Soul 70’s Collection, Volume 3

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Clean Up Woman
Techniker(in):
Willie Clarke
Produzent(in):
Willie Clarke und Clarence Reid
Horn arranger und Saiteninstrumente arranger:
Mike Lewis (US composer, arranger and producer)
instruments arranger:
Little Beaver
recording of:
Clean Up Woman
Verfasser(in):
Willie Clarke und Clarence Reid
publisher:
EMI Longitude Music
Betty Wright52:48
2Patches
cover recording of:
Patches
Verfasser(in):
Ronald Dunbar (Songwriter, A&R director and record producer) und Norman Johnson (US soul singer, R&B songwriter & producer)
Clarence Carter3:11
3I’ll Be Around
recording of:
I’ll Be Around
Komponist(in):
Thom Bell (keyboards, songwriter, producer) und Phil Hurtt
publisher:
Mighty Three Music Ld. und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Spinners3:16
4Day Dreaming
recording engineer:
Ron Albert (am 1971-02-16)
Techniker(in):
Howard Albert, Ron Albert und Chuck Kirkpatrick
Produzent(in):
Tom Dowd, Arif Mardin und Jerry Wexler
Mix:
Arif Mardin
Akustikgitarre:
Don Arnone (am 1971-02-16)
Altflöte:
Hubert Laws (am 1971-02-16)
Bass:
Chuck Rainey (American bassist) (am 1971-02-16)
Gitarre:
Cornell Dupree (am 1971-02-16)
Hybrid-Piano:
Donny Hathaway (am 1971-02-16)
Klavier und Sologesang:
Aretha Franklin (am 1971-02-16)
Schlagzeug:
Bernard “Pretty” Purdie (am 1971-02-16)
Hintergrundgesang:
Margaret Branch (am 1971-02-16), Ann S. Clark (am 1971-02-16), Carolyn Franklin (am 1971-02-16), Erma Franklin (am 1971-02-16) und Pat Smith (soul vocalist) (am 1971-02-16)
Horn arranger:
Arif Mardin
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1971) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1972)
aufgenommen bei:
Criteria Studios in Miami, Florida, Vereinigte Staaten (am 1971-02-16)
recording of:
Day Dreaming (Aretha Franklin song) (am 1971-02-16)
Texter und Komponist(in):
Aretha Franklin (von 1970 bis 1971)
publisher:
Carlin Music Corporation und Pundit Music, Inc
Aretha Franklin4.54:03
5I’ll Take You There
recording of:
I’ll Take You There
Texter und Komponist(in):
Alvertis Isbell
publisher:
Music for Africa (South Africa)
The Staple Singers3:21
6Pillow Talk
recording of:
Pillow Talk
Verfasser(in):
Michael Burton (American songwriter and producer) und Sylvia Robinson
Sylvia34:20
7Love on a Two Way Street
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 25)
The Moments3:44
8Until You Come Back to Me (That’s What I’m Gonna Do)
Techniker(in):
Lew Hahn
Produzent(in):
Aretha Franklin, Arif Mardin und Jerry Wexler
Mix:
Arif Mardin
Bass:
Chuck Rainey (American bassist) (am 1973-09-07)
Gitarre:
Hugh McCracken (am 1973-09-07)
Hybrid-Piano:
Donny Hathaway (am 1973-09-07)
Klavier und Sologesang:
Aretha Franklin (am 1973-09-07)
Orgel:
Richard Tee (am 1973-09-07)
Schlagzeug:
Bernard “Pretty” Purdie (am 1973-09-07)
Solo-flute:
Joe Farrell (am 1973-09-07)
Synthesizer:
Ken Bichel (keyboardist) (am 1973-09-07)
Hintergrundgesang:
Margaret Branch (am 1973-09-07), Ann S. Clark (am 1973-09-07) und Pat Smith (soul vocalist) (am 1973-09-07)
arranger:
Arif Mardin
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1973) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1974)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1973-09-07)
recording of:
Until You Come Back to Me (That’s What I’m Gonna Do) (am 1973-09-07)
Verfasser(in):
Morris Broadnax (Soul and R&B music songwriter), Clarence Paul und Stevie Wonder
publisher:
Blackbull Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Sawandi Music, Solo Copyright Bureau und Stone Agate Music
Aretha Franklin4.353:30
9Low Rider
recording engineer:
Ed Barton (engineer), Andrew Berliner und Chris Huston
Partner-Produzent(in):
Lonnie Jordan und Howard E. Scott (US funk/rock guitarist, member of War)
Produzent(in):
Jerry Goldstein (producer, record label owner and publisher)
Mix:
Ed Barton (engineer)
recording of:
Low Rider
Verfasser(in):
Papa Dee Allen, Harold Brown, B.B. Dickerson, Jerry Goldstein (producer, record label owner and publisher), Lonnie Jordan, Charles Miller (US saxophonist & flutist, member of War), Lee Oskar und Howard E. Scott (US funk/rock guitarist, member of War)
War4.653:16
10Superfly
Techniker(in):
Roger Anfinsen
Produzent(in):
Curtis Mayfield
Bassgitarre:
Joseph Scott (US funk/soul bassist)
Gitarre:
Curtis Mayfield und Craig McMullen
Perkussion:
Master Henry Gibson (Percussionist with Curtis Mayfield, Stan Getz, Ramsey Lewis)
Schlagzeug:
Morris Jennings
Sologesang:
Curtis Mayfield
arranger und Orchestrator(in):
Johnny Pate
phonographisches Urheberrecht (℗) von:
Curtom Records (in 1972)
recording of:
Superfly
Texter und Komponist(in):
Curtis Mayfield
publisher:
Todd Mayfield Publishing, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Curtom Publishing Co Inc (vom 1972 bis ????)
Curtis Mayfield4.253:54
11Move On Up
Bearbeitung von:
Move On Up von Curtis Mayfield
recording of:
Move On Up
Texter und Komponist(in):
Curtis Mayfield
publisher:
Camad Music Company (beendet), Curtom Publishing Co Inc (beendet), EMI Tunes Ltd, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Curtis Mayfield42:47
12Express Yourself
Produzent(in):
Charles Wright
phonographisches Urheberrecht (℗) von:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 2022)
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 57)
recording of:
Express Yourself
Texter und Komponist(in):
Charles Wright (in 1970)
Charles Wright & the Watts 103rd Street Rhythm Band4.53:55
13Have You Seen Her
phonographisches Urheberrecht (℗) von:
Brunswick (Imprint of Brunswick Record Corporation) (in 1971) und Brunswick Records Corp. (in 1972)
Teil von:
Mixtape – Game Soundtrack (Nummer: 7)
recording of:
Have You Seen Her
Verfasser(in):
Barbara Acklin (singer and songwriter) und Eugene Record
publisher:
Intersong Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Chi‐Lites4.55:12
14Love Won’t Let Me Wait
recording of:
Love Won’t Let Me Wait
Verfasser(in):
Vinnie Barrett und Bobby Eli
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), Mighty Three Music, Prestige Music Co. (US, affiliated with BMI), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Winot Music
Major Harris3:50
15Let’s Stay Together
recording of:
Let’s Stay Together
Verfasser(in):
Al Jackson, Jr. (Booker T & The MGs drummer), Al Green (US soul singer, songwriter, pastor and record producer) und Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
publisher:
Al Green Music Inc. (BMI-affiliated), Al Jackson Jr. Music, Burlington Music Co., Ltd. und Irving Music, Inc.
Al Green3:43
16Why Can’t We Live Together
recording of:
Why Can’t We Live Together
Texter und Komponist(in):
Timmy Thomas
publisher:
EMI Longitude Music, Sherlyn Music, Southern Music Publishing Company Limited und ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Timmy Thomas4:25
2▼CD
Nr.TitelKünstlerBewertungLänge
1Rubberband Man
The Spinners3:37
2Get Down Tonight
recording of:
Get Down Tonight
Verfasser(in):
Harry Wayne Casey und Richard Finch
publisher:
EMI Longitude Music und Southern Music (publisher)
KC and the Sunshine Band4.23:14
3We Are Family
Produzent(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 444)
recording of:
We Are Family
Verfasser(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Bernard’s Other Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Songs LLC und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Sister Sledge43:39
4Le Freak
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 26)
recording of:
Le Freak
Verfasser(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Bernard’s Other Music, Sony Songs Inc., Tommy Jymi Inc., Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) und Warner Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Chic4:22
5Boogie Oogie Oogie
Produzent(in):
Fonce Mizell und Larry Mizell
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2002)
recording of:
Boogie Oogie Oogie
Verfasser(in):
Janice Marie Johnson (Member of "A Taste of Honey") und Perry L. Kibble
publisher:
Conducive Music, Inc. und On Time Music, Inc.
A Taste of Honey2.653:41
6This Will Be (an Everlasting Love)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1987)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 4) (Nummer: 3) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 316)
recording of:
This Will Be (an Everlasting Love)
Verfasser(in):
Chuck Jackson (songwriter/producer) und Marvin Yancy (R&B/soul singer and pastor)
publisher:
Chappell & Co., Inc. (USA) und Jay’s Enterprises Inc.
Natalie Cole3.52:54
7Spanish Harlem
recording engineer:
Ron Albert (am 1971-02-16) und Chuck Kirkpatrick (am 1971-02-16)
Techniker(in):
Ron Albert und Chuck Kirkpatrick
Produzent(in):
Tom Dowd, Arif Mardin und Jerry Wexler
Mix:
Arif Mardin
Bass:
Chuck Rainey (American bassist) (am 1971-02-16)
Gitarre:
Cornell Dupree (am 1971-02-16)
Hybrid-Piano und Orgel:
Donny Hathaway (am 1971-02-16)
Klavier:
Aretha Franklin (am 1971-02-16)
Schlagzeug:
Bernard Purdie (am 1971-02-16)
Hintergrundgesang:
Carolyn Franklin (am 1971-02-16), Erma Franklin (am 1971-02-16) und The Sweethearts of Soul (am 1971-02-16)
vocals:
Aretha Franklin (am 1971-02-16)
flute arranger, Horn arranger, Saiteninstrumente arranger und Hintergrundgesang arranger:
Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1971) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1971)
aufgenommen bei:
Criteria Studios in Miami, Florida, Vereinigte Staaten (am 1971-02-16)
cover recording of:
Spanish Harlem (am 1971-02-16)
Texter:
Jerry Leiber
Komponist(in):
Phil Spector
publisher:
ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Carlin Music Corporation, Mother Bertha Music Inc., Sony/ATV Songs LLC, Trio Music Co., Inc. und Unichappell Music
Aretha Franklin23:31
8Rock Your Baby
vocals:
George McCrae
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974)
recording of:
Rock Your Baby
Verfasser(in):
Harry Wayne Casey, Richard Finch und KC (Harry Wayne Casey of the Sunshine Band)
publisher:
EMI Longitude Music und Peer Music (UK) Ltd.
George McCrae3.253:20
9That’s the Way (I Like It)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975, in 1976) und T.K. Records (Miami‐based disco label) (in 1975)
Bearbeitung von:
That’s the Way (I Like It) von KC and the Sunshine Band (US funk, R&B & disco band)
recording of:
That’s the Way (I Like It)
Verfasser(in):
Harry Wayne Casey und Richard Finch
publisher:
EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Australia Pty Ltd (not for release label use!) und Mushroom Music (Mushroom label’s publishing company)
KC and the Sunshine Band4.43:07
10Get Off
Produzent(in):
Cory Wade
phonographisches Urheberrecht (℗) von:
T.K. Productions, Inc. (in 1978)
recording of:
Get Off
Texter:
Carl Driggs (singer-songwriter, drummer)
Komponist(in):
Carl Driggs (singer-songwriter, drummer) und Ish Ledesma
publisher:
Windswept Pacific Music Ltd. (publishing company)
Foxy3:34
11Boogie Fever
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002)
recording of:
Boogie Fever
Verfasser(in):
Freddie Perren und Keni St. Lewis
publisher:
PolyGram Music Publishing und Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
The Sylvers43:32
12I’m Every Woman
recording of:
I’m Every Woman
Verfasser(in):
Nickolas Ashford und Valerie Simpson
publisher:
Nick‐O‐Val Music Co., Inc.
Chaka Khan2.753:54
13Bustin’ Loose
Chuck Brown & The Soul Searchers3:53
14Strokin’
recording of:
Strokin’
Texter und Komponist(in):
Clarence Carter
publisher:
Future Stars Publishing Co.
Clarence Carter4:37
15Good Times
Bass:
Bernard Edwards (American bassist and record producer) (in 1979)
Gitarre:
Nile Rodgers (in 1979)
Hybrid-Piano:
Raymond Jones (in 1979)
Klavier:
Rob Sabino (in 1979)
Schlagzeug:
Tony Thompson (drummer, best known for his work in CHIC) (in 1979)
Sologesang:
Alfa Anderson (in 1979) und Luci Martin (in 1979)
Interpret(in):
Chic (US disco group) (in 1979)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1979)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 68) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 224)
recording of:
Good Times (in 1979)
Verfasser(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Bernard’s Other Music, Sony Songs und Tommy Jymi Inc.
Chic53:42
16Could It Be I’m Falling in Love
recording engineer:
Joe Tarsia (engineer)
Produzent(in):
Thom Bell (keyboards, songwriter, producer)
Bass:
Ron Baker (record producer, bassist, arranger and songwriter) (in 1973)
Klavier:
Thom Bell (keyboards, songwriter, producer) (in 1973)
Perkussion [vibraphone, marimba]:
Vince Montana (in 1973)
Schlagzeug:
Earl Young (in 1973)
Baritongesang:
Henry Fambrough (A member of the R&B quintet The Spinners) (in 1973)
Bass-Gesang:
Pervis Jackson (The bass singer for The Spinners) (in 1973)
Hintergrundgesang:
Yvette Benson (in 1973), Carla Benton (in 1973) und Barbara Ingram (in 1973)
Tenor-Gesang:
Billy Henderson (founding member of The Spinners) (in 1973), Bobbie Smith (US R&B lead singer for The Spinners) (in 1973) und Philippé Wynne (A lead vocalist of The Spinners) (in 1973)
conductor:
Thom Bell (keyboards, songwriter, producer) (in 1973)
remixer:
Joe Tarsia (engineer)
arranger:
Thom Bell (keyboards, songwriter, producer)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
aufgenommen bei:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten (in 1973)
mixed at:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 221)
recording of:
Could It Be I’m Falling in Love (in 1973)
Verfasser(in):
Melvin Steals und Mervin Steals
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Spinners4.54:15

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Veröffentlichung

ASIN:US: B000EVPY2Y [Info]