Sounds of the Eighties: 1984

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Ghostbusters
Produzent(in):
Ray Parker Jr.
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1984) und RCA Records (not for release label use! for the imprint, please use “RCA” instead) (vom 2016 bis heute)
Teil von:
Billboard Hot 100: 2025-11-15 (Nummer: 22)
recording of:
Ghostbusters
Texter und Komponist(in):
Ray Parker Jr.
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Golden Torch Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), IQ Music Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019), Golden Torch Music Corp. (in 1984) und Raydiola Music (in 1984)
Teil von:
The 57th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1984 nominee)
basiert auf:
I Want a New Drug
Ray Parker Jr.3.94:09
2Talking in Your Sleep
Techniker(in):
Hal Hansford und Jim Sessody
Produzent(in):
Peter Solley (English pianist, songwriter and producer)
Mix:
Neil Kernon und Peter Solley (English pianist, songwriter and producer)
phonographisches Urheberrecht (℗) von:
Nemperor Records, Inc. (in 1983)
aufgenommen bei:
Criteria Studios in Miami, Florida, Vereinigte Staaten
recording of:
Talking in Your Sleep
Verfasser(in):
Coz Canler (Guitarist, vocals, songwriter), Jimmy Marinos (American drummer), Wally Palmar (guitarist and songwriter), Mike Skill (Singer, bassist, guitarist, songwriter) und Peter Solley (English pianist, songwriter and producer)
publisher:
ForeverEndeavor Music, Inc. (publisher) und Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23)
The Romantics3.93:58
3Jump (For My Love)
Techniker(in):
Gary Skardina
Partner-Produzent(in):
Stephen Mitchell (US musician, composer, songwriter, producer et al.) und Gary Skardina
Produzent(in):
Richard Perry (producer)
Mix:
Michael Brooks (mixer) und James C. Tract
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1982)
recording of:
Jump (for My Love)
Verfasser(in):
Stephen Mitchell (US musician, composer, songwriter, producer et al.), Marti Sharron und Gary Skardina
publisher:
Anidraks Music (publisher), ATV Music, Braintree Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Sony/ATV Songs LLC
The Pointer Sisters44:03
4Somebody's Watching Me
Produzent(in):
Curtis Anthony Nolen und Rockwell (R & B – “Somebody’s Watching Me”)
Gast vocals:
Michael Jackson (“King of Pop”)
Hintergrundgesang:
Jermaine Jackson (soul/pop singer, of Jackson 5)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1983)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 20)
recording of:
Somebody’s Watching Me
Texter und Komponist(in):
Rockwell (R & B – “Somebody’s Watching Me”)
publisher:
EMI Music (do not use as release label! this is a music publisher) und Jobete Music (appears also as: Jobete Msc.)
Rockwell3.854:02
5Missing You
Techniker(in) und Mix:
David Thoener
E-Bass [bass]:
Donnie Nossov
Gitarre:
Gary Myrick
Keyboard:
Bruce Brody
Perkussion:
Steve Scales
Schlagzeug:
Curly Smith (Jo Jo Gunne musician)
Sologesang:
John Waite
phonographisches Urheberrecht (℗) von:
EMI Records (a J-Pop division of Universal Music Japan, 2014–present. Do not use for American/European music!) (in 1984), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984) und EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1984)
recording of:
Missing You
Texter:
John Waite
Komponist(in):
Mark Leonard, Chas Sandford und John Waite
publisher:
Alley Music Corp., Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Everpop Songs, Markmeem Music (publisher), Paperwaite Music (publisher) (, in 1984), Quartet Music Inc., Sony Music Publishing (worldwide except Japan, ended 1995), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28), Fallwater Music (in 1984), Markeem Music (publisher) (in 1984), The Hudson Bay Music Co. (publisher) (in 1984) und WC Music Corp. (vom 2019-05-28 bis heute)
John Waite3.754:30
6Out of Touch
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1984)
recording of:
Out of Touch
Texter und Komponist(in):
Daryl Hall und John Oates
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Gelfand, Rennert & Feldman, Hot Cha Music Co., Intersong Music, Unichappell Music, Inc., Warner Chappell North America Limited (UK-registered publishing company, affiliated with PRS), Warner/Chappell Music, Inc. und Warner/Chappell North America
Daryl Hall & John Oates4.653:56
7The Warrior
Techniker(in):
William Wittman
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Interpret(in):
Patty Smyth
phonographisches Urheberrecht (℗) von:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1982)
recording of:
The Warrior
Verfasser(in):
Nick Gilder und Holly Knight
publisher:
712 Stone Avenue Music, All Nations Music, Chrysalis Songs, Hebbes Music Group Pty. Ltd., Kobalt Music Publishing Ltd. (UK), Mike Chapman Publishing Enterprises, Music & Media International, Inc. und Red Admiral Music Inc. (publisher)
Scandal4.54:01
8You Might Think
recording engineer:
Nigel Green (engineer)
Produzent(in):
The Cars und Robert John “Mutt” Lange (Robert John Lange)
Mix:
Mike Shipley (audio engineer, mixer, producer)
Bass:
Benjamin Orr (co-lead singer for The Cars)
Gitarre:
Elliot Easton und Ric Ocasek
Keyboard:
Greg Hawkes
Schlagzeug:
David Robinson (US rock drummer)
vocals:
Elliot Easton, Greg Hawkes, Ric Ocasek und Benjamin Orr (co-lead singer for The Cars)
phonographisches Urheberrecht (℗) von:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1984) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
aufgenommen bei:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Vereinigtes Königreich
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
recording of:
You Might Think
publisher:
Ric Ocasek (in 1983)
Texter und Komponist(in):
Ric Ocasek
publisher:
Lido Music, Inc.
The Cars4.73:07
9That's All
Techniker(in):
Hugh Padgham
Produzent(in):
Genesis (English rock band) und Hugh Padgham
Bass und Gitarre:
Mike Rutherford (in 1983)
Hybrid-Piano [Yamaha CP-70], Synclavier und Synthesizer:
Tony Banks (Genesis) (in 1983)
Perkussion, Schlagzeug und Sologesang:
Phil Collins (of Genesis) (in 1983)
Hintergrundgesang:
Tony Banks (Genesis) (in 1983) und Mike Rutherford (in 1983)
phonographisches Urheberrecht (℗) von:
Anthony Banks Ltd., Michael Rutherford Ltd., Philip Collins Ltd., Virgin Records Ltd. (not for release label use! for company relationships only) (vom 1983 bis heute) und Gelring Ltd. (publishing company associated with Genesis) (in 1983)
aufgenommen bei:
The Farm (of Genesis fame) in Surrey, England, Vereinigtes Königreich (in 1983)
mixed at:
The Farm (of Genesis fame) in Surrey, England, Vereinigtes Königreich
recording of:
That’s All (in 1983)
Texter:
Phil Collins (of Genesis)
Komponist(in):
Tony Banks (Genesis), Phil Collins (of Genesis) und Mike Rutherford
publisher:
Imagem CV, Imagem Sounds Banks, Imagem Sounds Collins, Imagem Sounds Rutherford, Anthony Banks Ltd. (vom 1983 bis heute), Hit & Run Music (Publishing) Ltd (vom 1983 bis heute), Michael Rutherford Ltd. (vom 1983 bis heute), Philip Collins Ltd. (vom 1983 bis heute), Pun Music, Inc. (vom 1983 bis heute) und Warner Brothers Music Inc. (vom 1983 bis heute)
Genesis3.94:28
10Footloose
Produzent(in):
Lee DeCarlo und Kenny Loggins
Bass-Synthesizer:
Michael Boddicker
Bassgitarre:
Nathan East
Gitarre:
Buzz Feiten
Instrumente:
Michael Boddicker
Keyboard:
Neil Larsen und Steven Wood (US soundtrack composer, member of Honk)
Perkussion:
Michael Boddicker und Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
Tris Imboden
Hintergrundgesang:
Marilyn Dorman, Richey Washington und Steven Wood (US soundtrack composer, member of Honk)
Sologesang:
Kenny Loggins
remixer:
Humberto Gatica
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1984), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1984), Sony BMG Music Entertainment Inc. (in 1984) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Footloose
Texter:
Dean Pitchford
Komponist(in):
Kenny Loggins
publisher:
BMG Music Ltd., BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Ensign Music LLC, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Island Music (Island Music Ltd.), Milk Money Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Harmony, Sony/ATV Melody, Sony/ATV Music Publishing Ltd. und Universal Music Publishers MGB Australia Pty Ltd
Teil von:
The 57th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1984 nominee)
Kenny Loggins4.13:50
11Let's Hear It for the Boy
Produzent(in):
George Duke
Mix:
Tom Perry (engineer), Tommy Vicari und Erik Zobler
Analoger Synthesizer [Prophet V], elektronisches Schlagzeug / E-Drums [Linn Drums], Minimoog [Mini-Moog] und Moog [Memory Moog]:
George Duke
Gitarre:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Hintergrundgesang:
George Merrill, Shannon Rubicam und Deniece Williams (US soul/funk vocalist/songwriter)
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding), CBS, Inc. (US broadcasting company; file no releases here!) (in 1984), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1984) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Let’s Hear It for the Boy
Texter:
Dean Pitchford
Komponist(in):
Thomas Snow (US keyboardist/songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Teil von:
The 57th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1984 nominee)
Deniece Williams3.64:22
12Caribbean Queen (No More Love on the Run)
recording of:
Caribbean Queen
Verfasser(in):
Keith Diamond und Billy Ocean
Billy Ocean53:46
13Hold Me Now
recording engineer, Techniker(in) und Mix:
Phil Thornalley
Schlagzeug-Programmierung:
Tom Bailey (Thompson Twins)
Produzent(in):
Tom Bailey (Thompson Twins) und Alex Sadkin
Conga und Synthesizer [Prophet V]:
Joe Leeway
Gitarre, Klavier, Kontrabass [contrabass], Mundharmonika und Synthesizer:
Tom Bailey (Thompson Twins)
Marimba, Perkussion, Schlagzeug und xylophone:
Alannah Currie
Hintergrundgesang:
Alannah Currie und Joe Leeway
vocals:
Tom Bailey (Thompson Twins)
phonographisches Urheberrecht (℗) von:
Arista Records Ltd. (not for release label use!) (in 1983), BMG Arista Records Ltd. (in 1983), BMG Eurodisc Ltd. (in 1983), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1983), Arista Records Ltd. (not for release label use!) (in 1984) und Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1984)
Musikvideos:
Hold Me Now von Thompson Twins
recording of:
Hold Me Now (Thompson Twins song)
Verfasser(in):
Alannah Joy Currie, Joseph Martin Leeway und Thomas Alexander Bailey (Thompson Twins)
vocals arranger:
Tom Bailey (Thompson Twins), Alannah Currie und Joe Leeway
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Point Music (publisher) und Point Music Ltd.
Thompson Twins4.54:49
14Karma Chameleon
Techniker(in):
Simon Frith, Simon Humphrey, Gordon Milne (engineer) und Mike Ross‐Trevor (engineer)
Produzent(in):
Steve Levine (producer)
Mix:
Steve Levine (producer) und Jon Moss
Bassgitarre:
Mikey Craig (Culture Club bassist) (in 1983)
E-Sitars, Gitarre, Keyboard, Klavier und Sitar:
Roy Hay (Member of Culture Club and composer for film and television) (in 1983)
Gast-Keyboard:
Phil Pickett (songwriter, producer, keyboard player) (in 1983)
Gast-Mundharmonika:
Judd Lander (in 1983)
Perkussion und Schlagzeug:
Jon Moss (in 1983)
Hintergrundgesang:
Helen Terry (UK singer) (in 1983)
Sologesang:
Boy George (in 1983)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1983, in 2002, in 2003)
aufgenommen bei:
CBS Studios (London, 1972–1989) in London (Greater London), England, Vereinigtes Königreich (in 1983) und Red Bus Studios in London (Greater London), England, Vereinigtes Königreich (in 1983)
Musikvideos:
Karma Chameleon von Culture Club (English pop group)
recording of:
Karma Chameleon (in 1983)
Verfasser(in):
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television), Jon Moss und Phil Pickett (songwriter, producer, keyboard player)
publisher:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd., Pendulum Music Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Virgin Music (Publishers) Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) und BMG VM Music Ltd. (vom 2013-05 bis heute)
Culture Club44:16
15Blue Jean
Techniker(in):
Hugh Padgham
Produzent(in):
David Bowie (English singer‐songwriter), Derek Bramble und Hugh Padgham
Mix:
David Bowie (English singer‐songwriter) und Hugh Padgham
alto saxophone:
Stan Harrison (American saxophonist) (von 1984-05-01 bis 1984-06-10)
baritone saxophone:
Steve Elson (American saxophonist, clarinetist, flutist & duduk player) (von 1984-05-01 bis 1984-06-10)
E-Bass:
Carmine Rojas (von 1984-05-01 bis 1984-06-10)
E-Bass und Gitarre:
Derek Bramble (von 1984-05-01 bis 1984-06-10)
Gitarre:
Carlos Alomar (von 1984-05-01 bis 1984-06-10)
Marimba:
Guy St. Onge (von 1984-05-01 bis 1984-06-10)
Schlagzeug:
Omar Hakim (von 1984-05-01 bis 1984-06-10)
Tenorsaxophon:
Lenny Pickett (saxophone) (von 1984-05-01 bis 1984-06-10)
Trompete:
Mark Pender (von 1984-05-01 bis 1984-06-10)
Hintergrundgesang:
Curtis King (American singer and songwriter) (von 1984-05-01 bis 1984-06-10) und George Simms (von 1984-05-01 bis 1984-06-10)
Sologesang:
David Bowie (English singer‐songwriter) (von 1984-05-01 bis 1984-06-10)
Horn arranger:
The Borneo Horns
phonographisches Urheberrecht (℗) von:
David Bowie (English singer‐songwriter) (in 1984)
aufgenommen bei:
Le Studio in Morin‐Heights, Québec (Quebec), Kanada (von 1984-05-01 bis 1984-06-10)
recording of:
Blue Jean (von 1984-05-01 bis 1984-06-10)
Texter und Komponist(in):
David Bowie (English singer‐songwriter)
publisher:
Jones Music (publishers associated with David Bowie), The Richmond Organization Éditions Essex (TRO) und Westminster Music Ltd.
David Bowie3.63:13
1699 Luftballons
Techniker(in):
Imre Sereg (in 1982)
Produzent(in):
Reinhold Heil (in 1982) und Manfred Praeker (in 1982)
Mix:
Udo Arndt (in 1982)
E-Bass:
Jürgen Dehmel (in 1982)
E-Gitarre:
Carlo Karges (in 1982)
Keyboard:
Jörn‐Uwe Fahrenkrog‐Petersen (in 1982)
Schlagzeug:
Rolf Brendel (in 1982)
Sologesang:
Nena Kerner (the person, performing solo since 1987) (in 1982)
phonographisches Urheberrecht (℗) von:
CBS Schallplatten GmbH (in 1983), Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1983) und Sony Music Entertainment Germany GmbH (not for use as release label! © & ℗ holders or distributors since 2009/01/14) (in 1983)
aufgenommen bei:
Spliff in Berlin, Deutschland (in 1982)
mixed at:
Audio-Studio in Berlin, Deutschland (in 1982)
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 3), VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 16), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 73) und Cachitos Nochevieja 2022 (Nummer: 105)
recording of:
99 Luftballons (in 1982)
Texter:
Carlo Karges (in 1982)
Komponist(in):
Uwe Fahrenkrog-Petersen (in 1982)
publisher:
Edition Hate Music (publisher), EMI Songs Australia Pty. Ltd. und EMI Songs Musikverlag GmbH
sub-publisher:
EMI Songs France (27, rue de Berri)
Nena4.13:56
17The Glamorous Life
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
recording of:
The Glamorous Life
Texter und Komponist(in):
Prince (“The Artist Formerly Known as…”)
publisher:
Girlsongs (publisher)
Sheila E.53:45
18Joanna
recording of:
Joanna (Kool & the Gang)
Verfasser(in):
Clifford Adams (trombonist in Kool & the Gang), Robert “Kool” Bell, Ronald Bell, Jim Bonnefond, George Brown (US percussionist of Kool & the Gang), Claydes Smith, James “J.T.” Taylor (US R&B vocalist for Kool & the Gang) und Curtis “Fitz” Williams (keyboardist/percussionist of Kool & The Gang)
publisher:
Delightful Music Ltd, EMI Longitude Music, EMI Music Publishing Ltd. (PRS‐affiliated) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Kool & the Gang53:59

Nennungen

Veröffentlichungsgruppe

Teil von:Sounds of the Eighties (Time-Life Music) (Nummer: R988-06) (Reihenfolge: 14)