Symphonic Collection

~ Release by Philharmonia Orchestra, Orchestra of the Age of Enlightenment, Royal Philharmonic Orchestra, Sir Charles Mackerras (see all versions of this release, 1 available)

Annotation

℗ «2009 Signum Records»
© «2011 Signum Records»

Annotation last modified on 2025-08-24 19:13 UTC.

Tracklist

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1▼Digital Media
#TitleArtistRatingLength
1Symphony no. 7 in D minor, op. 70, B. 141: I. Allegro maestoso
engineer:
Jonathan Stokes (engineer)
producer:
Misha Donat (classical music producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 2008-10-09)
conductor:
Sir Charles Mackerras (Australian conductor) (on 2008-10-09)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (on 2008-10-09)
live recording of:
Symphony no. 7 in D minor, op. 70: I. Allegro maestoso (on 2008-10-09)
composer:
Antonín Dvořák (composer) (from 1884-12-13 until 1885-03-17)
revised by:
Antonín Dvořák (composer) (in 1885)
part of:
Symphony no. 7 in D minor, op. 70
Antonín Dvořák10:25
2Symphony no. 7 in D minor, op. 70, B. 141: II. Poco adagio
engineer:
Jonathan Stokes (engineer)
producer:
Misha Donat (classical music producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 2008-10-09)
conductor:
Sir Charles Mackerras (Australian conductor) (on 2008-10-09)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (on 2008-10-09)
live recording of:
Symphony no. 7 in D minor, op. 70: II. Poco adagio (on 2008-10-09)
composer:
Antonín Dvořák (composer) (from 1884-12-13 until 1885-03-17)
revised by:
Antonín Dvořák (composer) (in 1885)
part of:
Symphony no. 7 in D minor, op. 70
Antonín Dvořák9:42
3Symphony no. 7 in D minor, op. 70, B. 141: III. Scherzo: Vivace
engineer:
Jonathan Stokes (engineer)
producer:
Misha Donat (classical music producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 2008-10-09)
conductor:
Sir Charles Mackerras (Australian conductor) (on 2008-10-09)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (on 2008-10-09)
live recording of:
Symphony no. 7 in D minor, op. 70: III. Scherzo: Vivace - Poco meno mosso (on 2008-10-09)
composer:
Antonín Dvořák (composer) (from 1884-12-13 until 1885-03-17)
revised by:
Antonín Dvořák (composer) (in 1885)
part of:
Symphony no. 7 in D minor, op. 70
Antonín Dvořák7:31
4Symphony no. 7 in D minor, op. 70, B. 141: IV. Finale: Allegro
engineer:
Jonathan Stokes (engineer)
producer:
Misha Donat (classical music producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 2008-10-09)
conductor:
Sir Charles Mackerras (Australian conductor) (on 2008-10-09)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (on 2008-10-09)
live recording of:
Symphony no. 7 in D minor, op. 70: IV. Finale: Allegro (on 2008-10-09)
composer:
Antonín Dvořák (composer) (from 1884-12-13 until 1885-03-17)
revised by:
Antonín Dvořák (composer) (in 1885)
part of:
Symphony no. 7 in D minor, op. 70
Antonín Dvořák9:18
5Symphony no. 8 in G major, op. 88, B. 163: I. Allegro con brio
engineer:
Jonathan Stokes (engineer)
producer:
Misha Donat (classical music producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 2008-10-12)
conductor:
Sir Charles Mackerras (Australian conductor) (on 2008-10-12)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (on 2008-10-12)
live recording of:
Symphony no. 8 in G major, op. 88: I. Allegro con brio (on 2008-10-12)
composer:
Antonín Dvořák (composer) (from 1889-08-26 until 1889-11-08)
part of:
Symphony no. 8 in G major, op. 88
Antonín Dvořák10:00
6Symphony no. 8 in G major, op. 88, B. 163: II. Adagio
engineer:
Jonathan Stokes (engineer)
producer:
Misha Donat (classical music producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 2008-10-12)
conductor:
Sir Charles Mackerras (Australian conductor) (on 2008-10-12)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (on 2008-10-12)
live recording of:
Symphony no. 8 in G major, op. 88: II. Adagio (on 2008-10-12)
composer:
Antonín Dvořák (composer) (from 1889-08-26 until 1889-11-08)
part of:
Symphony no. 8 in G major, op. 88
Antonín Dvořák10:28
7Symphony no. 8 in G major, op. 88, B. 163: III. Allegretto grazioso
engineer:
Jonathan Stokes (engineer)
producer:
Misha Donat (classical music producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 2008-10-12)
conductor:
Sir Charles Mackerras (Australian conductor) (on 2008-10-12)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (on 2008-10-12)
live recording of:
Symphony no. 8 in G major, op. 88: II. Adagio (on 2008-10-12)
composer:
Antonín Dvořák (composer) (from 1889-08-26 until 1889-11-08)
part of:
Symphony no. 8 in G major, op. 88
Antonín Dvořák6:08
8Symphony no. 8 in G major, op. 88, B. 163: IV. Allegro ma non troppo
engineer:
Jonathan Stokes (engineer)
producer:
Misha Donat (classical music producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 2008-10-12)
conductor:
Sir Charles Mackerras (Australian conductor) (on 2008-10-12)
recorded at:
Royal Festival Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (on 2008-10-12)
live recording of:
Symphony no. 8 in G major, op. 88: IV. Allegro ma non troppo (on 2008-10-12)
composer:
Antonín Dvořák (composer) (from 1889-08-26 until 1889-11-08)
part of:
Symphony no. 8 in G major, op. 88
Antonín Dvořák10:15
9Messiah (Part One): Overture
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
orchestra:
Royal Philharmonic Orchestra (from 1998-01-01 until 1998-01-05)
conductor:
Charles Mackerras (Australian conductor) (from 1998-01-01 until 1998-01-05)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1998-01-01 until 1998-01-05)
partial recording of:
Der Messias, K. 572: Teil I, Nr. 1. Overture (from 1998-01-01 until 1998-01-05)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part I, no. 1. Symphony
part of:
Der Messias, K. 572: Teil I (arr. W.A. Mozart)
George Frideric Handel / Wolfgang Amadeus Mozart1:28
10Messiah (Part One): Allegro moderato
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
orchestra:
Royal Philharmonic Orchestra (from 1998-01-01 until 1998-01-05)
conductor:
Charles Mackerras (Australian conductor) (from 1998-01-01 until 1998-01-05)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1998-01-01 until 1998-01-05)
partial recording of:
Der Messias, K. 572: Teil I, Nr. 1. Overture (from 1998-01-01 until 1998-01-05)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part I, no. 1. Symphony
part of:
Der Messias, K. 572: Teil I (arr. W.A. Mozart)
George Frideric Handel / Wolfgang Amadeus Mozart2:13
11Messiah (Part One): Recitative “Comfort ye”
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
tenor vocals:
Philip Langridge (tenor) (from 1998-01-01 until 1998-01-05)
orchestra:
Royal Philharmonic Orchestra (from 1998-01-01 until 1998-01-05)
conductor:
Charles Mackerras (Australian conductor) (from 1998-01-01 until 1998-01-05)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1998-01-01 until 1998-01-05)
partial recording of:
Messiah, K. 572 (arr. W.A. Mozart, English version) (from 1998-01-01 until 1998-01-05)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
translated version of:
Der Messias, K. 572 (arr. W.A. Mozart)
George Frideric Handel / Wolfgang Amadeus Mozart3:13
12Messiah (Part One): Aria “Every Valley”
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
tenor vocals:
Philip Langridge (tenor) (from 1998-01-01 until 1998-01-05)
orchestra:
Royal Philharmonic Orchestra (from 1998-01-01 until 1998-01-05)
conductor:
Charles Mackerras (Australian conductor) (from 1998-01-01 until 1998-01-05)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1998-01-01 until 1998-01-05)
partial recording of:
Messiah, K. 572 (arr. W.A. Mozart, English version) (from 1998-01-01 until 1998-01-05)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
translated version of:
Der Messias, K. 572 (arr. W.A. Mozart)
George Frideric Handel / Wolfgang Amadeus Mozart3:25
13Messiah (Part One): Aria “Rejoice greatly”
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
soprano vocals:
Dame Felicity Lott (soprano) (from 1998-01-01 until 1998-01-05)
orchestra:
Royal Philharmonic Orchestra (from 1998-01-01 until 1998-01-05)
conductor:
Charles Mackerras (Australian conductor) (from 1998-01-01 until 1998-01-05)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1998-01-01 until 1998-01-05)
partial recording of:
Messiah, K. 572 (arr. W.A. Mozart, English version) (from 1998-01-01 until 1998-01-05)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
translated version of:
Der Messias, K. 572 (arr. W.A. Mozart)
George Frideric Handel / Wolfgang Amadeus Mozart4:36
14Messiah (Part Two): Chorus “Behold the Lamb of God”
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
choir vocals:
Huddersfield Choral Society (from 1998-01-01 until 1998-01-05)
orchestra:
Royal Philharmonic Orchestra (from 1998-01-01 until 1998-01-05)
conductor:
Charles Mackerras (Australian conductor) (from 1998-01-01 until 1998-01-05)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1998-01-01 until 1998-01-05)
partial recording of:
Messiah, K. 572 (arr. W.A. Mozart, English version) (from 1998-01-01 until 1998-01-05)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
translated version of:
Der Messias, K. 572 (arr. W.A. Mozart)
George Frideric Handel / Wolfgang Amadeus Mozart2:39
15Messiah (Part Two): Aria “He was despised”
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
alto vocals:
Felicity Palmer (mezzo-soprano) (from 1998-01-01 until 1998-01-05)
tenor vocals:
Philip Langridge (tenor) (from 1998-01-01 until 1998-01-05)
orchestra:
Royal Philharmonic Orchestra (from 1998-01-01 until 1998-01-05)
conductor:
Charles Mackerras (Australian conductor) (from 1998-01-01 until 1998-01-05)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1998-01-01 until 1998-01-05)
partial recording of:
Messiah, K. 572 (arr. W.A. Mozart, English version) (from 1998-01-01 until 1998-01-05)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
translated version of:
Der Messias, K. 572 (arr. W.A. Mozart)
George Frideric Handel / Wolfgang Amadeus Mozart12:42
16Messiah (Part Two): Chorus “Hallelujah!”
engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) and Mike Hatch (engineer/editor)
producer:
Andrew Keener (engineer/editor/producer)
choir vocals:
Huddersfield Choral Society (from 1998-01-01 until 1998-01-05)
orchestra:
Royal Philharmonic Orchestra (from 1998-01-01 until 1998-01-05)
conductor:
Charles Mackerras (Australian conductor) (from 1998-01-01 until 1998-01-05)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1998-01-01 until 1998-01-05)
partial recording of:
Messiah, K. 572 (arr. W.A. Mozart, English version) (from 1998-01-01 until 1998-01-05)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
translated version of:
Der Messias, K. 572 (arr. W.A. Mozart)
George Frideric Handel / Wolfgang Amadeus Mozart3:49
2▼Digital Media
#TitleArtistRatingLength
1Symphony no. 4 in G major: I. Bedächtig, Nicht eilen
engineer:
Tony Faulkner (recording engineer)
producer:
Misha Donat (classical music producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 2006-02-16)
conductor:
Charles Mackerras (Australian conductor) (on 2006-02-16)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (on 2006-02-16)
live recording of:
Symphonie Nr. 4 in G-Dur: I. Bedächtig. Nicht eilen - Recht gemächlich (on 2006-02-16)
composer:
Gustav Mahler (composer) (from 1899 until 1901)
part of:
Symphony no. 4 in G major
Gustav Mahler16:12
2Symphony no. 4 in G major: II. In gemächlicher Bewegung
engineer:
Tony Faulkner (recording engineer)
producer:
Misha Donat (classical music producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 2006-02-16)
conductor:
Charles Mackerras (Australian conductor) (on 2006-02-16)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (on 2006-02-16)
live recording of:
Symphonie Nr. 4 in G-Dur: II. In gemächlicher Bewegung. Ohne Hast (on 2006-02-16)
composer:
Gustav Mahler (composer) (from 1899 until 1901)
part of:
Symphony no. 4 in G major
Gustav Mahler9:11
3Symphony no. 4 in G major: III. Ruhevoll
engineer:
Tony Faulkner (recording engineer)
producer:
Misha Donat (classical music producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 2006-02-16)
conductor:
Charles Mackerras (Australian conductor) (on 2006-02-16)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (on 2006-02-16)
live recording of:
Symphonie Nr. 4 in G-Dur: III. Ruhevoll. Poco adagio (on 2006-02-16)
composer:
Gustav Mahler (composer) (from 1899 until 1901)
part of:
Symphony no. 4 in G major
Gustav Mahler21:45
4Symphony no. 4 in G major: IV. Sehr behaglich
engineer:
Tony Faulkner (recording engineer)
producer:
Misha Donat (classical music producer)
soprano vocals:
Sarah Fox (soprano) (on 2006-02-16)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 2006-02-16)
conductor:
Charles Mackerras (Australian conductor) (on 2006-02-16)
recorded at:
Queen Elizabeth Hall (Southbank Centre) in Lambeth, London (Greater London), England, United Kingdom (on 2006-02-16)
live recording of:
Symphonie Nr. 4 in G-Dur: IV. Sehr behaglich. „Wir genießen die himmlischen Freuden“ (on 2006-02-16)
composer:
Gustav Mahler (composer) (from 1899 until 1901)
part of:
Symphony no. 4 in G major
revision of:
Des Knaben Wunderhorn: Das himmlische Leben
Gustav Mahler9:57
5Symphony no. 9 in C major, D. 944: I. Andante - Allegro ma non troppo
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir Charles Mackerras (Australian conductor)
recording of:
Symphony no. 9 in C major, D. 944 “The Great”: I. Andante – Allegro ma non troppo
composer:
Franz Schubert (composer) (from 1825-07 until 1826-07)
part of:
Symphony no. 9 in C major, D. 944 “The Great”
Franz Schubert15:58
6Symphony no. 9 in C major, D. 944: II. Andante con moto
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir Charles Mackerras (Australian conductor)
recording of:
Symphony no. 9 in C major, D. 944 “The Great”: II. Andante con moto
composer:
Franz Schubert (composer) (from 1825-07 until 1826-07)
part of:
Symphony no. 9 in C major, D. 944 “The Great”
Franz Schubert14:08
7Symphony no. 9 in C major, D. 944: III. Scherzo: Allegro vivace
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir Charles Mackerras (Australian conductor)
recording of:
Symphony no. 9 in C major, D. 944 “The Great”: III. Scherzo. Allegro vivace
composer:
Franz Schubert (composer) (from 1825-07 until 1826-07)
part of:
Symphony no. 9 in C major, D. 944 “The Great”
Franz Schubert13:40
8Symphony no. 9 in C major, D. 944: IV. Finale: Allegro vivace
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir Charles Mackerras (Australian conductor)
recording of:
Symphony no. 9 in C major, D. 944 “The Great”: IV. Finale. Allegro vivace
composer:
Franz Schubert (composer) (from 1825-07 until 1826-07)
part of:
Symphony no. 9 in C major, D. 944 “The Great”
Franz Schubert15:16
9Symphony no. 6 in B minor, op. 74, ’Pathétique’: I. Adagio – Allegro non troppo
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir Charles Mackerras (Australian conductor)
recording of:
Symphony no. 6 in B minor, op. 74 “Pathétique”: I. Adagio – Allegro non troppo
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1893-02 until 1893-08)
part of:
Symphony no. 6 in B minor, op. 74 “Pathétique”
Pyotr Ilyich Tchaikovsky18:39
10Symphony no. 6 in B minor, op. 74, ’Pathétique’: II. Allegro con grazia
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir Charles Mackerras (Australian conductor)
recording of:
Symphony no. 6 in B minor, op. 74 “Pathétique”: II. Allegro con grazia
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1893-02 until 1893-08)
part of:
Symphony no. 6 in B minor, op. 74 “Pathétique”
Pyotr Ilyich Tchaikovsky8:03
11Symphony no. 6 in B minor, op. 74, ’Pathétique’: III. Allegro molto vivace
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir Charles Mackerras (Australian conductor)
recording of:
Symphony no. 6 in B minor, op. 74 “Pathétique”: III. Allegro molto vivace
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1893-02 until 1893-08)
part of:
Symphony no. 6 in B minor, op. 74 “Pathétique”
Pyotr Ilyich Tchaikovsky8:28
12Symphony no. 6 in B minor, op. 74, ’Pathétique’: IV. Finale: Adagio lamentoso
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Sir Charles Mackerras (Australian conductor)
recording of:
Symphony no. 6 in B minor, op. 74 “Pathétique”: IV. Finale. Adagio lamentoso
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (from 1893-02 until 1893-08)
part of:
Symphony no. 6 in B minor, op. 74 “Pathétique”
Pyotr Ilyich Tchaikovsky11:03