The World’s Best Ever Beer Songs (Summer 2001)

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Teenage Dirtbag
engineer and producer:
Philip A. Jimenez and Wheatus
mixer:
David Thoener
turntable:
Pippi Longscratchings
phonographic copyright (℗) by:
Sony BMG Music Entertainment Inc. (in 2000), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 2000) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 2000)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 427)
recording of:
Teenage Dirtbag
lyricist and composer:
Brendan B. Brown (Wheatus singer/guitarist)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Blackwood Music Inc. (in 2000) and Montauk Mantis Productions (in 2000)
Wheatus3.454:03
2Tubthumping
engineer:
Neil Ferguson (Chumbawamba)
producer:
Chumbawamba
phonographic copyright (℗) by:
Chumbawamba (in 1997)
phonographic copyright (℗) by:
EMI Electrola GmbH & Co KG (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1997)
recorded at:
Woodlands Studio in Castleford, Wakefield, West Yorkshire, England, United Kingdom (in 1997-02)
mixed at:
Woodlands Studio in Castleford, Wakefield, West Yorkshire, England, United Kingdom (in 1997-09)
edit of:
Tubthumping (album version) by Chumbawamba
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 23)
recording of:
Tubthumping (in 1997-02)
publisher:
Chumbawamba (in 1997)
writer:
Jude Abbott, Dunstan Bruce, Paul Greco (former bassist of British band Chumbawamba), Harry “Daz” Hamer, Danbert Nobacon, Alice Nutter, Lou Watts (member of Chumbawamba) and Boff Whalley
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) and Leosong (publisher) (in 1997)
Chumbawamba3.653:33
3Lust for Life
engineer:
Eduard Meyer and Colin Thurston
producer:
Bewlay Bros.
bass guitar:
Tony Sales (from 1977-06-04 until 1977-06-18)
drums (drum set), shakers and tambourine:
Hunt Sales (from 1977-06-04 until 1977-06-18)
guitar:
Carlos Alomar (from 1977-06-04 until 1977-06-18) and Ricky Gardiner (from 1977-06-04 until 1977-06-18)
piano:
David Bowie (English singer‐songwriter) (from 1977-06-04 until 1977-06-18)
background vocals:
Hunt Sales (from 1977-06-04 until 1977-06-18) and Tony Sales (from 1977-06-04 until 1977-06-18)
lead vocals:
Iggy Pop (from 1977-06-04 until 1977-06-18)
phonographic copyright (℗) by:
Thousand Mile, Inc. (in 1977, in 1990) and Virgin Records America (used for copyrights) (in 1977)
recorded at:
Hansa Studio III in Berlin, Germany (from 1977-06-04 until 1977-06-18)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 67), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 147) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 325)
recording of:
Lust for Life (from 1977-06-04 until 1977-06-18)
lyricist:
Iggy Pop
composer:
David Bowie (English singer‐songwriter) and Iggy Pop
publisher:
Bewlay Bros. Music, EMI Music (do not use as release label! this is a music publisher), Fleur Music Ltd. (publisher), Tintoretto Music, Virgin Music (publisher and label, only for releases with Virgin MUSIC logo), Bug Music (music publishing) (in 1988) and James Osterberg Music (in 1988)
Iggy Pop4.455:13
4You Get What You Give
producer:
Gregg Alexander
bass:
John Pierce (US session bassist)
guitar:
Gregg Alexander and Rusty Anderson
membranophone:
Gary Ferguson (Session drummer)
percussion:
Juliet Prater
piano:
Rick Nowels
arranger:
Gregg Alexander
additional vocals arranger:
Richard Podolor
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1998)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 390) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 453)
recording of:
You Get What You Give
writer:
Gregg Alexander and Rick Nowels
publisher:
EMI Blackwood Music Inc., EMI Music Inc., Future Furniture Music Inc. and Grosse Point Harlem
New Radicals4.655:01
5Semi‐Charmed Life
programming:
Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind) and Eric Valentine (Eric Dodd, producer and instrumentalist)
assistant engineer:
Jaquire King and Kevin Scott (engineer)
engineer and mixer:
Eric Valentine (Eric Dodd, producer and instrumentalist)
additional producer:
Kevin Cadogan and Arion Salazar
co-producer:
Eric Valentine (Eric Dodd, producer and instrumentalist)
producer:
Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind)
bass guitar:
Arion Salazar
brushes and lead vocals:
Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind)
drums (drum set):
Brad Hargreaves
guitar:
Kevin Cadogan and Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind)
background vocals:
Kevin Cadogan
additional arranger:
Ren Klyce
arranger:
Kevin Cadogan and Arion Salazar
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 138) and Indie 88: Top 500 Indie Rock Songs (number: 347)
recording of:
Semi‐Charmed Life
lyricist and composer:
Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind)
publisher:
3EB Publishing
Third Eye Blind44:28
6Carry Me Home
recording engineer and producer:
Nick Launay (in 2000-07)
assistant producer:
David Davis (Australian engineer) (in 2000-07)
assistant mixer:
Steve Sisco (in 2000-08) and Josh Wilbur (musician, writer, engineer, mixer & producer) (in 2000-08)
mixer:
Andy Wallace (engineer) (in 2000-08)
recorded at:
Sing Sing Studios (closed in 2017) in Cremorne, Melbourne, Victoria, Australia (in 2000-07)
mixed at:
Soundtrack Studios in New York, New York, United States (in 2000-08)
produced at:
Sing Sing Studios (closed in 2017) in Cremorne, Melbourne, Victoria, Australia (in 2000-07)
recording of:
Carry Me Home
lyricist and composer:
Chris Cheney (The Living End frontman)
publisher:
EMI April Music Inc.
The Living End33:13
7Black Betty
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1977), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1977), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977) and CBS Schallplatten GmbH (in 1990)
cover recording of:
Black Betty
lyricist and composer:
[traditional] (special purpose artist) and Huddie William Ledbetter
publisher:
Kensington Music Ltd., Robert Mellin Music Publishing Corp., Sony/ATV Music Publishing Australia Pty Ltd., TRO-Folkways Music Publishers, Inc., Folkways Music Publ. Co. (publisher) (from 1977 to present) and TRO (publisher) (from 1977 to present)
Ram Jam3.653:58
8Psycho Killer (live)
recording engineer:
Allen Chinowsky (in 1983-12)
mastering:
Ted Jensen (American mastering engineer) and Jack Skinner (engineer)
assistant engineer:
Nick Delre, Robin Laine, Linda Randazzo and Glenn Rosenstein
engineer:
Joel Moss and Mark Wolfson
producer:
Talking Heads
additional mixer:
Chris Frantz and Jerry Harrison (Talking Heads & producer)
mixer:
Eric Thorngren
vocals:
David Byrne (Talking Heads) (in 1983-12)
recorded at:
Hollywood Pantages Theatre in Hollywood, Los Angeles, California, United States (in 1983-12)
live recording of:
Psycho Killer (in 1983-12)
lyricist:
David Byrne (Talking Heads), Chris Frantz and Tina Weymouth
writer:
David Byrne (Talking Heads), Christopher Frantz and Martina Weymouth
composer:
David Byrne (Talking Heads)
publisher:
Bleu Disque Music Co., Inc. (publisher), Index Music, Inc., Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) and Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Talking Heads4.54:30
9One Week
assistant recording engineer:
Bob MacLeod (in 1998-02) and Scott Lake (in 1998-03)
recording engineer:
Susan Rogers (US sound engineer) (in 1998-02) and David Leonard (US producer and engineer) (in 1998-03)
producer:
Barenaked Ladies (in 1998), David Leonard (US producer and engineer) (in 1998) and Susan Rogers (US sound engineer) (in 1998)
assistant mixer:
Charlie Brocco (from 1998-03 until 1998-04) and Kevin Szymanski (from 1998-03-04 until 1998-04-04)
mixer:
David Leonard (US producer and engineer) (from 1998-03 until 1998-04)
acoustic guitar:
Ed (from 1998-02 until 1998-03)
drums (drum set) [drums]:
Tyler (from 1998-02 until 1998-03)
electric guitar:
Ed (from 1998-02 until 1998-03) and Kevin (from 1998-02 until 1998-03)
electric upright bass [electric double bass]:
Jim (from 1998-02 until 1998-03)
keyboard [keyboards]:
Kevin (from 1998-02 until 1998-03)
background vocals [dans la maison]:
Ed (from 1998-02 until 1998-03) and Tyler (from 1998-02 until 1998-03)
lead vocals [vocals]:
Ed (from 1998-02 until 1998-03) and Steven (Barenaked Ladies) (from 1998-02 until 1998-03)
recorded at:
Arlyn Studios (sister of Pedernales Studio) in Austin, Texas, United States (in 1998-02) and Phase One Studios in Toronto, Ontario, Canada (in 1998-03)
mixed at:
East Iris Studios in Nashville, Tennessee, United States (from 1998-03 until 1998-04)
music videos:
One Week by Barenaked Ladies
recording of:
One Week (from 1998-02 until 1998-03)
lyricist and composer:
Ed Robertson
publisher:
Treat Baker Music (in 1997) and WB Music Corp. (1929–2019) (in 1997)
Barenaked Ladies4.12:51
10All Right Now
engineer:
Roy Thomas Baker (producer)
producer:
Free (60s/70s UK blues rock group) and John Kelly (producer)
bass:
Andy Fraser (English bassist, member of Free)
drums (drum set):
Simon Kirke
guitar:
Paul Kossoff
lead vocals:
Paul Rodgers
remixer:
Bob Clearmountain
phonographic copyright (℗) by:
Free (60s/70s UK blues rock group) (in 1970)
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1970, in 1971)
recorded at:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom and Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom
music videos:
All Right Now by Free (60s/70s UK blues rock group)
recording of:
All Right Now
writer:
Andy Fraser (English bassist, member of Free) and Paul Rodgers
publisher:
Blue Mountain Music, Blue Mountain Music Ltd., Blue Mountain Music Scandinavia, Catherine’s Peak Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music, Inc., Kobalt Music Publishing Ltd. (UK), Polygram Music, Songs of Kobalt Music Publishing and Universal Music Publishing (use ONLY if no country‐specific information is available)
Free4.654:16
11Eagle Rock
bass:
Wayne Duncan (Australian musician)
drums (drum set):
Gary Young (Australian drummer)
guitar:
Ross Hannaford and Ross Wilson (Australian singer-songwriter, guitarist and producer)
vocals:
Ross Wilson (Australian singer-songwriter, guitarist and producer)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1971), Sparmac (in 1971), Wizard (Australian rock) (in 1971), Wizard Records (Germany, hard-trance) (in 1971) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1998)
part of:
triple j’s Hottest 100 of Australian Songs (number: 45)
recording of:
Eagle Rock
writer:
Ross Wilson (Australian singer-songwriter, guitarist and producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Mushroom Music (Mushroom label’s publishing company) and Mushroom Music Pty. Ltd.
Daddy Cool4:11
12You Took the Words Right Out of My Mouth
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1977), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1977) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977, in 1978)
edit of:
You Took the Words Right Out of My Mouth (Hot Summer Night) by Meat Loaf
recording of:
You Took the Words Right Out of My Mouth (Hot Summer Night)
lyricist and composer:
Jim Steinman
publisher:
Carlin Music Corporation and J. Albert & Son Pty. Ltd.
Meat Loaf44:16
13Little Miss Can’t Be Wrong
engineer:
Peter Denenberg
producer and mixer:
Peter Denenberg, Frankie LaRocka and Spin Doctors
bass:
Mark White (Spin Doctors)
guitar:
Eric Schenkman
Hammond organ, drums (drum set) and percussion and background vocals:
Aaron Comess
vocals:
Chris Barron
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1991) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
recording of:
Little Miss Can’t Be Wrong
writer:
Chris Barron, Aaron Comess, Eric Schenkman and Mark White (Spin Doctors)
publisher:
Sony Music Publishing (worldwide except Japan, ended 1995)
Spin Doctors3.73:55
14Driving Wheels
engineer:
Al Wright (Engineer), Jonathan Cain, Jim Gaines and Robert Missbach
producer:
Jonathan Cain and Mike Stone (producer and engineer, 1960s–80s)
mixer:
Al Wright (Engineer) and Mike Stone (producer and engineer, 1960s–80s)
bass:
Randy Jackson (former bassist with Journey and American Idol judge)
drums (drum set):
Tony Brock
guitar:
Rick Brewster and Neal Schon
keyboard and piano:
Jonathan Cain
pedal steel guitar:
David Lindley
background vocals:
Dave Amato, Jimmy Barnes (Australian rock singer-songwriter, frontman of Cold Chisel) and David Glen Eisley
lead vocals:
Jimmy Barnes (Australian rock singer-songwriter, frontman of Cold Chisel)
additionally recorded at:
Metropolis Audio (fka AAV Studios) in Melbourne, Victoria, Australia, Rhinoceros Studios in Sydney, New South Wales, Australia and Vertigo Sound in Novato, California, United States
recorded at:
The Plant Studios (1981–2008) in Sausalito, California, United States
mixed at:
Metropolis Audio (fka AAV Studios) in Melbourne, Victoria, Australia, Rhinoceros Studios in Sydney, New South Wales, Australia and Vertigo Sound in Novato, California, United States
recording of:
Driving Wheels
writer:
Jimmy Barnes (Australian rock singer-songwriter, frontman of Cold Chisel), Jonathan Cain and David Roberts (Canadian singer‐songwriter)
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Songs, Warner Chappell and Warner/Chappell Music Australia Pty. Ltd.
Jimmy Barnes5:16
15Reckless (Don’t Be So…)
phonographic copyright (℗) by:
EMI Music Australia (defunct holding company, not for release label use!)
recording of:
Reckless (Don't Be So...)
lyricist and composer:
James Reyne
publisher:
Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Pty. Ltd. and Wheatley Music Pty Ltd.
Australian Crawl5:03
16If You Want My Love
assistant engineer:
Paul Klingberg
engineer:
Ian Taylor (rock producer/engineer)
producer:
Roy Thomas Baker (producer)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1982), CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1982) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982)
recorded at:
Pierce Arrow Recorders (Concert Venue) in Evanston, Illinois, United States
mixed at:
Cherokee Studios in Hollywood, Los Angeles, California, United States
recording of:
If You Want My Love
lyricist and composer:
Rick Nielsen
publisher:
Adult Music, EMI Music Publishing Australia Pty. Limited (not for release label use!) and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Cheap Trick3.353:37
17Because I Love You
phonographic copyright (℗) by:
EMI Music Australia Pty. Limited (not for release label use!) (in 1970, in 1971)
recording of:
Because I Love You (Masters Apprentices song)
writer:
Doug Ford and Jim Keays
publisher:
EMI Music Australia Pty. Limited (not for release label use!), EMI Music Publishing (do not use as a release label!) and EMI Music Publishing Australia Pty Ltd (not for release label use!)
The Masters Apprentices4:30
2▼CD
#TitleArtistRatingLength
1Place Your Hands
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1996)
recording of:
Place Your Hands
writer:
John Bessant, Dominic Greensmith, Kenwyn House and Gary Stringer (Reef, StringerBessant, Them Is Me lead singer)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16)
Reef43:40
2Rock Lobster
assistant engineer:
Cass Rigby
engineer:
Robert Ash (sound engineer)
co-producer:
Robert Ash (sound engineer)
producer:
Chris Blackwell (Island Records)
bass synthesizer and farfisa [farfisa organ]:
Kate Pierson (from 1978 until 1979-06)
drums (drum set) and percussion:
Keith Strickland (from 1978 until 1979-06)
guitar:
Ricky Wilson (The B‐52’s) (from 1978 until 1979-06)
tambourine:
Cindy Wilson (from 1978 until 1979-06)
background vocals:
Kate Pierson (from 1978 until 1979-06) and Cindy Wilson (from 1978 until 1979-06)
lead vocals:
Fred Schneider (US singer‐songwriter, frontman of The B‐52s) (from 1978 until 1979-06)
recorded at:
Compass Point Studios in Nassau, Bahamas (from 1978 until 1979-06)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Indie 88: Top 500 Indie Rock Songs (number: 433)
recording of:
Rock Lobster (from 1978 until 1979-06)
writer:
Kate Pierson, Fred Schneider (US singer‐songwriter, frontman of The B‐52s), Keith Strickland, Cindy Wilson and Ricky Wilson (The B‐52’s)
publisher:
Boo-fant Tunes, Inc. (publisher)
The B‐52s4.46:52
3Unbelievable
producer and mixer:
Ralph Jezzard
drums (drum set):
Mark Decloedt (in 1990)
electric bass guitar:
Zac Foley (in 1990)
electric guitar, guitar and keyboard:
Ian Dench (in 1990)
sampler [samples]:
Derry Brownson (in 1990)
background vocals:
Claudia Fontaine (vocals, background vocals) (in 1990)
lead vocals:
James Atkin (in 1990)
vocals:
DJ Milf (Electronic dance music producer of the 2000s and 2010s) (in 1990)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1990)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 421)
recording of:
Unbelievable (in 1990)
writer:
James Atkin, Derry Brownson, Mark Decloedt, Ian Dench and Zac Foley
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Tusk, Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell Music Canada Ltd.
EMF3.653:30
4Shake It Up
assistant engineer:
Thom Moore (Syncro Sound engineer, Gang Green producer) and Walter Turbitt (UK engineer, producer, songwriter, and guitarist.)
engineer:
Ian Taylor (rock producer/engineer)
producer:
Roy Thomas Baker (producer)
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1981) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1981)
recorded at:
Syncro Sound in Boston, Massachusetts, United States
recording of:
Shake It Up
publisher:
Ric Ocasek (in 1981)
lyricist and composer:
Ric Ocasek
publisher:
Lido Music, Inc.
The Cars4.33:33
5Legs
engineer:
Terry Manning (US recording engineer)
producer:
Bill Ham (manager of ZZ Top)
lead vocals:
Billy Gibbons
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983)
recorded at:
Ardent Studios in Memphis, Tennessee, United States
recording of:
Legs
writer:
Frank Beard (ZZ Top drummer), Billy Gibbons and Dusty Hill
publisher:
Music of Stage Three, Songs of Mosaic and Hamstein Music Co. (publisher) (in 1983)
ZZ Top4.354:33
6Rebel Yell
engineer:
Michael Frondelli
producer:
Keith Forsey (drummer, producer and songwriter)
mixer:
Dave Wittman
bass guitar:
Steve Webster (Canadian bassist, producer, composer, arranger & orchestrator) (in 1983)
bass, guitar and keyboard:
Steve Stevens (US guitarist and songwriter) (in 1983)
drums (drum set):
Thommy Price (in 1983)
keyboard:
Judi Dozier (in 1983)
lead vocals:
Billy Idol (English rock singer‐songwriter) (in 1983)
arranger:
Billy Idol (English rock singer‐songwriter) and Steve Stevens (US guitarist and songwriter)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1983), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1983), Chrysalis Records, Inc. (not for release label use!) (in 1983, in 1999) and Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1986)
recorded at:
Electric Lady Studios in Greenwich Village, New York, New York, United States (in 1983)
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
music videos:
Rebel Yell by Billy Idol (English rock singer‐songwriter)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 79)
recording of:
Rebel Yell (in 1983)
lyricist and composer:
Billy Idol (English rock singer‐songwriter) and Steve Stevens (US guitarist and songwriter)
publisher:
BMG Monarch, Boneidol Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Holdings GmbH (DE subsidiary of Chrysalis Group PLC), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), Neue Welt Musikverlag GmbH & Co. KG (– 2017), Rare Blue Music, Rare Blue Music Inc, Rock Steady Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Canada Ltd., WB Music Corp. (1929–2019) and WC Music Corp.
Billy Idol4.54:48
7Freak
recording engineer and producer:
Nick Launay
mixer:
Andy Wallace (engineer)
phonographic copyright (℗) by:
Sony Music Entertainment (Australia) Limited (not for release label use! AU subsidiary of Sony Music Entertainment Inc., 1995/02–2004/02) (in 1996)
part of:
triple j’s Hottest 100 of Australian Songs (number: 72) and Mixtape – Game Soundtrack (number: 3)
recording of:
Freak
lyricist and composer:
Daniel Johns
Silverchair4.23:48
8Jessie’s Girl
producer:
Keith Olsen (US producer and engineer)
arranger:
Neil Geraldo (multi-instrumentalist, songwriter, producer), Keith Olsen (US producer and engineer) and Rick Springfield
phonographic copyright (℗) by:
BMG Entertainment (in 1981), BMG Music (in 1981), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1981), RCA Records, Inc. (this is a company, only use in companies fields such as Copyright and Manufacturer - for the label use RCA) (in 1981), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981, in 2001) and Wizard Records (Germany, hard-trance) (in 1981)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 20) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 55)
recording of:
Jessie’s Girl
lyricist and composer:
Rick Springfield
publisher:
BMG Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Muscleman Music, PolyGram Music Publishing Ltd., Portal Music, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc. and Wizard Music
Rick Springfield4.43:15
9You Can Leave Your Hat On
engineer:
Brian Reeves
producer:
Richie Zito
mixer:
Rik Pekkonen
bass and synthesizer:
Arthur Barrow
guitar:
Richie Zito
horn:
Dick Hyde, Steve Madaio and Joel Peskin
membranophone:
Michael Baird
background vocals:
Maxine Sharp, Julia Waters and Maxine Waters
lead vocals:
Joe Cocker
recorded at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States
cover recording of:
You Can Leave Your Hat On
lyricist and composer:
Randy Newman (American singer‐songwriter and score composer)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), WC Music Corp., Randy Newman (publisher) (in 1972), Randy Newman Music (in 1972, in 1976) and WB Music Corp. (1929–2019) (in 1972, in 1976)
recording of:
You Can Leave Your Hat On
lyricist and composer:
Randy Newman (American singer‐songwriter and score composer)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), WC Music Corp., Randy Newman (publisher) (in 1972), Randy Newman Music (in 1972, in 1976) and WB Music Corp. (1929–2019) (in 1972, in 1976)
Joe Cocker3.854:13
10Shimmer
programming:
Anthony Resta
engineer:
Paul David Hager
producer:
Peter Collins (producer)
mixer:
Tom Lord‐Alge
recording of:
Shimmer
lyricist and composer:
Shawn Mullins
Shawn Mullins4:07
11Gear Jammer
engineer and mixer:
Terry Manning (US recording engineer)
producer:
Terry Manning (US recording engineer) and The Delaware Destroyers (George Thorogood & the Destroyers)
bass:
Bill Blough
drums (drum set):
Jeff Simon
guitar and lead vocals:
George Thorogood (blues, rock, and blues/rock guitarist and vocalist)
saxophone:
Hank Carter (Hank "Hurricane" Carter)
recording of:
Gear Jammer
lyricist and composer:
George Thorogood (blues, rock, and blues/rock guitarist and vocalist)
George Thorogood & the Destroyers3.54:36
12Before Too Long
phonographic copyright (℗) by:
Paul Kelly (Australian singer/songwriter) (in 1986)
recording of:
Before Too Long (Paul Kelly song)
lyricist and composer:
Paul Kelly (Australian singer/songwriter)
publisher:
Mushroom Music (Mushroom label’s publishing company), Mushroom Music Publishing and Sony/ATV Music Publishing Australia Pty Ltd.
Paul Kelly & the Coloured Girls3.53:22
13Who Listens to the Radio
producer:
Pete Solley (English pianist, songwriter and producer)
phonographic copyright (℗) by:
Mushroom Records Pty Ltd (in 1978), Mushroom Records (in 1979, in 1996) and Stiff Records (in 1979)
recording of:
Who Listens to the Radio?
lyricist and composer:
Stephen Cummings and Andrew Pendlebury
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Mushroom Music (Mushroom label’s publishing company), Mushroom Music Pty. Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Pty. Ltd., EMI Music (do not use as release label! this is a music publisher) (in 1979) and Street Music Ltd. (in 1979)
The Sports3:16
14Sex and Candy
engineer:
Ken Gioia and Jim Sabella
producer:
John Wozniak (Marcy Playground singer & guitarist)
mixer:
Ken Gioia and Marcy Playground
acoustic guitar and electric guitar:
John Wozniak (Marcy Playground singer & guitarist)
bass and drums (drum set):
Jared Kotler
vocals:
John Wozniak (Marcy Playground singer & guitarist)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1997)
recorded at and mixed at:
Sabella Studios in Roslyn, New York, United States
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 33) and Indie 88: Top 500 Indie Rock Songs (number: 285)
recording of:
Sex and Candy
lyricist and composer:
John Wozniak (Marcy Playground singer & guitarist)
publisher:
Wozniak Publishing
Marcy Playground3.92:54
15Shape I’m In
phonographic copyright (℗) by:
Mushroom Records Pty Ltd (in 1979)
recording of:
Shape I'm In
composer:
Jeff Burstin, Joe Camilleri and Tony Faehse
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Mushroom Music Publishing and Warner/Chappell Pty. Ltd.
Jo Jo Zep and the Falcons3:33
16You Just Like Me Cos I’m Good in Bed
engineer:
John French (Australian producer/engineer)
producer:
Ross 'The Boss' Wilson (Australian singer-songwriter, guitarist and producer)
bass guitar:
Greg Macainsh
drums (drum set):
Fred Strauks
guitar:
Bob “Bongo” Starkie and Redmond Symons
lead vocals:
Graeme 'Shirley' Strachan
vocals:
Fred Strauks, Greg Macainsh, Bob “Bongo” Starkie and Redmond Symons
recorded at:
T.C.S. Studios in Richmond, Melbourne, Victoria, Australia (in 1974)
medley including a recording of:
Hooked on Hooks (megamix)
writer:
Gregory John Macainsh
publisher:
Mushroom Music (Mushroom label’s publishing company)
recording of:
You Just Like Me 'Cos I'm Good in Bed
lyricist and composer:
Greg Macainsh
Skyhooks3:44
17Shadow Boxer
engineer:
Mark Opitz
producer:
The Angels (Australian rock band, known internationally as Angel City) and Mark Opitz
recorded at:
Albert Studios (Australian studio, original King Street location, until 1985) in Sydney, New South Wales, Australia
recording of:
Shadow Boxer
writer:
John Brewster, Rick Brewster and Doc Neeson
publisher:
BMG AM Pty Limited and J. Albert & Son Pty. Ltd.
The Angels2:42
18Are You Old Enough
bass:
Todd Hunter (Todd Stuart Hunter of Dragon)
drums (drum set):
Kerry Jacobson
guitar:
Robert Taylor (singer-songwriter and guitarist)
keyboard:
Paul Hewson (New Zealand keyboardist; not to be confused with the Irish rock star better known as Bono)
vocals:
Marc Hunter
phonographic copyright (℗) by:
Sony Music Productions Pty. Ltd. (for copyrights use only) and Sony Music Entertainment (Australia) Limited (not for release label use! AU subsidiary of Sony Music Entertainment Inc., 1995/02–2004/02) (in 1976, in 1978)
recording of:
Are You Old Enough
lyricist and composer:
Paul Hewson (New Zealand keyboardist; not to be confused with the Irish rock star better known as Bono)
publisher:
EMI Songs and EMI Songs Australia Pty. Ltd.
Dragon4:01