Das Opern Festspiel

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Le nozze di Figaro: Ouvertüre
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (in 1990-05) and Wolf‐Dieter Karwatky (in 1990-05)
producer:
Cord Garben (pianist and conductor)
orchestra:
Metropolitan Opera Orchestra (in 1990-05)
conductor:
James Levine (US conductor and pianist) (in 1990-05, in 1991)
balance engineer:
Wolfgang Mitlehner (in 1990-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1990-05)
recording of:
Le nozze di Figaro: Sinfonia (in 1990-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Die Hochzeit des Figaro (German translation)
part of:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
recording of:
Le nozze di Figaro: Sinfonia (in 1991)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Die Hochzeit des Figaro (German translation)
part of:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
Wolfgang Amadeus Mozart4:24
2Le nozze di Figaro: “E Susanna non vien!” / “Dove sono i bei momenti“
soprano vocals:
Kiri Te Kanawa (soprano) (in 1991)
orchestra:
Metropolitan Opera Orchestra
conductor:
James Levine (US conductor and pianist) (in 1991)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Aria “Dove sono i bei momenti” (La Contessa) (in 1991)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Recitativo “E Susanna non vien!” (La Contessa) (in 1991)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart7:01
3L’elisir d’amore: “Una furtiva lagrima”
co-producer:
Claudia Hamann
producer:
Cord Garben (pianist and conductor)
editor:
Jürgen Bulgrin (sound engineer) (in 1989-09)
tenor vocals [Nemorino]:
Luciano Pavarotti (tenor) (in 1989-09)
orchestra:
Metropolitan Opera Orchestra (in 1989-09)
conductor:
James Levine (US conductor and pianist) (in 1989-09)
balance engineer:
Wolfgang Mitlehner
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1990)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1989-09)
recording of:
L’elisir d’amore: Atto II. Romanza “Una furtiva lagrima” (Nemorino)
composer:
Gaetano Donizetti (Italian opera composer) (in 1832)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti4:17
4Cavalleria rusticana: Intermezzo sinfonico
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Giuseppe Sinopoli (conductor) (in 1990)
recording of:
Cavalleria rusticana: Intermezzo (in 1990)
composer:
Pietro Mascagni (composer & conductor) (in 1888)
publisher:
Ascherberg Hopwood & Crew
part of:
Cavalleria rusticana
part of:
Cavalleria rusticana (German lyrics)
Pietro Mascagni4:23
5Die Schöpfung: “Die Himmel erzählen die Ehre Gottes” / “Dem kommenden Tage sagt es der Tag”
bass vocals:
Kurt Moll (operatic bass) (in 1987)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1987)
soprano vocals:
Judith Blegen (soprano) (in 1987)
tenor vocals:
Thomas Moser (tenor) (in 1987)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (in 1987)
recording of:
Die Schöpfung, Hob XXI:2: Part I: XIV. Chor und Terzett: Die Himmel erzählen die Ehre Gottes (in 1987)
composer:
Joseph Haydn (composer)
publisher:
Oxford University Press
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn5:20
6Messe C-Dur KV 317: Gloria
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1992)
conductor:
James Levine (US conductor and pianist) (in 1992)
recording of:
Missa in C, K. 317 “Krönungs-Messe”: II. Gloria (Mass in C, K. 317 "Coronation Mass": II. Gloria) (in 1992)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1779)
part of:
Missa in C, K. 317 “Krönungs-Messe” (Mass in C, K. 317 "Coronation Mass")
Wolfgang Amadeus Mozart4:13
7Così fan tutte: “Alla bella Despinetta”
baritone vocals:
Thomas Hampson (baritone) (in 1988-06)
bass vocals:
Ferruccio Furlanetto (bass-baritone) (in 1988-06)
mezzo-soprano vocals:
Ann Murray (Irish mezzo-soprano) (in 1988-06)
soprano vocals:
Marie McLaughlin (soprano) (in 1988-06) and Kiri Te Kanawa (soprano) (in 1988-06)
tenor vocals:
Hans Peter Blochwitz (tenor) (in 1988-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1988-06)
conductor:
James Levine (US conductor and pianist) (in 1988-06)
recording of:
Così fan tutte: Atto I. No. 13 Sestetto “Alla bella Despinetta” (Don Alfonso, Ferrando, Guglielmo, Despina, Fiordiligi, Dorabella) (in 1988-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart4:30
8Il trovatore: “Ah! sì, ben mio” … “Di quella pira”
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) (in 1985)
soprano vocals:
Rosalind Plowright (soprano / mezzo soprano) (in 1985)
tenor vocals:
Plácido Domingo (tenor) (in 1985) and Walter Gullino (tenor) (in 1985)
conductor:
Carlo Maria Giulini (conductor) (in 1985)
recording of:
Il trovatore: Atto III, scena 2. “Ah si, ben mio, coll'essere io tuo” (Manrico) (in 1985)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
recording of:
Il trovatore: Atto III, scena 2. “Di quella pira l’orrendo foco” (Manrico, Leonora, Ruiz, armed men) (in 1985)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi6:54
9Eugen Onegin: Arie von Fürst Gremin “Lyubi vsye vozrasti pokorni”
bass vocals:
Paata Burchuladze (operatic bass) (in 1988)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
James Levine (US conductor and pianist) (in 1988)
recording of:
Евгений Онегин, op. 24: Действие III, картина 1, no. 20a. Ария князя Гремина “Любви все возрасты покорны” (Prince Gremin’s Aria “Lyubvi vse vozrasty pokorny”) (in 1988)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Евгений Онегин, op. 24: Действие третье (Eugene Onegin, op. 24: Act III)
Пётр Ильич Чайковский6:05
10Tosca: “Vissi d’arte, vissi d’amore”
producer:
Wolfgang D. Stengel
baritone vocals:
Samuel Ramey (bass-baritone)
bass-baritone vocals:
Samuel Ramey (bass-baritone) (in 1992)
soprano vocals:
Mirella Freni (soprano) (in 1992)
soprano vocals [Tosca]:
Mirella Freni (soprano) (in 1990-05, in 1992)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1990-05, in 1992)
conductor:
Giuseppe Sinopoli (conductor) (in 1990-05, in 1992)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1990-05)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (in 1990-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (in 1992)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:42
11La Bohème: “Che gelida manina”
tenor vocals [Rodolfo]:
Jerry Hadley (operatic tenor) (from 1987-05 until 1987-06, on 1987-06-07)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (from 1987-05 until 1987-06, on 1987-06-07)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1987-05 until 1987-06, on 1987-06-07)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1988)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (from 1987-05 until 1987-06, on 1987-06-07)
recording of:
La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo) (from 1987-05 until 1987-06)
composer:
Giacomo Puccini (Italian composer) (in 1896)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
live recording of:
La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo) (on 1987-06-07)
composer:
Giacomo Puccini (Italian composer) (in 1896)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
recording of:
La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo) (on 1987-06-07)
composer:
Giacomo Puccini (Italian composer) (in 1896)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini5:22
12Rigoletto: “Un dì, si ben rammentomi” / “Bella figlia dell’amore”
baritone vocals:
Piero Cappuccilli (baritone) (in 1980)
mezzo-soprano vocals:
Elena Obraztsova (mezzo-soprano) (in 1980)
soprano vocals:
Ileana Cotrubaș (Romanian soprano) (in 1980)
tenor vocals:
Plácido Domingo (tenor) (in 1980)
conductor:
Carlo Maria Giulini (conductor) (in 1980)
recording of:
Rigoletto: Atto III. N°12 Quartetto "Bella figlia dell'amore" (Duca, Maddalena, Gilda, Rigoletto) (in 1980)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
recording of:
Rigoletto: Atto III. N°12 Quartetto. "Un dì, se ben rammentomi" (Duca, Gilda, Maddalena, Rigoletto) (in 1980)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Giuseppe Verdi6:08
13Die Walküre: Walkürenritt
mezzo-soprano vocals [Rossweisse]:
Anne Wilkens (mezzo-soprano) (in 1988)
mezzo-soprano vocals [Schwertleite]:
Ruthild Engert (mezzo-soprano) (in 1988)
mezzo-soprano vocals [Siegrune]:
Diane Kesling (operatic mezzo-soprano) (in 1988)
mezzo-soprano vocals [Waltraute]:
Reinhild Runkel (in 1988)
soprano vocals [Gerhilde]:
Marita Napier (in 1988)
soprano vocals [Grimgerde]:
Meredith Parsons (in 1988)
soprano vocals [Helmwige]:
Linda Kelm (in 1988)
soprano vocals [Ortlinde]:
Marilyn Mims (operatic soprano) (in 1988)
orchestra:
Metropolitan Opera Orchestra
conductor:
James Levine (US conductor and pianist) (in 1988)
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (The Valkyrie: Ride of the Valkyries) (in 1988)
composer:
Richard Wagner (composer) (from 1854 until 1856)
publisher:
Schott Music International (publisher; do not use as label)
part of:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
Richard Wagner5:42