Great Sacred Masterpieces

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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1▼Digital Media
#TitleArtistRatingLength
1Spem in alium
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
producer:
Andrew Walton (producer)
choir vocals:
Oxford Camerata (English chamber choir) (from 2005-01-21 until 2005-01-23)
conductor:
Jeremy Summerly (conductor) (from 2005-01-21 until 2005-01-23)
phonographic copyright (℗) by:
Naxos Rights International Ltd. (for copyrights/licensing use only!) (in 2005)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 2005-01-21 until 2005-01-23)
recording of:
Spem in alium (from 2005-01-21 until 2005-01-23)
composer:
Thomas Tallis (composer)
Thomas Tallis12:19
2Il salmo Miserere mei Deus
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
producer:
Andrew Walton (producer)
choir vocals:
Oxford Camerata (English chamber choir) (from 2005-01-21 until 2005-01-23)
conductor:
Jeremy Summerly (conductor) (from 2005-01-21 until 2005-01-23)
phonographic copyright (℗) by:
Naxos Rights International Ltd. (for copyrights/licensing use only!) (in 2005)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 2005-01-21 until 2005-01-23)
recording of:
Miserere mei, Deus (from 2005-01-21 until 2005-01-23)
composer:
Gregorio Allegri (composer)
part of:
ABC Classic 100 (2001) (number: 9)
quotes lyrics from:
Miserere mei (words from Psalm 51)
Gregorio Allegri10:17
3Stabat Mater: Stabat Mater
engineer:
Gábor Mocsáry (in 1994-09)
producer:
Tamás Benedek (in 1994-09)
alto vocals:
Anna Gonda (in 1994-09)
soprano vocals:
Julia Faulkner (soprano) (in 1994-09)
orchestra:
Camerata Budapest (in 1994-09)
conductor:
Michael Halász (conductor) (in 1994-09)
phonographic copyright (℗) by:
Naxos Rights International Ltd. (for copyrights/licensing use only!)
recorded at:
Festetich Castle (Budapest) in Budapest, Hungary (in 1994-09)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: I. Duo: Stabat mater dolorosa (in 1994-09)
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi3:29
4Stabat Mater: Cujus animam
engineer:
Gábor Mocsáry (in 1994-09)
producer:
Tamás Benedek (in 1994-09)
alto vocals:
Anna Gonda (in 1994-09)
soprano vocals:
Julia Faulkner (soprano) (in 1994-09)
orchestra:
Camerata Budapest (in 1994-09)
conductor:
Michael Halász (conductor) (in 1994-09)
phonographic copyright (℗) by:
Naxos Rights International Ltd. (for copyrights/licensing use only!)
recorded at:
Festetich Castle (Budapest) in Budapest, Hungary (in 1994-09)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: II. Aria (soprano): Cujus animam gementem (in 1994-09)
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi2:15
5Stabat Mater: O quam tristis
engineer:
Gábor Mocsáry (in 1994-09)
producer:
Tamás Benedek (in 1994-09)
alto vocals:
Anna Gonda (in 1994-09)
soprano vocals:
Julia Faulkner (soprano) (in 1994-09)
orchestra:
Camerata Budapest (in 1994-09)
conductor:
Michael Halász (conductor) (in 1994-09)
phonographic copyright (℗) by:
Naxos Rights International Ltd. (for copyrights/licensing use only!)
recorded at:
Festetich Castle (Budapest) in Budapest, Hungary (in 1994-09)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: III. Duo: O quam tristis et afflicta (in 1994-09)
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi2:07
6Stabat Mater: Quae moerebat
engineer:
Gábor Mocsáry (in 1994-09)
producer:
Tamás Benedek (in 1994-09)
alto vocals:
Anna Gonda (in 1994-09)
soprano vocals:
Julia Faulkner (soprano) (in 1994-09)
orchestra:
Camerata Budapest (in 1994-09)
conductor:
Michael Halász (conductor) (in 1994-09)
phonographic copyright (℗) by:
Naxos Rights International Ltd. (for copyrights/licensing use only!)
recorded at:
Festetich Castle (Budapest) in Budapest, Hungary (in 1994-09)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: IV. Aria (alto): Quae moerebat et dolebat (in 1994-09)
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi2:07
7Stabat Mater: Quis est homo
engineer:
Gábor Mocsáry (in 1994-09)
producer:
Tamás Benedek (in 1994-09)
alto vocals:
Anna Gonda (in 1994-09)
soprano vocals:
Julia Faulkner (soprano) (in 1994-09)
orchestra:
Camerata Budapest (in 1994-09)
conductor:
Michael Halász (conductor) (in 1994-09)
phonographic copyright (℗) by:
Naxos Rights International Ltd. (for copyrights/licensing use only!)
recorded at:
Festetich Castle (Budapest) in Budapest, Hungary (in 1994-09)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: V. Duo: Quis est homo, qui non fleret (in 1994-09)
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi2:41
8Stabat Mater: Vidit suum
engineer:
Gábor Mocsáry (in 1994-09)
producer:
Tamás Benedek (in 1994-09)
alto vocals:
Anna Gonda (in 1994-09)
soprano vocals:
Julia Faulkner (soprano) (in 1994-09)
orchestra:
Camerata Budapest (in 1994-09)
conductor:
Michael Halász (conductor) (in 1994-09)
phonographic copyright (℗) by:
Naxos Rights International Ltd. (for copyrights/licensing use only!)
recorded at:
Festetich Castle (Budapest) in Budapest, Hungary (in 1994-09)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: VI. Aria (soprano): Vidit suum dulcem natum (in 1994-09)
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi3:55
9Stabat Mater: Eja mater
engineer:
Gábor Mocsáry (in 1994-09)
producer:
Tamás Benedek (in 1994-09)
alto vocals:
Anna Gonda (in 1994-09)
soprano vocals:
Julia Faulkner (soprano) (in 1994-09)
orchestra:
Camerata Budapest (in 1994-09)
conductor:
Michael Halász (conductor) (in 1994-09)
phonographic copyright (℗) by:
Naxos Rights International Ltd. (for copyrights/licensing use only!)
recorded at:
Festetich Castle (Budapest) in Budapest, Hungary (in 1994-09)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: VII. Aria (alto): Eja, mater, fons amoris (in 1994-09)
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi2:20
10Stabat Mater: Fac, ut ardeat
engineer:
Gábor Mocsáry (in 1994-09)
producer:
Tamás Benedek (in 1994-09)
alto vocals:
Anna Gonda (in 1994-09)
soprano vocals:
Julia Faulkner (soprano) (in 1994-09)
orchestra:
Camerata Budapest (in 1994-09)
conductor:
Michael Halász (conductor) (in 1994-09)
phonographic copyright (℗) by:
Naxos Rights International Ltd. (for copyrights/licensing use only!)
recorded at:
Festetich Castle (Budapest) in Budapest, Hungary (in 1994-09)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: VIII. Duo: Fac, ut ardeat cor meum (in 1994-09)
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi2:14
11Stabat Mater: Sancta Mater
engineer:
Gábor Mocsáry (in 1994-09)
producer:
Tamás Benedek (in 1994-09)
alto vocals:
Anna Gonda (in 1994-09)
soprano vocals:
Julia Faulkner (soprano) (in 1994-09)
orchestra:
Camerata Budapest (in 1994-09)
conductor:
Michael Halász (conductor) (in 1994-09)
phonographic copyright (℗) by:
Naxos Rights International Ltd. (for copyrights/licensing use only!)
recorded at:
Festetich Castle (Budapest) in Budapest, Hungary (in 1994-09)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: IX. Duo: Sancta mater, istud agas (in 1994-09)
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi5:01
12Stabat Mater: Fac ut portem
engineer:
Gábor Mocsáry (in 1994-09)
producer:
Tamás Benedek (in 1994-09)
alto vocals:
Anna Gonda (in 1994-09)
soprano vocals:
Julia Faulkner (soprano) (in 1994-09)
orchestra:
Camerata Budapest (in 1994-09)
conductor:
Michael Halász (conductor) (in 1994-09)
phonographic copyright (℗) by:
Naxos Rights International Ltd. (for copyrights/licensing use only!)
recorded at:
Festetich Castle (Budapest) in Budapest, Hungary (in 1994-09)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: X. Aria (alto): Fac, ut portem Christi mortem (in 1994-09)
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi3:12
13Stabat Mater: Inflammatus
engineer:
Gábor Mocsáry (in 1994-09)
producer:
Tamás Benedek (in 1994-09)
alto vocals:
Anna Gonda (in 1994-09)
soprano vocals:
Julia Faulkner (soprano) (in 1994-09)
orchestra:
Camerata Budapest (in 1994-09)
conductor:
Michael Halász (conductor) (in 1994-09)
phonographic copyright (℗) by:
Naxos Rights International Ltd. (for copyrights/licensing use only!)
recorded at:
Festetich Castle (Budapest) in Budapest, Hungary (in 1994-09)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: XI. Duo: Inflammatus et accensus (in 1994-09)
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi2:24
14Stabat Mater: Quando corpus
engineer:
Gábor Mocsáry (in 1994-09)
producer:
Tamás Benedek (in 1994-09)
alto vocals:
Anna Gonda (in 1994-09)
soprano vocals:
Julia Faulkner (soprano) (in 1994-09)
orchestra:
Camerata Budapest (in 1994-09)
conductor:
Michael Halász (conductor) (in 1994-09)
phonographic copyright (℗) by:
Naxos Rights International Ltd. (for copyrights/licensing use only!)
recorded at:
Festetich Castle (Budapest) in Budapest, Hungary (in 1994-09)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: XII. Duo: Quando corpus morietur (without Amen) (in 1994-09)
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat mater for soprano, alto, strings and basso continuo: XII. Duo: Quando corpus morietur - Amen
recording of:
Stabat mater for soprano, alto, strings and basso continuo: XII. Duo: Quando corpus morietur - Amen (in 1994-09)
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi3:47
15Ave verum corpus, K. 618
engineer:
Gejza Toperczer (in 1991-06)
producer:
Rudolf Hentšel (in 1991-06)
choir vocals:
Košice Teachers’ Choir (from 1991-06-10 until 1991-06-15)
orchestra:
Camerata Cassovia (from 1991-06-10 until 1991-06-15)
conductor:
Johannes Wildner (conductor) (from 1991-06-10 until 1991-06-15)
phonographic copyright (℗) by:
Naxos Rights International Ltd. (for copyrights/licensing use only!)
recorded at:
Dom umenia (House of Arts) in Košice, Košický kraj (Košice Region), Slovakia (from 1991-06-10 until 1991-06-15)
recording of:
Ave verum corpus, K. 618 (for chorus, string and organ) (from 1991-06-10 until 1991-06-15)
composer:
Wolfgang Amadeus Mozart (classical composer) (until 1791-06-18)
part of:
Köchelverzeichnis (Köchel catalogue, first edition, 1862, K¹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, third edition, 1937, K³) (number: K. 618), Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 618) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 618)
Wolfgang Amadeus Mozart2:51
16Ave Maria (version for voice and orchestra)
soprano vocals:
Ingrid Kertesi (soprano)
orchestra:
Camerata Budapest
conductor:
Kovács László (conductor)
phonographic copyright (℗) by:
Naxos Rights International Ltd. (for copyrights/licensing use only!)
recording of:
Ave Maria (for violin and orchestra, orch. Kennedy & Lenehan)
orchestrator:
Nigel Kennedy (violinist) and John Lenehan (classical pianist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Charles Gounod (French composer) (in 1853)
orchestration of:
Ave Maria (Bach/Gounod)
Charles‐François Gounod & Johann Sebastian Bach2:42
17Panis angelicus
choir vocals:
Magyar Állami Operaház Énekkara (Hungarian State Opera Chorus, Hungarian State Opera Chorus)
soprano vocals:
Ingrid Kertesi (soprano)
tenor vocals:
Josef Mukk (tenor)
orchestra:
Budapest Camerata
conductor:
Laszlo Hovaks (conductor)
phonographic copyright (℗) by:
Naxos Rights International Ltd. (for copyrights/licensing use only!)
recording of:
Messe solennelle en la majeur, op. 12 : V. Panis Angelicus
lyricist:
St. Thomas Aquinas
composer:
César Franck (Belgian‐born French composer) (in 1860)
part of:
Messe solennelle en la majeur, op. 12
César Franck4:01
2▼Digital Media
#TitleArtistRatingLength
1Mass in B minor, BWV 232: Kyrie: Kyrie eleison (Chorus)
bass-baritone vocals:
Hanno Müller‐Brachmann (bass-baritone)
choir vocals:
Dresdner Kammerchor (Dresden Chamber Choir)
mezzo-soprano vocals:
Ann Hallenberg (mezzo-soprano) and Marianne Beate Kielland (mezzo‐soprano)
soprano vocals:
Sunhae Im (soprano)
tenor vocals:
Markus Schäfer (tenor)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra)
conductor:
Helmut Müller‐Brühl (conductor)
recording of:
h-Moll-Messe, BWV 232: I. Missa: I. Kyrie eleison (Mass in B minor, BWV 232: Ia. Kyrie: Chorus "Kyrie eleison")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach9:54
2Mass in B minor, BWV 232: Kyrie: Christe eleison (Soprano I and II)
bass-baritone vocals:
Hanno Müller‐Brachmann (bass-baritone)
choir vocals:
Dresdner Kammerchor (Dresden Chamber Choir)
mezzo-soprano vocals:
Ann Hallenberg (mezzo-soprano) and Marianne Beate Kielland (mezzo‐soprano)
soprano vocals:
Sunhae Im (soprano)
tenor vocals:
Markus Schäfer (tenor)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra)
conductor:
Helmut Müller‐Brühl (conductor)
recording of:
h-Moll-Messe, BWV 232: I. Missa: II. Christe eleison (Mass in B minor, BWV 232: Ib. Kyrie: Duet "Christe eleison")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:18
3Mass in B minor, BWV 232: Gloria: Gloria in excelsis Deo (Chorus)
bass-baritone vocals:
Hanno Müller‐Brachmann (bass-baritone)
choir vocals:
Dresdner Kammerchor (Dresden Chamber Choir)
mezzo-soprano vocals:
Ann Hallenberg (mezzo-soprano) and Marianne Beate Kielland (mezzo‐soprano)
soprano vocals:
Sunhae Im (soprano)
tenor vocals:
Markus Schäfer (tenor)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra)
conductor:
Helmut Müller‐Brühl (conductor)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (Mass in B minor, BWV 232: IIa. Gloria: Chorus "Gloria in excelsis Deo")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach1:32
4Mass in B minor, BWV 232: Gloria: Et in terra pax (Chorus)
bass-baritone vocals:
Hanno Müller‐Brachmann (bass-baritone)
choir vocals:
Dresdner Kammerchor (Dresden Chamber Choir)
mezzo-soprano vocals:
Ann Hallenberg (mezzo-soprano) and Marianne Beate Kielland (mezzo‐soprano)
soprano vocals:
Sunhae Im (soprano)
tenor vocals:
Markus Schäfer (tenor)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra)
conductor:
Helmut Müller‐Brühl (conductor)
recording of:
h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (Mass in B minor, BWV 232: IIb. Gloria: Chorus "Et in terra pax")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:50
5Mass in B minor, BWV 232: Gloria: Domine Deus, Rex coelestis (Soprano and Tenor)
bass-baritone vocals:
Hanno Müller‐Brachmann (bass-baritone)
choir vocals:
Dresdner Kammerchor (Dresden Chamber Choir)
mezzo-soprano vocals:
Ann Hallenberg (mezzo-soprano) and Marianne Beate Kielland (mezzo‐soprano)
soprano vocals:
Sunhae Im (soprano)
tenor vocals:
Markus Schäfer (tenor)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra)
conductor:
Helmut Müller‐Brühl (conductor)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus (Mass in B minor, BWV 232: IIe. Gloria: Duet "Domine Deus")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:48
6Mass in B minor, BWV 232: Gloria: Qui sedes ad dextram Patris (Alto)
bass-baritone vocals:
Hanno Müller‐Brachmann (bass-baritone)
choir vocals:
Dresdner Kammerchor (Dresden Chamber Choir)
mezzo-soprano vocals:
Ann Hallenberg (mezzo-soprano) and Marianne Beate Kielland (mezzo‐soprano)
soprano vocals:
Sunhae Im (soprano)
tenor vocals:
Markus Schäfer (tenor)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra)
conductor:
Helmut Müller‐Brühl (conductor)
recording of:
h-Moll-Messe, BWV 232: I. Missa: X. Qui sedes ad dextram Patris (Mass in B minor, BWV 232: IIg. Gloria: Aria "Qui sedes ad dextram Patris")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:43
7Mass in B minor, BWV 232: Gloria: Cum Sancto Spiritu (Chorus)
bass-baritone vocals:
Hanno Müller‐Brachmann (bass-baritone)
choir vocals:
Dresdner Kammerchor (Dresden Chamber Choir)
mezzo-soprano vocals:
Ann Hallenberg (mezzo-soprano) and Marianne Beate Kielland (mezzo‐soprano)
soprano vocals:
Sunhae Im (soprano)
tenor vocals:
Markus Schäfer (tenor)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra)
conductor:
Helmut Müller‐Brühl (conductor)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu (Mass in B minor, BWV 232: IIi. Gloria: Chorus "Cum Sancto Spiritu")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:00
8Mass in B minor, BWV 232: Credo: Et in unum Dominum Jesum Christum (Soprano and Alto)
bass-baritone vocals:
Hanno Müller‐Brachmann (bass-baritone)
choir vocals:
Dresdner Kammerchor (Dresden Chamber Choir)
mezzo-soprano vocals:
Ann Hallenberg (mezzo-soprano) and Marianne Beate Kielland (mezzo‐soprano)
soprano vocals:
Sunhae Im (soprano)
tenor vocals:
Markus Schäfer (tenor)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra)
conductor:
Helmut Müller‐Brühl (conductor)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (Mass in B minor, BWV 232: IIIc. Symbolum nicenum: Duet "Et in unum Dominum")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:07
9Mass in B minor, BWV 232: Credo: Crucifixus etiam pro nobis (Chorus)
bass-baritone vocals:
Hanno Müller‐Brachmann (bass-baritone)
choir vocals:
Dresdner Kammerchor (Dresden Chamber Choir)
mezzo-soprano vocals:
Ann Hallenberg (mezzo-soprano) and Marianne Beate Kielland (mezzo‐soprano)
soprano vocals:
Sunhae Im (soprano)
tenor vocals:
Markus Schäfer (tenor)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra)
conductor:
Helmut Müller‐Brühl (conductor)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Chorus "Crucifixus")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 12 “Weinen, Klagen, Sorgen, Zagen”: II. Coro “Weinen, Klagen, Sorgen, Zagen”
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:33
10Mass in B minor, BWV 232: Credo: Et resurrexit tertia die (Chorus)
bass-baritone vocals:
Hanno Müller‐Brachmann (bass-baritone)
choir vocals:
Dresdner Kammerchor (Dresden Chamber Choir)
mezzo-soprano vocals:
Ann Hallenberg (mezzo-soprano) and Marianne Beate Kielland (mezzo‐soprano)
soprano vocals:
Sunhae Im (soprano)
tenor vocals:
Markus Schäfer (tenor)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra)
conductor:
Helmut Müller‐Brühl (conductor)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (Mass in B minor, BWV 232: IIIf. Symbolum nicenum: Chorus "Et resurrexit")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:58
11Mass in B minor, BWV 232: Credo: Et in Spiritum Sanctum (Bass)
bass-baritone vocals:
Hanno Müller‐Brachmann (bass-baritone)
choir vocals:
Dresdner Kammerchor (Dresden Chamber Choir)
mezzo-soprano vocals:
Ann Hallenberg (mezzo-soprano) and Marianne Beate Kielland (mezzo‐soprano)
soprano vocals:
Sunhae Im (soprano)
tenor vocals:
Markus Schäfer (tenor)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra)
conductor:
Helmut Müller‐Brühl (conductor)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (Mass in B minor, BWV 232: IIIg. Symbolum nicenum: Aria "Et in Spiritum Sanctum Dominum")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:47
12Mass in B minor, BWV 232: Credo: Et exspecto resurrectionem mortuorum (Chorus)
bass-baritone vocals:
Hanno Müller‐Brachmann (bass-baritone)
choir vocals:
Dresdner Kammerchor (Dresden Chamber Choir)
mezzo-soprano vocals:
Ann Hallenberg (mezzo-soprano) and Marianne Beate Kielland (mezzo‐soprano)
soprano vocals:
Sunhae Im (soprano)
tenor vocals:
Markus Schäfer (tenor)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra)
conductor:
Helmut Müller‐Brühl (conductor)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (Mass in B minor, BWV 232: IIIi. Symbolum nicenum: Chorus "Et expecto")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen" (former BWV 120)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:11
13Mass in B minor, BWV 232: Sanctus: Sanctus Dominus Deus Sabaoth (Chorus)
bass-baritone vocals:
Hanno Müller‐Brachmann (bass-baritone)
choir vocals:
Dresdner Kammerchor (Dresden Chamber Choir)
mezzo-soprano vocals:
Ann Hallenberg (mezzo-soprano) and Marianne Beate Kielland (mezzo‐soprano)
soprano vocals:
Sunhae Im (soprano)
tenor vocals:
Markus Schäfer (tenor)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra)
conductor:
Helmut Müller‐Brühl (conductor)
recording of:
h-Moll-Messe, BWV 232: III. Sanctus (Mass in B minor, BWV 232: IVa. Chorus "Sanctus")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:48
14Mass in B minor, BWV 232: Benedictus: Benedictus qui venit (Tenor)
bass-baritone vocals:
Hanno Müller‐Brachmann (bass-baritone)
choir vocals:
Dresdner Kammerchor (Dresden Chamber Choir)
mezzo-soprano vocals:
Ann Hallenberg (mezzo-soprano) and Marianne Beate Kielland (mezzo‐soprano)
soprano vocals:
Sunhae Im (soprano)
tenor vocals:
Markus Schäfer (tenor)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra)
conductor:
Helmut Müller‐Brühl (conductor)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (Mass in B minor, BWV 232: IVc. Aria "Benedictus")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:30
15Mass in B minor, BWV 232: Benedictus: Osanna in excelsis (Chorus)
bass-baritone vocals:
Hanno Müller‐Brachmann (bass-baritone)
choir vocals:
Dresdner Kammerchor (Dresden Chamber Choir)
mezzo-soprano vocals:
Ann Hallenberg (mezzo-soprano) and Marianne Beate Kielland (mezzo‐soprano)
soprano vocals:
Sunhae Im (soprano)
tenor vocals:
Markus Schäfer (tenor)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra)
conductor:
Helmut Müller‐Brühl (conductor)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (Mass in B minor, BWV 232: IVd. Chorus "Osanna in excelsis")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:45
16Mass in B minor, BWV 232: Agnus Dei: Agnus Dei (Alto)
bass-baritone vocals:
Hanno Müller‐Brachmann (bass-baritone)
choir vocals:
Dresdner Kammerchor (Dresden Chamber Choir)
mezzo-soprano vocals:
Ann Hallenberg (mezzo-soprano) and Marianne Beate Kielland (mezzo‐soprano)
soprano vocals:
Sunhae Im (soprano)
tenor vocals:
Markus Schäfer (tenor)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra)
conductor:
Helmut Müller‐Brühl (conductor)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach6:01
17Mass in B minor, BWV 232: Agnus Dei: Dona nobis pacem (Chorus)
bass-baritone vocals:
Hanno Müller‐Brachmann (bass-baritone)
choir vocals:
Dresdner Kammerchor (Dresden Chamber Choir)
mezzo-soprano vocals:
Ann Hallenberg (mezzo-soprano) and Marianne Beate Kielland (mezzo‐soprano)
soprano vocals:
Sunhae Im (soprano)
tenor vocals:
Markus Schäfer (tenor)
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra)
conductor:
Helmut Müller‐Brühl (conductor)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (Mass in B minor, BWV 232: IVf. Choir "Dona nobis pacem")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:39
3▼Digital Media
#TitleArtistRatingLength
1St. Matthew Passion, BWV 244: Part I: Kommt, ihr Tochter, helft mir klagen (Chorus)
alto vocals:
Németh Judit (Hungarian mezzosoprano)
bass vocals:
Péter Köves (bass-baritone)
choir vocals:
Hungarian Festival Chorus and Magyar Rádió gyermekkórusa (Children’s Choir of the Hungarian Radio)
soprano vocals:
Ibolya Verebics (soprano)
tenor vocals:
József Mukk (tenor)
orchestra:
Hungarian State Symphony Orchestra (Hungarian National Philharmonic)
conductor:
Géza Oberfrank (conductor)
chorus master:
Ágnes Mester and János Reményi (choirmaster)
recording of:
Matthäus-Passion, BWV 244: Teil I, I. Chor I & II "Kommt, ihr Töchter, helft mir klagen"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach7:40
2St. Matthew Passion, BWV 244: Part I: Aria: Buss und Reu Knirscht das Sundenherz entzwei (Alto)
alto vocals:
Németh Judit (Hungarian mezzosoprano)
bass vocals:
Péter Köves (bass-baritone)
choir vocals:
Hungarian Festival Chorus and Magyar Rádió gyermekkórusa (Children’s Choir of the Hungarian Radio)
soprano vocals:
Ibolya Verebics (soprano)
tenor vocals:
József Mukk (tenor)
orchestra:
Hungarian State Symphony Orchestra (Hungarian National Philharmonic)
conductor:
Géza Oberfrank (conductor)
chorus master:
Ágnes Mester and János Reményi (choirmaster)
recording of:
Matthäus-Passion, BWV 244: Teil I, VI. Arie (Alt) "Buß und Reu"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach4:21
3St. Matthew Passion, BWV 244: Part I: Aria: Blute nur, du liebes Herz! (Soprano)
alto vocals:
Németh Judit (Hungarian mezzosoprano)
bass vocals:
Péter Köves (bass-baritone)
choir vocals:
Hungarian Festival Chorus and Magyar Rádió gyermekkórusa (Children’s Choir of the Hungarian Radio)
soprano vocals:
Ibolya Verebics (soprano)
tenor vocals:
József Mukk (tenor)
orchestra:
Hungarian State Symphony Orchestra (Hungarian National Philharmonic)
conductor:
Géza Oberfrank (conductor)
chorus master:
Ágnes Mester and János Reményi (choirmaster)
recording of:
Matthäus-Passion, BWV 244: Teil I, VIII. Arie (Sopran) "Blute nur, du liebes Herz"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach4:54
4St. Matthew Passion, BWV 244: Part I: Aria: Ich will dir mein Herze schenken (Soprano)
alto vocals:
Németh Judit (Hungarian mezzosoprano)
bass vocals:
Péter Köves (bass-baritone)
choir vocals:
Hungarian Festival Chorus and Magyar Rádió gyermekkórusa (Children’s Choir of the Hungarian Radio)
soprano vocals:
Ibolya Verebics (soprano)
tenor vocals:
József Mukk (tenor)
orchestra:
Hungarian State Symphony Orchestra (Hungarian National Philharmonic)
conductor:
Géza Oberfrank (conductor)
chorus master:
Ágnes Mester and János Reményi (choirmaster)
recording of:
Matthäus-Passion, BWV 244: Teil I, XIII. Arie (Sopran) "Ich will dir mein Herze schenken"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach3:45
5St. Matthew Passion, BWV 244: Part I: Aria: Ich will bei meinem Jesu wachen (Tenor, Chorus)
alto vocals:
Németh Judit (Hungarian mezzosoprano)
bass vocals:
Péter Köves (bass-baritone)
choir vocals:
Hungarian Festival Chorus and Magyar Rádió gyermekkórusa (Children’s Choir of the Hungarian Radio)
soprano vocals:
Ibolya Verebics (soprano)
tenor vocals:
József Mukk (tenor)
orchestra:
Hungarian State Symphony Orchestra (Hungarian National Philharmonic)
conductor:
Géza Oberfrank (conductor)
chorus master:
Ágnes Mester and János Reményi (choirmaster)
recording of:
Matthäus-Passion, BWV 244: Teil I, XX. Arie (Tenor) und Chor II "Ich will bei meinen Jesu wachen"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach5:32
6St. Matthew Passion, BWV 244: Part I: Aria: Gerne will ich mich bequemen (Bass)
alto vocals:
Németh Judit (Hungarian mezzosoprano)
bass vocals:
Péter Köves (bass-baritone)
choir vocals:
Hungarian Festival Chorus and Magyar Rádió gyermekkórusa (Children’s Choir of the Hungarian Radio)
soprano vocals:
Ibolya Verebics (soprano)
tenor vocals:
József Mukk (tenor)
orchestra:
Hungarian State Symphony Orchestra (Hungarian National Philharmonic)
conductor:
Géza Oberfrank (conductor)
chorus master:
Ágnes Mester and János Reményi (choirmaster)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIII. Arie (Bass) "Gerne will ich mich bequemen"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach4:35
7St. Matthew Passion, BWV 244: Part I: Aria: So ist mein Jesus nun gefangen (Alto, Soprano, Chorus)
alto vocals:
Németh Judit (Hungarian mezzosoprano)
bass vocals:
Péter Köves (bass-baritone)
choir vocals:
Hungarian Festival Chorus and Magyar Rádió gyermekkórusa (Children’s Choir of the Hungarian Radio)
soprano vocals:
Ibolya Verebics (soprano)
tenor vocals:
József Mukk (tenor)
orchestra:
Hungarian State Symphony Orchestra (Hungarian National Philharmonic)
conductor:
Géza Oberfrank (conductor)
chorus master:
Ágnes Mester and János Reményi (choirmaster)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVII. Arie (Sopran, Alt) und Chor "So ist mein Jesus nun gefangen" - XXVIIb. Cori "Sind Blitze, sind Donner in Wolken verschwunden?"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach3:56
8St. Matthew Passion, BWV 244: Part II: Aria: Ach! Nun ist mein Jesus hin! (Alto, Chorus)
alto vocals:
Németh Judit (Hungarian mezzosoprano)
bass vocals:
Péter Köves (bass-baritone)
choir vocals:
Hungarian Festival Chorus and Magyar Rádió gyermekkórusa (Children’s Choir of the Hungarian Radio)
soprano vocals:
Ibolya Verebics (soprano)
tenor vocals:
József Mukk (tenor)
orchestra:
Hungarian State Symphony Orchestra (Hungarian National Philharmonic)
conductor:
Géza Oberfrank (conductor)
chorus master:
Ágnes Mester and János Reményi (choirmaster)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXX. Arie (Alt) und Chor "Ach! nun ist mein Jesus hin"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach6:12
9St. Matthew Passion, BWV 244: Part II: Aria: Erbarme dich, mein Gott, um meiner Zahren willen! (Alto)
alto vocals:
Németh Judit (Hungarian mezzosoprano)
bass vocals:
Péter Köves (bass-baritone)
choir vocals:
Hungarian Festival Chorus and Magyar Rádió gyermekkórusa (Children’s Choir of the Hungarian Radio)
soprano vocals:
Ibolya Verebics (soprano)
tenor vocals:
József Mukk (tenor)
orchestra:
Hungarian State Symphony Orchestra (Hungarian National Philharmonic)
conductor:
Géza Oberfrank (conductor)
chorus master:
Ágnes Mester and János Reményi (choirmaster)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott"
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach7:13
10St. Matthew Passion, BWV 244: Part II: Aria: Gebt mir meinen Jesum wieder! (Bass)
alto vocals:
Németh Judit (Hungarian mezzosoprano)
bass vocals:
Péter Köves (bass-baritone)
choir vocals:
Hungarian Festival Chorus and Magyar Rádió gyermekkórusa (Children’s Choir of the Hungarian Radio)
soprano vocals:
Ibolya Verebics (soprano)
tenor vocals:
József Mukk (tenor)
orchestra:
Hungarian State Symphony Orchestra (Hungarian National Philharmonic)
conductor:
Géza Oberfrank (conductor)
chorus master:
Ágnes Mester and János Reményi (choirmaster)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLII. Aria (Basso) "Gebt mir meinen Jesum wieder"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach3:38
11St. Matthew Passion, BWV 244: Part II: Aria: Konnen Tranen meiner Wangen (Alto)
alto vocals:
Németh Judit (Hungarian mezzosoprano)
bass vocals:
Péter Köves (bass-baritone)
choir vocals:
Hungarian Festival Chorus and Magyar Rádió gyermekkórusa (Children’s Choir of the Hungarian Radio)
soprano vocals:
Ibolya Verebics (soprano)
tenor vocals:
József Mukk (tenor)
orchestra:
Hungarian State Symphony Orchestra (Hungarian National Philharmonic)
conductor:
Géza Oberfrank (conductor)
chorus master:
Ágnes Mester and János Reményi (choirmaster)
recording of:
Matthäus-Passion, BWV 244: Teil II, LII. Aria (Alto) "Können Tränen meiner Wangen"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach6:36
12St. Matthew Passion, BWV 244: Choral: O Haupt voll Blut und Wunden (Chorus)
alto vocals:
Németh Judit (Hungarian mezzosoprano)
bass vocals:
Péter Köves (bass-baritone)
choir vocals:
Hungarian Festival Chorus and Magyar Rádió gyermekkórusa (Children’s Choir of the Hungarian Radio)
soprano vocals:
Ibolya Verebics (soprano)
tenor vocals:
József Mukk (tenor)
orchestra:
Hungarian State Symphony Orchestra (Hungarian National Philharmonic)
conductor:
Géza Oberfrank (conductor)
chorus master:
Ágnes Mester and János Reményi (choirmaster)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIV. Choral "O Haupt voll Blut und Wunden"
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 162)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:32
13St. Matthew Passion, BWV 244: Part II: Aria: Mache dich, mein Herze, rein (Bass)
alto vocals:
Németh Judit (Hungarian mezzosoprano)
bass vocals:
Péter Köves (bass-baritone)
choir vocals:
Hungarian Festival Chorus and Magyar Rádió gyermekkórusa (Children’s Choir of the Hungarian Radio)
soprano vocals:
Ibolya Verebics (soprano)
tenor vocals:
József Mukk (tenor)
orchestra:
Hungarian State Symphony Orchestra (Hungarian National Philharmonic)
conductor:
Géza Oberfrank (conductor)
chorus master:
Ágnes Mester and János Reményi (choirmaster)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXV. Aria (Basso) "Mache dich, mein Herze, rein"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach7:52
14St. Matthew Passion, BWV 244: Part II: Wir setzen uns mit Tranen nieder (Chorus)
alto vocals:
Németh Judit (Hungarian mezzosoprano)
bass vocals:
Péter Köves (bass-baritone)
choir vocals:
Hungarian Festival Chorus and Magyar Rádió gyermekkórusa (Children’s Choir of the Hungarian Radio)
soprano vocals:
Ibolya Verebics (soprano)
tenor vocals:
József Mukk (tenor)
orchestra:
Hungarian State Symphony Orchestra (Hungarian National Philharmonic)
conductor:
Géza Oberfrank (conductor)
chorus master:
Ágnes Mester and János Reményi (choirmaster)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach6:28
4▼Digital Media
#TitleArtistRatingLength
1Messiah, HWV 56: Part I: Sinfonia
orchestra:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble)
recording of:
Messiah, HWV 56: Part I, no. 1. Symphony
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel3:11
2Messiah, HWV 56: Part I: Recitative: Comfort ye my people (Tenor)
orchestra:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble)
recording of:
Messiah, HWV 56: Part I, no. 2. Recitative “Comfort ye” (Tenor)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel6:42
3Messiah, HWV 56: Part I: And the glory of the Lord shall be revealed (Chorus)
orchestra:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble)
recording of:
Messiah, HWV 56: Part I, no. 4. Chorus “And the glory of the Lord”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel2:44
4Messiah, HWV 56: Part I: Recitative: Behold, a virgin shall conceive (Alto)
orchestra:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble)
recording of:
Messiah, HWV 56: Part I, no. 8. Recitative “Behold, a virgin shall conceive” (Alto)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel6:00
5Messiah, HWV 56: Part I: For unto a child is born (Chorus)
orchestra:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble)
recording of:
Messiah, HWV 56: Part I, no. 12. Chorus “For unto us a Child is born”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel4:03
6Messiah, HWV 56: Part I: Pifa
orchestra:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble)
recording of:
Messiah, HWV 56: Part I, no. 13. Pastoral Symphony (Pifa)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel1:03
7Messiah, HWV 56: Part I: Aria: Rejoice greatly, O daughter of Zion (Soprano)
orchestra:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble)
recording of:
Messiah, HWV 56: Part I, no. 18. Air “Rejoice greatly, O daughter of Zion” (Soprano)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
version of:
Messiah, HWV 56: Alternative Arias: Air. “Rejoice greatly, O daughter of Zion” (1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel4:04
8Messiah, HWV 56: Part I: Recitative: Then shall the eyes of the blind be opened (Alto)
orchestra:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble)
recording of:
Messiah, HWV 56: Part I, no. 19. Recitative “Then shall the eyes of the blind” (Contralto)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel5:37
9Messiah, HWV 56: Part II: Aria: He was despised and rejected of men (Alto)
orchestra:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble)
recording of:
Messiah, HWV 56: Part II, no. 23. Air “He was despised” (Alto)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel11:16
10Messiah, HWV 56: Part II: Aria: How beautiful are the feet of them (Soprano)
orchestra:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble)
recording of:
Messiah, HWV 56: Part II, no. 38. Air “How beautiful are the feet…” (Soprano) (soprano aria version without chorus)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:22
11Messiah, HWV 56: Part II: Aria: Why do the nations so furiosly rage together (Bass)
orchestra:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble)
recording of:
Messiah, HWV 56: Part II, no. 40. Air “Why do the nations” (Bass)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:16
12Messiah, HWV 56: Part II: Hallelujah! (Chorus)
engineer:
Mike Skeet (recording engineer) (in 1992-07)
producer:
Murray Khouri (clarinettist and producer) (in 1992-07)
choir vocals:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble) and Tallis Chamber Choir (from 1992-07-06 until 1992-07-09)
vocals:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble)
orchestra:
The Scholars Baroque Ensemble and Soloists (UK vocal & instrumental ensemble)
conductor:
Kevin Mallon (conductor) (from 1992-07-06 until 1992-07-09)
performer:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble) (from 1992-07-06 until 1992-07-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1992-07-06 until 1992-07-09)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (from 1992-07-06 until 1992-07-09)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:43
13Messiah, HWV 56: Part III: Aria: I know that my Redeemer liveth (Soprano)
orchestra:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble)
recording of:
Messiah, HWV 56: Part III, no. 45. Air “I know that my Redeemer liveth” (Soprano)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel6:13
14Messiah, HWV 56: Part III: Recitative: Behold, I tell you a mystery (Bass)
orchestra:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble)
recording of:
Messiah, HWV 56: Part III, no. 47. Recitative “Behold, I tell you a mystery” (Bass)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel9:42
15Messiah, HWV 56: Part III: Worthy is the Lamb that was slain (Chorus)
engineer:
Mike Skeet (recording engineer) (in 1992-07)
producer:
Murray Khouri (clarinettist and producer) (in 1992-07)
orchestra:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble)
conductor:
David van Asch
performer:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble) (from 1992-07-06 until 1992-07-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1992-07-06 until 1992-07-09)
recording of:
Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel7:19
5▼Digital Media
#TitleArtistRatingLength
1Die Schopfung (The Creation), Hob. XXI:2: Part I: Die Vorstellung des Chaos (The Representation of Chaos)
bass vocals:
Hanno Müller‐Brachmann (bass-baritone)
choir vocals:
VokalEnsemble Köln
soprano vocals:
Sunhae Im (soprano)
tenor vocals:
Jan Kobow (tenor)
orchestra:
Capella Augustina
conductor:
Andreas Spering (harpsichordist, organist and conductor)
recording of:
Die Schöpfung, Hob. XX1:2: Teil I, No. 1. Orchestervorspiel Die Vorstellung der Chaos
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn6:33
2Die Schopfung (The Creation), Hob. XXI:2: Part I: Nun schwanden vor dem heiligen Strahle (Now vanish before the holy beams) (Uriel, Chorus)
bass vocals:
Hanno Müller‐Brachmann (bass-baritone)
choir vocals:
VokalEnsemble Köln
soprano vocals:
Sunhae Im (soprano)
tenor vocals:
Jan Kobow (tenor)
orchestra:
Capella Augustina
conductor:
Andreas Spering (harpsichordist, organist and conductor)
recording of:
Die Schöpfung, Hob. XX1:2: Teil I, No. 3. Arie und Chor "Nun schwanden vor dem heiligen Strahle" (Uriel, Chor)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn3:39
3Die Schopfung (The Creation), Hob. XXI:2: Part I: Und Gott sprach: Es sammle sich das Wasser (And God said: Let the waters under the heaven) (Raphael)
bass vocals:
Hanno Müller‐Brachmann (bass-baritone)
choir vocals:
VokalEnsemble Köln
soprano vocals:
Sunhae Im (soprano)
tenor vocals:
Jan Kobow (tenor)
orchestra:
Capella Augustina
conductor:
Andreas Spering (harpsichordist, organist and conductor)
recording of:
Die Schöpfung, Hob. XX1:2: Teil I, No. 6. Rezitativ "Und Gott sprach: Es sammle sich das Wasser" (Raphael)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn0:43
4Die Schopfung (The Creation), Hob. XXI:2: Part I: Rollend in schaumenden Wellen (Rolling in foaming billows) (Raphael)
bass vocals:
Hanno Müller‐Brachmann (bass-baritone)
choir vocals:
VokalEnsemble Köln
soprano vocals:
Sunhae Im (soprano)
tenor vocals:
Jan Kobow (tenor)
orchestra:
Capella Augustina
conductor:
Andreas Spering (harpsichordist, organist and conductor)
recording of:
Die Schöpfung, Hob. XX1:2: Teil I, No. 7. Arie "Rollend in schäumenden Wellen" (Raphael)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn1:58
5Die Schopfung (The Creation), Hob. XXI:2: Part I: Und Gott sprach: Es bringe die Erde Gras hervor (And God said: Let all the earth bring forth grass) (Gabriel)
bass vocals:
Hanno Müller‐Brachmann (bass-baritone)
choir vocals:
VokalEnsemble Köln
soprano vocals:
Sunhae Im (soprano)
tenor vocals:
Jan Kobow (tenor)
orchestra:
Capella Augustina
conductor:
Andreas Spering (harpsichordist, organist and conductor)
recording of:
Die Schöpfung, Hob XXI:2: Part I: VIII. Rezitativ: Und Gott sprach: Es bringe die Erde Gras hervor
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn0:33
6Die Schopfung (The Creation), Hob. XXI:2: Part I: Nun beut dir Flur das frische Grun (With verdure clad the fields appear) (Gabriel)
bass vocals:
Hanno Müller‐Brachmann (bass-baritone)
choir vocals:
VokalEnsemble Köln
soprano vocals:
Sunhae Im (soprano)
tenor vocals:
Jan Kobow (tenor)
orchestra:
Capella Augustina
conductor:
Andreas Spering (harpsichordist, organist and conductor)
recording of:
Die Schöpfung, Hob XXI:2: Part I: IX. Arie: Nun beut die Flur das frische Grün
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn5:05
7Die Schopfung (The Creation), Hob. XXI:2: Part I: Die Himmel erzahlen die Ehre Gottes (The heavens are telling the glory of God) (Gabriel, Uriel, Raphael, Chorus)
bass vocals:
Hanno Müller‐Brachmann (bass-baritone)
choir vocals:
VokalEnsemble Köln
soprano vocals:
Sunhae Im (soprano)
tenor vocals:
Jan Kobow (tenor)
orchestra:
Capella Augustina
conductor:
Andreas Spering (harpsichordist, organist and conductor)
recording of:
Die Schöpfung, Hob XXI:2: Part I: XIV. Chor und Terzett: Die Himmel erzählen die Ehre Gottes
composer:
Joseph Haydn (composer)
publisher:
Oxford University Press
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn3:44
8Die Schopfung (The Creation), Hob. XXI:2: Part II: Und Gott sprach: Es bringe das Wasser in der Fulle hervor (And God said: Let the waters bring forth abundantly) (Gabriel)
bass vocals:
Hanno Müller‐Brachmann (bass-baritone)
choir vocals:
VokalEnsemble Köln
soprano vocals:
Sunhae Im (soprano)
tenor vocals:
Jan Kobow (tenor)
orchestra:
Capella Augustina
conductor:
Andreas Spering (harpsichordist, organist and conductor)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XV. Rezitativ: Und Gott sprach: Es bringe das Wasser in der Fülle hervor
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II (The Creation, Hob. XXI:2: Part II)
Joseph Haydn0:25
9Die Schopfung (The Creation), Hob. XXI:2: Part II: Auf starkem Fittiche schwinget sich der Adler stolz (On mighty pens uplifted soars the eagle aloft) (Gabriel)
bass vocals:
Hanno Müller‐Brachmann (bass-baritone)
choir vocals:
VokalEnsemble Köln
soprano vocals:
Sunhae Im (soprano)
tenor vocals:
Jan Kobow (tenor)
orchestra:
Capella Augustina
conductor:
Andreas Spering (harpsichordist, organist and conductor)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XVI. Arie: Auf starkem Fittiche schwinget sich der Adler stolz
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II (The Creation, Hob. XXI:2: Part II)
Joseph Haydn7:27
10Die Schopfung (The Creation), Hob. XXI:2: Part II: Und die Engel ruhrten ihre unsterblichen Harfen (And the angels struck their immortal harps) (Raphael)
bass vocals:
Hanno Müller‐Brachmann (bass-baritone)
choir vocals:
VokalEnsemble Köln
soprano vocals:
Sunhae Im (soprano)
tenor vocals:
Jan Kobow (tenor)
orchestra:
Capella Augustina
conductor:
Andreas Spering (harpsichordist, organist and conductor)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XVIII. Rezitativ: Und die engel rührten ihr' unsterblichen Harfen
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II (The Creation, Hob. XXI:2: Part II)
Joseph Haydn0:25
11Die Schopfung (The Creation), Hob. XXI:2: Part II: In holder Anmut stehn (Most beautiful appear) (Trio)
bass vocals:
Hanno Müller‐Brachmann (bass-baritone)
choir vocals:
VokalEnsemble Köln
soprano vocals:
Sunhae Im (soprano)
tenor vocals:
Jan Kobow (tenor)
orchestra:
Capella Augustina
conductor:
Andreas Spering (harpsichordist, organist and conductor)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XIXa. Terzett: In holder Anmut stehn
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob XXI:2: Part II: XIX. Terzett und Chor: In holder Anmut stehn
Joseph Haydn4:29
12Die Schopfung (The Creation), Hob. XXI:2: Part II: Und Gott sprach: Es bringe die Erde hervor lebende Geschopfe (And God said: Let the earth bring forth the living creature) (Raphael)
bass vocals:
Hanno Müller‐Brachmann (bass-baritone)
choir vocals:
VokalEnsemble Köln
soprano vocals:
Sunhae Im (soprano)
tenor vocals:
Jan Kobow (tenor)
orchestra:
Capella Augustina
conductor:
Andreas Spering (harpsichordist, organist and conductor)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XX. Rezitativ: Und Gott sprach: Es bringe die Erde hervor lebende Geschöpfe
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II (The Creation, Hob. XXI:2: Part II)
Joseph Haydn0:26
13Die Schopfung (The Creation), Hob. XXI:2: Part II: Nun scheint in vollem Glanze der Himmel (Now heav'n in fullest glory shone) (Raphael)
bass vocals:
Hanno Müller‐Brachmann (bass-baritone)
choir vocals:
VokalEnsemble Köln
soprano vocals:
Sunhae Im (soprano)
tenor vocals:
Jan Kobow (tenor)
orchestra:
Capella Augustina
conductor:
Andreas Spering (harpsichordist, organist and conductor)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XXII. Arie: Nun scheint in vollem Glanze der Himmel
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II (The Creation, Hob. XXI:2: Part II)
Joseph Haydn3:21
14Die Schopfung (The Creation), Hob. XXI:2: Part II: Mit Wurd' und Hoheit angetan (In native worth and honour clad) (Uriel)
bass vocals:
Hanno Müller‐Brachmann (bass-baritone)
choir vocals:
VokalEnsemble Köln
soprano vocals:
Sunhae Im (soprano)
tenor vocals:
Jan Kobow (tenor)
orchestra:
Capella Augustina
conductor:
Andreas Spering (harpsichordist, organist and conductor)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XXIV. Arie: Mit Würd' und Hoheit angetan
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II (The Creation, Hob. XXI:2: Part II)
Joseph Haydn3:28
15Die Schopfung (The Creation), Hob. XXI:2: Part II: Und Gott sah jedes Ding, was er gemacht hatte (And God saw ev'rything that he had made) (Raphael)
bass vocals:
Hanno Müller‐Brachmann (bass-baritone)
choir vocals:
VokalEnsemble Köln
soprano vocals:
Sunhae Im (soprano)
tenor vocals:
Jan Kobow (tenor)
orchestra:
Capella Augustina
conductor:
Andreas Spering (harpsichordist, organist and conductor)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XXV. Rezitativ: Und Gott sah jedes Ding
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II (The Creation, Hob. XXI:2: Part II)
Joseph Haydn0:25
16Die Schopfung (The Creation), Hob. XXI:2: Part II: Vollendet ist das grosse Werk (Chorus)
bass vocals:
Hanno Müller‐Brachmann (bass-baritone)
choir vocals:
VokalEnsemble Köln
soprano vocals:
Sunhae Im (soprano)
tenor vocals:
Jan Kobow (tenor)
orchestra:
Capella Augustina
conductor:
Andreas Spering (harpsichordist, organist and conductor)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XXVIa. Chor: Vollendet ist das große Werk
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob XXI:2: Part II: XXVI. Chor und Terzett: Vollendet ist das große Werk - Zu dir, o Herr, blickt alles auf
Joseph Haydn2:40
17Die Schopfung (The Creation), Hob. XXI:2: Part III: Von deiner Gut', o Herr und Gott (By thee with bliss, O bounteous Lord) (Eve and Adam, Chorus)
bass vocals:
Hanno Müller‐Brachmann (bass-baritone)
choir vocals:
VokalEnsemble Köln
soprano vocals:
Sunhae Im (soprano)
tenor vocals:
Jan Kobow (tenor)
orchestra:
Capella Augustina
conductor:
Andreas Spering (harpsichordist, organist and conductor)
recording of:
Die Schöpfung, Hob XXI:2: Part III: XXVIII. Duett mit Chor: Von deiner Güt', o Herr und Gott
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part III (The Creation, Hob. XXI:2: Part III)
Joseph Haydn9:41
18Die Schopfung (The Creation), Hob. XXI:2: Part III: Nun ist die erste Pflicht erfullt (Our duty we performed now) (Adam and Eve)
bass vocals:
Hanno Müller‐Brachmann (bass-baritone)
choir vocals:
VokalEnsemble Köln
soprano vocals:
Sunhae Im (soprano)
tenor vocals:
Jan Kobow (tenor)
orchestra:
Capella Augustina
conductor:
Andreas Spering (harpsichordist, organist and conductor)
recording of:
Die Schöpfung, Hob XXI:2: Part III: XXIX. Rezitativ: Nun ist die erste Pflicht erfüllt
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part III (The Creation, Hob. XXI:2: Part III)
Joseph Haydn2:47
19Die Schopfung (The Creation), Hob. XXI:2: Part III: Holde Gattin! (Graceful consort!) (Adam and Eve)
bass vocals:
Hanno Müller‐Brachmann (bass-baritone)
choir vocals:
VokalEnsemble Köln
soprano vocals:
Sunhae Im (soprano)
tenor vocals:
Jan Kobow (tenor)
orchestra:
Capella Augustina
conductor:
Andreas Spering (harpsichordist, organist and conductor)
recording of:
Die Schöpfung, Hob XXI:2: Part III: XXX. Duett: Holde Gattin, dir zur Seite
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part III (The Creation, Hob. XXI:2: Part III)
Joseph Haydn7:39
20Die Schopfung (The Creation), Hob. XXI:2: Part III: O glucklich Paar (O happy pair) (Uriel)
bass vocals:
Hanno Müller‐Brachmann (bass-baritone)
choir vocals:
VokalEnsemble Köln
soprano vocals:
Sunhae Im (soprano)
tenor vocals:
Jan Kobow (tenor)
orchestra:
Capella Augustina
conductor:
Andreas Spering (harpsichordist, organist and conductor)
recording of:
Die Schöpfung, Hob XXI:2: Part III: XXXI. Rezitativ: O glücklich Paar, und glücklich immerfort
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part III (The Creation, Hob. XXI:2: Part III)
Joseph Haydn0:26
21Die Schopfung (The Creation), Hob. XXI:2: Part III: Singt dem Herren alle Stimmen (Sing the Lord, ye voices all!) (Chorus)
bass vocals:
Hanno Müller‐Brachmann (bass-baritone)
choir vocals:
VokalEnsemble Köln
soprano vocals:
Sunhae Im (soprano)
tenor vocals:
Jan Kobow (tenor)
orchestra:
Capella Augustina
conductor:
Andreas Spering (harpsichordist, organist and conductor)
recording of:
Die Schöpfung, Hob XXI:2: Part III: XXXII. Chor: Singt dem Herren alle Stimmen
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part III (The Creation, Hob. XXI:2: Part III)
Joseph Haydn3:27
6▼Digital Media
#TitleArtistRatingLength
1Requiem in D minor, K. 626: Introit: Requiem aeternam
engineer:
Gustáv Šoral (in 1985-03)
producer:
Dr Igor Bohacek (producer) (in 1985-03)
organ:
Vladimír Rusó (organist) (in 1985-03)
choir vocals:
Slovak Philharmonic Chorus (Slovak Philharmonic Choir) (in 1985-03)
soprano vocals:
Magdaléna Hajóssyová (soprano) (in 1985-03)
orchestra:
Slovak Philharmonic Orchestra (Slovak Philharmonic) (in 1985-03)
conductor:
Zdeněk Košler (conductor) (in 1985-03)
chorus master:
Stefan Klimo (conductor) (in 1985-03)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (in 1985-03)
recording of:
Requiem in D minor, K. 626: I. Introitus: Requiem aeternam (Süßmayr Edition; choir and soprano solo) (in 1985-03)
orchestrator:
Franz Jakob Freystädtler, Wolfgang Amadeus Mozart (classical composer) and Franz Xaver Süßmayr
additional composer:
Franz Xaver Süßmayr
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
is based on:
Requiem in D minor, K. 626: I. Introitus: Requiem aeternam (original version)
part of:
Requiem in D minor, K. 626 (Süßmayr edition)
recording of:
Requiem in D minor, K. 626: I. Introitus: Requiem aeternam (catch-all for unknown editions)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
version of:
Requiem in D minor, K. 626: I. Introitus: Requiem aeternam (original version)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
Wolfgang Amadeus Mozart5:03
2Requiem in D minor, K. 626: Kyrie eleison
engineer:
Gustáv Šoral (in 1985-03)
producer:
Dr Igor Bohacek (producer) (in 1985-03)
organ:
Vladimír Rusó (organist) (in 1985-03)
choir vocals:
Slovak Philharmonic Chorus (Slovak Philharmonic Choir) (in 1985-03)
orchestra:
Slovak Philharmonic Orchestra (Slovak Philharmonic) (in 1985-03)
conductor:
Zdeněk Košler (conductor) (in 1985-03)
chorus master:
Stefan Klimo (conductor) (in 1985-03)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (in 1985-03)
recording of:
Requiem in D minor, K. 626: II. Kyrie eleison (Süßmayr Edition; choir) (in 1985-03)
orchestrator:
Franz Jakob Freystädtler, Wolfgang Amadeus Mozart (classical composer) and Franz Xaver Süßmayr
additional composer:
Franz Xaver Süßmayr
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (Süßmayr edition)
revision of:
Requiem in D minor, K. 626: II. Kyrie (original version, fragment)
recording of:
Requiem in D minor, K. 626: II. Kyrie eleison (catch-all for unknown editions)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
Wolfgang Amadeus Mozart2:44
3Requiem in D minor, K. 626: Sequence No. 1: Dies irae
engineer:
Gustáv Šoral (in 1985-03)
producer:
Dr Igor Bohacek (producer) (in 1985-03)
organ:
Vladimír Rusó (organist) (in 1985-03)
choir vocals:
Slovak Philharmonic Chorus (Slovak Philharmonic Choir) (in 1985-03)
orchestra:
Slovak Philharmonic Orchestra (Slovak Philharmonic) (in 1985-03)
conductor:
Zdeněk Košler (conductor) (in 1985-03)
chorus master:
Stefan Klimo (conductor) (in 1985-03)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (in 1985-03)
recording of:
Requiem in D minor, K. 626: III. Sequenz: a. Dies irae (Süßmayr Edition; choir) (in 1985-03)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler (Austrian composer)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
Wolfgang Amadeus Mozart1:46
4Requiem in D minor, K. 626: Sequence No. 2: Tuba mirum
engineer:
Gustáv Šoral (in 1985-03)
producer:
Dr Igor Bohacek (producer) (in 1985-03)
organ:
Vladimír Rusó (organist) (in 1985-03)
bass vocals:
Peter Mikuláš (operatic bass) (in 1985-03)
contralto vocals:
Jaroslava Horská (mezzo-soprano) (in 1985-03)
soprano vocals:
Magdaléna Hajóssyová (soprano) (in 1985-03)
tenor vocals:
Jozef Kundlák (tenor) (in 1985-03)
orchestra:
Slovak Philharmonic Orchestra (Slovak Philharmonic) (in 1985-03)
conductor:
Zdeněk Košler (conductor) (in 1985-03)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (in 1985-03)
recording of:
Requiem in D minor, K. 626: III. Sequenz: b. Tuba mirum (Süßmayr Edition; soprano, alto, tenor, bass solos) (in 1985-03)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler (Austrian composer)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
Wolfgang Amadeus Mozart4:17
5Requiem in D minor, K. 626: Sequence No. 3: Rex tremendae majestatis
engineer:
Gustáv Šoral (in 1985-03)
producer:
Dr Igor Bohacek (producer) (in 1985-03)
organ:
Vladimír Rusó (organist) (in 1985-03)
choir vocals:
Slovak Philharmonic Chorus (Slovak Philharmonic Choir) (in 1985-03)
orchestra:
Slovak Philharmonic Orchestra (Slovak Philharmonic) (in 1985-03)
conductor:
Zdeněk Košler (conductor) (in 1985-03)
chorus master:
Stefan Klimo (conductor) (in 1985-03)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (in 1985-03)
recording of:
Requiem in D minor, K. 626: III. Sequenz: c. Rex tremendae majestatis (Süßmayr Edition; choir) (in 1985-03)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler (Austrian composer)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
Wolfgang Amadeus Mozart2:20
6Requiem in D minor, K. 626: Sequence No. 4: Recordare, Jesu pie
engineer:
Gustáv Šoral (in 1985-03)
producer:
Dr Igor Bohacek (producer) (in 1985-03)
organ:
Vladimír Rusó (organist) (in 1985-03)
bass vocals:
Peter Mikuláš (operatic bass) (in 1985-03)
contralto vocals:
Jaroslava Horská (mezzo-soprano) (in 1985-03)
soprano vocals:
Magdaléna Hajóssyová (soprano) (in 1985-03)
tenor vocals:
Jozef Kundlák (tenor) (in 1985-03)
orchestra:
Slovak Philharmonic Orchestra (Slovak Philharmonic) (in 1985-03)
conductor:
Zdeněk Košler (conductor) (in 1985-03)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (in 1985-03)
recording of:
Requiem in D minor, K. 626: III. Sequenz: d. Recordare, Jesu pie (Süßmayr Edition; soprano, alto, tenor, bass solos) (in 1985-03)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler (Austrian composer)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
Wolfgang Amadeus Mozart6:27
7Requiem in D minor, K. 626: Sequence No. 5: Confutatis maledictis
engineer:
Gustáv Šoral (in 1985-03)
producer:
Dr Igor Bohacek (producer) (in 1985-03)
organ:
Vladimír Rusó (organist) (in 1985-03)
choir vocals:
Slovak Philharmonic Chorus (Slovak Philharmonic Choir) (in 1985-03)
orchestra:
Slovak Philharmonic Orchestra (Slovak Philharmonic) (in 1985-03)
conductor:
Zdeněk Košler (conductor) (in 1985-03)
chorus master:
Stefan Klimo (conductor) (in 1985-03)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (in 1985-03)
recording of:
Requiem in D minor, K. 626: III. Sequenz: e. Confutatis maledictis (Süßmayr Edition; choir) (in 1985-03)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler (Austrian composer) and Franz Xaver Süßmayr
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
Wolfgang Amadeus Mozart3:07
8Requiem in D minor, K. 626: Sequence No. 6: Lacrimosa dies illa
engineer:
Gustáv Šoral (in 1985-03)
producer:
Dr Igor Bohacek (producer) (in 1985-03)
organ:
Vladimír Rusó (organist) (in 1985-03)
choir vocals:
Slovak Philharmonic Chorus (Slovak Philharmonic Choir) (in 1985-03)
contralto vocals:
Jaroslava Horská (mezzo-soprano) (in 1985-03)
orchestra:
Slovak Philharmonic Orchestra (Slovak Philharmonic) (in 1985-03)
conductor:
Zdeněk Košler (conductor) (in 1985-03)
chorus master:
Stefan Klimo (conductor) (in 1985-03)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (in 1985-03)
recording of:
Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (Süßmayr Edition; choir) (in 1985-03)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler (Austrian composer) and Franz Xaver Süßmayr (from 1791 until 1792)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
Wolfgang Amadeus Mozart3:20
9Requiem in D minor, K. 626: Offertory No. 1: Domine Jesu Christe
engineer:
Gustáv Šoral (in 1985-03)
producer:
Dr Igor Bohacek (producer) (in 1985-03)
organ:
Vladimír Rusó (organist) (in 1985-03)
bass vocals:
Peter Mikuláš (operatic bass) (in 1985-03)
choir vocals:
Slovak Philharmonic Chorus (Slovak Philharmonic Choir) (in 1985-03)
contralto vocals:
Jaroslava Horská (mezzo-soprano) (in 1985-03)
soprano vocals:
Magdaléna Hajóssyová (soprano) (in 1985-03)
tenor vocals:
Jozef Kundlák (tenor) (in 1985-03)
orchestra:
Slovak Philharmonic Orchestra (Slovak Philharmonic) (in 1985-03)
conductor:
Zdeněk Košler (conductor) (in 1985-03)
chorus master:
Stefan Klimo (conductor) (in 1985-03)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (in 1985-03)
recording of:
Requiem in D minor, K. 626: IV. Offertorium: a. Domine Jesu Christie (Süßmayr Edition; choir with solo quartet) (in 1985-03)
orchestrator:
Maximilian Stadler and Franz Xaver Süßmayr
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: IV. Offertorium (Süßmayr Edition)
Wolfgang Amadeus Mozart3:34
10Requiem in D minor, K. 626: Offertory No. 2: Hostias et preces
engineer:
Gustáv Šoral (in 1985-03)
producer:
Dr Igor Bohacek (producer) (in 1985-03)
organ:
Vladimír Rusó (organist) (in 1985-03)
choir vocals:
Slovak Philharmonic Chorus (Slovak Philharmonic Choir) (in 1985-03)
orchestra:
Slovak Philharmonic Orchestra (Slovak Philharmonic) (in 1985-03)
conductor:
Zdeněk Košler (conductor) (in 1985-03)
chorus master:
Stefan Klimo (conductor) (in 1985-03)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (in 1985-03)
recording of:
Requiem in D minor, K. 626: IV. Offertorium: b. Versus: Hostias et preces (Süßmayr Edition; choir) (in 1985-03)
orchestrator:
Maximilian Stadler and Franz Xaver Süßmayr
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: IV. Offertorium (Süßmayr Edition)
Wolfgang Amadeus Mozart4:39
11Requiem in D minor, K. 626: Sanctus
engineer:
Gustáv Šoral (in 1985-03)
producer:
Dr Igor Bohacek (producer) (in 1985-03)
organ:
Vladimír Rusó (organist) (in 1985-03)
choir vocals:
Slovak Philharmonic Chorus (Slovak Philharmonic Choir) (in 1985-03)
orchestra:
Slovak Philharmonic Orchestra (Slovak Philharmonic) (in 1985-03)
conductor:
Zdeněk Košler (conductor) (in 1985-03)
chorus master:
Stefan Klimo (conductor) (in 1985-03)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (in 1985-03)
recording of:
Requiem in D minor, K. 626: V. Sanctus: a. Sanctus Dominus Deus Sabaoth (Süßmayr Edition; choir) (in 1985-03)
orchestrator:
Franz Xaver Süßmayr
composer:
Franz Xaver Süßmayr and Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: V. Sanctus (Süßmayr edition)
Wolfgang Amadeus Mozart1:38
12Requiem in D minor, K. 626: Benedictus
engineer:
Gustáv Šoral (in 1985-03)
producer:
Dr Igor Bohacek (producer) (in 1985-03)
organ:
Vladimír Rusó (organist) (in 1985-03)
bass vocals:
Peter Mikuláš (operatic bass) (in 1985-03)
choir vocals:
Slovak Philharmonic Chorus (Slovak Philharmonic Choir) (in 1985-03)
contralto vocals:
Jaroslava Horská (mezzo-soprano) (in 1985-03)
soprano vocals:
Magdaléna Hajóssyová (soprano) (in 1985-03)
tenor vocals:
Jozef Kundlák (tenor) (in 1985-03)
orchestra:
Slovak Philharmonic Orchestra (Slovak Philharmonic) (in 1985-03)
conductor:
Zdeněk Košler (conductor) (in 1985-03)
chorus master:
Stefan Klimo (conductor) (in 1985-03)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (in 1985-03)
recording of:
Requiem in D minor, K. 626: V. Sanctus: b. Benedictus (Süßmayr Edition; solo quartet, then choir) (in 1985-03)
orchestrator:
Franz Xaver Süßmayr
composer:
Franz Xaver Süßmayr and Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: V. Sanctus (Süßmayr edition)
Wolfgang Amadeus Mozart5:37
13Requiem in D minor, K. 626: Agnus Dei
engineer:
Gustáv Šoral (in 1985-03)
producer:
Dr Igor Bohacek (producer) (in 1985-03)
organ:
Vladimír Rusó (organist) (in 1985-03)
choir vocals:
Slovak Philharmonic Chorus (Slovak Philharmonic Choir) (in 1985-03)
orchestra:
Slovak Philharmonic Orchestra (Slovak Philharmonic) (in 1985-03)
conductor:
Zdeněk Košler (conductor) (in 1985-03)
chorus master:
Stefan Klimo (conductor) (in 1985-03)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (in 1985-03)
recording of:
Requiem in D minor, K. 626: VI. Agnus Dei (Süßmayr Edition; choir) (in 1985-03)
additional orchestrator:
Franz Jakob Freystädtler
orchestrator:
Franz Xaver Süßmayr
additional composer:
Franz Xaver Süßmayr (until 1792-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (Süßmayr edition)
Wolfgang Amadeus Mozart3:46
14Requiem in D minor, K. 626: Communion: Lux aeterna
engineer:
Gustáv Šoral (in 1985-03)
producer:
Dr Igor Bohacek (producer) (in 1985-03)
organ:
Vladimír Rusó (organist) (in 1985-03)
choir vocals:
Slovak Philharmonic Chorus (Slovak Philharmonic Choir) (in 1985-03)
soprano vocals:
Magdaléna Hajóssyová (soprano) (in 1985-03)
orchestra:
Slovenský filharmonický zbor (Slovak Philharmonic Choir) and Slovak Philharmonic Orchestra (Slovak Philharmonic) (in 1985-03)
conductor:
Zdeněk Košler (conductor) (in 1985-03)
chorus master:
Stefan Klimo (conductor) (in 1985-03)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (in 1985-03)
recording of:
Requiem in D minor, K. 626: VIII. Communio: a. Lux aeterna (Süßmayr Edition; soprano solo and choir) (in 1985-03)
additional orchestrator:
Franz Beyer (violist) and Franz Jakob Freystädtler
orchestrator:
Franz Xaver Süßmayr
additional composer:
Franz Xaver Süßmayr
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: VIII. Communio (Süßmayr edition)
Wolfgang Amadeus Mozart5:51
7▶Digital Media
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