (42-strong professional chorus abolished in 1961)
soprano vocals:
Janet Baker (mezzo‐soprano and alto) and Agnes Giebel (soprano) (from 1967-10-18 until 1967-10-20)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1967-10-18 until 1967-10-20)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1967-10-18 until 1967-10-20)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-10-18 until 1967-10-20)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (Mass in B minor, BWV 232: IIIc. Symbolum nicenum: Duet "Et in unum Dominum") (from 1967-10-18 until 1967-10-20)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:37
4Mass in B minor BWV 232 III Credo (Symbolicum Nicenum): No 15 Chorus: Et incarnatus est
alto vocals:
Janet Baker (mezzo‐soprano and alto)
baritone vocals:
Hermann Prey (baritone)
bass vocals:
Franz Crass (operatic bass)
choir vocals:
BBC Chorus (42-strong professional chorus abolished in 1961) and BBC Singers (professional chamber choir of the BBC) (from 1967-10-18 until 1967-10-20)
soprano vocals:
Agnes Giebel (soprano) and Janet Baker (mezzo‐soprano and alto)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1967-10-18 until 1967-10-20)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1967-10-18 until 1967-10-20)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-10-18 until 1967-10-20)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (Mass in B minor, BWV 232: IIId. Symbolum nicenum: Chorus "Et incarnatus est") (from 1967-10-18 until 1967-10-20)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:24
5Mass in B minor BWV 232 III Credo (Symbolicum Nicenum): No 16 Chorus: Crucifixus
alto vocals:
Janet Baker (mezzo‐soprano and alto)
baritone vocals:
Hermann Prey (baritone)
bass vocals:
Franz Crass (operatic bass)
choir vocals:
BBC Chorus (42-strong professional chorus abolished in 1961) and BBC Singers (professional chamber choir of the BBC) (from 1967-10-18 until 1967-10-20)
soprano vocals:
Agnes Giebel (soprano) and Janet Baker (mezzo‐soprano and alto)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1967-10-18 until 1967-10-20)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1967-10-18 until 1967-10-20)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-10-18 until 1967-10-20)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Chorus "Crucifixus") (from 1967-10-18 until 1967-10-20)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 12 “Weinen, Klagen, Sorgen, Zagen”: II. Coro “Weinen, Klagen, Sorgen, Zagen”
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:52
6Mass in B minor BWV 232 III Credo (Symbolicum Nicenum): No 17 Chorus: Et resurrexit
alto vocals:
Janet Baker (mezzo‐soprano and alto)
baritone vocals:
Hermann Prey (baritone)
bass vocals:
Franz Crass (operatic bass)
choir vocals:
BBC Chorus (42-strong professional chorus abolished in 1961) and BBC Singers (professional chamber choir of the BBC) (from 1967-10-18 until 1967-10-20)
soprano vocals:
Agnes Giebel (soprano) and Janet Baker (mezzo‐soprano and alto)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1967-10-18 until 1967-10-20)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1967-10-18 until 1967-10-20)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-10-18 until 1967-10-20)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (Mass in B minor, BWV 232: IIIf. Symbolum nicenum: Chorus "Et resurrexit") (from 1967-10-18 until 1967-10-20)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:00
7Mass in B minor BWV 232 III Credo (Symbolicum Nicenum): No 18 Aria: Et in Spiritum Sanctum Dominum
alto vocals:
Janet Baker (mezzo‐soprano and alto)
baritone vocals:
Hermann Prey (baritone) (from 1967-10-18 until 1967-10-20)
bass vocals:
Franz Crass (operatic bass)
choir vocals:
BBC Chorus (42-strong professional chorus abolished in 1961)
soprano vocals:
Agnes Giebel (soprano) and Janet Baker (mezzo‐soprano and alto)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1967-10-18 until 1967-10-20)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1967-10-18 until 1967-10-20)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-10-18 until 1967-10-20)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (Mass in B minor, BWV 232: IIIg. Symbolum nicenum: Aria "Et in Spiritum Sanctum Dominum") (from 1967-10-18 until 1967-10-20)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach7:01
8Mass in B minor BWV 232 III Credo (Symbolicum Nicenum): No 19 Chorus: Confiteor unum baptisma
alto vocals:
Janet Baker (mezzo‐soprano and alto)
baritone vocals:
Hermann Prey (baritone)
bass vocals:
Franz Crass (operatic bass)
choir vocals:
BBC Chorus (42-strong professional chorus abolished in 1961) and BBC Singers (professional chamber choir of the BBC) (from 1967-10-18 until 1967-10-20)
soprano vocals:
Agnes Giebel (soprano) and Janet Baker (mezzo‐soprano and alto)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1967-10-18 until 1967-10-20)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1967-10-18 until 1967-10-20)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-10-18 until 1967-10-20)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (Mass in B minor, BWV 232: IIIh. Symbolum nicenum: Chorus "Confiteor") (from 1967-10-18 until 1967-10-20)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:14
9Mass in B minor BWV 232 III Credo (Symbolicum Nicenum): ...Et expecto
alto vocals:
Janet Baker (mezzo‐soprano and alto)
baritone vocals:
Hermann Prey (baritone)
bass vocals:
Franz Crass (operatic bass)
choir vocals:
BBC Chorus (42-strong professional chorus abolished in 1961)
soprano vocals:
Agnes Giebel (soprano) and Janet Baker (mezzo‐soprano and alto)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1967-10-18 until 1967-10-20)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1967-10-18 until 1967-10-20)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-10-18 until 1967-10-20)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (Mass in B minor, BWV 232: IIIi. Symbolum nicenum: Chorus "Et expecto") (from 1967-10-18 until 1967-10-20)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen" (former BWV 120)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:52
10Mass in B minor BWV 232 IV Sanctus: No 20 Chorus: Sanctus: Sanctus
alto vocals:
Janet Baker (mezzo‐soprano and alto)
baritone vocals:
Hermann Prey (baritone)
bass vocals:
Franz Crass (operatic bass)
choir vocals:
BBC Chorus (42-strong professional chorus abolished in 1961) and BBC Singers (professional chamber choir of the BBC) (from 1967-10-18 until 1967-10-20)
soprano vocals:
Agnes Giebel (soprano) and Janet Baker (mezzo‐soprano and alto)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1967-10-18 until 1967-10-20)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1967-10-18 until 1967-10-20)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-10-18 until 1967-10-20)
recording of:
h-Moll-Messe, BWV 232: III. Sanctus (Mass in B minor, BWV 232: IVa. Chorus "Sanctus") (from 1967-10-18 until 1967-10-20)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach6:12
11Mass in B minor BWV 232 IV Sanctus: No 21 Double Chorus: Osanna in excelsis
alto vocals:
Janet Baker (mezzo‐soprano and alto)
baritone vocals:
Hermann Prey (baritone)
bass vocals:
Franz Crass (operatic bass)
choir vocals:
BBC Chorus (42-strong professional chorus abolished in 1961) and BBC Singers (professional chamber choir of the BBC) (from 1967-10-18 until 1967-10-20)
soprano vocals:
Agnes Giebel (soprano) and Janet Baker (mezzo‐soprano and alto)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1967-10-18 until 1967-10-20)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1967-10-18 until 1967-10-20)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-10-18 until 1967-10-20)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (Mass in B minor, BWV 232: IVb. Chorus "Osanna in excelsis") (from 1967-10-18 until 1967-10-20)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:20
12Mass in B minor BWV 232 IV Sanctus: No 22 Aria: Benedictus
alto vocals:
Janet Baker (mezzo‐soprano and alto)
baritone vocals:
Hermann Prey (baritone)
bass vocals:
Franz Crass (operatic bass)
choir vocals:
BBC Chorus (42-strong professional chorus abolished in 1961)
solo tenor vocals:
Nicolai Gedda (tenor) (from 1967-10-18 until 1967-10-20)
soprano vocals:
Agnes Giebel (soprano) and Janet Baker (mezzo‐soprano and alto)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1967-10-18 until 1967-10-20)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1967-10-18 until 1967-10-20)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-10-18 until 1967-10-20)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (Mass in B minor, BWV 232: IVc. Aria "Benedictus") (from 1967-10-18 until 1967-10-20)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:39
13Mass in B minor BWV 232 IV Sanctus: Osanna in excelsis (da capo)
alto vocals:
Janet Baker (mezzo‐soprano and alto)
baritone vocals:
Hermann Prey (baritone)
bass vocals:
Franz Crass (operatic bass)
choir vocals:
BBC Chorus (42-strong professional chorus abolished in 1961) and BBC Singers (professional chamber choir of the BBC) (from 1967-10-18 until 1967-10-20)
soprano vocals:
Agnes Giebel (soprano) and Janet Baker (mezzo‐soprano and alto)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1967-10-18 until 1967-10-20)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1967-10-18 until 1967-10-20)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-10-18 until 1967-10-20)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (Mass in B minor, BWV 232: IVd. Chorus "Osanna in excelsis") (from 1967-10-18 until 1967-10-20)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:25
14Mass in B minor BWV 232 IV Sanctus: No 23 Aria: Agnus Dei
solo alto vocals:
Janet Baker (mezzo‐soprano and alto) (from 1967-10-18 until 1967-10-20)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1967-10-18 until 1967-10-20)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1967-10-18 until 1967-10-20)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-10-18 until 1967-10-20)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei") (from 1967-10-18 until 1967-10-20)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach6:30
15Mass in B minor BWV 232 IV Sanctus: No 24 Chorus: Dona nobis pacem
alto vocals:
Janet Baker (mezzo‐soprano and alto)
baritone vocals:
Hermann Prey (baritone)
bass vocals:
Franz Crass (operatic bass)
choir vocals:
BBC Chorus (42-strong professional chorus abolished in 1961) and BBC Singers (professional chamber choir of the BBC) (from 1967-10-18 until 1967-10-20)
soprano vocals:
Agnes Giebel (soprano) and Janet Baker (mezzo‐soprano and alto)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1967-10-18 until 1967-10-20)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1967-10-18 until 1967-10-20)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-10-18 until 1967-10-20)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (Mass in B minor, BWV 232: IVf. Choir "Dona nobis pacem") (from 1967-10-18 until 1967-10-20)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:26