Conte Fantastique / Septuor / Prières

~ Release by André Caplet; Ensemble Musique Oblique, Sandrine Piau, Sylvie Deguy, Sharon Coste (see all versions of this release, 3 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Conte fantastique d'après Edgar A. Poe, "Le Masque de la mort rouge"
sound engineer:
Jean‐Martial Golaz
cello:
Isabelle Veyrier (cellist) (in 1992-02)
harp:
Laurence Cabel (in 1992-02)
viola:
Michel Renard (cellist) (in 1992-02)
violin:
Elisabeth Glab (in 1992-02) and Marie-Josée Ritchot (in 1992-02)
recorded at:
Salle de l'Esplanade (Arsenal de Metz) in Metz, Moselle, Grand Est (Great East), France (in 1992-02)
recording of:
Conte fantastique d'après "Le Masque de la mort rouge" d'Edgar Allan Poe (in 1992-02)
composer:
André Caplet (French composer) (in 1908)
revised by:
André Caplet (French composer) (in 1923)
is based on:
The Masque of the Red Death
revision of:
Étude symphonique pour harpe chromatique principale and orchestra
André Caplet17:19
2Les Prières: I. Oraison dominicale
sound engineer:
Jean‐Martial Golaz
cello:
Isabelle Veyrier (cellist) (in 1992-02)
harp:
Laurence Cabel (in 1992-02)
viola:
Michel Renard (cellist) (in 1992-02)
violin:
Elisabeth Glab (in 1992-02) and Marie-Josée Ritchot (in 1992-02)
soprano vocals:
Sharon Coste (in 1992-02)
recorded at:
Salle de l'Esplanade (Arsenal de Metz) in Metz, Moselle, Grand Est (Great East), France (in 1992-02)
recording of:
Les prières: Oraison dominicale (in 1992-02)
composer:
André Caplet (French composer) (from 1914 until 1917)
part of:
Les prières (for voice, harp, and strings)
André Caplet3:34
3Les Prières: II. Salutation angélique
sound engineer:
Jean‐Martial Golaz
cello:
Isabelle Veyrier (cellist) (in 1992-02)
harp:
Laurence Cabel (in 1992-02)
viola:
Michel Renard (cellist) (in 1992-02)
violin:
Elisabeth Glab (in 1992-02) and Marie-Josée Ritchot (in 1992-02)
soprano vocals:
Sharon Coste (in 1992-02)
recorded at:
Salle de l'Esplanade (Arsenal de Metz) in Metz, Moselle, Grand Est (Great East), France (in 1992-02)
recording of:
Les prières: Salutation angélique (in 1992-02)
composer:
André Caplet (French composer) (from 1914 until 1917)
part of:
Les prières (for voice, harp, and strings)
André Caplet1:26
4Les Prières: III. Symbole des apôtres
sound engineer:
Jean‐Martial Golaz
cello:
Isabelle Veyrier (cellist) (in 1992-02)
harp:
Laurence Cabel (in 1992-02)
viola:
Michel Renard (cellist) (in 1992-02)
violin:
Elisabeth Glab (in 1992-02) and Marie-Josée Ritchot (in 1992-02)
soprano vocals:
Sharon Coste (in 1992-02)
recorded at:
Salle de l'Esplanade (Arsenal de Metz) in Metz, Moselle, Grand Est (Great East), France (in 1992-02)
recording of:
Les prières: Symbole des apôtres (in 1992-02)
composer:
André Caplet (French composer) (from 1914 until 1917)
part of:
Les prières (for voice, harp, and strings)
André Caplet4:32
5Divertissements: I. A la française
sound engineer:
Jean‐Martial Golaz
harp:
Laurence Cabel (in 1992-02)
recorded at:
Salle de l'Esplanade (Arsenal de Metz) in Metz, Moselle, Grand Est (Great East), France (in 1992-02)
recording of:
Divertissements: A la française (in 1992-02)
composer:
André Caplet (French composer)
part of:
Divertissements
André Caplet4:31
6Divertissements: II. A l'espagnole
sound engineer:
Jean‐Martial Golaz
harp:
Laurence Cabel (in 1992-02)
recorded at:
Salle de l'Esplanade (Arsenal de Metz) in Metz, Moselle, Grand Est (Great East), France (in 1992-02)
recording of:
Divertissements: A l'espagnole (in 1992-02)
composer:
André Caplet (French composer)
part of:
Divertissements
André Caplet5:41
7Deux sonnets: I. "Quand reverrai-je, hélas!…" (DuBellay)
sound engineer:
Jean‐Martial Golaz
harp:
Laurence Cabel (in 1992-02)
soprano vocals:
Sandrine Piau (soprano) (in 1992-02)
recorded at:
Salle de l'Esplanade (Arsenal de Metz) in Metz, Moselle, Grand Est (Great East), France (in 1992-02)
recording of:
Quand reverrai-je, hélas! (in 1992-02)
lyricist:
Joachim du Bellay
composer:
André Caplet (French composer)
André Caplet1:15
8Deux sonnets: II. "Doux fut le trait" (Ronsard)
sound engineer:
Jean‐Martial Golaz
harp:
Laurence Cabel (in 1992-02)
soprano vocals:
Sandrine Piau (soprano) (in 1992-02)
recorded at:
Salle de l'Esplanade (Arsenal de Metz) in Metz, Moselle, Grand Est (Great East), France (in 1992-02)
recording of:
Doux fut le trait (in 1992-02)
lyricist:
Pierre de Ronsard (French poet)
composer:
André Caplet (French composer)
André Caplet2:37
9Septuor "à cordes vocales et instrumentales"
sound engineer:
Jean‐Martial Golaz
cello:
Isabelle Veyrier (cellist) (in 1992-02)
viola:
Michel Renard (cellist) (in 1992-02)
violin:
Elisabeth Glab (in 1992-02) and Marie-Josée Ritchot (in 1992-02)
mezzo-soprano vocals:
Sylvie Deguy (mezzo-soprano) (in 1992-09)
soprano vocals:
Sharon Coste (in 1992-02) and Sandrine Piau (soprano) (in 1992-02)
recorded at:
Salle de l'Esplanade (Arsenal de Metz) in Metz, Moselle, Grand Est (Great East), France (in 1992-02)
recording of:
Septuor "à cordes vocales et instrumentales" (in 1992-02)
composer:
André Caplet (French composer)
André Caplet14:25