The John Barry Collection

~ Veröffentlichung von John Barry (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Hideaway
alto saxophone:
Derek Myers (John Barry Seven) (am 1958-05-23)
Bassgitarre:
Fred Kirk (am 1958-05-23)
Gitarre:
Keith Kelly (John Barry Seven) (am 1958-05-23) und Ken Richards (am 1958-05-23)
Schlagzeug:
Ken Golder (JB7) (am 1958-05-23)
Tenorsaxophon:
Mike Cox (John Barry Seven) (am 1958-05-23)
Trompete:
John Barry (English score composer) (am 1958-05-23)
recording of:
Hideaway (am 1958-05-23)
Komponist(in):
John Barry (English score composer)
2:07
2When the Saints Go Marching In
cover recording of:
When the Saints Go Marching In (Barry arrangement) (am 1958-10-19)
Verfasser(in):
[traditional] (special purpose artist)
arranger:
John Barry (English score composer)
Arrangement von:
When the Saints Go Marching In
1:47
3Long John
recording of:
Long John (am 1959-02-04)
Komponist(in):
White (wrote Long John for the John Barry Seven)
2:23
4Twelfth Street Rag
alto saxophone:
Jimmy Stead (am 1959-08-26)
Bassgitarre:
Mike Peters (John Barry Seven) (am 1959-08-26)
Gitarre:
Vic Flick (am 1959-08-26)
Hybrid-Piano:
Les Reed (am 1959-08-26)
Schlagzeug:
Dougie Wright (am 1959-08-26)
Tenorsaxophon:
Dennis King (John Barry Seven) (am 1959-08-26)
Trompete:
John Barry (English score composer) (am 1959-08-26)
cover recording of:
Twelfth Street Rag (am 1959-08-26)
Texter:
Andy Razaf
Komponist(in):
Euday L. Bowman
1:36
5Hit and Miss
Produzent(in):
John Barry (English score composer)
alto saxophone:
Jimmy Stead
Bassgitarre:
Mike Peters (John Barry Seven)
Geige / Violine:
Alec Firman (John Barry Seven "plus Four"), Charlie Katz (John Barry Seven "Plus Four"), Sidney Margo (violinist and orchestra contractor) und Bernard Monshin (session violinist)
Gitarre [lead guitar]:
Vic Flick
Hybrid-Piano:
Les Reed
Schlagzeug:
Dougie Wright
Tenorsaxophon:
Dennis King (John Barry Seven)
Trompete:
John Barry (English score composer)
arranger:
John Barry (English score composer)
aufgenommen bei:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1960-01-14)
recording of:
Hit & Miss (am 1960-01-14)
Komponist(in):
John Barry (English score composer), Freddie Poser (English composer, publisher & producer) und Russell Turner (BBC Producer)
publisher:
EMI Mills Music Limited (PRS for Music-affiliated)
2:01
6Beat for Beatniks
Produzent(in):
John Barry (English score composer)
alto saxophone:
Jimmy Stead
Bassgitarre:
Mike Peters (John Barry Seven)
Gitarre:
Vic Flick
Hybrid-Piano:
Les Reed
Instrumente:
The John Barry Seven
Saxophon:
Johnny Scott (saxophonist)
Schlagzeug:
Dougie Wright
Tenorsaxophon:
Dennis King (John Barry Seven)
Trompete:
Dickie Hawdon
conductor und Interpret(in):
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
Beat for Beatniks (am 1960-03-14)
Komponist(in):
John Barry (English score composer)
2:09
7Blueberry Hill
Interpret(in):
The John Barry Seven
cover recording of:
Blueberry Hill (am 1960-05-29)
Texter:
Al Lewis (Tin Pan Alley era lyricist) und Larry Stock
Verfasser(in):
Al Lewis (Tin Pan Alley era lyricist), Vincent Rose (early-20th century violinist, pianist, composer & bandleader) und Larry Stock
Komponist(in):
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company und Victoria Music Publishing Co. Ltd.
Teil von:
12 Monkeys Soundtrack
1:43
8Never Let Go
Produzent(in):
John Barry (English score composer)
conductor und Interpret(in):
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
Never Let Go (From the Film) (am 1960-05-29)
Komponist(in):
John Barry (English score composer)
2:07
9Walk Don’t Run
2:16
10Black Stockings
Produzent(in):
John Barry (English score composer)
alto saxophone:
Jimmy Stead
Bassgitarre:
Mike Peters (John Barry Seven)
Gitarre:
Vic Flick
Hybrid-Piano:
Les Reed
Schlagzeug:
Dougie Wright
Tenorsaxophon:
Dennis King (John Barry Seven)
Trompete:
John Barry (English score composer)
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
Black Stockings (am 1960-11-11)
Komponist(in):
John Barry (English score composer)
2:23
11The Magnificent Seven
alto saxophone:
Jimmy Stead
Bassgitarre:
Mike Peters (John Barry Seven)
Gitarre:
Vic Flick
Hybrid-Piano:
Les Reed
Schlagzeug:
Dougie Wright
Tenorsaxophon:
Dennis King (John Barry Seven)
Trompete:
John Barry (English score composer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
recording of:
Main Theme (The Magnificent Seven) (am 1961-02-07)
Komponist(in):
Elmer Bernstein (American score composer)
1:57
12It Doesn’t Matter Anymore
cover recording of:
It Doesn’t Matter Anymore (am 1961-05-03)
Texter und Komponist(in):
Paul Anka (Canadian singer, songwriter and actor)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated) und Robert Mellin Ltd.
1:54
13Spanish Harlem
cover recording of:
Spanish Harlem (am 1961-05-03)
Texter:
Jerry Leiber
Komponist(in):
Phil Spector
publisher:
ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Carlin Music Corporation, Mother Bertha Music Inc., Sony/ATV Songs LLC, Trio Music Co., Inc. und Unichappell Music
2:24
14The James Bond Theme
1:59
15Cutty Sark (Dateline TV Theme)
Produzent(in):
John Barry (English score composer)
conductor und Interpret(in):
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
Cutty Sark (Dateline TV theme) (am 1962-02-20)
Komponist(in):
John Barry (English score composer)
2:42
16Every Which Way
2:33
17Donna’s Theme
recording of:
Donna’s Theme (am 1961-07-14)
Komponist(in):
Les Reed
2:09
18Cherry Pink and Apple Blossom White
cover recording of:
Cherry Pink and Apple Blossom White (1951 song, version of “Cerisier rose et pommier blanc”) (am 1962-01-11)
Komponist(in):
Louiguy (French composer Louis Guglielmi)
Übersetzer:
Mack David (American lyricist and songwriter)
basiert auf:
Cerisier rose et pommier blanc (1950 song)
1:59
19Unchained Melody
cover recording of:
Unchained Melody (am 1962-11-28)
publisher:
Hy Zaret
Texter:
Hy Zaret
Komponist(in):
Alex North (US composer)
publisher:
Frank Music Corp. (beendet), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH (do not use as a release label! this is a music publisher), North Melody Publishing und Unchained Melody Publishing, LLC
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
Teil von:
The 28th Academy Award for Best Original Song (Nummer: 2)
2:29
20I’ll Be With You in Apple Blossom Time
cover recording of:
(I’ll Be With You) In Apple Blossom Time (am 1962-01-11)
Texter:
Neville Fleeson
Komponist(in):
Albert Von Tilzer
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd. und Jerry Vogel Music
2:18
21Volare
recording of:
Volare (Nel blu dipinto di blu) (English lyrics) (am 1962-01-11)
Texter:
Franco Migliacci und Domenico Modugno
Komponist(in):
Domenico Modugno
Übersetzer:
Mitchell Parish
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Robbins Music Corp.
übersetzte Version von:
Nel blu dipinto di blu (Volare)
2:15
22Let’s Have a Wonderful Time
1:53

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