Great Love Themes

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Cannon in D
Orchester:
Collegium Aureum, The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998) und London Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Simon Addison (probably an Alfred Scholz pseudonym)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (Canon und Gigue D-Dur, P37: I. Canon)
Komponist(in):
Johann Pachelbel (composer)
Teil von:
Canon and Gigue in D major, P. 37, T. 337 (Canon und Gigue D-Dur, P37)
Johann Pachelbel4:49
2Solveig's Song From "Peer Gynt"
Orchester:
London Festival Orchestra (Alfred Scholz pseudonym), Slowakische Staatsphilharmonie (Slowakische Philharmonie) und Slowakisches Philharmonisches Orchester (Alfred Scholz pseudonym)
conductor:
Sven Bengtson (conductor, an Alfred Scholz pseudonym) und Libor Pesek (conductor)
recording of:
Peer Gynt Suite no. 2, op. 55: IV. Solveigs sang (Peer Gynt Suite no. 2, op. 55: IV. Solveig’s Song, do not use if there is a singer) (in 1984)
Komponist(in):
Edvard Grieg (composer) (in 1875)
überarbeitet von:
Edvard Grieg (composer) (in 1891)
Version von:
Peer Gynt, op. 23: 4. akt: Solveigs sang
Teil von:
Peer Gynt Suite no. 2, op. 55
Edvard Grieg55:21
3Polovtsian Dance No. 17, "Stranger in Paradise"
Orchester:
Ljubljana Radio Symphony (RTV Slovenia Symphony Orchestra)
conductor:
Laurenc Siegel (fictitious conductor, Alfred Scholz pseudonym)
Александр Порфирьевич Бородин3:55
4Air on a G String
Orchester:
The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym) und Philharmonic Orchestra London (Alfred Scholz pseudonym)
conductor:
Simon Addison (probably an Alfred Scholz pseudonym)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
Teil von:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach3:19
5Elegie From Serenade for Strings
Orchester:
Kammerorchester Pro Arte München, Orchestre de Festival Belgique (Festival Orchester Belgien, fake name - probably invented by the trickster Alfred Scholz), Philharmonia Slavonica (Alfred Scholz pseudonym) und Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra)
conductor:
Anton Nanut (conductor), Pierre Narrato (fake name - probably invented by the trickster Alfred Scholz), Kurt Redel (German flautist and conductor) und Alfred Scholz
recording of:
Serenade for Strings in C major, op. 48: III. Élégie. Larghetto elegiaco
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (in 1880)
Teil von:
Serenade for Strings in C major, op. 48
Пётр Ильич Чайковский6:41
6Jesu, Joy of Man's Desiring
Blechblasinstrumente:
St. Louis Brass Quintet
Orchester:
St. Louis Brass Quintet
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Johann Sebastian Bach3:55
7Andante from Piano Concerto No. 21 in C major, K. 467 "Elvira Madigan"
Klavier:
Martha Bergerich (pseudonym used on budget recordings – not Martha Argerich)
Orchester:
Academica Salzburg (Austrian chamber orchestra)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1785 bis 1785-03-09)
Teil von:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart6:52
8Romeo and Juliet Fantasy Overture
Orchester:
Philharmonia Orchestra London (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia)
conductor:
Laurenc Siegel (fictitious conductor, Alfred Scholz pseudonym)
teilweise recording of:
Romeo and Juliet, Fantasy Overture, TH 42, ČW 39 (Romeo und Julia, 1880 version, commonly performed)
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (in 1869)
überarbeitet von:
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (in 1870, in 1880)
gewidmet:
Милий Алексеевич Балакирев (Mily Balakirev, composer, pianist, conductor)
Teil von:
The Tchaikovsky Handbook (Nummer: TH 42) und Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (Nummer: ČW 39)
Revision von:
Romeo and Juliet (1870, rarely performed)
Пётр Ильич Чайковский3:01
9Adagio sostenuto from Piano Sonata No. 14, Op. 27 No. 2 "Moonlight"
Audio-Engineering:
Südwest Tonstudio (engineering)
Flügel und Solo-Klavier:
Dubravka Tomšič (pianist)
Klavier:
Silvia Čápová (pianist), Debra Ruth Zobel und Dubravka Tomšič (pianist) (in 1986-04)
recording of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto (Sonate für Klavier Nr. 14 cis-Moll, Op. 27 Nr. 2 "Mondscheinsonate": I. Adagio sostenuto) (in 1986-04)
Komponist(in):
Ludwig van Beethoven (German composer) (in 1801)
enthalten in:
end of starchild (video game soundtrack)
Teil von:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight” (Klaviersonate No. 14 in cis-Moll, Op. 27 No. 2 "Mondschein")
Ludwig van Beethoven6:04
10Slavonic Dance. No.2, Op. 46
Orchester:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym) und London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO)
conductor:
Vladimir Petroschoff (conductor, an Alfred Scholz pseudonym), Alfred Scholz, Thomas Waldham und George Ralph Warren
phonographisches Urheberrecht (℗) von:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1984)
recording of:
Slavonic Dances, op. 46, B. 83: No. 2 in E minor (Dumka)
Komponist(in):
Antonín Dvořák (composer) (von 1878-04 bis 1878-08-22)
Teil von:
Slavonic Dances, op. 46, B. 83 (for orchestra)
Antonín Dvořák5:36
11Barcarolle From the Tales of Hoffmann
Orchester:
Royal Philharmonic Orchestra London (Royal Philharmonic Orchestra)
conductor:
Frank Shipway (British conductor)
recording of:
Les Contes d’Hoffmann: Barcarolle (Hoffmanns Erzählungen: Barcarole, catch-all for arrangements)
Komponist(in):
Jacques Offenbach (German-French composer, cellist and impresario)
Arrangement von:
Les Contes d’Hoffmann: Acte III. “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta)
Jacques Offenbach3:20
12The Young Prince and the Young Princess From "Scheherazade"
Orchester:
Slovak Philharmonic (Slowakische Philharmonie)
conductor:
Bystrík Režucha (conductor)
teilweise recording of:
Scheherazade, op. 35: III. The Young Prince and the Young Princess (Andantino quasi allegretto)
Komponist(in):
Николай Андреевич Римский‐Корсаков (Nikolai Rimski-Korsakow, Russian composer) (in 1888)
Teil von:
Scheherazade, op. 35
Николай Андреевич Римский‐Корсаков3:36
13Sarabande From Holberg Suite
Orchester:
Philharmonique des Festivals (an Alfred Scholz pseudonym)
conductor:
Istvan Cohen (probably another Alfred Scholz)
recording of:
Fra Holbergs tid, op. 40: II. Sarabande (Andante) (Aus Holbergs Zeit, Op. 40: II. Sarabande (Andante), for piano)
Komponist(in):
Edvard Grieg (composer) (in 1884)
Teil von:
Fra Holbergs tid, op. 40 (Holberg Suite, op. 40, original for piano)
recording of:
Fra Holbergs tid, op. 40: II. Sarabande (Andante) (Aus Holbergs Zeit: II. Sarabande. Andante, for string orchestra)
Komponist(in):
Edvard Grieg (composer) (in 1884)
Teil von:
Fra Holbergs tid, op. 40 (Holberg Suite, op. 40, for string orchestra)
Edvard Grieg4:11
14Boléro (finale)
Orchester:
London Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Laurenc Siegel (fictitious conductor, Alfred Scholz pseudonym)
teilweise recording of:
Boléro
Komponist(in):
Maurice Ravel (French composer) (in 1928)
publisher:
Ed. Durand & Cie (1909–1947) und Soc. Arima (rights society?)
Premiere bei:
Palais Garnier in Paris, Île-de-France, Frankreich (am 1928-11-22)
Teil von:
Classic 100: Music of France (2012) (Nummer: 9) und Catalogue Marcel Marnat des œuvres de Maurice Ravel (Nummer: M. 81)
Maurice Ravel5:13

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ASIN:US: B000BOGEDW [Info]