Classical 2012

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

| |
1▼CD
Nr.TitelKünstlerBewertungLänge
1Vesperae solennes de confessore for soloists, chorus & orchestra, K. 339: Laudate Dominum
Chorgesang:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) (in 1998-06)
Mezzosoprangesang:
Cecilia Bartoli (mezzo‐soprano) (in 1998-06)
Orchester:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 1998-06)
conductor:
Myung-Whun Chung (pianist and conductor) (in 1998-06)
chorus master:
Roberto Gabbiani (chorus master) (in 1998-06)
aufgenommen bei:
Auditorium Conciliazione in Roma (Rom), Roma, Lazio, Italien (in 1998-06)
recording of:
Vesperae solennes de confessore, K. 339: V. Laudate dominum (in 1998-06)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1780)
Teil von:
Vesperae solennes de confessore, K. 339
Wolfgang Amadeus Mozart5:04
2Prelude for piano no. 6 in G minor, op. 23/5
Klavier:
Lang Lang (Chinese pianist) (in 2004-12)
aufgenommen bei:
Teldex Studio (Berlin) in Berlin, Deutschland (in 2004-12)
recording of:
10 Preludes, op. 23: No. 5 in G minor: Alla marcia (in 2004-12)
Komponist(in):
Сергей Васильевич Рахманинов (Sergei Rachmaninow, Russian composer) (in 1901)
Teil von:
10 Preludes, op. 23
Sergei Rachmaninoff4:27
3Carmen : « La fleur que tu m’avais jetée »
Tenor-Gesang:
Andrea Bocelli (tenor)
Orchester:
Orchestre philharmonique de Radio France
conductor:
정명훈 (Myung-Whun Chung, pianist and conductor)
recording of:
Carmen : Acte II. No. 17 Duo : « La Fleur que tu m’avais jetée » (Carmen, Don José) (Flower Song) (in 2010)
Komponist(in):
Georges Bizet (French composer) (in 1875)
Librettist:
Ludovic Halévy (French librettist) (in 1875) und Henri Meilhac (in 1875)
Teil von:
Carmen : Acte II
Georges Bizet3:44
4Orfeo, chamber cantata for soprano, strings & continuo, op. 2/4: “Nel chiuso centro”
Soprangesang:
Анна Нетребко (Anna Netrebko, soprano)
Orchester:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Antonio Pappano (conductor and pianist)
recording of:
Orfeo, P. 115: I. Recitativo “Nel chiuso centro”
Komponist(in):
Giovanni Battista Pergolesi (composer)
Teil von:
Orfeo, P. 115
Giovanni Battista Pergolesi2:05
5Suite española no. 1, for piano, op. 47, B. 7: Granada
assistierende(r) Techniker(in):
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) (in 2010-10)
Techniker(in):
Daniel Kemper (in 2010-10) und Rainer Maillard (in 2010-10)
leitende(r) Produzent(in):
Dr. Alexander Buhr
Produzent(in):
Sid McLauchlan (engineer/producer)
Editing:
Michael Lewin (pianist)
Gitarre:
Miloš Karadaglić (classical guitarist) (in 2010-10)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (in 2010-10)
recording of:
Suite española no. 1, op. 47: I. Granada (Serenata) (catch-all for arrangements)
Komponist(in):
Isaac Albéniz (Spanish composer)
Arrangement von:
Suite española no. 1, op. 47: I. Granada (Serenata) (for solo piano)
Isaac Albéniz5:54
6Adriana Lecouvreur: “La dolcissima effigie”
Tenor-Gesang [Maurizio]:
Jonas Kaufmann (tenor)
Orchester:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Antonio Pappano (conductor and pianist)
recording of:
Adriana Lecouvreur: Atto I. “La dolcissima effigie” (Maurizio, Adriana)
Komponist(in):
Francesco Cilea (composer)
Librettist:
Arturo Colautti
Teil von:
Adriana Lecouvreur: Atto I
Francesco Cilea2:29
7Symphony no. 5 in E minor, op. 64: 3. Valse. Allegro moderato
Orchester:
Orquesta Sinfónica Simón Bolívar (Simón Bolívar Symphony Orchestra) (in 2008-01)
conductor:
Gustavo Dudamel (conductor and violinist) (in 2008-01)
aufgenommen bei:
Sala Simón Bolivar (CASPM) in Caracas, Venezuela (in 2008-01)
live recording of:
Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato (in 2008-01)
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (von 1888-05 bis 1888-08)
Teil von:
Symphony no. 5 in E minor, op. 64
recording of:
Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (von 1888-05 bis 1888-08)
Teil von:
Symphony no. 5 in E minor, op. 64
Peter Ilich Tchaikovsky6:19
8Suor Angelica: “Senza mamma, o bimbo, tu sei morto”
Soprangesang:
Renée Fleming (soprano)
Orchester:
Orchestra Sinfonica di Milano Giuseppe Verdi (Symphony Orchestra of Milan Giuseppe Verdi)
conductor:
Marco Armiliato (conductor)
recording of:
Suor Angelica: “Senza mamma, o bimbo, tu sei morto!” (Suor Angelica)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A.
Teil von:
Suor Angelica
Giacomo Puccini4:31
9Symphony no. 8 in F major, op. 93: 2. Allegretto scherzando
Orchester:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra)
conductor:
Riccardo Chailly (conductor)
recording of:
Symphony no. 8 in F major, op. 93: II. Allegretto scherzando
Komponist(in):
Ludwig van Beethoven (German composer) (in 1812)
Teil von:
Symphony no. 8 in F major, op. 93 (Sinfonie Nr. 8 F-Dur, Op. 93)
Ludwig van Beethoven3:42
10Rigoletto: “La donna è mobile”
Tenor-Gesang:
Rolando Villazón (tenor)
Orchester:
Prague Philharmonia
conductor:
Daniele Callegari (conductor)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2010)
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (bis 1851-03-11)
Librettist:
Francesco Maria Piave (bis 1851-03-11)
Teil von:
Rigoletto: Atto III
Giuseppe Verdi2:12
11Nocturne for piano in C‐sharp minor
Klavier:
Benjamin Grosvenor (pianist)
recording of:
Nocturne no. 20 in C‐sharp minor “Reminiscence”, op. posth. 1 no. 16, B. 49, KKIVa/16
Komponist(in):
Fryderyk Chopin (Frédéric Chopin, composer) (in 1830)
Teil von:
Chopin National Edition: WN Catalogue (Nummer: WN 37), Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (Nummer: B. 49) und Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (Nummer: C. 127)
Fryderyk Chopin3:48
12Carmen : « Près des remparts de Séville »
Mezzosoprangesang:
Elīna Garanča (Latvian operatic lyric mezzo-soprano)
Tenor-Gesang:
Roberto Alagna (tenor)
Orchester:
Orchestra Sinfonica Nazionale della RAI (RAI National Symphony Orchestra, formed in 1994, merging the four former RAI orchestras of Turin, Rome, Naples, and Milan)
conductor:
Karel Mark Chichon (conductor)
recording of:
Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José)
Komponist(in):
Georges Bizet (French composer)
Librettist:
Ludovic Halévy (French librettist) und Henri Meilhac
Teil von:
Carmen : Acte I
Georges Bizet4:40
13Dance of the Blessed Spirits (Melody), arrangement (from “Orfeo ed Euridice”)
Produzent(in):
Michel Glotz
flute:
Karlheinz Zöller (flutist) (von 1983-09-28 bis 1983-09-30)
Orchester:
Berliner Philharmoniker (von 1983-09-28 bis 1983-09-30)
conductor:
Herbert von Karajan (conductor) (von 1983-09-28 bis 1983-09-30)
Tonmeister(in):
Günter Hermanns (producer/engineer) (von 1983-09-28 bis 1983-09-30)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1984)
aufgenommen bei:
Berliner Philharmonie in Mitte, Berlin, Deutschland (von 1983-09-28 bis 1983-09-30)
recording of:
Orfeo ed Euridice: Dance of the Blessed Spirits (Melodie) (catch-all for arrangements) (von 1983-09-28 bis 1983-09-30)
Komponist(in):
Christoph Willibald Gluck (composer)
Arrangement von:
Orfeo ed Euridice, Wq. 30: Ballet in D minor “Dance of the Blessed Spirits” (Italian version)
Christoph Willibald Gluck6:47
14Les Pêcheurs de perles : « Je crois entendre encore »
recording engineer:
Ingmar Haas (engineer)
Produzent(in):
Andrew Cornall (engineer / producer)
Editing:
Ian Watson (editor/engineer/producer)
Tenor-Gesang:
Joseph Calleja (tenor) (von 2005-05-16 bis 2005-05-21)
Orchester:
Academy of St Martin in the Fields (von 2005-05-16 bis 2005-05-21)
conductor:
Carlo Rizzi (conductor) (von 2005-05-16 bis 2005-05-21)
Tonmeister(in):
Philip Siney (sound engineer)
phonographisches Urheberrecht (℗) von:
Gaumont (film company) (in 2021)
aufgenommen bei:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (von 2005-05-16 bis 2005-05-21)
recording of:
Les Pêcheurs de perles : Acte I. No. 4 Romance « Je crois entendre encore » (Nadir) (von 2005-05-16 bis 2005-05-21)
Komponist(in):
Georges Bizet (French composer) (von 1863-04 bis 1863-08)
Librettist:
Michel Carré (librettist) und Eugène Cormon
Teil von:
Les Pêcheurs de perles : Acte I
Georges Bizet3:22
15Missa “Ecco si beata giorno”: Agnus Dei II
recording of:
Missa "Ecco sì beato giorno": Agnus Dei II
Komponist(in):
Alessandro Striggio (The Elder, c. 1536-1592)
Teil von:
Missa "Ecco sì beato giorno"
Alessandro Striggio3:48
16Piano Concerto no. 1 in D‐flat major, op. 10: 2. Andante assai
recording engineer:
Arthur Lilley (engineer), Philip Wade (engineer) und Kenneth Wilkinson (engineer)
Produzent(in):
Ray Minshull (record producer)
Klavier:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1974-01)
Orchester:
London Symphony Orchestra (in 1974-01)
conductor:
André Previn (pianist, conductor, composer, arranger) (in 1974-01)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1975) und The Decca Record Company Limited (not a release label; for copyrights use only) (in 1975)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (in 1971-01)
recording of:
Piano Concerto no. 1 in D-flat major, op. 10: II. Andante assai (in 1974-01)
Komponist(in):
Сергей Сергеевич Прокофьев (Sergei Prokofjew, Russian composer) (von 1911 bis 1912)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
Teil von:
Piano Concerto no. 1 in D-flat major, op. 10
Sergey Rachmaninov4:39
17Core ’ngrato (Catari), for voice & orchestra
recording engineer:
James Lock (James Locke, engineer)
Produzent(in):
Ray Minshull (record producer)
Tenor-Gesang:
Luciano Pavarotti (tenor) (in 1985-07)
Orchester:
Orchestra del Teatro Comunale di Bologna (in 1985-07)
conductor:
Giancarlo Chiaramello (in 1985-07)
arranger:
Giancarlo Chiaramello
phonographisches Urheberrecht (℗) von:
Dala Luma
aufgenommen bei:
Chiesa di San Giorgio (Palazzo in Bologna) (in 1985-07)
recording of:
Core ’ngrato (Catarì, Catarì) (Original for voice & orchestra) (in 1985-07)
Texter:
Riccardo Cordiferro (in 1911)
Komponist(in):
Salvatore Cardillo (Italian-American composer) (in 1911)
publisher:
Ed. G. Ricordi & Cia. SpA (Italian publisher)
Salvatore Cardillo4:55
18Clair de lune, for piano (Suite bergamasque no. 3), L. 75/3
Geige / Violine:
Janine Jansen (Dutch violinist and violist)
Klavier:
Itamar Golan (pianist)
recording of:
Suite bergamasque : III. Clair de lune (catch-all for arrangements)
Komponist(in):
Claude Debussy (French composer) (von 1890 bis 1905)
Arrangement von:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano)
Claude Debussy4:22
19Wiegenlied (“Guten Abend, gut Nacht”), song for voice & piano, op. 49/4
bass-baritone vocals:
Bryn Terfel (bass‐baritone opera singer)
Orchester:
London Symphony Orchestra
conductor:
Barry Wordsworth (conductor)
recording of:
5 Lieder, op. 49: Nr. 4. Wiegenlied (catch‐all for arrangements)
Komponist(in):
Johannes Brahms (German composer)
Arrangement von:
5 Lieder, op. 49: Nr. 4. Wiegenlied “Guten Abend, gute Nacht” (original for voice and piano)
Johannes Brahms2:04
20Radetzky‐Marsch, for orchestra, op. 228
Orchester:
Wiener Philharmoniker
conductor:
Franz Welser‐Möst (conductor)
recording of:
Radetzky‐Marsch, op. 228 (Radetzky-Marsch, Op. 228)
Komponist(in):
Johann Strauss (Johann Strauss I, Baptist, Vater, Johann Strauss I, Sr., the Elder, the Father) (in 1848)
gewidmet:
Joseph Radetzky von Radetz
Premiere bei:
Wasserglacis in Wien, Österreich (am 1848-08-31)
Teil von:
Works of Johann Strauss Sr. by opus number (Nummer: op. 228)
Johann Strauss I3:25
2▼CD
Nr.TitelKünstlerBewertungLänge
1Das Land des Lächelns (The Land of Smiles): “Dein ist mein ganzes Herz!”
recording engineer:
James Lock (James Locke, engineer) (am 1990-07-07), John Pellowe (audio engineer) (am 1990-07-07) und Philip Siney (sound engineer) (am 1990-07-07)
Produzent(in):
Christopher Raeburn (producer)
Editing:
Nigel Gayler
Tenor-Gesang:
Plácido Domingo (tenor) (am 1990-07-07)
Orchester:
Orchestra del Maggio Musicale Fiorentino (am 1990-07-07) und Orchestra del Teatro dell’Opera di Roma (am 1990-07-07)
conductor:
Zubin Mehta (conductor) (am 1990-07-07)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited, London (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1990)
aufgenommen bei:
Terme di Caracalla in Roma (Rom), Roma, Lazio, Italien (am 1990-07-07)
live recording of:
Das Land des Lächelns: Akt II. Nr. 11 „Dein ist mein ganzes Herz” (Sou-Chong) (am 1990-07-07)
Texter:
Ludwig Herzer und Fritz Löhner-Beda (librettist, lyricist, writer)
Komponist(in):
Franz Lehár (composer)
publisher:
Glocken Verlag
Teil von:
Das Land des Lächelns: Akt II
Franz Lehár3:33
2Bachianas Brasileiras no. 5, for Voice & 8 Cellos, A. 389: Aria (Cantilena)
Soprangesang:
Patricia Petibon (soprano)
Orchester:
Orquesta Nacional de España (Spanish National Orchestra)
conductor:
Josep Pons (conductor)
recording of:
Bachianas Brasileiras nº 5, W389: I. Aria (Cantilena) (for voice and cellos)
Komponist(in):
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1938)
Teil von:
Bachianas Brasileiras nº 5, W389 (for voice and cellos)
Heitor Villa‐Lobos5:36
3Berceuse for Piano in D‐flat major, op. 57, CT. 7
Klavier:
Daniel Barenboim (pianist and conductor)
recording of:
Berceuse in D‐flat major, op. 57
Komponist(in):
Fryderyk Chopin (Frédéric Chopin, composer) (von 1843 bis 1844)
gewidmet:
Elise Gavard
Teil von:
Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (Nummer: C. 7), Works of Fryderyk Chopin by opus number (Nummer: op. 57) und Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (Nummer: B. 154)
Fryderyk Chopin4:33
4Cantata no. 169, “Gott soll allein mein Herze haben,” BWV 169 (BC A143): 2. Arioso
Countertenorgesang:
Andreas Scholl (countertenor)
Orchester:
Kammerorchester Basel (Basel Chamber Orchestra, 1984—)
conductor:
Julia Schröder (violinist)
aufgenommen bei:
Les Dominicains de Haute-Alsace in Guebwiller, Haut-Rhin, Grand Est (Großer Osten), Frankreich
recording of:
Kantate, BWV 169 "Gott soll allein mein Herze haben": II. Arioso (Alt) "Gott soll allein mein Herze haben" (von 2011-01-23 bis 2011-01-28)
Premiere in:
Leipzig, Sachsen, Deutschland (am 1726-10-26)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
Librettist:
[anonymous] (special purpose artist)
Teil von:
Kantate, BWV 169 "Gott soll allein mein Herze haben"
Johann Sebastian Bach2:50
5Rondo a Capriccio for Piano in G major (“Rage Over a Lost Penny”), op. 129
Klavier:
Alice Sara Ott (pianist)
recording of:
Rondo a capriccio for Piano in G major, op. 129 “The Rage Over the Lost Penny”: Allegro vivace
Komponist(in):
Ludwig van Beethoven (German composer) (in 1795)
Teil von:
Works of Ludwig van Beethoven by opus number (Nummer: op. 129)
Ludwig van Beethoven6:19
6Misa Criolla, for tenor, piano, chorus & orchestra: Kyrie
Chorgesang:
Coro del Teatro Comunale di Bologna
Tenor-Gesang:
Juan Diego Flórez (Peruvian operatic tenor)
Orchester:
Orchestra del Teatro Comunale di Bologna
conductor:
Michele Mariotti (conductor)
recording of:
Misa criolla: I. Kyrie
Komponist(in):
Ariel Ramírez (Argentinian composer, pianist and music director) (in 1964)
Teil von:
Misa criolla
Ariel Ramírez4:31
7Ständchen (“Leise flehen meine Lieder”), Song for Voice & Piano (Schwanengesang), D. 957/4
Geige / Violine:
Nicola Benedetti (violinist)
Orchester:
Academy of St Martin in the Fields
conductor:
Kenneth Sillito (violinist)
recording of:
Schwanengesang, D. 957: IV. Ständchen (catch-all for arrangements)
Komponist(in):
Franz Schubert (composer)
Arrangement von:
Schwanengesang, D. 957: IV. Ständchen (Leise flehen meine Lieder) (original for voice and piano)
basiert auf:
סרנדה
Franz Schubert4:13
8Die Fledermaus (The Bat), RV 503: “Mein Herr Marquis”
Soprangesang:
Aleksandra Kurzak (soprano)
Orchester:
Orquestra de la Comunitat Valenciana
conductor:
Omer Meir Wellber
recording of:
Die Fledermaus: Akt II. Nr. 8b „Mein Herr Marquis, ein Mann wie Sie…“ (Adele, Chor) (Laughing song)
Komponist(in):
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
Teil von:
Die Fledermaus: Akt II
Johann Strauss II3:22
9Concerto for Violin, Strings & Continuo no. 1 in A minor, BWV 1041: 1. Allegro moderato
assistierende(r) Techniker(in):
Sherri Hendrickson (in 2003-01)
Techniker(in):
Marc Stedman (in 2003-01)
Produzent(in):
Thomas Frost (classical music producer)
Geige / Violine:
Hilary Hahn (violinist) (in 2003-01)
Orchester:
Los Angeles Chamber Orchestra (in 2003-01)
conductor:
Jeffrey Kahane (pianist and conductor) (in 2003-01)
Tonmeister(in):
Tom Lazarus (in 2003-01)
aufgenommen bei:
Zipper Hall in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 2003-01)
recording of:
Violin Concerto in A minor, BWV 1041: I. Allegro (in 2003-01)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Violin Concerto in A minor, BWV 1041
Johann Sebastian Bach3:24
10Tito Manlio, RV 738: “Sonno, se pur sei sonno”
Produzent(in):
Arend Prohmann (producer / editor)
Mezzosoprangesang:
Magdalena Kožená (Czech mezzo-soprano) (in 2008-10)
Orchester:
Venice Baroque Orchestra (in 2008-10)
conductor:
Andrea Marcon (Italian conductor & keyboardist) (in 2008-10)
aufgenommen bei:
Kulturzentrum Grand Hotel: Gustav-Mahler-Saal (Gustav Mahler Concert Hall) in Toblach, Bolzano (Südtirol), Trentino-Alto Adige, Italien (in 2008-10)
recording of:
Tito Manlio, RV 738-A: Atto III, Scena I. Aria. "Sonno, se pur sei sonno" (Manlio) (in 2008-10)
Texter:
Matteo Noris
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (von 1718 bis 1719)
Teil von:
Tito Manlio, RV 738: Atto III
Antonio Vivaldi2:53
11Consolation, for Piano no. 3 in D‐flat major “Lento placido”, S. 172/3 (LW A111a/2/2)
Produzent(in):
Peter Wadland (producer) (vom 1985-03 bis heute)
Klavier:
Jorge Bolet (Cuban‐born American virtuoso pianist and teacher, 1914–1990) (in 1985-03)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1986)
aufgenommen bei:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, Vereinigtes Königreich (in 1985-03)
recording of:
Consolation in D‐flat major, S. 172 no. 3: Lento placido (in 1985-03)
Komponist(in):
Franz Liszt (Hungarian composer, pianist and conductor)
Teil von:
Consolations, S. 172
Franz Liszt3:51
12Rusalka, B. 203 (op. 114): “Mesícku na nebi hlubokém” (Song to the Moon)
Klavier:
Eric Schneider (pianist)
Soprangesang:
Anna Prohaska (soprano)
recording of:
Rusalka, op. 114: Song to the Moon (catch-all for arrangements)
Komponist(in):
Antonín Dvořák (composer)
Arrangement von:
Rusalka, op. 114, B. 203: 1. jednání. “Měsíčku na nebi hlubokém” (Rusalka) (Rusalka, op. 114, B. 203: Act 1. "Song to the Moon", Song to the Moon)
Antonín Dvořák5:00
13La Traviata: Atto I. Prelude
Assistent recording engineer:
Adam Chignell (in 1994-12) und Ian Watson (editor/engineer/producer) (in 1994-12)
recording engineer:
John Dunkerley (engineer) (in 1994-12), Simon Eadon (classical music engineer) (in 1994-12) und Michael Mailes (engineer) (in 1994-12)
Produzent(in):
Andrew Cornall (engineer / producer)
Editing:
Ian Watson (editor/engineer/producer)
Orchester:
Orchestra of the Royal Opera House, Covent Garden (in 1994-12)
conductor:
Sir Georg Solti (conductor) (in 1994-12)
aufgenommen bei:
Royal Opera House (“Covent Garden”) in London (Greater London), England, Vereinigtes Königreich (in 1994-12)
live recording of:
La traviata: Preludio (in 1994-12)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Antonio Ghislanzoni
Teil von:
La traviata
Teil von:
La traviata (english lyrics)
Teil von:
La traviata (french lyrics)
Teil von:
La Traviata (aka Violetta, german lyrics)
Teil von:
Violetta (La traviata) (german lyrics)
recording of:
La traviata: Preludio
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Antonio Ghislanzoni
Teil von:
La traviata
Teil von:
La traviata (english lyrics)
Teil von:
La traviata (french lyrics)
Teil von:
La Traviata (aka Violetta, german lyrics)
Teil von:
Violetta (La traviata) (german lyrics)
Giuseppe Verdi3:35
14I vespri siciliani (Les Vêpres Siciliennes): “Mercè, dilette amiche”
Soprangesang [Elena]:
Angela Gheorghiu (Romanian soprano)
Orchester:
Orchestra Sinfonica di Milano Giuseppe Verdi (Symphony Orchestra of Milan Giuseppe Verdi)
conductor:
Riccardo Chailly (conductor)
recording of:
I vespri siciliani: Atto V. Bolero “Mercè, dilette amiche” (Elena) (Siciliana)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Charles Duveyrier und Eugène Scribe
Übersetzer:
Arnaldo Fusinato
Teil von:
I vespri siciliani: Atto V
Giuseppe Verdi4:03
15The Sleeping Beauty, Ballet, op. 66: Valse. La Belle au bois dormant
Orchester:
Симфонический оркестр Мариинского театра (Mariinsky Theatre Orchestra, fka Kirov Orchestra till 1992)
conductor:
Валерий Гергиев (Waleri Gergijew, conductor)
recording of:
The Sleeping Beauty, op. 66: Acte I, no. 6. Valse
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
The Sleeping Beauty, op. 66: Acte I
Peter Ilich Tchaikovsky4:47
16Werther : « Pourquoi me téveiller, ô souffle du printemps ? »
Tenor-Gesang:
Giuseppe Di Stefano (tenor) (in 1959)
Orchester:
Tonhalle‐Orchester Zürich
conductor:
Franco Patanè (conductor)
recording of:
Werther : Acte III. « Toute mon âme est là ! » – « Pourquoi me réveiller ? » (Werther) (in 1959)
Komponist(in):
Jules Massenet (French Romantic composer)
Librettist:
Édouard Blau (Librettist), Georges Hartmann (librettist) und Paul Milliet (Librettist)
Teil von:
Werther : Acte III (Charlotte et Werther)
Jules Massenet3:09
17Sicilienne and Rigaudon in the Style of Francœur, for violin & piano
Geige / Violine:
Joshua Bell (violinist) (von 1995-04-08 bis 1995-04-09)
Klavier:
Paul Coker (pianist) (von 1995-04-08 bis 1995-04-09)
aufgenommen bei:
Saint George’s, Bristol (Brandon Hill) in Bristol, England, Vereinigtes Königreich (von 1995-04-08 bis 1995-04-09)
recording of:
Sicilienne et Rigaudon (in the style of François Francœur) (von 1995-04-08 bis 1995-04-09)
Komponist(in):
Fritz Kreisler (Austrian‐American violinist and composer) (in 1910)
Fritz Kreisler4:01
18Work (S): Lucrezia (Based on Fragments of the Aria Già Nel S)
Soprangesang:
Danielle de Niese (soprano)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
James Morgan (composer, conductor, producer; co-founder of Morgan Pochin Music Productions)
teilweise recording of:
La Lucrezia, HWV 145: IX. Arioso "Gia nel seno comincia a compir"
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1708-08)
Teil von:
La Lucrezia, HWV 145
recording of:
La Lucrezia, HWV 145: IX. Arioso "Gia nel seno comincia a compir"
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1708-08)
Teil von:
La Lucrezia, HWV 145
Georg Friedrich Händel2:59
19Coppélia, ou La Fille aux yeux d’émail, Ballet: Valse
recording engineer:
James Locke (engineer)
Produzent(in):
John Mordler (producer)
Bratsche / Viola:
Ron Golan
Geige / Violine:
Marcel Graveis
Klarinette:
Robert Gugolz
Orchester:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
aufgenommen bei:
Victoria Hall (Geneva) in Genève (Genf), Genève (Kanton Genf), Schweiz (in 1969-09)
recording of:
Coppélia : Tableau I, no. 1b. Valse (Valse lente)
Komponist(in):
Léo Delibes (French composer) (in 1870)
Teil von:
Coppélia : Tableau I
Léo Delibes2:05
20Martha: “The Last Rose of Summer”
Soprangesang:
Joan Sutherland (soprano)
Orchester:
London Symphony Orchestra
conductor:
Richard Bonynge (conductor and pianist)
recording of:
Martha: Akt II. „Letzte Rose“ (Die letzte Rose)
Komponist(in):
Friedrich von Flotow (composer)
Teil von:
Martha: Akt II
Friedrich von Flotow3:17

Nennungen

Veröffentlichungsgruppe

Allmusic:https://www.allmusic.com/album/mw0002233534 [Info]