The Complete Riverside Recordings

~ Veröffentlichung von Bill Evans (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Remastered at Fantasy Studios (Berkeley); Summer 1984.

#1-1 to #3-9: recorded at Reeves Sound Studios
#3-10 to #5-2: recorded at Bell Sound Studios
#5-3 to #7-5: recorded in performance at The Village Vanguard (New York City)
#7-6 to #7-9: recorded at Plaza Sound Studios
#7-10 to to #8-13, #10-5 to #11-7: recorded at Sound Makers
#9-1 to #10-4: recorded at Nola Penthouse Sound Studios
#11-8 to #12-13: recorded in performance at Shelly's Manne-Hole (Hollywood)

Covers 20 recording sessions from 1956-63. 151 performances in chronological order, including the existing output of the 1961 Village Vanguard session as well as 17 selections from a previously unissued solo studio session and seven other unreleased items. Ranging from solo to quintet, this collection also features such artists as Cannonball Adderley, Freddie Hubbard, Philly Joe Jones, Jim Hall, Percy Heath, Paul Chambers, Ron Carter, Zoot Sims, and Scott LaFaro.

The box set is LP cover size with 3 jewel cases of 4 CDs each.

Contains a 32-page illustrated booklet that includes rare photographs, full discographical details, an appreciation of Evans by noted critic Martin Williams, and personnal commentary on each session by producer Orrin Keepnews.

Anmerkung zuletzt geändert am 2023-11-05 19:39 UTC.

Titelliste

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1▼CD
Nr.TitelBewertungLänge
1I Love You
recording engineer:
Jack Higgins (recording engineer) (von 1956-09-18 bis 1956-09-27)
Produzent(in):
Bill Grauer, Jr. und Orrin Keepnews
Klavier:
Bill Evans (pianist) (von 1956-09-18 bis 1956-09-27)
Kontrabass [bass]:
Teddy Kotick (von 1956-09-18 bis 1956-09-27)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (von 1956-09-18 bis 1956-09-27)
aufgenommen bei:
Reeves Sound Studios in New York, New York, Vereinigte Staaten (von 1956-09-18 bis 1956-09-27)
instrumental recording of:
I Love You (Mexican Hayride musical) (von 1956-09-18 bis 1956-09-27)
Texter und Komponist(in):
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), EMI Feist Catalog Inc. und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
3:55
2Five
recording engineer:
Jack Higgins (recording engineer) (von 1956-09-18 bis 1956-09-27)
Produzent(in):
Bill Grauer, Jr. und Orrin Keepnews
Klavier:
Bill Evans (pianist) (von 1956-09-18 bis 1956-09-27)
Kontrabass [bass]:
Teddy Kotick (von 1956-09-18 bis 1956-09-27)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (von 1956-09-18 bis 1956-09-27)
aufgenommen bei:
Reeves Sound Studios in New York, New York, Vereinigte Staaten (von 1956-09-18 bis 1956-09-27)
recording of:
Five (von 1956-09-18 bis 1956-09-27)
Komponist(in):
Bill Evans (pianist)
publisher:
Folkways Music Publishers Inc., TRO-Acorn Music und TRO-Folkways Music Publishers, Inc.
4:02
3Conception
recording engineer:
Jack Higgins (recording engineer) (von 1956-09-18 bis 1956-09-27)
Produzent(in):
Bill Grauer, Jr. und Orrin Keepnews
Klavier:
Bill Evans (pianist) (von 1956-09-18 bis 1956-09-27)
Kontrabass [bass]:
Teddy Kotick (von 1956-09-18 bis 1956-09-27)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (von 1956-09-18 bis 1956-09-27)
aufgenommen bei:
Reeves Sound Studios in New York, New York, Vereinigte Staaten (von 1956-09-18 bis 1956-09-27)
recording of:
Conception (von 1956-09-18 bis 1956-09-27)
Komponist(in):
George Shearing (British jazz pianist)
4:47
4Easy Living
recording engineer:
Jack Higgins (recording engineer) (von 1956-09-18 bis 1956-09-27)
Produzent(in):
Bill Grauer, Jr. und Orrin Keepnews
Klavier:
Bill Evans (pianist) (von 1956-09-18 bis 1956-09-27)
Kontrabass [bass]:
Teddy Kotick (von 1956-09-18 bis 1956-09-27)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (von 1956-09-18 bis 1956-09-27)
aufgenommen bei:
Reeves Sound Studios in New York, New York, Vereinigte Staaten (von 1956-09-18 bis 1956-09-27)
instrumental recording of:
Easy Living (von 1956-09-18 bis 1956-09-27)
Texter:
Leo Robin (US composer, lyricist & songwriter)
Verfasser(in):
Ralph Rainger (in 1937) und Leo Robin (US composer, lyricist & songwriter) (in 1937)
Komponist(in):
Ralph Rainger und Leo Robin (US composer, lyricist & songwriter)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1937, in 1964)
3:53
5Displacement
recording engineer:
Jack Higgins (recording engineer) (von 1956-09-18 bis 1956-09-27)
Produzent(in):
Bill Grauer, Jr. und Orrin Keepnews
Klavier:
Bill Evans (pianist) (von 1956-09-18 bis 1956-09-27)
Kontrabass [bass]:
Teddy Kotick (von 1956-09-18 bis 1956-09-27)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (von 1956-09-18 bis 1956-09-27)
aufgenommen bei:
Reeves Sound Studios in New York, New York, Vereinigte Staaten (von 1956-09-18 bis 1956-09-27)
recording of:
Displacement (von 1956-09-18 bis 1956-09-27)
Verfasser(in):
Bill Evans (pianist)
2:36
6Speak Low
recording engineer:
Jack Higgins (recording engineer) (von 1956-09-18 bis 1956-09-27)
Produzent(in):
Bill Grauer, Jr. und Orrin Keepnews
Klavier:
Bill Evans (pianist) (von 1956-09-18 bis 1956-09-27)
Kontrabass [bass]:
Teddy Kotick (von 1956-09-18 bis 1956-09-27)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (von 1956-09-18 bis 1956-09-27)
aufgenommen bei:
Reeves Sound Studios in New York, New York, Vereinigte Staaten (von 1956-09-18 bis 1956-09-27)
instrumental recording of:
Speak Low (One Touch of Venus) (von 1956-09-18 bis 1956-09-27)
Texter:
Ogden Nash
Komponist(in):
Kurt Weill (composer)
publisher:
Chappell & Co.
Teil von:
One Touch of Venus (1943 musical)
5:10
7Our Delight
recording engineer:
Jack Higgins (recording engineer) (von 1956-09-18 bis 1956-09-27)
Produzent(in):
Bill Grauer, Jr. und Orrin Keepnews
Klavier:
Bill Evans (pianist) (von 1956-09-18 bis 1956-09-27)
Kontrabass [bass]:
Teddy Kotick (von 1956-09-18 bis 1956-09-27)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (von 1956-09-18 bis 1956-09-27)
aufgenommen bei:
Reeves Sound Studios in New York, New York, Vereinigte Staaten (von 1956-09-18 bis 1956-09-27)
recording of:
Our Delight (von 1956-09-18 bis 1956-09-27)
Komponist(in):
Tadd Dameron
4:43
8No Cover, No Minimum (alternate take)
recording engineer:
Jack Higgins (recording engineer) (am 1956-09-27)
Bass:
Teddy Kotick (am 1956-09-27)
Klavier:
Bill Evans (pianist) (am 1956-09-27)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (am 1956-09-27)
aufgenommen bei:
Reeves Sound Studios in New York, New York, Vereinigte Staaten (am 1956-09-27)
recording of:
No Cover, No Minimum (am 1956-09-27)
Komponist(in):
Bill Evans (pianist)
8:10
9No Cover, No Minimum (master take)
recording engineer:
Jack Higgins (recording engineer) (am 1956-09-27)
Bass:
Teddy Kotick (am 1956-09-27)
Klavier:
Bill Evans (pianist) (am 1956-09-27)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (am 1956-09-27)
aufgenommen bei:
Reeves Sound Studios in New York, New York, Vereinigte Staaten (am 1956-09-27)
recording of:
No Cover, No Minimum (am 1956-09-27)
Komponist(in):
Bill Evans (pianist)
7:32
10I've Got It Bad (And That Ain't Good)
recording engineer:
Jack Higgins (recording engineer) (am 1956-09-27)
Klavier:
Bill Evans (pianist) (am 1956-09-27)
aufgenommen bei:
Reeves Sound Studios in New York, New York, Vereinigte Staaten (am 1956-09-27)
instrumental cover recording of:
I Got It Bad (and That Ain’t Good) (am 1956-09-27)
Texter:
Paul Francis Webster (in 1941)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony und Webster Music Co.
Teil von:
The Real Book (compilation of jazz standards, volume I)
1:38
11Waltz for Debbie
recording engineer:
Jack Higgins (recording engineer) (am 1956-09-27)
Klavier:
Bill Evans (pianist) (am 1956-09-27)
aufgenommen bei:
Reeves Sound Studios in New York, New York, Vereinigte Staaten (am 1956-09-27)
recording of:
Waltz for Debby (instrumental) (am 1956-09-27)
Komponist(in):
Bill Evans (pianist)
publisher:
Acorn Music Corp., Folkways Music Publishers Inc. und Kensington Music Ltd.
Teil von:
The Real Book (compilation of jazz standards, volume I)
1:19
12My Romance
recording engineer:
Jack Higgins (recording engineer) (von 1956-09-18 bis 1956-09-27)
Produzent(in):
Bill Grauer, Jr. und Orrin Keepnews
Klavier:
Bill Evans (pianist) (von 1956-09-18 bis 1956-09-27)
aufgenommen bei:
Reeves Sound Studios in New York, New York, Vereinigte Staaten (von 1956-09-18 bis 1956-09-27)
instrumental recording of:
My Romance (von 1956-09-18 bis 1956-09-27)
Texter:
Lorenz Hart (in 1935)
Komponist(in):
Richard Rodgers (composer) (in 1935)
publisher:
Chappell & Co., Inc. (USA), Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Chappell Music Ltd. (no slash; used 1988–1996), Williamson Music Company, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
Jumbo
1:59
13Minority
recorded in:
New York, New York, Vereinigte Staaten (am 1958-12-15)
recording engineer:
Jack Higgins (recording engineer) (am 1958-12-15)
Produzent(in):
Orrin Keepnews
Bass und Kontrabass:
Sam Jones (US jazz bassist) (am 1958-12-15)
Klavier:
Bill Evans (pianist) (am 1958-12-15)
Schlagzeug:
Philly Joe Jones (US jazz drummer) (am 1958-12-15)
phonographisches Urheberrecht (℗) von:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1975)
aufgenommen bei:
Reeves Sound Studios in New York, New York, Vereinigte Staaten (am 1958-12-15)
cover recording of:
Minority (am 1958-12-15)
Komponist(in):
Gigi Gryce
publisher:
Jacogg Publications und Twenty-Eighth Street Music
55:22
14Young and Foolish
recording engineer:
Jack Higgins (recording engineer) (am 1958-12-15)
Techniker(in):
Jack Higgins (recording engineer)
Produzent(in):
Orrin Keepnews
Bass und Kontrabass:
Sam Jones (US jazz bassist) (am 1958-12-15)
Klavier:
Bill Evans (pianist) (am 1958-12-15)
Schlagzeug:
Philly Joe Jones (US jazz drummer) (am 1958-12-15)
aufgenommen bei:
Reeves Sound Studios in New York, New York, Vereinigte Staaten (am 1958-12-15)
instrumental cover recording of:
Young and Foolish (am 1958-12-15)
Texter:
Arnold Horwitt
Komponist(in):
Albert Hague
publisher:
Chappell & Co. und Chappell Music (UK)
55:53
15Night and Day
recording engineer:
Jack Higgins (recording engineer) (am 1958-12-15)
Produzent(in):
Orrin Keepnews
Klavier:
Bill Evans (pianist) (am 1958-12-15)
Kontrabass:
Sam Jones (US jazz bassist) (am 1958-12-15)
Schlagzeug:
Philly Joe Jones (US jazz drummer) (am 1958-12-15)
aufgenommen bei:
Reeves Sound Studios in New York, New York, Vereinigte Staaten (am 1958-12-15)
instrumental cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (am 1958-12-15)
Texter und Komponist(in):
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1932-11-18)
Teil von:
Gay Divorce
57:35
16Oleo
recording engineer:
Jack Higgins (recording engineer) (am 1958-12-15)
Produzent(in):
Orrin Keepnews
Klavier:
Bill Evans (pianist) (am 1958-12-15)
Kontrabass:
Sam Jones (US jazz bassist) (am 1958-12-15)
Schlagzeug:
Philly Joe Jones (US jazz drummer) (am 1958-12-15)
aufgenommen bei:
Reeves Sound Studios in New York, New York, Vereinigte Staaten (am 1958-12-15)
cover recording of:
Oleo (am 1958-12-15)
Komponist(in):
Sonny Rollins (American saxophonist)
publisher:
Jazz Horn Music Corporation, Prestige Music (US drum & bass) und Sony/ATV Songs (SOCAN)
44:06
2▼CD
Nr.TitelBewertungLänge
1Tenderly
recording engineer:
Jack Higgins (recording engineer) (am 1958-12-15)
Produzent(in):
Orrin Keepnews
Klavier:
Bill Evans (pianist) (am 1958-12-15)
Kontrabass:
Sam Jones (US jazz bassist) (am 1958-12-15)
Schlagzeug:
Philly Joe Jones (US jazz drummer) (am 1958-12-15)
phonographisches Urheberrecht (℗) von:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1975)
aufgenommen bei:
Reeves Sound Studios in New York, New York, Vereinigte Staaten (am 1958-12-15)
instrumental cover recording of:
Tenderly (am 1958-12-15)
Texter:
Jack Lawrence (US songwriter) (in 1946)
Komponist(in):
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music und Range Road Music
3:33
2What Is There to Say?
recording engineer:
Jack Higgins (recording engineer) (am 1958-12-15)
Produzent(in):
Orrin Keepnews
Klavier:
Bill Evans (pianist) (am 1958-12-15)
Kontrabass:
Sam Jones (US jazz bassist) (am 1958-12-15)
Schlagzeug:
Philly Joe Jones (US jazz drummer) (am 1958-12-15)
phonographisches Urheberrecht (℗) von:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1975)
aufgenommen bei:
Reeves Sound Studios in New York, New York, Vereinigte Staaten (am 1958-12-15)
instrumental cover recording of:
What Is There to Say? (am 1958-12-15)
Texter:
Yip Harburg
Komponist(in):
Vernon Duke
publisher:
BMG Songs, Next Decade Entertainment und T.B. Harms Co.
54:54
3Peace Piece
recording engineer:
Jack Higgins (recording engineer) (am 1958-12-15)
Produzent(in):
Orrin Keepnews
Klavier:
Bill Evans (pianist) (am 1958-12-15)
phonographisches Urheberrecht (℗) von:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1975)
aufgenommen bei:
Reeves Sound Studios in New York, New York, Vereinigte Staaten (am 1956-12-15)
recording of:
Peace Piece (am 1958-12-15)
Komponist(in):
Bill Evans (pianist)
publisher:
Acorn Music Corp., Folkways Music und TRO-Acorn Music
4.56:42
4Lucky to Be Me
recording engineer:
Jack Higgins (recording engineer) (am 1958-12-15)
Produzent(in):
Orrin Keepnews
Klavier:
Bill Evans (pianist) (am 1958-12-15)
phonographisches Urheberrecht (℗) von:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1975)
aufgenommen bei:
Reeves Sound Studios in New York, New York, Vereinigte Staaten (am 1958-12-15)
instrumental cover recording of:
On the Town: Lucky to Be Me (am 1958-12-15)
Texter:
Betty Comden und Adolph Green
Komponist(in):
Leonard Bernstein (American conductor, composer, pianist)
publisher:
Jalni Publications Inc., The Leonard Bernstein Music Publishing Co., LLC, Universal Music Publishing AB (Sweden), Warner Bros. (holding: file NO releases) und Warner Bros. Music (publisher; do NOT use as release label)
Teil von:
On the Town
3:39
5Some Other Time
recording engineer:
Jack Higgins (recording engineer) (am 1958-12-15)
Produzent(in):
Orrin Keepnews
Klavier:
Bill Evans (pianist) (am 1958-12-15)
Kontrabass:
Sam Jones (US jazz bassist) (am 1958-12-15)
Schlagzeug:
Philly Joe Jones (US jazz drummer) (am 1958-12-15)
aufgenommen bei:
Reeves Sound Studios in New York, New York, Vereinigte Staaten (am 1956-12-15, am 1958-12-15)
instrumental recording of:
On the Town: Some Other Time (am 1958-12-15)
Texter:
Betty Comden und Adolph Green
Komponist(in):
Leonard Bernstein (American conductor, composer, pianist)
publisher:
The Leonard Bernstein Music Publishing Co., LLC, Universal Music Publishing AB (Sweden), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!) und Warner Bros., Inc. (Warner Bros. Music Division)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
On the Town
instrumental recording of:
Some Other Time (am 1958-12-15)
Texter:
Sammy Cahn
Komponist(in):
Jule Styne
publisher:
Music Publishing Company of America, Quaytor Productions LLC, Universal PolyGram International (SESAC), Warner Bros. (holding: file NO releases) und WC Music Corp.
instrumental cover recording of:
Some Other Time (am 1968-12-15)
Texter:
Sammy Cahn
Komponist(in):
Jule Styne
publisher:
Music Publishing Company of America, Quaytor Productions LLC, Universal PolyGram International (SESAC), Warner Bros. (holding: file NO releases) und WC Music Corp.
6:11
6Epilogue
recording engineer:
Jack Higgins (recording engineer) (am 1958-12-15)
Produzent(in):
Orrin Keepnews
Klavier:
Bill Evans (pianist) (am 1958-12-15)
phonographisches Urheberrecht (℗) von:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1975)
aufgenommen bei:
Reeves Sound Studios in New York, New York, Vereinigte Staaten (am 1958-12-15)
recording of:
Epilogue (am 1958-12-15)
Komponist(in):
Bill Evans (pianist)
publisher:
Folkways Music und TRO-Acorn Music
0:41
7You and the Night and the Music
recording engineer:
Jack Higgins (recording engineer) (am 1959-01-19)
Produzent(in):
Orrin Keepnews
Klavier:
Bill Evans (pianist) (am 1959-01-19)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-01-19)
Schlagzeug:
Philly Joe Jones (US jazz drummer) (am 1959-01-19)
phonographisches Urheberrecht (℗) von:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1975)
aufgenommen bei:
Reeves Sound Studios in New York, New York, Vereinigte Staaten (am 1959-01-19)
instrumental cover recording of:
You and the Night and the Music (am 1959-01-19)
Texter:
Howard Dietz (librettist)
Komponist(in):
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Bienstock Publishing Company (ASCAP affiliated), Carlin Music Corporation, Chappell Music Ltd., Harms, Inc. und Warner Bros. Music (publisher; do NOT use as release label)
Teil von:
The Band Wagon (1953 film)
7:22
8How Am I to Know?
recording engineer:
Jack Higgins (recording engineer) (am 1959-01-19)
Produzent(in):
Orrin Keepnews
Klavier:
Bill Evans (pianist) (am 1959-01-19)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-01-19)
Schlagzeug:
Philly Joe Jones (US jazz drummer) (am 1959-01-19)
phonographisches Urheberrecht (℗) von:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1975)
aufgenommen bei:
Reeves Sound Studios in New York, New York, Vereinigte Staaten (am 1959-01-19)
instrumental cover recording of:
How Am I to Know? (am 1959-01-19)
Texter:
Dorothy Parker
Komponist(in):
Jackie King
publisher:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
6:21
9Woody'n You (take 1)
recording engineer:
Jack Higgins (recording engineer) (am 1959-01-19)
Produzent(in):
Orrin Keepnews
Klavier:
Bill Evans (pianist) (am 1959-01-19)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-01-19)
Schlagzeug:
Philly Joe Jones (US jazz drummer) (am 1959-01-19)
phonographisches Urheberrecht (℗) von:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1975)
aufgenommen bei:
Reeves Sound Studios in New York, New York, Vereinigte Staaten (am 1959-01-19)
cover recording of:
Woody ’n’ You (am 1959-01-19)
Komponist(in):
Dizzy Gillespie
4:27
10Woody'n You (take 2)
recording engineer:
Jack Higgins (recording engineer) (am 1959-01-19)
Produzent(in):
Orrin Keepnews
Klavier:
Bill Evans (pianist) (am 1959-01-19)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-01-19)
Schlagzeug:
Philly Joe Jones (US jazz drummer) (am 1959-01-19)
phonographisches Urheberrecht (℗) von:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1975)
aufgenommen bei:
Reeves Sound Studios in New York, New York, Vereinigte Staaten (am 1959-01-19)
cover recording of:
Woody ’n’ You (am 1959-01-19)
Komponist(in):
Dizzy Gillespie
4:12
11My Heart Stood Still
recorded in:
New York, New York, Vereinigte Staaten (in 1959-01)
recording engineer:
Jack Higgins (recording engineer) (am 1959-01-19)
Produzent(in):
Orrin Keepnews
Klavier:
Bill Evans (pianist) (am 1959-01-19)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-01-19)
Schlagzeug:
Philly Joe Jones (US jazz drummer) (am 1959-01-19)
phonographisches Urheberrecht (℗) von:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1975)
aufgenommen bei:
Reeves Sound Studios in New York, New York, Vereinigte Staaten (am 1959-01-19)
instrumental cover recording of:
My Heart Stood Still (am 1959-01-19)
Texter:
Lorenz Hart (in 1927)
Komponist(in):
Richard Rodgers (composer) (in 1927)
publisher:
Harms, Inc., Laurence Harms, Inc., Warner Bros. (holding: file NO releases), Warner Bros., Inc. (not for release label use!) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
One Dam Thing After Another
5:21
12Green Dolphin Street
recorded in:
New York, New York, Vereinigte Staaten (in 1959-01)
recording engineer:
Jack Higgins (recording engineer) (am 1959-01-19)
Produzent(in):
Orrin Keepnews
Klavier:
Bill Evans (pianist) (am 1959-01-19)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-01-19)
Schlagzeug:
Philly Joe Jones (US jazz drummer) (am 1959-01-19)
phonographisches Urheberrecht (℗) von:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1975)
aufgenommen bei:
Reeves Sound Studios in New York, New York, Vereinigte Staaten (am 1959-01-19)
instrumental cover recording of:
On Green Dolphin Street (am 1959-01-19)
Texter:
Ned Washington (in 1947)
Komponist(in):
Bronisław Kaper (in 1947)
publisher:
Catharine Hinen Music, Leo Feist Inc. und Patti Washington Music
8:10
13Peri's Scope
recording engineer:
Jack Higgins (recording engineer) (am 1959-12-28)
Bass:
Scott LaFaro (am 1959-12-28)
Klavier:
Bill Evans (pianist) (am 1959-12-28)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (am 1959-12-28)
aufgenommen bei:
Reeves Sound Studios in New York, New York, Vereinigte Staaten (am 1959-12-28)
recording of:
Peri's Scope (am 1959-12-28)
Komponist(in):
Bill Evans (pianist)
publisher:
Acorn Music Corp. und TRO-Folkways Music Publishers, Inc.
Teil von:
The Real Book (compilation of jazz standards, volume I)
3:16
14Witchcraft
recording engineer:
Jack Higgins (recording engineer) (am 1959-12-28)
Bass:
Scott LaFaro (am 1959-12-28)
Klavier:
Bill Evans (pianist) (am 1959-12-28)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (am 1959-12-28)
aufgenommen bei:
Reeves Sound Studios in New York, New York, Vereinigte Staaten (am 1959-12-28)
instrumental cover recording of:
Witchcraft (am 1959-12-28)
Texter:
Carolyn Leigh
Komponist(in):
Cy Coleman
publisher:
Morley Music Co. Inc., Notable Music, Sony/ATV Songs LLC und WB Music Corp. (1929–2019)
4:34
3▼CD
Nr.TitelBewertungLänge
1Spring Is Here
recording engineer:
Jack Higgins (recording engineer) (am 1959-12-28)
Bass:
Scott LaFaro (am 1959-12-28)
Klavier:
Bill Evans (pianist) (am 1959-12-28)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (am 1959-12-28)
aufgenommen bei:
Reeves Sound Studios in New York, New York, Vereinigte Staaten (am 1959-12-28)
instrumental cover recording of:
Spring Is Here (am 1959-12-28)
Texter:
Lorenz Hart (in 1938)
Komponist(in):
Richard Rodgers (composer) (in 1938)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. und United Partnership Ltd.
5:08
2What Is This Thing Called Love?
recording engineer:
Jack Higgins (recording engineer) (am 1959-12-28)
Produzent(in):
Orrin Keepnews
Bass, Kontrabass und Kontrabass [bass]:
Scott LaFaro (am 1959-12-28)
Klavier:
Bill Evans (pianist) (am 1959-12-28)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (am 1959-12-28)
Interpret(in):
Bill Evans (pianist) (am 1959-12-28)
aufgenommen bei:
Reeves Sound Studios in New York, New York, Vereinigte Staaten (am 1959-12-28)
instrumental recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (am 1959-12-28)
Texter und Komponist(in):
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) und Warner/Chappell (Warner/Chappell Music, Inc.)
Teil von:
Wake Up and Dream (1929 revue)
4:37
3Come Rain or Come Shine
recording engineer:
Jack Higgins (recording engineer) (am 1959-12-28)
Bass:
Scott LaFaro (am 1959-12-28)
Klavier:
Bill Evans (pianist) (am 1959-12-28)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (am 1959-12-28)
aufgenommen bei:
Reeves Sound Studios in New York, New York, Vereinigte Staaten (am 1959-12-28)
instrumental cover recording of:
Come Rain or Come Shine (am 1959-12-28)
Texter:
Johnny Mercer (in 1946)
Komponist(in):
Harold Arlen (in 1946)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), S.A. Music Co. und Warner/Chappell Music Scandinavia AB
3:23
4Blue in Green (take 2)
recording engineer:
Jack Higgins (recording engineer) (am 1959-12-28)
Bass:
Scott LaFaro (am 1959-12-28)
Klavier:
Bill Evans (pianist) (am 1959-12-28)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (am 1959-12-28)
aufgenommen bei:
Reeves Sound Studios in New York, New York, Vereinigte Staaten (am 1959-12-28)
recording of:
Blue in Green (am 1959-12-28)
Komponist(in):
Miles Davis (jazz trumpeter, bandleader, songwriter) und Bill Evans (pianist)
publisher:
Jazz Horn Music, Musical Frontiers Pub. Co. und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
4:30
5Blue in Green (take 3)
recording engineer:
Jack Higgins (recording engineer) (am 1959-12-28)
Bass:
Scott LaFaro (am 1959-12-28)
Klavier:
Bill Evans (pianist) (am 1959-12-28)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (am 1959-12-28)
aufgenommen bei:
Reeves Sound Studios in New York, New York, Vereinigte Staaten (am 1959-12-28)
recording of:
Blue in Green (am 1959-12-28)
Komponist(in):
Miles Davis (jazz trumpeter, bandleader, songwriter) und Bill Evans (pianist)
publisher:
Jazz Horn Music, Musical Frontiers Pub. Co. und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
5:27
6Autumn Leaves (mono)
recording engineer:
Jack Higgins (recording engineer) (am 1959-12-28)
Bass:
Scott LaFaro (am 1959-12-28)
Klavier:
Bill Evans (pianist) (am 1959-12-28)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (am 1959-12-28)
aufgenommen bei:
Reeves Sound Studios in New York, New York, Vereinigte Staaten (am 1959-12-28)
instrumental cover recording of:
Autumn Leaves (jazz standard, English lyrics) (am 1959-12-28)
Texter:
Jacques Prévert (in 1945)
Komponist(in):
Joseph Kosma (composer) (in 1945)
Übersetzer:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. und MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
übersetzte Version von:
Les Feuilles mortes (Autumn Leaves)
5:26
7Autumn Leaves (stereo)
recording engineer:
Jack Higgins (recording engineer) (am 1959-12-28)
Bass:
Scott LaFaro (am 1959-12-28)
Klavier:
Bill Evans (pianist) (am 1959-12-28)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (am 1959-12-28)
aufgenommen bei:
Reeves Sound Studios in New York, New York, Vereinigte Staaten (am 1959-12-28)
instrumental cover recording of:
Autumn Leaves (jazz standard, English lyrics) (am 1959-12-28)
Texter:
Jacques Prévert (in 1945)
Komponist(in):
Joseph Kosma (composer) (in 1945)
Übersetzer:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. und MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
übersetzte Version von:
Les Feuilles mortes (Autumn Leaves)
6:00
8Some Day My Prince Will Come
recording engineer:
Jack Higgins (recording engineer) (am 1959-12-28)
Bass:
Scott LaFaro (am 1959-12-28)
Klavier:
Bill Evans (pianist) (am 1959-12-28)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (am 1959-12-28)
aufgenommen bei:
Reeves Sound Studios in New York, New York, Vereinigte Staaten (am 1959-12-28)
instrumental cover recording of:
Someday My Prince Will Come (am 1959-12-28)
Texter:
Larry Morey (American lyricist, 1905–1971)
Komponist(in):
Frank Churchill
publisher:
Bourne Co. (not for release label use, this is a music publisher) (in 1937)
Teil von:
Snow White and the Seven Dwarfs (1937 Disney animated film, songs and musical score)
4:56
9When I Fall in Love
recording engineer:
Jack Higgins (recording engineer) (am 1959-12-28)
Bass:
Scott LaFaro (am 1959-12-28)
Klavier:
Bill Evans (pianist) (am 1959-12-28)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (am 1959-12-28)
aufgenommen bei:
Reeves Sound Studios in New York, New York, Vereinigte Staaten (am 1959-12-28)
instrumental cover recording of:
When I Fall in Love (am 1959-12-28)
Texter:
Edward Heyman
Komponist(in):
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Avenue Music Co. Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Intersong U.S.A. (publisher), Northern Music (song publisher), Victor Young Publishing, Inc. und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
4:57
10Elsa
recording engineer:
Bill Stoddard (engineer: sound (recording) and electronics) (am 1961-02-02)
Bass:
Scott LaFaro (am 1961-02-02)
Klavier:
Bill Evans (pianist) (am 1961-02-02)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (am 1961-02-02)
aufgenommen bei:
Bell Sound Studios in New York, New York, Vereinigte Staaten (am 1961-02-02)
cover recording of:
Elsa (am 1961-02-02)
Komponist(in):
Earl Zindars
publisher:
Zindars Music und Zindars Publishing
5:09
11Sweet and Lovely
recording engineer:
Bill Stoddard (engineer: sound (recording) and electronics) (am 1961-02-02)
Bass:
Scott LaFaro (am 1961-02-02)
Klavier:
Bill Evans (pianist) (am 1961-02-02)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (am 1961-02-02)
aufgenommen bei:
Bell Sound Studios in New York, New York, Vereinigte Staaten (am 1961-02-02)
instrumental cover recording of:
Sweet and Lovely (am 1961-02-02)
Texter:
Harry Tobias
Komponist(in):
Gus Arnheim und Charles N. Daniels
publisher:
Harry Tobias Music, Keith Prowse Music, Redwood Music, Sony/ATV Tunes LLC (ASCAP), Anne-Rachel Music Corp. (in 1931), Chappell & Co. (in 1931), Quartet Music Inc. (in 1931) und Range Road Music Inc. (in 1931)
5:52
12Beautiful Love (take 1)
recording engineer:
Bill Stoddard (engineer: sound (recording) and electronics) (am 1961-02-02)
Bass:
Scott LaFaro (am 1961-02-02)
Klavier:
Bill Evans (pianist) (am 1961-02-02)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (am 1961-02-02)
aufgenommen bei:
Bell Sound Studios in New York, New York, Vereinigte Staaten (am 1961-02-02)
instrumental cover recording of:
Beautiful Love (Jazz Standard) (am 1961-02-02)
Texter:
Haven Gillespie
Komponist(in):
Egbert Van Alstyne, Wayne King und Victor Young (American composer, arranger, violinist & conductor)
publisher:
Movie Tone Music und Sam Fox Publishing Co. (London) Ltd.
6:07
13Beautiful Love (take 2)
recording engineer:
Bill Stoddard (engineer: sound (recording) and electronics) (am 1961-02-02)
Bass:
Scott LaFaro (am 1961-02-02)
Klavier:
Bill Evans (pianist) (am 1961-02-02)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (am 1961-02-02)
aufgenommen bei:
Bell Sound Studios in New York, New York, Vereinigte Staaten (am 1961-02-02)
instrumental cover recording of:
Beautiful Love (Jazz Standard) (am 1961-02-02)
Texter:
Haven Gillespie
Komponist(in):
Egbert Van Alstyne, Wayne King und Victor Young (American composer, arranger, violinist & conductor)
publisher:
Movie Tone Music und Sam Fox Publishing Co. (London) Ltd.
5:05
4▼CD
Nr.TitelBewertungLänge
1I Wish I Knew
recording engineer:
Bill Stoddard (engineer: sound (recording) and electronics) (am 1961-02-02)
Bass:
Scott LaFaro (am 1961-02-02)
Klavier:
Bill Evans (pianist) (am 1961-02-02)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (am 1961-02-02)
aufgenommen bei:
Bell Sound Studios in New York, New York, Vereinigte Staaten (am 1961-02-02)
instrumental cover recording of:
I Wish I Knew (am 1961-02-02)
Texter:
Mack Gordon
Komponist(in):
Mack Gordon und Harry Warren (US composer and lyricist)
publisher:
WB Music Corp. (1929–2019)
4:41
2The Boy Next Door
recording engineer:
Bill Stoddard (engineer: sound (recording) and electronics) (am 1961-02-02)
Bass:
Scott LaFaro (am 1961-02-02)
Klavier:
Bill Evans (pianist) (am 1961-02-02)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (am 1961-02-02)
aufgenommen bei:
Bell Sound Studios in New York, New York, Vereinigte Staaten (am 1961-02-02)
instrumental cover recording of:
The Boy Next Door (from “Meet Me in St. Louis”) (am 1961-02-02)
Verfasser(in):
Ralph Blane und Hugh Martin
publisher:
Bill-Bob Publ. Company, EMI Feist Catalog Inc., Harms, Inc., Leo Feist, Inc. und Warner Bros. Music (publisher; do NOT use as release label)
Teil von:
Meet Me in St. Louis (1944 musical film soundtrack)
5:09
3Haunted Heart
recording engineer:
Bill Stoddard (engineer: sound (recording) and electronics) (am 1961-02-02)
Bass:
Scott LaFaro (am 1961-02-02)
Klavier:
Bill Evans (pianist) (am 1961-02-02)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (am 1961-02-02)
aufgenommen bei:
Bell Sound Studios in New York, New York, Vereinigte Staaten (am 1961-02-02)
instrumental cover recording of:
Haunted Heart (am 1961-02-02)
Texter:
Howard Dietz (librettist)
Komponist(in):
Arthur Schwartz
3:28
4Nardis
recording engineer:
Bill Stoddard (engineer: sound (recording) and electronics) (am 1961-02-02)
Bass:
Scott LaFaro (am 1961-02-02)
Klavier:
Bill Evans (pianist) (am 1961-02-02)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (am 1961-02-02)
aufgenommen bei:
Bell Sound Studios in New York, New York, Vereinigte Staaten (am 1961-02-02)
cover recording of:
Nardis (am 1961-02-02)
Komponist(in):
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Jazz Horn Music Corporation, Musical Frontiers und Sony/ATV Music Publishing (UK) Ltd.
5:52
5How Deep Is the Ocean?
recording engineer:
Bill Stoddard (engineer: sound (recording) and electronics) (am 1961-02-02)
Bass:
Scott LaFaro (am 1961-02-02)
Klavier:
Bill Evans (pianist) (am 1961-02-02)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (am 1961-02-02)
aufgenommen bei:
Bell Sound Studios in New York, New York, Vereinigte Staaten (am 1961-02-02)
instrumental cover recording of:
How Deep Is the Ocean? (am 1961-02-02)
Texter und Komponist(in):
Irving Berlin (in 1932)
publisher:
Francis, Day & Hunter Ltd. und Irving Berlin Music Corp.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3:34
6Israel
recording engineer:
Bill Stoddard (engineer: sound (recording) and electronics) (am 1961-02-02)
Bass:
Scott LaFaro (am 1961-02-02)
Klavier:
Bill Evans (pianist) (am 1961-02-02)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (am 1961-02-02)
aufgenommen bei:
Bell Sound Studios in New York, New York, Vereinigte Staaten (am 1961-02-02)
cover recording of:
Israel (Miles Davis/John Carisi's song) (am 1961-02-02)
Komponist(in):
John Carisi (American trumpeter and composer)
publisher:
Beechwood Music
6:11
7Who Cares? (take 4)
recording engineer:
Bill Stoddard (engineer: sound (recording) and electronics) (am 1961-01-27)
alto saxophone:
Cannonball Adderley (am 1961-01-27)
Bass:
Percy Heath (am 1961-01-27)
Klavier:
Bill Evans (pianist) (am 1961-01-27)
Schlagzeug:
Connie Kay (am 1961-01-27)
aufgenommen bei:
Bell Sound Studios in New York, New York, Vereinigte Staaten (am 1961-01-27)
instrumental cover recording of:
Who Cares? (Of Thee I Sing) (am 1961-01-27)
Texter:
Ira Gershwin (in 1931)
Komponist(in):
George Gershwin (composer) (in 1931)
publisher:
New World Music (new age music) und WB Music Corp. (1929–2019)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Of Thee I Sing: Act II
5:57
8Who Cares? (take 5)
recording engineer:
Bill Stoddard (engineer: sound (recording) and electronics) (am 1961-01-27)
alto saxophone:
Cannonball Adderley (am 1961-01-27)
Bass:
Percy Heath (am 1961-01-27)
Klavier:
Bill Evans (pianist) (am 1961-01-27)
Schlagzeug:
Connie Kay (am 1961-01-27)
aufgenommen bei:
Bell Sound Studios in New York, New York, Vereinigte Staaten (am 1961-01-27)
instrumental cover recording of:
Who Cares? (Of Thee I Sing) (am 1961-01-27)
Texter:
Ira Gershwin (in 1931)
Komponist(in):
George Gershwin (composer) (in 1931)
publisher:
New World Music (new age music) und WB Music Corp. (1929–2019)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Of Thee I Sing: Act II
5:58
9Goodbye
recording engineer:
Bill Stoddard (engineer: sound (recording) and electronics) (am 1961-01-27)
alto saxophone:
Cannonball Adderley (am 1961-01-27)
Bass:
Percy Heath (am 1961-01-27)
Klavier:
Bill Evans (pianist) (am 1961-01-27)
Schlagzeug:
Connie Kay (am 1961-01-27)
aufgenommen bei:
Bell Sound Studios in New York, New York, Vereinigte Staaten (am 1961-01-27)
instrumental cover recording of:
Goodbye (am 1961-01-27)
Texter und Komponist(in):
Gordon Jenkins
Verfasser(in):
Benny Goodman (clarinetist and bandleader)
publisher:
Devalbo Inc, La Salle Music Publishers, Inc., LaSalle Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Peermusic (UK) Limited, Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic), Universal Music Corp. (USA, affiliated with ASCAP) und WB Music Corp. (1929–2019)
6:17
10Nancy (With the Laughing Face)
recording engineer:
Bill Stoddard (engineer: sound (recording) and electronics) (am 1961-01-27)
alto saxophone:
Cannonball Adderley (am 1961-01-27)
Bass:
Percy Heath (am 1961-01-27)
Klavier:
Bill Evans (pianist) (am 1961-01-27)
Schlagzeug:
Connie Kay (am 1961-01-27)
aufgenommen bei:
Bell Sound Studios in New York, New York, Vereinigte Staaten (am 1961-01-27)
instrumental cover recording of:
Nancy (With the Laughing Face) (am 1961-01-27)
Texter:
Phil Silvers (actor)
Komponist(in):
Jimmy Van Heusen
publisher:
Barton Music Corp., Chappell/Morris Ltd. und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
4:09
11Toy
recording engineer:
Bill Stoddard (engineer: sound (recording) and electronics) (am 1961-02-21)
alto saxophone:
Cannonball Adderley (am 1961-02-21)
Bass:
Percy Heath (am 1961-02-21)
Klavier:
Bill Evans (pianist) (am 1961-02-21)
Schlagzeug:
Connie Kay (am 1961-02-21)
aufgenommen bei:
Bell Sound Studios in New York, New York, Vereinigte Staaten (am 1961-02-21)
cover recording of:
Toy (am 1961-02-21)
Komponist(in):
Clifford Jordan (jazz saxophonist)
publisher:
Upam Music Co.
5:09
12Elsa
recording engineer:
Bill Stoddard (engineer: sound (recording) and electronics) (am 1961-02-21)
alto saxophone:
Cannonball Adderley (am 1961-02-21)
Bass:
Percy Heath (am 1961-02-21)
Klavier:
Bill Evans (pianist) (am 1961-02-21)
Schlagzeug:
Connie Kay (am 1961-02-21)
aufgenommen bei:
Bell Sound Studios in New York, New York, Vereinigte Staaten (am 1961-02-21)
cover recording of:
Elsa (am 1961-02-21)
Komponist(in):
Earl Zindars
publisher:
Zindars Music und Zindars Publishing
5:51
13Waltz for Debby
recording engineer:
Bill Stoddard (engineer: sound (recording) and electronics) (am 1961-03-13)
alto saxophone:
Cannonball Adderley (am 1961-03-13)
Bass:
Percy Heath (am 1961-03-13)
Klavier:
Bill Evans (pianist) (am 1961-03-13)
Schlagzeug:
Connie Kay (am 1961-03-13)
aufgenommen bei:
Bell Sound Studios in New York, New York, Vereinigte Staaten (am 1961-03-13)
recording of:
Waltz for Debby (instrumental) (am 1961-03-13)
Komponist(in):
Bill Evans (pianist)
publisher:
Acorn Music Corp., Folkways Music Publishers Inc. und Kensington Music Ltd.
Teil von:
The Real Book (compilation of jazz standards, volume I)
5:15
14Venice
recording engineer:
Bill Stoddard (engineer: sound (recording) and electronics) (am 1961-03-13)
alto saxophone:
Cannonball Adderley (am 1961-03-13)
Bass:
Percy Heath (am 1961-03-13)
Klavier:
Bill Evans (pianist) (am 1961-03-13)
Schlagzeug:
Connie Kay (am 1961-03-13)
aufgenommen bei:
Bell Sound Studios in New York, New York, Vereinigte Staaten (am 1961-03-13)
cover recording of:
Venice (am 1961-03-13)
Komponist(in):
John Lewis (pianist, member of Modern Jazz Quartet)
publisher:
MJQ Music, Inc. und Rayven Music
2:53
5▼CD
Nr.TitelBewertungLänge
1Know What I Mean? (take 12)
recording engineer:
Bill Stoddard (engineer: sound (recording) and electronics) (am 1961-01-27)
alto saxophone:
Cannonball Adderley (am 1961-01-27)
Bass:
Percy Heath (am 1961-01-27)
Klavier:
Bill Evans (pianist) (am 1961-01-27)
Schlagzeug:
Connie Kay (am 1961-01-27)
aufgenommen bei:
Bell Sound Studios in New York, New York, Vereinigte Staaten (am 1961-01-27)
recording of:
Know What I Mean? (am 1961-01-27)
Komponist(in):
Bill Evans (pianist)
publisher:
Orpheum Music
7:06
2Know What I Mean? (take re-7)
recording engineer:
Bill Stoddard (engineer: sound (recording) and electronics) (am 1961-03-13)
alto saxophone:
Cannonball Adderley (am 1961-03-13)
Bass:
Percy Heath (am 1961-03-13)
Klavier:
Bill Evans (pianist) (am 1961-03-13)
Schlagzeug:
Connie Kay (am 1961-03-13)
aufgenommen bei:
Bell Sound Studios in New York, New York, Vereinigte Staaten (am 1961-03-13)
recording of:
Know What I Mean? (am 1961-03-13)
Komponist(in):
Bill Evans (pianist)
publisher:
Orpheum Music
4:57
3Alice In Wonderland (take 1)
recording engineer:
David B. Jones (engineer) (am 1961-06-25)
Bass:
Scott LaFaro (am 1961-06-25)
Klavier:
Bill Evans (pianist) (am 1961-06-25)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (am 1961-06-25)
aufgenommen bei:
Village Vanguard in Greenwich Village, New York, New York, Vereinigte Staaten (am 1961-06-25)
live instrumental cover recording of:
Alice in Wonderland (main theme of Alice in Wonderland, 1951 film) (am 1961-06-25)
Texter:
Bob Hilliard
Komponist(in):
Sammy Fain
Teil von:
Alice in Wonderland (1951 Disney animated film)
7:05
4My Foolish Heart
recording engineer:
David B. Jones (engineer) (am 1961-06-25)
Bass:
Scott LaFaro (am 1961-06-25)
Klavier:
Bill Evans (pianist) (am 1961-06-25)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (am 1961-06-25)
aufgenommen bei:
Village Vanguard in Greenwich Village, New York, New York, Vereinigte Staaten (am 1961-06-25)
live instrumental cover recording of:
My Foolish Heart (am 1961-06-25)
Texter:
Ned Washington
Komponist(in):
Victor Young (American composer, arranger, violinist & conductor)
arranger:
Les Harris (Sr., arranger)
publisher:
Anne-Rachel Music, Catharine Hinen Music, Chappell & Co., Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Joy Music, Inc., Largo Music und Patti Washington Music
Teil von:
The 22nd Academy Award for Best Original Song (Nummer: 2)
4:59
5All of You (take 1)
recording engineer:
David B. Jones (engineer) (am 1961-06-25)
Bass:
Scott LaFaro (am 1961-06-25)
Klavier:
Bill Evans (pianist) (am 1961-06-25)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (am 1961-06-25)
aufgenommen bei:
Village Vanguard in Greenwich Village, New York, New York, Vereinigte Staaten (am 1961-06-25)
live instrumental cover recording of:
All of You (Silk Stockings musical) (am 1961-06-25)
Texter und Komponist(in):
Cole Porter (composer) (in 1954)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) und Chappell Music (UK)
Teil von:
Silk Stockings (1957 musical film)
8:14
6My Romance (take 1)
recording engineer:
David B. Jones (engineer) (am 1961-06-25)
Bass:
Scott LaFaro (am 1961-06-25)
Klavier:
Bill Evans (pianist) (am 1961-06-25)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (am 1961-06-25)
aufgenommen bei:
Village Vanguard in Greenwich Village, New York, New York, Vereinigte Staaten (am 1961-06-25)
live instrumental cover recording of:
My Romance (am 1961-06-25)
Texter:
Lorenz Hart (in 1935)
Komponist(in):
Richard Rodgers (composer) (in 1935)
publisher:
Chappell & Co., Inc. (USA), Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Chappell Music Ltd. (no slash; used 1988–1996), Williamson Music Company, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
Jumbo
7:14
7Some Other Time
recording engineer:
David B. Jones (engineer) (am 1961-06-25)
Bass:
Scott LaFaro (am 1961-06-25)
Klavier:
Bill Evans (pianist) (am 1961-06-25)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (am 1961-06-25)
aufgenommen bei:
Village Vanguard in Greenwich Village, New York, New York, Vereinigte Staaten (am 1961-06-25)
live instrumental cover recording of:
Some Other Time (am 1961-06-25)
Texter:
Sammy Cahn
Komponist(in):
Jule Styne
publisher:
Music Publishing Company of America, Quaytor Productions LLC, Universal PolyGram International (SESAC), Warner Bros. (holding: file NO releases) und WC Music Corp.
5:01
8Solar
recording engineer:
David B. Jones (engineer) (am 1961-06-25)
Bass:
Scott LaFaro (am 1961-06-25)
Klavier:
Bill Evans (pianist) (am 1961-06-25)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (am 1961-06-25)
aufgenommen bei:
Village Vanguard in Greenwich Village, New York, New York, Vereinigte Staaten (am 1961-06-25)
live cover recording of:
Solar (am 1961-06-25)
Komponist(in):
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Prestige Music Co. (US, affiliated with BMI)
8:57
9Gloria’s Step (take 2)
recording engineer:
David B. Jones (engineer) (am 1961-06-25)
Bass:
Scott LaFaro (am 1961-06-25)
Klavier:
Bill Evans (pianist) (am 1961-06-25)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (am 1961-06-25)
aufgenommen bei:
Village Vanguard in Greenwich Village, New York, New York, Vereinigte Staaten (am 1961-06-25)
live recording of:
Gloria’s Step (am 1961-06-25)
Komponist(in):
Scott LaFaro
publisher:
Orpheum Music
6:14
10My Man's Gone Now
recording engineer:
Dave Jones (engineer) (am 1961-06-25)
Techniker(in):
David Jones (engineer)
Produzent(in):
Orrin Keepnews
Klavier:
Bill Evans (pianist) (am 1961-06-25)
Kontrabass:
Scott LaFaro (am 1961-06-25)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (am 1961-06-25)
phonographisches Urheberrecht (℗) von:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2003)
aufgenommen bei:
Village Vanguard in Greenwich Village, New York, New York, Vereinigte Staaten (am 1961-06-25)
Remaster:
My Man’s Gone Now (live, 1961-06-25: Village Vanguard, New York, NY, USA — 2008 remaster) von Bill Evans Trio
live instrumental cover recording of:
My Man’s Gone Now (aria from Porgy and Bess, use this for non-opera or instrumental recordings) (am 1961-06-25)
Texter:
Ira Gershwin, Dorothy Heyward (playwright) und DuBose Heyward
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co., Chappell Music Co., Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Chappell North America und WB Music Corp. (1929–2019) (bis 2019-05-28)
Version von:
Porgy and Bess: Act I, Scene II. “My Man’s Gone Now”
6:25
6▼CD
Nr.TitelBewertungLänge
1All of You (take 2)
recording engineer:
David B. Jones (engineer) (am 1961-06-25)
Bass:
Scott LaFaro (am 1961-06-25)
Klavier:
Bill Evans (pianist) (am 1961-06-25)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (am 1961-06-25)
aufgenommen bei:
Village Vanguard in Greenwich Village, New York, New York, Vereinigte Staaten (am 1961-06-25)
live instrumental cover recording of:
All of You (Silk Stockings musical) (am 1961-06-25)
Texter und Komponist(in):
Cole Porter (composer) (in 1954)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) und Chappell Music (UK)
Teil von:
Silk Stockings (1957 musical film)
8:22
2Detour Ahead (take 1)
recording engineer:
David B. Jones (engineer) (am 1961-06-25)
Bass:
Scott LaFaro (am 1961-06-25)
Klavier:
Bill Evans (pianist) (am 1961-06-25)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (am 1961-06-25)
aufgenommen bei:
Village Vanguard in Greenwich Village, New York, New York, Vereinigte Staaten (am 1961-06-25)
live cover recording of:
Detour Ahead (am 1961-06-25)
Komponist(in):
Lou Carter (in 1947), Herb Ellis (jazz guitarist) (in 1947) und Johnny Frigo (US jazz musician) (in 1947)
publisher:
Woodrow Music
7:18
3Waltz for Debby (take 1)
recording engineer:
David B. Jones (engineer) (am 1961-06-25)
Bass:
Scott LaFaro (am 1961-06-25)
Klavier:
Bill Evans (pianist) (am 1961-06-25)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (am 1961-06-25)
aufgenommen bei:
Village Vanguard in Greenwich Village, New York, New York, Vereinigte Staaten (am 1961-06-25)
live recording of:
Waltz for Debby (instrumental) (am 1961-06-25)
Komponist(in):
Bill Evans (pianist)
publisher:
Acorn Music Corp., Folkways Music Publishers Inc. und Kensington Music Ltd.
Teil von:
The Real Book (compilation of jazz standards, volume I)
6:51
4Alice in Wonderland (take 2)
recording engineer:
David B. Jones (engineer) (am 1961-06-25)
Bass:
Scott LaFaro (am 1961-06-25)
Klavier:
Bill Evans (pianist) (am 1961-06-25)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (am 1961-06-25)
aufgenommen bei:
Village Vanguard in Greenwich Village, New York, New York, Vereinigte Staaten (am 1961-06-25)
live instrumental cover recording of:
Alice in Wonderland (main theme of Alice in Wonderland, 1951 film) (am 1961-06-25)
Texter:
Bob Hilliard
Komponist(in):
Sammy Fain
Teil von:
Alice in Wonderland (1951 Disney animated film)
8:39
5I Loves You, Porgy
recording engineer:
David B. Jones (engineer) (am 1961-06-25)
Bass:
Scott LaFaro (am 1961-06-25)
Klavier:
Bill Evans (pianist) (am 1961-06-25)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (am 1961-06-25)
aufgenommen bei:
Village Vanguard in Greenwich Village, New York, New York, Vereinigte Staaten (am 1961-06-25)
live instrumental cover recording of:
I Loves You, Porgy (use this for non-operatic performances) (am 1961-06-25)
Texter:
Ira Gershwin und DuBose Heyward
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America und Gershwin Publishing Corp (in 1935)
Version von:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
6:03
6My Romance (take 2)
recording engineer:
David B. Jones (engineer) (am 1961-06-25)
Bass:
Scott LaFaro (am 1961-06-25)
Klavier:
Bill Evans (pianist) (am 1961-06-25)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (am 1961-06-25)
aufgenommen bei:
Village Vanguard in Greenwich Village, New York, New York, Vereinigte Staaten (am 1961-06-25)
live instrumental cover recording of:
My Romance (am 1961-06-25)
Texter:
Lorenz Hart (in 1935)
Komponist(in):
Richard Rodgers (composer) (in 1935)
publisher:
Chappell & Co., Inc. (USA), Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Chappell Music Ltd. (no slash; used 1988–1996), Williamson Music Company, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
Jumbo
7:17
7Milestones
recording engineer:
David B. Jones (engineer) (am 1961-06-25)
Bass:
Scott LaFaro (am 1961-06-25)
Klavier:
Bill Evans (pianist) (am 1961-06-25)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (am 1961-06-25)
aufgenommen bei:
Village Vanguard in Greenwich Village, New York, New York, Vereinigte Staaten (am 1961-06-25)
live cover recording of:
Milestones (originally titled “Miles”) (am 1961-06-25)
Komponist(in):
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Champs Élysées Nouv Société, EMI (EMI Records, or EMI Music only if there is no other imprint), Jazz Horn Music und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
6:34
8Detour Ahead (take 2)
recording engineer:
David B. Jones (engineer) (am 1961-06-25)
Bass:
Scott LaFaro (am 1961-06-25)
Klavier:
Bill Evans (pianist) (am 1961-06-25)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (am 1961-06-25)
aufgenommen bei:
Village Vanguard in Greenwich Village, New York, New York, Vereinigte Staaten (am 1961-06-25)
live cover recording of:
Detour Ahead (am 1961-06-25)
Komponist(in):
Lou Carter (in 1947), Herb Ellis (jazz guitarist) (in 1947) und Johnny Frigo (US jazz musician) (in 1947)
publisher:
Woodrow Music
7:42
9Gloria’s Step (take 3)
recording engineer:
David B. Jones (engineer) (am 1961-06-25)
Bass:
Scott LaFaro (am 1961-06-25)
Klavier:
Bill Evans (pianist) (am 1961-06-25)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (am 1961-06-25)
aufgenommen bei:
Village Vanguard in Greenwich Village, New York, New York, Vereinigte Staaten (am 1961-06-25)
live recording of:
Gloria’s Step (am 1961-06-25)
Komponist(in):
Scott LaFaro
publisher:
Orpheum Music
6:56
7▼CD
Nr.TitelBewertungLänge
1Waltz For Debby (take 2)
recording engineer:
David B. Jones (engineer) (am 1961-06-25)
Bass:
Scott LaFaro (am 1961-06-25)
Klavier:
Bill Evans (pianist) (am 1961-06-25)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (am 1961-06-25)
aufgenommen bei:
Village Vanguard in Greenwich Village, New York, New York, Vereinigte Staaten (am 1961-06-25)
live recording of:
Waltz for Debby (instrumental) (am 1961-06-25)
Komponist(in):
Bill Evans (pianist)
publisher:
Acorn Music Corp., Folkways Music Publishers Inc. und Kensington Music Ltd.
Teil von:
The Real Book (compilation of jazz standards, volume I)
6:57
2All of You (take 3)
recording engineer:
David B. Jones (engineer) (am 1961-06-25)
Bass:
Scott LaFaro (am 1961-06-25)
Klavier:
Bill Evans (pianist) (am 1961-06-25)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (am 1961-06-25)
aufgenommen bei:
Village Vanguard in Greenwich Village, New York, New York, Vereinigte Staaten (am 1961-06-25)
live instrumental cover recording of:
All of You (Silk Stockings musical) (am 1961-06-25)
Texter und Komponist(in):
Cole Porter (composer) (in 1954)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) und Chappell Music (UK)
Teil von:
Silk Stockings (1957 musical film)
8:07
3Jade Visions (take 1)
recording engineer:
David B. Jones (engineer) (am 1961-06-25)
Bass:
Scott LaFaro (am 1961-06-25)
Klavier:
Bill Evans (pianist) (am 1961-06-25)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (am 1961-06-25)
aufgenommen bei:
Village Vanguard in Greenwich Village, New York, New York, Vereinigte Staaten (am 1961-06-25)
live recording of:
Jade Visions (am 1961-06-25)
Komponist(in):
Scott LaFaro
publisher:
Orpheum Music
4:16
4Jade Visions (take 2)
recording engineer:
David B. Jones (engineer) (am 1961-06-25)
Bass:
Scott LaFaro (am 1961-06-25)
Klavier:
Bill Evans (pianist) (am 1961-06-25)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (am 1961-06-25)
aufgenommen bei:
Village Vanguard in Greenwich Village, New York, New York, Vereinigte Staaten (am 1961-06-25)
live recording of:
Jade Visions (am 1961-06-25)
Komponist(in):
Scott LaFaro
publisher:
Orpheum Music
3:45
5... a Few Final Bars
recording engineer:
David B. Jones (engineer) (am 1961-06-25)
Bass:
Scott LaFaro (am 1961-06-25)
Klavier:
Bill Evans (pianist) (am 1961-06-25)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (am 1961-06-25)
aufgenommen bei:
Village Vanguard in Greenwich Village, New York, New York, Vereinigte Staaten (am 1961-06-25)
0:27
6Danny Boy
recording engineer:
Ray Fowler (US recording engineer) (am 1962-04-04, am 1962-04-10)
Produzent(in):
Orrin Keepnews
Klavier:
Bill Evans (pianist) (am 1962-04-04, am 1962-04-10)
aufgenommen bei:
Plaza Sound Studios in New York, New York, Vereinigte Staaten (am 1962-04-04, am 1962-04-10)
instrumental cover recording of:
Danny Boy (am 1962-04-04)
publisher:
Alfred Music (publisher of sheet music for music education)
Texter:
Frederick Edward Weatherly (von 1910 bis 1913)
Komponist(in):
[traditional] (special purpose artist)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label) und Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label)
sub-publisher:
Public Music AB
basiert auf:
Londonderry Air
instrumental recording of:
Danny Boy (am 1962-04-10)
publisher:
Alfred Music (publisher of sheet music for music education)
Texter:
Frederick Edward Weatherly (von 1910 bis 1913)
Komponist(in):
[traditional] (special purpose artist)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label) und Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label)
sub-publisher:
Public Music AB
basiert auf:
Londonderry Air
10:41
7Like Someone in Love
recording engineer:
Ray Fowler (US recording engineer) (am 1962-04-04, am 1962-04-10)
Produzent(in):
Orrin Keepnews
Klavier:
Bill Evans (pianist) (am 1962-04-04, am 1962-04-10)
aufgenommen bei:
Plaza Sound Studios in New York, New York, Vereinigte Staaten (am 1962-04-04, am 1962-04-10)
instrumental cover recording of:
Like Someone in Love (am 1962-04-04)
Texter:
Johnny Burke (American lyricist, 1908–1964) (in 1944)
Komponist(in):
Jimmy Van Heusen (in 1944)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Chappell Morris Ltd., Dorsey Brothers Music und Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
instrumental cover recording of:
Like Someone in Love (am 1962-04-10)
Texter:
Johnny Burke (American lyricist, 1908–1964) (in 1944)
Komponist(in):
Jimmy Van Heusen (in 1944)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Chappell Morris Ltd., Dorsey Brothers Music und Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
6:28
8In Your Own Sweet Way
recording engineer:
Ray Fowler (US recording engineer) (am 1962-04-04, am 1962-04-10)
Produzent(in):
Orrin Keepnews
Klavier:
Bill Evans (pianist) (am 1962-04-04, am 1962-04-10)
aufgenommen bei:
Plaza Sound Studios in New York, New York, Vereinigte Staaten (am 1962-04-04, am 1962-04-10)
cover recording of:
In Your Own Sweet Way (original instrumental composition) (am 1962-04-04)
Komponist(in):
Dave Brubeck (in 1952)
publisher:
Derry Music
instrumental recording of:
In Your Own Sweet Way (original instrumental composition) (am 1962-04-10)
Komponist(in):
Dave Brubeck (in 1952)
publisher:
Derry Music
2:58
9Easy to Love
recording engineer:
Ray Fowler (US recording engineer) (am 1962-04-04, am 1962-04-10)
Produzent(in):
Orrin Keepnews
Klavier:
Bill Evans (pianist) (am 1962-04-04, am 1962-04-10)
aufgenommen bei:
Plaza Sound Studios in New York, New York, Vereinigte Staaten (am 1962-04-04, am 1962-04-10)
instrumental cover recording of:
Easy to Love (am 1962-04-04)
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell (library/production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
Anything Goes
Teil von:
Born to Dance
instrumental recording of:
Easy to Love (am 1962-04-10)
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell (library/production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
Anything Goes
Teil von:
Born to Dance
4:42
10How My Heart Sings
recording engineer:
Bill Schwartau (am 1962-05-17)
Bass:
Chuck Israels (am 1962-05-17)
Klavier:
Bill Evans (pianist) (am 1962-05-17)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (am 1962-05-17)
aufgenommen bei:
Sound Makers in New York, New York, Vereinigte Staaten (am 1962-05-17)
cover recording of:
How My Heart Sings (am 1962-05-17)
Komponist(in):
Earl Zindars (in 1962)
publisher:
Zindars Publishing
4:59
11Summertime
recording engineer:
Bill Schwartau (am 1962-05-17)
Bass:
Chuck Israels (am 1962-05-17)
Klavier:
Bill Evans (pianist) (am 1962-05-17)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (am 1962-05-17)
aufgenommen bei:
Sound Makers in New York, New York, Vereinigte Staaten (am 1962-05-17)
instrumental cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (am 1962-05-17)
Texter:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) und DuBose Heyward (in 1934)
Komponist(in):
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (von 1935 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Version von:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
6:00
12If You Could See Me Now
recording engineer:
Bill Schwartau (am 1962-05-17)
Bass und Kontrabass [bass]:
Chuck Israels (am 1962-05-17)
Klavier:
Bill Evans (pianist) (am 1962-05-17)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (am 1962-05-17)
aufgenommen bei:
Sound Makers in New York, New York, Vereinigte Staaten (am 1962-05-17)
instrumental cover recording of:
If You Could See Me Now (jazz standard) (am 1962-05-17)
Texter:
Carl Sigman (in 1946)
Komponist(in):
Tadd Dameron (in 1946)
publisher:
EMI Full Keel Music, EMI Robbins Catalog Inc. (ASCAP), Music Sales Corporation (American copyright holder in both popular and classical music) und Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
4:30
13Walking Up
recording engineer:
Bill Schwartau (am 1962-05-29)
Bass:
Chuck Israels (am 1962-05-29)
Klavier:
Bill Evans (pianist) (am 1962-05-29)
Schlagzeug:
Paul Motian (US jazz drummer, percussionist & composer) (am 1962-05-29)
aufgenommen bei:
Sound Makers in New York, New York, Vereinigte Staaten (am 1962-05-29)
recording of:
Walkin' Up (am 1962-05-29)
Komponist(in):
Bill Evans (pianist)
publisher:
Acorn Music (label in Berkeley, CA founded by hammered dulcimer player Tony Elman), Folkways Music Publishers Inc. und TRO-Acorn Music
4:56
8▶CD
9▶CD
10▶CD
11▶CD
12▶CD